<h2>CHAPTER X</h2>
<h3>IN THE GARDEN</h3>
<p>'Father's in a horrid temper. Did anything go wrong?' said Rose,
when Leonora reached Hillport.</p>
<p>'No,' Leonora replied. 'Where is he?'</p>
<p>'In the drawing-room. He says he won't have any tea.'</p>
<p>'You must remember, my dear, that your father has been through a
great deal this last day or two.'</p>
<p>'So have all of us, as far as that goes,' Rose stated
ruthlessly. 'However——' She turned away, shrugging her
shoulders.</p>
<p>Leonora wondered by means of what sad experience Rose would
ultimately discover that, whereas men have the right to cry out
when they are hurt, it is the whole business of a woman's life to
suffer in cheerful silence. She sat with the girls during tea,
drinking a cup for the sake of form, and giving them disconnected
items of information about the funeral, which at their own <SPAN name=
'Page275' id="Page275"></SPAN><span class="pagenum">275</span>passionate request they had been excused from
attending. The talk was carried on in low tones, so that the rattle
of a spoon in a saucer sounded loud and distinct. And in the
drawing-room John steadily perused the 'Signal,' column by column,
from the announcement of 'Pink Dominoes' at the Hanbridge Theatre
Royal on the first page, to the bait of a sporting bookmaker in
Holland at the end of the last. The evening was desolating, but
Leonora endured it with philosophy, because she appreciated John's
state of mind.</p>
<p>It was the disclosure of the legacy of two hundred and fifty
pounds to Fred Ryley, and of the recent conditional revocation of
that legacy, which had galled her husband's sensibilities by
bringing home to him what he had lost through Aunt Hannah's sudden
death and through the senile whim of Uncle Meshach to alter his
will. He could well have tolerated Meshach's refusal to distribute
Aunt Hannah's savings immediately (Leonora thought), had the old
man's original testament remained uncancelled. Once upon a time,
Ryley, the despised poor relation, the offspring of an outcast from
the family, was to have been put off with two hundred and fifty
pounds, and the bulk of the Myatt joint fortune was to have passed
in any case to John. The <SPAN name='Page276' id="Page276"></SPAN><span class="pagenum">276</span>withdrawal of the
paltry legacy, as shown in the codicil, was the outward and
irritating sign that Ryley had been lifted from his humble position
to the level of John himself. John, of course, had known months ago
that he and Ryley stood level in the hazard of gaining the
inheritance, but the history of the legacy, revealed after the
funeral, aroused his disgusted imagination, as it had not been
roused before.</p>
<p>He was beaten; and, more important, he knew it now; he had the
incensed, futile, malevolent, devil-may-care feeling of being
beaten. He bitterly invited Fate not to stop at half-measures but
to come on and do her worst. And Fate, with that mysterious
responsiveness which often distinguishes her movements, came on.
'Of course! I might have expected it!' John exclaimed savagely, two
days later, when he received a circular to the effect that a small
and desperate minority of shareholders were trying to put the
famous brewery company into liquidation under the supervision of
the Court. The shares fell another five in twenty-four hours. The
Bursley Conservative Club knew positively the same night that John
had 'got out' at a ruinous loss, and this episode seemed to give
vigorous life to certain rumours, hitherto faint, that John and his
uncle had violently quarrelled <SPAN name='Page277' id="Page277"></SPAN><span class="pagenum">277</span>at his aunt's
funeral, and that when Meshach died Fred Ryley would be found to be
the heir. Other rumours, that Ethel Stanway and Fred Ryley were
about to be secretly married, that Dain would have been the owner
of Prince but for the difference between guineas and pounds, and
that the real object of Arthur Twemlow's presence in the Five Towns
was to buy up the concern of Twemlow & Stanway, were received
with reserve, though not entirely discredited. The town, however,
was more titillated than perturbed, for every one said that old
Meshach, for the sake of the family's good name, would never under
any circumstances permit a catastrophe to occur. The town saw
little of Meshach now—he had almost ceased to figure in the
streets; it knew, however, the Myatt pride in the Myatt
respectability.</p>
<hr class='short' />
<p>Leonora sympathised with John, but her sympathy, weakened by his
surliness, was also limited by her ignorance of his real plight,
and by the secret preoccupation of her own existence. From the
evening of the funeral the desire to see Arthur again, to study his
features, to hear his voice, definitely took the uppermost place in
her mind. She thought of him always, and she ceased to pretend to
herself that this was not so. <SPAN name='Page278' id="Page278"></SPAN><span class="pagenum">278</span>She continually
expected him to call, or to meet some one who had met him, or to
receive a letter from him. She forced her memory to reconstitute in
detail his last visit to Hillport, and all the exacerbating scene
of the funeral feast, in order that she might dwell tenderly upon
his gestures, his glances, his remarks, the inflections of his
voice. The eyes of her soul were ever beholding his form. Even at
breakfast, after the disappointment of the post, she would indulge
in ridiculous hopes that he might be abroad very early and would
look in, and not until bedtime did she cease to listen for his ring
at the front door. No chance of a meeting was too remote for her
wild fancy. But she dared not breathe his name, dared not even
adumbrate an inquiry; and her husband and daughters appeared to
have entered into a compact not to mention him. She did not take
counsel with herself, examine herself, demand from herself what was
the significance of these symptoms; she could not; she could only
live from one moment to the next engrossed in an eternal expectancy
which instead of slackening became hourly more intense and painful.
Towards the close of the afternoon of the third day, in the
drawing-room, she whispered that something decisive must happen
soon, soon.... The bell rang; her ears caught the distant sound for
<SPAN name='Page279' id="Page279"></SPAN><span class="pagenum">279</span>which they had so long waited. Shuddering, she
thanked heaven that she was alone. She could hear the opening and
closing of the front door. In three seconds Bessie would appear.
She heard the knob of the drawing-room door turn, and to hide her
agitation she glanced aside at the clock. It was a quarter to six.
'He will stay the evening,' she thought.</p>
<p>'Mr. Dain,' Bessie proclaimed.</p>
<p>'Oh, how do you do, Mrs. Stanway? Stanway not come in yet, eh?'
said the stout lawyer, approaching her hurriedly with his fussy,
awkward gait.</p>
<p>She could have laughed; but the visit was at any rate a
distraction.</p>
<p>A few minutes later John arrived.</p>
<p>'Dain will stay for tea, Nora. Eh, Dain?' he said.</p>
<p>'Well—thanks,' was Dain's reply.</p>
<p>She asked herself, with sudden misgiving, what new thing was
afoot.</p>
<p>After tea, the two men were left together at the table.</p>
<p>'Mother,' Ethel inquired eagerly, coming into the drawing-room,
'why are father and Mr. Dain measuring the dining-room?'</p>
<p>'I don't know,' said Leonora. 'Are they?'</p>
<p>'Yes, Mr. Dain has got ever such a long tape.'</p>
<p><SPAN name='Page280' id="Page280"></SPAN><span class="pagenum">280</span>Leonora went into the kitchen and talked to the
cook.</p>
<p>The next morning an idea occurred to her. Since the funeral, the
girls had been down to see Uncle Meshach each afternoon, and
Leonora had called at Church Street in the forenoon, so that the
solitude of the old man might be broken at least twice a day. When
she had suggested the arrangement to her husband, John had answered
stiffly, with an unimpeachable righteousness, that everything
possible must be done for his uncle. On this fourth day, Leonora
sent Ethel and Milly in the morning, with a message that she
herself would come in the afternoon, by way of change. The phrase
that sang in her head was Arthur's promise to Meshach: 'I shall
call in a day or two.' She knew that he had not yet called. 'Don't
wait tea, if I should be late, dears,' she said smilingly to the
girls; 'I may stay with uncle a while.' And she nearly ran out of
the house.</p>
<hr class='short' />
<p>When they had had tea, and when Leonora had performed the
delicate feat of arranging Uncle Meshach's domestic affairs without
affronting his servant, she sat down opposite to him before the
fire in the parlour.</p>
<p>'<SPAN name='Page281' id="Page281"></SPAN><span class="pagenum">281</span>You're for stopping a bit, eh?' he said, as if
surprised.</p>
<p>'Well,' she laughed, 'wouldn't you like me to?'</p>
<p>'Oh, ay!' he admitted readily, 'I'st like it well enough. I
don't know but what you aren't all on ye very good—you and
th' wenches, and Fred as calls in of nights. But it's all one to
me, I reckon. I take no pleasure i' life. Nay,' he went on, 'it
isn't because of <i>her</i>. I've felt as I was done for for months
past. I mun just drag on.'</p>
<p>'Don't talk like that, uncle.' She tried conventionally to cheer
him. 'You must rouse yourself.'</p>
<p>'What for?'</p>
<p>She sought a good answer to this conundrum. 'For all of us,' she
said lamely, at length.</p>
<p>'Leonora, my lass,' he remarked drily, 'you're no better than
the rest of 'em.'</p>
<p>And as she sat there in the age-worn parlour, and thought of the
distant days of his energy, when with his own hands he had pulled
down a wall and replaced it by a glass partition, and of the night
when he lay like a corpse on Ethel's bed at the mercy of his
nephew, and of Aunt Hannah resting in the cold tomb just at the end
of the street, her heart was filled for a moment with an <SPAN name=
'Page282' id="Page282"></SPAN><span class="pagenum">282</span>awful,
ineffable, devastating sadness. It seemed to her that every grief,
anxiety, apprehension was joy itself compared to this supreme
tragedy of natural decay.</p>
<p>'Shall I light the gas?' she suggested. The room was always
obscure, and that evening happened to be a sombre one.</p>
<p>'Ay!'</p>
<p>'There!' she said brightly, when the gas flared, 'that's better,
isn't it? Aren't you going to smoke?'</p>
<p>'Ay!'</p>
<p>In reaching a second spill from the spill-jar on the mantelpiece
she noticed the clock. It was only a quarter past five. 'He may
call yet,' she dreamed, and then a more piquant thought: 'He may be
at home when I get back.'</p>
<p>There was a perfunctory knock at the house-door. She
started.</p>
<p>'It's the "Signal" lad,' Meshach explained. 'He keeps on
bringing it, but I never look at it.'</p>
<p>She went into the lobby for the paper, and then read aloud to
Uncle Meshach the items of local news. The clock showed a quarter
to six. Suddenly it struck her that Arthur Twemlow might have
called quite early in the afternoon and that Meshach might have
forgotten to tell her. If he had perchance called, and perchance
informed <SPAN name='Page283' id="Page283"></SPAN><span class="pagenum">283</span>Meshach that he was going on to Hillport, and
if he had walked up by the road while she came down by the fields!
The idea was too dreadful.</p>
<p>'Has Mr. Twemlow been to see you yet?' she demanded, after a
long silence, pretending to be interested in the 'Signal.'</p>
<p>'No,' said Meshach; 'why dost ask?'</p>
<p>'I remembered he said he should.'</p>
<p>'He'll come, he'll come,' Meshach murmured confidently. 'Dain's
been in,' he added, 'wi' papers to sign, probate o' Hannah's will.
Seemingly John's not satisfied, from what Dain hints.'</p>
<p>'Not satisfied with what?' Flushing a little, she dropped the
paper; but she was still busily employed in expecting Arthur to
arrive.</p>
<p>'Eh, I canna' tell you, lass.' Meshach gave a grim sigh. 'You
know as I altered my will?'</p>
<p>'Jack mentioned it.'</p>
<p>'Me and her, we thought it over. It was her as first said that
Fred was getting a nice young chap, and very respectable, and why
should he be left out in the cold? And so I says to her, I says,
"Well, you can make your will i' favour o' Fred, if you've a mind."
"Nay, Meshach," her says, "never ask me to cut out our John's
name." "Well," I says to her, "if you won't, I will. It'll give 'em
both an even chance. Us'n die pretty near together, me and you,
Hannah, it'll <SPAN name='Page284' id="Page284"></SPAN><span class="pagenum">284</span>be a toss-up," I says. Wasn't that fair?'
Leonora made no reply. 'Wasn't that fair?' he repeated.</p>
<p>She could not be sure, even then, whether Uncle Meshach had
devised in perfect seriousness this extraordinary arrangement for
dealing justly between the surviving members of the Myatt family,
or whether he had always had a private humorous appreciation of the
fantastic element in it.</p>
<p>'I don't know,' she said.</p>
<p>'Well, lass,' he continued persuasively, sitting up in his
chair, 'us ignored young Fred for more till twenty year. And it
wasna' right. Hannah said it wasna' right as Fred should suffer for
his mother and his grandfeyther. And then us give Fred and your
John an equal chance, and John's lost, and now John isna'
satisfied, by all accounts.' She gazed at him with a gentle smile.
'Why dostna' speak, lass?'</p>
<p>'What am I to say, uncle?'</p>
<p>'Wouldst like me to make a new will, and halve it between John
and Fred? It wouldna' be fair to Fred, not rightly fair, because
he's run his risk for th' lot. But wouldst like it, lass?'</p>
<p>There was a trace of the old vitality in his shrivelled
features, as he laid this offering on the altar of her feminine
charm.</p>
<p>'Oh, do, uncle!' she was about to say eagerly, <SPAN name='Page285' id="Page285"></SPAN><span class="pagenum">285</span>but she thought in
the same instant of John standing over Meshach's body, with the
ice-cold cloth in his hand, and something, some dim instinct of a
fundamental propriety, prevented her from uttering those words. 'I
would like you to do whatever you think right,' she answered with
calmness.</p>
<p>Meshach was evidently disappointed.</p>
<p>'I shall see,' he ejaculated. And after a pause, 'John's i'
smooth water again, isn't he? I meant to ask Dain.'</p>
<p>'I think so,' said Leonora.</p>
<p>She had become restive. Soon afterwards she bade him good-night
and departed. And all the way up to Hillport she speculated upon
the chances of finding Arthur in her drawing-room when she got
home.</p>
<hr class='short' />
<p>As she passed through the hall she knew at once that Arthur was
not in the house and had not been there; and the agitation of her
heart subsided suddenly into the melancholy stillness of defeated
hope. She sadly admitted that she no longer knew herself, and that
the Leonora of old had been supplanted by a creature of
incalculable moods, a feeble victim of strange crises of secret
folly. Through the open door of the drawing-room she could see Rose
reading, and <SPAN name='Page286' id="Page286"></SPAN><span class="pagenum">286</span>Millicent searching among a pile of music on
the piano. Bessie emerged from the dining-room with a white cloth
and the crumb-tray.</p>
<p>'Master's in there,' said Bessie; 'they didn't wait tea,
ma'am.'</p>
<p>Leonora went into the dining-room, where John sat alone at the
bare mahogany, smoking. With her deep knowledge of him, she
detected instantly that he had been annoyed by her absence from
tea. The condition of the sharp end of his cigar showed that he was
perturbed, fretful, and perhaps in a state of suspense. 'Well,' she
thought with resignation, 'I may as well play the wife,' and she
sat down in a chair near him, put her purse on the table, and
smiled generously. Then she raised her veil, loosed the buttons of
her new black coat, and began to draw off her gloves.</p>
<p>'I've been waiting for you,' he said, and to her surprise his
tone was extremely pacific.</p>
<p>'Have you?' she answered, intensifying all her alluring grace.
'I hurried home.'</p>
<p>'Yes, I wanted to ask you——' He stopped, ostensibly
to put the cigar into his meerschaum holder.</p>
<p>She perceived that the desire to ingratiate fought within him
against his vexation, and she wondered, with a touch of cynicism,
what new <SPAN name='Page287' id="Page287"></SPAN><span class="pagenum">287</span>scheme had got possession of him, and how her
assistance was necessary to it.</p>
<p>'Would you like to go and live in the country, Nora?' He looked
at her audaciously for a moment and then his eyes shifted.</p>
<p>'For the summer, you mean?'</p>
<p>'Yes,' he said, 'for the summer and the winter too. Somewhere
out Sneyd way.'</p>
<p>'And leave here?'</p>
<p>'Exactly.'</p>
<p>'But what about the house, Jack?'</p>
<p>'Sell it, if you like,' said John lightly.</p>
<p>'Oh, no! I shouldn't like that at all,' she replied, nervously
but amiably. She wished to believe that his suggestion about
selling the house was merely an idle notion thrown out on the spur
of the moment, but she could not.</p>
<p>'You wouldn't?'</p>
<p>She shook her head. 'What has made you think of going to live in
the country?' she asked him, using a tone of gentle, mild
curiosity. 'How should you get to the works in the morning?'</p>
<p>'There's a very good train service from Sneyd to Knype,' he
said. 'But look here, Nora, why wouldn't you care to sell the
house?'</p>
<p>It was perfectly clear to her that, having mortgaged her house,
he had now made up his mind to sell it. He must therefore still be
in <SPAN name='Page288' id="Page288"></SPAN><span class="pagenum">288</span>financial difficulties, and she had unwittingly
misled Uncle Meshach.</p>
<p>'I don't know,' she answered coldly. 'I can't explain to you
why. But I shouldn't.' And she privately resolved that nothing
should induce her to assent to this monstrous proposal. Her heart
hardened to steel. She felt prepared to suffer any unpleasantness,
any indignity, rather than give way.</p>
<p>'It isn't as if Hillport wasn't changing,' he went on, politely
argumentative. 'It is changing. In another ten years all the decent
estates will have been broken up, and we shall be left alone in the
middle of streets of villas rented at nineteen guineas to escape
the house duty. You know the sort of thing.... And I've had a very
fair offer for the place.'</p>
<p>'Whom from?'</p>
<p>'Well, Dain. I know he's wanted the house a long time. Of
course, he's a hard nut to crack, is Dain. But he went up to two
thousand, and yesterday I got him to make it guineas. That's a good
price, Nora.'</p>
<p>'Is it?' she exclaimed absently.</p>
<p>'I should just imagine it was!' said John.</p>
<p>So it was expected of her that she should surrender her home,
her domain, her kingdom, the beautiful and mellow creation of her
intelli<SPAN name='Page289' id="Page289"></SPAN><span class="pagenum">289</span>gence; and that she should surrender it to
David Dain, and to the impossible Mrs. Dain, and to their
impossible niece. She remembered one of Milly's wicked tales about
Mrs. Dain and the niece. Milly had met Mrs. Dain in the street, and
in response to an inquiry about the health of the hypochondriacal
niece, Mrs. Dain, gorgeously attired, had replied: 'Her had but
just rallied up off th' squab as I come out.' These were the people
who wanted to evict her from her house. And they would cover its
walls with new papers, and its floors with new carpets, in their
own appalling taste; and they would crowd the rooms with furniture
as fat, clumsy, and disgusting as themselves. And Mrs. Dain would
hold sewing meetings in the drawing-room, and would stand
chattering with tradesmen at the front door, and would drive out to
Sneyd to pay a call on Leonora and tell her how <i>pleased</i> they
all were with the place!</p>
<p>'Do you absolutely need the money, John?' She came to the point
with a frank, blunt directness which angered him.</p>
<p>'I don't absolutely need anything,' he retorted, controlling
himself. 'But Dain made the offer——'</p>
<p>'Because if you do,' she proceeded, 'I dare say Uncle
Meshach——'</p>
<p><SPAN name='Page290' id="Page290"></SPAN><span class="pagenum">290</span>'Look here, my girl,' he interrupted in turn,
'I've had exactly as much of Uncle Meshach as I can stand. I know
all about Uncle Meshach, what I wanted to know was whether you
cared to sell the house.' And then he added, after hesitating, and
with a false graciousness, 'To oblige me.'</p>
<p>There was a marked pause.</p>
<p>'I really shouldn't like to sell the house, John,' she answered
quietly. 'It was aunt's, and——'</p>
<p>'Enough said! enough said!' he cried. 'That finishes it. I
suppose you don't mind my having asked you!'</p>
<p>He walked out of the room in a rage.</p>
<p>Tears came into her eyes, the tears of a wounded and proud
heart. Was it conceivable that he expected her to be willing to
sell her house?... He must indeed be in serious straits. She would
consult Uncle Meshach.</p>
<p>The front door banged. And then Rose entered the room.</p>
<p>Leonora drove back the tears.</p>
<p>'Your father has been suggesting that we sell this house, and go
and live at Sneyd,' she said to the girl in a trembling voice.
'Aren't you surprised?' She seldom talked about John to her
<SPAN name='Page291' id="Page291"></SPAN><span class="pagenum">291</span>daughters, but at that moment a desire for
sympathy overwhelmed her.</p>
<p>'I should never be surprised at anything where father was
concerned,' said Rose coldly, with a slight hint of aloofness and
of mental superiority. 'Not at anything.'</p>
<p>Leonora got up, and, leaving the room, went into the garden
through the side door opposite the stable. She could hear Millicent
practising the Jewel Song from Gounod's <i>Faust</i>. As she passed
down the sombre garden the sound of the piano and of Milly's voice
in the brilliant ecstatic phrases of the song grew fainter. She
shook violently, like a child who is recovering from a fit of sobs,
and without thinking she fastened her coat. 'What a shame it is
that he should want to sell my house! What a shame!' she murmured,
full of an aggrieved resentment. At the same time she was surprised
to find herself so suddenly and so deeply disturbed.</p>
<hr class='short' />
<p>At the foot of the long garden was a low fence separating it
from the meadow, and in the fence a wicket from which ran a faint
track to the main field-path. She leaned against the fence, a few
yards away from the wicket, at a spot where a clump of bushes
screened the house. No one could possibly have seen her from the
house, even <SPAN name='Page292' id="Page292"></SPAN><span class="pagenum">292</span>had the bushes not been there; but she wished
to isolate herself completely, and to find tranquillity in the
isolation. The calm spring night, chill but not too cold, cloudy
but not too dark, favoured her intention. She gazed about her at
the obscure nocturnal forms of things, at the silent trees, and the
mysterious clouds gently rounded in their vast shape, and the sharp
slant of the meadow. Far below could be seen the red signal of the
railway, and, mapped in points of light on the opposite slope, the
streets of Bursley. To the right the eternal conflagration of the
Cauldon Bar furnaces illumined the sky with wavering amber. And on
the keen air came to her from the distance noises, soft but
impressive, of immense industrial activities.</p>
<p>She thought she could decipher a figure moving from the
field-path across the gloom of the meadow, and as she strained her
eyes the figure became an indubitable fact. Presently she knew that
it was Arthur. 'At last!' her heart passionately exclaimed, and she
was swept and drenched with happiness as a ship by the ocean. She
forgot everything in the tremendous shock of joy. She felt as
though she could have waited no more, and that now she might expire
in a bliss intense and fatal, in a sigh of supreme content. She
could not stir nor speak, and he <SPAN name='Page293' id="Page293"></SPAN><span class="pagenum">293</span>was striding towards
the wicket unconscious of her nearness! She coughed, a delicate
feminine cough, and then he turned aside from the direction of the
wicket and approached the fence, peering.</p>
<p>'Is that you?' he asked.</p>
<p>'Yes.'</p>
<p>Across the fence they clasped hands. And in spite of her great
wish not to do so she clutched his hand tightly in her long
fingers, and held it for a moment. And as she felt the returning
pressure of his large, powerful, protective grasp, she
covered—but in imagination only—she covered his face,
which she could shadowily see, with brave and abandoned kisses; and
she whispered to him, but unheard: 'Admit that I am made for love.'
She feared, in those beautiful and shameless instants, neither
John, nor Ethel and Milly, nor even Rose. She knew suddenly why men
and women leave all—honour, duty, and affection—and
follow love. Then her arm dropped, and there was silence.</p>
<p>'What are you doing here?' She was unable to speak in an
ordinary tone, but she spoke. Her voice exquisitely trembled, and
its vibrations said everything that the words did not say.</p>
<p>'Why,' he answered, and his voice too bore strange messages, 'I
called at Church Street and <SPAN name='Page294' id="Page294"></SPAN><span class="pagenum">294</span>Mr. Myatt said you
had only been gone a few minutes, and so I came right away. I
guessed I should overtake you. I don't know what he would think.'
Arthur laughed nervously.</p>
<p>She smiled at him, satisfied. And how well she knew that her
smiling face, caught by him dimly in the obscurity of the night,
troubled him like an enchanting and enigmatic vision!</p>
<p>After they had looked at each other, speechless, for a while,
the strong influence of convention forced them again into
unnecessary, irrelevant talk.</p>
<p>'What's this about you selling this place?' he inquired in a
low, mild tone.</p>
<p>'Have you heard?'</p>
<p>'Yes,' he said, 'I did hear something.'</p>
<p>'Ah!' she murmured, wrinkling her forehead in a pretty
make-believe of woe—the question of the sale had ceased to be
acute: 'I just came out here to think about it.'</p>
<p>'But you aren't really going to——'</p>
<p>'No, of course not.'</p>
<p>She had no desire to discuss the tedious affair, because she was
infallibly certain of his entire sympathy. Explanations on her
side, and assurances on his, were equally superfluous.</p>
<p>'But won't you come into the house?' She invited him as a sort
of afterthought.</p>
<p><SPAN name='Page295' id="Page295"></SPAN><span class="pagenum">295</span>'Why?' he demanded bluntly.</p>
<p>She hesitated before replying: 'It will look so queer, us
staying here like this.' As soon as she had uttered the words she
suspected that she had said something decisive and
irretrievable.</p>
<p>He put his hands into the pockets of his overcoat and walked
several times to and fro a few paces. Then he stopped in front of
her.</p>
<p>'I guess we are bound to look queer, you and I, some day. So it
may as well be now,' he said.</p>
<p>It was in this exchange of sentences that their mutual passion
became at length articulate. A single discreet word spoken quickly,
and she might even yet perhaps have withdrawn from the situation.
But she did not speak; she could not speak; and soon she knew that
her own silence had bound her. She yielded herself with poignant
and magnificent joy to the profound drama which had been magically
created by this apparently commonplace dialogue. The climax had
been achieved, and she was conscious of being lifted into a sublime
exultation, and of being cut off from all else in the world save
him. She looked at him intently with a sadness that was the cloak
of celestial rapture. 'How courageous you are!' her soft eyes said.
'I should never have dared. What a <i>man</i>!' It seemed to her
that her heart <SPAN name='Page296' id="Page296"></SPAN><span class="pagenum">296</span>would break under the strain of that ecstasy.
She had not imagined the possibility of such bliss.</p>
<p>'Listen!' he proceeded. 'I ought to be in New York—I
oughtn't to be here. I must tell you. Scarcely a fortnight ago, one
afternoon while I was working in my office in Fourteenth Street, I
had a feeling I would be bound to come over. I said to myself the
idea was preposterous. But the next thing I knew I was arranging to
come. I couldn't believe I was coming. Not even when I had booked
my berth and boarded the steamer, not even when the steamer was
actually passing Sandy Hook, could I believe that I was really
coming. I said to myself I was mad. I said to myself that no man in
his senses could behave as I was behaving. And when I got to
Southampton I said I would go right back. And yet I couldn't help
getting into the special for London. And when I got to London I
said I would act sensible and go back. But I met young Burgess, and
the next thing I knew I was at Euston. And here I am pretending
that it's my new London branch that brings me over, and doing
business I don't want to do in Knype and Cauldon and Bursley. And
I'm killing myself—yes, I am; I tell you I couldn't stand
much more—and I wouldn't be sure I wasn't killing you.
<SPAN name='Page297' id="Page297"></SPAN><span class="pagenum">297</span>Some folks would say the whole thing was
perfectly dreadful, but I don't care so long as you—so long
as you don't. I'm not conceited really, but it looks like
conceit—me talking like this and assuming that you're ready
to stand and listen. I assure you it isn't conceit. I only
know—that's all. It's difficult for you to say
anything—I can feel that—but I'd like you just to tell
me you're glad I came and glad I've spoken. I'd just like to hear
that.'</p>
<p>She gazed fondly at him, at the male creature in whom she could
find only perfection, and she was filled with glorious pride that
her image should have drawn this strong, shrewd self-possessed man
across the Atlantic. It was incredible, but it was true. 'And,'
said the secret feminine in her, 'why not?'</p>
<p>He waited for her answer, facing her.</p>
<p>'Oh, yes!' she breathed. 'Oh, yes!... I'm glad—I'm so
glad.'</p>
<p>'I wish,' he broke out, 'I wish I could explain to you what I
think of you, what I feel about you. You're so quiet and simple and
direct and yet—you don't know it, but you are. You're
absolutely the most—Oh! it's no use.'</p>
<p>She saw that he was growing very excited, and this, too, gave
her deep pleasure.</p>
<p>'We're in a hell of a fix!' he sighed.</p>
<p><SPAN name='Page298' id="Page298"></SPAN><span class="pagenum">298</span>Like many women, she took a fearful, almost
thrilling joy in hearing a man swear earnestly and religiously.</p>
<p>'That's it,' she said, 'there's nothing to be done?'</p>
<p>'Nothing to be done?' he demanded, imperiously. 'Nothing to be
done?'</p>
<p>She examined his face, which was close to hers, with a
meditative, expectant smile. She loved to see him out of repose,
eager, masterful, and daring. 'What is there to be done?' she
asked.</p>
<p>'I don't know yet,' he said firmly, 'I must think.' Then, in a
delicious surrender, she felt towards him as though they were on
the brink of a rushing river, and he was about to pick her up in
his arms, like a trifle, and carry her safely through the flood;
and she had the illusion of pressing her face, which she knew he
adored, against his shoulder.</p>
<p>'Oh, you innocent angel!' he cried, seizing her hand (she let it
lie inert), 'do you suppose I'm the sort of man to sit down and
cross my legs and say that fate, or whatever you call it, hasn't
done me right? Do you suppose that two sensible persons like you
and me are going to be beaten by a mere set of circumstances? We
aren't children, and we aren't fools.'</p>
<p><SPAN name='Page299' id="Page299"></SPAN><span class="pagenum">299</span>'But——'</p>
<p>'You're not afraid, are you?' He drank in her charm.</p>
<p>'What of?'</p>
<p>'Anything.'</p>
<p>'It's when you aren't there,' she murmured tenderly. She really
thought, then, that by some marvellous plan he would perform the
impossible feat of reconciling the duty of fulfilling love with all
the other duties.</p>
<p>'I shall reckon it up,' he said. 'Ah!'</p>
<p>Silence fell. And with the feel of the grass under her feet, and
the soft clouds overhead, and the patient trees, and the glare in
the southern smoke, and the lamps of Bursley, and the solitary red
signal in the valley, she breathed out her spirit like an aerial
essence, and merged into unity with him. And the strange far-off
noises of nocturnal industry wandered faintly across the void and
seemed fraught with a mysterious significance. Everything, in that
unique hour, had the same mysterious significance.</p>
<p>'Mother!' Millicent's distant voice, fresh and strong and pure
in the night, chanted the word startlingly to the first notes of a
phrase from the Jewel Song. 'Mother! Aren't you coming in?' The
girl finished the phrase with inviting gaiety, holding the final
syllable. And the sound faded, <SPAN name='Page300' id="Page300"></SPAN><span class="pagenum">300</span>went out, like the
flare of a rocket in the sky, and the dark stillness was
emphasised.</p>
<p>They did not move; they did not speak; but Leonora pressed his
hand. The passing thought of the orderly, multifarious existence of
the house behind her, of the warmed and lighted rooms, of the
preoccupied lives, only increased the felicity of her halcyon
dream. And in the dreamy and brooding silence all things retreated
and gradually lapsed away, and the pair were left sole amid the
ineffable spaces of the universe to listen to the irregular
beatings of their own hearts. Time itself had paused.</p>
<p>'Mother!' Millicent sang again, nearer, more strongly and purely
in the night. 'We are waiting for you to come in!' She varied a
little the phrase from the Jewel Song. 'To come in!' The long
sustained notes seemed to become a beautiful warning, and then the
sound expired.</p>
<p>Leonora withdrew her hand.</p>
<p>'I shall think it out, and write you to-morrow,' Arthur
whispered, and was gone.</p>
<hr class='short' />
<p>The next day, after a futile morning of hesitations, Leonora
decided in the afternoon that she would go out for a walk and
return in some definite state of mind. She loosed Bran, and the
dog, when he had finished his elephantine <SPAN name='Page301' id="Page301"></SPAN><span class="pagenum">301</span>gambades, followed
her close at heel, with all stateliness, to the wide marsh on the
brow of the hill. Here she began actively and seriously to
cogitate.</p>
<p>John was sulking; and it was seldom that he sulked. He had not
spoken to her again, neither on the previous evening nor at
breakfast; he had said nothing whatever to any one, except to tell
Bessie that he should not be at home for dinner; on
committee-meeting days, when he was engaged at the Town Hall, John
sometimes dined at the Tiger. His attitude produced small effect on
Leonora. She was far too completely absorbed in herself to be
perturbed by the offensive symptoms of her husband's wrath. She had
neglected even to call on Uncle Meshach; and as she strolled about
the marsh she thought vaguely and perfunctorily that she must see
Uncle Meshach soon and acquaint him with John's difficulties.</p>
<p>Pride as much as joy and alarm filled her heart. She was proud
of her perilous love; she would have liked proudly to confide it to
some friend, some mature and brilliant woman who knew the world and
understood things, and who would talk rationally; it seemed to her
that this secret idyll, at once tender and sincere and rather
dashing, was worthy of pride. She knew that <SPAN name='Page302' id="Page302"></SPAN><span class="pagenum">302</span>many women,
languishing in the greyness of an impeccable and frigid
domesticity, would be capable of envying her; she remembered that,
in reading the newspapers, she had sometimes timidly envied the
heroines of the matrimonial court who had bought romance at the
price of esteem and of peace. Then suddenly the whole matter
slipped into unreality, and she could not credit it. Was it
possible that she, a respectable matron, a known figure, the mother
of adult daughters, had fallen in love with a man not her husband,
had had a secret interview with her lover, and was anticipating,
not a retreat, but an advance? And she thought, as every honest
woman has thought in like case: 'This may happen to others; one
hears of it, one reads about it; but surely it cannot have happened
to <i>me</i>!' And when she had admitted that it had in fact
happened to her, and had perceived with a kind of shock that the
heroines of the matrimonial court were real persons, everyday
creatures of flesh-and-blood, she thought, again like the rest:
'Ah! But my affair is different from all the others. There is
something in it, something indefinable and precious, which makes it
different.'</p>
<p>She said: 'Can one help falling in love? Can one be blamed for
that?'</p>
<p><SPAN name='Page303' id="Page303"></SPAN><span class="pagenum">303</span>For John she had little compassion, and the gay
and feverish existence of New York spread out invitingly before her
in a vision full of piquant contrasts with the death-in-life of the
Five Towns! But her beloved girls! They were an insuperable
barrier. She could not leave them; she could not forfeit the right
to look them in the eyes without embarrassment ... And then the
next moment—somehow, she did not know how—the
difficulty of the girls was arranged. And she had departed. She had
left the Five Towns for ever. And she was in the train, in the
hotel, on the steamer; she saw every detail of the escape. Oh! The
rapture! The tremors! The long sigh! The surrender! The intense
living! Surely no price could be too great....</p>
<p>No! Common sense, the acquirement of forty years, supervened,
and informed her wild heart, with all the cold arrogance of
sagacity, that these imaginings were vain. She felt that she must
write a brief and firm letter to Arthur and tell him to desist. She
saw with extraordinary clearness that this course was inevitable.
And lest her resolution might slacken, she turned instantly towards
home and began to hurry. The dog glanced up questioningly, and
hurried too.</p>
<p>'Why!' she reflected. 'People would say: "<SPAN name='Page304' id="Page304"></SPAN><span class="pagenum">304</span>And her husband's
aunt scarcely cold in her grave!"' She laughed scornfully.</p>
<p>A carriage overtook her. It was Mrs. Dain's, coming from the
direction of Oldcastle.</p>
<p>'Good afternoon to you,' Mrs. Dain shouted, without stopping,
and then, when she caught sight of Bran: 'Bless us! The dog hasn't
brukken his leg after all!'</p>
<p>'Broken his leg!' Leonora repeated, astonished. The carriage was
now in front of her.</p>
<p>'Our Polly come in this morning and sat hersen down on a chair
and told us as your dog had brukken his leg. What tales one hears!'
Mrs. Dain had to twist her stout neck dangerously in order to
finish the sentence.</p>
<p>'I should think so!' was Leonora's private comment, her gaze
fixed on the scarlet of Mrs. Dain's nodding bonnet.</p>
<p>In the little room off the dining-room Leonora dipped pen in ink
to write to Arthur. She wrote the date, and she wrote the word
'Dear.' And she could not proceed. She knew that she could not
compose a letter which would be effective. She went to the window
and looked out, biting the pen. 'What am I to do?' she whispered,
in terror. 'What am I to do?' Then she saw Ethel running hard down
the drive to the front door.</p>
<p><SPAN name='Page305' id="Page305"></SPAN><span class="pagenum">305</span>'Oh, mother!' The pale girl burst into the
room. 'Father's done something to himself. Fred's come up. They're
bringing him.'</p>
<hr class='short' />
<p>John Stanway had called at the chemist's in the Market Place and
had given a circumstantial description of an accident to Bran. It
appeared that while Carpenter was washing the waggonette, Bran
being loose in the stable-yard, the groom had suddenly slipped the
lever of the carriage-jack and the off hind wheel had caught Bran's
hind leg and snapped it like a piece of wood. The chemist had
suggested prussic acid, and John had laughingly answered that
perhaps the chemist would be good enough to come up and show them
how to administer prussic acid to a dog of Bran's size in great
pain. John explained that the animal was now fast by the collar,
and he had demanded a large dose of morphia, together with a
hypodermic instrument. Having obtained these, and precise
instructions for their use, John had hurried away. It was not till
three hours had elapsed that a startling suspicion had disturbed
the chemist's easy mind. By that time, his preparations completed,
John had dropped unconscious from the arm-chair in his office at
the works, and Bursley was provided with one of those morbid
sensations which more than joy or <SPAN name='Page306' id="Page306"></SPAN><span class="pagenum">306</span>triumph electrify the
stagnant pulses of a provincial town. Scores of persons followed
the cab which conveyed Stanway from the works to his house; and on
the route most of the inhabitants seemed to know in advance, by
some strange intuition, that the vehicle was coming, and at their
windows or at their gates (according to social status) they stood
ready to watch it pass. And even after John had entered his home
and had been carried upstairs, and the cab and the policeman had
gone, and the doctor had gone, and Fred Ryley and Mr. Mayer, the
works manager, had gone, a crowd still remained on the footpath,
staring at the gravelled drive and at the front door, silent,
patient, implacable.</p>
<p>The doctor had tried hot coffee, artificial respiration, and
other remedies, but without the least success, and he had
reluctantly departed, solemn for once, leaving four women to
understand that there was nothing to do save to wait for the final
sigh. The inactivity was dreadful for them. They could only look at
each other and think, and move to and fro aimlessly in the large
bedroom, and light the gas at dusk, and examine from moment to
moment those contracted pupils and that damp white brow, and listen
for the faint occasional breaths. They did not think the thoughts
which, could they have <SPAN name='Page307' id="Page307"></SPAN><span class="pagenum">307</span>foreseen the
situation, they might have expected to think. It did not occur to
them to search for the causes of the disaster, nor to speculate
upon its results in regard to themselves: they surrendered to the
supreme fact. They were all incapable of logical and ordered
reflections, and in the hushed torpor of their secret hearts there
wandered, loosely, little disconnected ideas and sensations; as
that the Stanway family was at length getting its full share of
vicissitude and misfortune, that John was after all more important
and more truly dominant and more intimately a part of their lives
than they had imagined, that this affair was a thousand miles
removed from that of Uncle Meshach, that they were fully supplied
with mourning, and that suicide was mysteriously different from
their previous notion of it. The impressive thoughts, the obvious
thoughts—that if their creeds were sound, a soul was about to
enter into eternal torment, and that their lives would be violently
changed, and that they would be branded before the world as the
wife and the daughters of a defaulter and a self-murderer—did
not by any means absorb their minds in those first hours.</p>
<p>In the attitude of the girls towards Leonora there was a sort of
religious deference, as of priestesses to one soon to be
sacrificed. 'She <SPAN name='Page308' id="Page308"></SPAN><span class="pagenum">308</span>is the central figure of the tragedy,' they had
the air of saying to each other. 'We feel the affliction, but it
cannot be demanded from us that we should feel it as she feels it.
We are only beginning to live; we have the future; but
she—she will have nothing. She will be the widow.' And the
significance of that terrible word—all that it implied of
social diminishment, of feeding on memory, and of mere waiting for
death—seemed to cling about Leonora as she stood restlessly
observant by the bed. And when Rose urged her to drink some tea,
she could not help drinking the tea humbly, from a sense of the
duty of doing what she was told. It was not Rose's fault that Rose
was superior, and that only twenty-four hours ago she had coldly
informed her mother that no act of her father's would surprise her.
Leonora resigned herself to humility.</p>
<p>'Mamma,' said Millicent, creeping into the room after an
absence, 'Uncle Meshach is here with Mr. Twemlow, and he says he's
coming in. Must he?'</p>
<p>'Of course, darling,' Leonora answered, without turning her
head.</p>
<p>Uncle Meshach appeared, leaning on his stick and on Arthur's
arm. He wore his overcoat and even his hat, and a white knitted
muffler encircled his shrivelled neck in loose folds. No <SPAN name=
'Page309' id="Page309"></SPAN><span class="pagenum">309</span>one
spoke as the old and feeble man, with short uncertain steps, drew
Arthur towards the bed and gazed at his dying nephew. Meshach
looked long, and sighed. Suddenly he demanded of Leonora in a
whisper:</p>
<p>'Is he unconscious?'</p>
<p>Leonora nodded.</p>
<p>Drawing a little nearer to the bed, Meshach signed to Millicent
to approach, and gave her his stick. Then he unbuttoned his
overcoat, and his coat, and the flap-pocket of his trousers, and
after much searching found a box of matches. He shook out a match
clumsily, and struck it, and came still nearer to the bed. All
wondered apprehensively what the old man was going to do, but none
dared interfere or protest because he was so old, and so
precariously attached to life, and because he was the head of the
family. With his thin, veined, trembling hand, he passed the
lighted match close across John's eyeballs; not a muscle twitched.
Then he extinguished the match, put it in the box, returned the box
to his pocket, and buttoned the pocket and his coats.</p>
<p>'Ay!' he breathed. 'The lad's unconscious right enough. Let's be
going.'</p>
<p>Taking his stick from Milly, he clutched Arthur's arm again, and
very slowly left the room.</p>
<p><SPAN name='Page310' id="Page310"></SPAN><span class="pagenum">310</span>After a moment's hesitation Leonora followed
and overtook them at the bottom of the stairs; it was the first
time she had forsaken the bedside. She was surprised to see Fred
Ryley in the hall, self-conscious but apparently determined to be
quite at home. She remembered that he said he should come up again
as soon as he had arranged matters at the works.</p>
<p>'Just take Mr. Myatt to the cab, will you?' said Twemlow quietly
to Fred. 'I'll follow.'</p>
<p>'Certainly,' Fred agreed, pulling his moustache nervously. 'Now,
Mr. Myatt, let me help you.'</p>
<p>'Ay!' said Meshach. 'Thou shalt help me if thou'n a mind.' As he
was feeling for the step with his stick he stopped and looked round
at Leonora. 'Lass!' he exclaimed, 'thou toldst me John was i'
smooth water.' Then he departed and they could hear his shuffling
steps on the gravel.</p>
<p>Twemlow glanced inquiringly at Leonora.</p>
<p>'Come in here,' she said briefly, pointing to the drawing-room.
They entered; it was dark.</p>
<p>'Your uncle made me drive up with him,' Arthur explained, as if
in apology.</p>
<p>She ignored the remark. 'You must go back to New York—at
once,' she told him, in a dry, curt voice.</p>
<p><SPAN name='Page311' id="Page311"></SPAN><span class="pagenum">311</span>'Yes,' he assented, 'I suppose I'd better.'</p>
<p>'And don't write to me—until after I have written.'</p>
<p>'Oh, but——' he began.</p>
<p>She thought wildly: 'This man, with his reason and his judgment,
has not the slightest notion how I feel, not the slightest!'</p>
<p>'I must write,' he said in a persuasive tone.</p>
<p>'No!' she cried passionately and vehemently. 'You aren't to
write, and you aren't to see me. You must promise, absolutely.'</p>
<p>'For how long?' he asked.</p>
<p>She shook her head. 'I don't know, I can't tell.'</p>
<p>'But isn't that rather——'</p>
<p>'Will you promise?' she cried once more, quite loudly and almost
fiercely. And her accents were so full of entreaty, of command, and
of despair, that Arthur feared a nervous crisis for her.</p>
<p>'If you wish it,' he said, forced to yield.</p>
<p>And even then she could not be content.</p>
<p>'You give me your word to do nothing at all until you hear from
me?'</p>
<p>He paused, but he saw no alternative to submission. 'Yes.'</p>
<p>She thanked him, and without shaking hands or saying good-night
she went upstairs and <SPAN name='Page312' id="Page312"></SPAN><span class="pagenum">312</span>resumed her place by
the bedside. She could hear Uncle Meshach's cab drive away.</p>
<p>'How came Mr. Twemlow to be here, mother?' Rose demanded
quietly.</p>
<p>'I don't know,' Leonora replied. 'He must have been at
uncle's.'</p>
<p>When the doctor had been again and gone, and various neighbours
and the 'Signal' reporter had called to inquire for news, and the
hour was growing late, Ethel said to her mother, 'Fred thinks he
had better stay all night.'</p>
<p>'But why?' Leonora asked.</p>
<p>'Well, mother,' said Milly, 'it's just as well to have a man in
the house.'</p>
<p>'He can rest on the Chesterfield in the drawing-room,' Ethel
added. 'Then if he's wanted——'</p>
<p>'Yes, yes,' Leonora agreed. 'And tell him he's very kind.'</p>
<p>At midnight, Fred was reading in the drawing-room, the man in
the house, the ultimate fount of security for seven women. Bessie,
having refused positively to go to bed, slept in a chair in the
kitchen, her heels touching the scrap of hearthrug which lay like a
little island on the red tiles in front of the range. Rose and
Millicent had retired to bed till three o'clock. Ethel, as the
eldest, stayed with her mother. When the hall-clock sounded one,
meaning half past twelve, <SPAN name='Page313' id="Page313"></SPAN><span class="pagenum">313</span>Leonora glanced at
her daughter, who reclined on the sofa at the foot of the beds; the
girl had fallen into a doze.</p>
<p>John's condition was unchanged; the doctor had said that he
might possibly survive for many hours. He lay on his back, with
open eyes, and damp face and hair; his arms rested inert on the
sheet; and underneath that thin covering his chest rose and fell
from time to time, with a scarcely perceptible movement. It seemed
to Leonora that she could realise now what had happened and what
was to happen. In the nocturnal solemnity of the house filled with
sleeping and quiescent youth, she who was so mature and so satiate
had the sensation of being alone with her mate. Images of Arthur
Twemlow did not distract her. With the full strength of her mind
she had shut an iron door on the episode in the garden; it was as
though it had never existed. And she gazed at John with calm and
sad compassion. 'I would not sell my home,' she reflected, 'and
here is the consequence of refusal.' She wished she had
yielded—and she could perceive how unimportant,
comparatively, bricks-and-mortar might be—but she did not
blame herself for not having yielded. She merely regretted her
sensitive obstinacy as a misfortune for both of them. She had a
vision of <SPAN name='Page314' id="Page314"></SPAN><span class="pagenum">314</span>humanity in a hurried procession, driven along
by some force unseen and ruthless, a procession in which the
grotesque and the pitiable were always occurring. She thought of
John standing over Meshach with the cold towel, and of Meshach
passing the flame across John's dying eyes, and these
juxtapositions appeared to her intolerably mournful in their
ridiculous grimness.</p>
<p>Impelled by a physical curiosity, she lifted the sheet and
scrutinised John's breast, so pallid against the dark red of his
neck, and bent down to catch the last tired efforts of the heart
within. And the idea of her extraordinary intimacy with this man,
of the incessant familiarity of more than twenty years, struck her
and overwhelmed her. She saw that nothing is so subtly influential
as constant uninterrupted familiarity, nothing so binding, and
perhaps nothing so sacred. It was a trifle that they had not loved.
They had lived. Ah! she knew him so profoundly that words could not
describe her knowledge. He kept his own secrets, hundreds of them;
and he had, in a way, astounded and shocked her by his suicide.
Yet, in another way, this miserable termination did not at all
surprise her; and his secrets were petty, factual things of no
essential import, which left her mystic omniscience of him
unimpaired.</p>
<p>She looked at his eyes, and thought pitifully: <SPAN name='Page315' id="Page315"></SPAN><span class="pagenum">315</span>'These eyes cannot
see that I uncover him.' Then she looked again at his breast, which
heaved in shallow respirations. And at the moment he exhaled a
sigh, so softly delicate and gentle that it might have been the
sigh of an infant sinking to sleep. She put her ear quickly to the
still breast, as to a sea-shell, and listened intently, and caught
no rumour of life there. Startled, she glanced at the jaw, which
had dropped, and then at Ethel dozing on the sofa.</p>
<p>The room was filled for her with the majestic sound of trumpets,
loud, sustained, and thrilling, but heard only by the soul; a noble
and triumphant fanfare announcing the awful advent of those forces
which are beyond the earthly sense. John's body lay suddenly
deserted and residual; that deceitful brain, and that lying tongue,
and that murderous hand had already begun to decay; and the
informing fragment of eternal and universal energy was gone to its
next manifestation and its next task, unconscious, irresponsible,
and unchanged. The ineptitude of human judgments had been once more
emphasised, and the great excellence of charity.</p>
<p>'Ethel,' said Leonora timorously, waking with a touch the young
and beautiful girl whose flushed cheek was pressed against the
cushion of the sofa. 'He's gone.... Call Fred.'</p>
<hr class='long' />
<SPAN name='Page316' id="Page316"></SPAN><span class="pagenum">316</span>
<SPAN name='CHAPTER_XI' id="CHAPTER_XI"></SPAN>
<div style="break-after:column;"></div><br />