<p><SPAN name="chap17"></SPAN></p>
<h3> CHAPTER 17 </h3>
<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>nother bright day shining in through the small casement, and claiming
fellowship with the kindred eyes of the child, awoke her. At sight of the
strange room and its unaccustomed objects she started up in alarm,
wondering how she had been moved from the familiar chamber in which she
seemed to have fallen asleep last night, and whither she had been
conveyed. But, another glance around called to her mind all that had
lately passed, and she sprung from her bed, hoping and trustful.</p>
<p>It was yet early, and the old man being still asleep, she walked out into
the churchyard, brushing the dew from the long grass with her feet, and
often turning aside into places where it grew longer than in others, that
she might not tread upon the graves. She felt a curious kind of pleasure
in lingering among these houses of the dead, and read the inscriptions on
the tombs of the good people (a great number of good people were buried
there), passing on from one to another with increasing interest.</p>
<p>It was a very quiet place, as such a place should be, save for the cawing
of the rooks who had built their nests among the branches of some tall old
trees, and were calling to one another, high up in the air. First, one
sleek bird, hovering near his ragged house as it swung and dangled in the
wind, uttered his hoarse cry, quite by chance as it would seem, and in a
sober tone as though he were but talking to himself. Another answered, and
he called again, but louder than before; then another spoke and then
another; and each time the first, aggravated by contradiction, insisted on
his case more strongly. Other voices, silent till now, struck in from
boughs lower down and higher up and midway, and to the right and left, and
from the tree-tops; and others, arriving hastily from the grey church
turrets and old belfry window, joined the clamour which rose and fell, and
swelled and dropped again, and still went on; and all this noisy
contention amidst a skimming to and fro, and lighting on fresh branches,
and frequent change of place, which satirised the old restlessness of
those who lay so still beneath the moss and turf below, and the strife in
which they had worn away their lives.</p>
<p>Frequently raising her eyes to the trees whence these sounds came down,
and feeling as though they made the place more quiet than perfect silence
would have done, the child loitered from grave to grave, now stopping to
replace with careful hands the bramble which had started from some green
mound it helped to keep in shape, and now peeping through one of the low
latticed windows into the church, with its worm-eaten books upon the
desks, and baize of whitened-green mouldering from the pew sides and
leaving the naked wood to view. There were the seats where the poor old
people sat, worn spare, and yellow like themselves; the rugged font where
children had their names, the homely altar where they knelt in after life,
the plain black tressels that bore their weight on their last visit to the
cool old shady church. Everything told of long use and quiet slow decay;
the very bell-rope in the porch was frayed into a fringe, and hoary with
old age.</p>
<p>She was looking at a humble stone which told of a young man who had died
at twenty-three years old, fifty-five years ago, when she heard a
faltering step approaching, and looking round saw a feeble woman bent with
the weight of years, who tottered to the foot of that same grave and asked
her to read the writing on the stone. The old woman thanked her when she
had done, saying that she had had the words by heart for many a long, long
year, but could not see them now.</p>
<p>‘Were you his mother?’ said the child.</p>
<p>‘I was his wife, my dear.’</p>
<p>She the wife of a young man of three-and-twenty! Ah, true! It was
fifty-five years ago.</p>
<p>‘You wonder to hear me say that,’ remarked the old woman, shaking her
head. ‘You’re not the first. Older folk than you have wondered at the same
thing before now. Yes, I was his wife. Death doesn’t change us more than
life, my dear.’</p>
<p>‘Do you come here often?’ asked the child.</p>
<p>‘I sit here very often in the summer time,’ she answered, ‘I used to come
here once to cry and mourn, but that was a weary while ago, bless God!’</p>
<p>‘I pluck the daisies as they grow, and take them home,’ said the old woman
after a short silence. ‘I like no flowers so well as these, and haven’t
for five-and-fifty years. It’s a long time, and I’m getting very old.’</p>
<p>Then growing garrulous upon a theme which was new to one listener though
it were but a child, she told her how she had wept and moaned and prayed
to die herself, when this happened; and how when she first came to that
place, a young creature strong in love and grief, she had hoped that her
heart was breaking as it seemed to be. But that time passed by, and
although she continued to be sad when she came there, still she could bear
to come, and so went on until it was pain no longer, but a solemn
pleasure, and a duty she had learned to like. And now that five-and-fifty
years were gone, she spoke of the dead man as if he had been her son or
grandson, with a kind of pity for his youth, growing out of her own old
age, and an exalting of his strength and manly beauty as compared with her
own weakness and decay; and yet she spoke about him as her husband too,
and thinking of herself in connexion with him, as she used to be and not
as she was now, talked of their meeting in another world, as if he were
dead but yesterday, and she, separated from her former self, were thinking
of the happiness of that comely girl who seemed to have died with him.</p>
<p>The child left her gathering the flowers that grew upon the grave, and
thoughtfully retraced her steps.</p>
<p>The old man was by this time up and dressed. Mr Codlin, still doomed to
contemplate the harsh realities of existence, was packing among his linen
the candle-ends which had been saved from the previous night’s
performance; while his companion received the compliments of all the
loungers in the stable-yard, who, unable to separate him from the
master-mind of Punch, set him down as next in importance to that merry
outlaw, and loved him scarcely less. When he had sufficiently acknowledged
his popularity he came in to breakfast, at which meal they all sat down
together.</p>
<p>‘And where are you going to-day?’ said the little man, addressing himself
to Nell.</p>
<p>‘Indeed I hardly know—we have not determined yet,’ replied the
child.</p>
<p>‘We’re going on to the races,’ said the little man. ‘If that’s your way
and you like to have us for company, let us travel together. If you prefer
going alone, only say the word and you’ll find that we shan’t trouble
you.’</p>
<p>‘We’ll go with you,’ said the old man. ‘Nell—with them, with them.’</p>
<p>The child considered for a moment, and reflecting that she must shortly
beg, and could scarcely hope to do so at a better place than where crowds
of rich ladies and gentlemen were assembled together for purposes of
enjoyment and festivity, determined to accompany these men so far. She
therefore thanked the little man for his offer, and said, glancing timidly
towards his friend, that if there was no objection to their accompanying
them as far as the race town—</p>
<p>‘Objection!’ said the little man. ‘Now be gracious for once, Tommy, and
say that you’d rather they went with us. I know you would. Be gracious,
Tommy.’</p>
<p>‘Trotters,’ said Mr Codlin, who talked very slowly and ate very greedily,
as is not uncommon with philosophers and misanthropes; ‘you’re too free.’</p>
<p>‘Why what harm can it do?’ urged the other.</p>
<p>'No harm at all in this
particular case, perhaps,’ replied Mr Codlin; ‘but the principle’s a
dangerous one, and you’re too free I tell you.’</p>
<p>‘Well, are they to go with us or not?’</p>
<p>‘Yes, they are,’ said Mr Codlin; ‘but you might have made a favour of it,
mightn’t you?’</p>
<p>The real name of the little man was Harris, but it had gradually merged
into the less euphonious one of Trotters, which, with the prefatory
adjective, Short, had been conferred upon him by reason of the small size
of his legs. Short Trotters however, being a compound name, inconvenient
of use in friendly dialogue, the gentleman on whom it had been bestowed
was known among his intimates either as ‘Short,’ or ‘Trotters,’ and was
seldom accosted at full length as Short Trotters, except in formal
conversations and on occasions of ceremony.</p>
<p>Short, then, or Trotters, as the reader pleases, returned unto the
remonstrance of his friend Mr Thomas Codlin a jocose answer calculated to
turn aside his discontent; and applying himself with great relish to the
cold boiled beef, the tea, and bread and butter, strongly impressed upon
his companions that they should do the like. Mr Codlin indeed required no
such persuasion, as he had already eaten as much as he could possibly
carry and was now moistening his clay with strong ale, whereof he took
deep draughts with a silent relish and invited nobody to partake—thus
again strongly indicating his misanthropical turn of mind.</p>
<p>Breakfast being at length over, Mr Codlin called the bill, and charging
the ale to the company generally (a practice also savouring of
misanthropy) divided the sum-total into two fair and equal parts,
assigning one moiety to himself and friend, and the other to Nelly and her
grandfather. These being duly discharged and all things ready for their
departure, they took farewell of the landlord and landlady and resumed
their journey.</p>
<p>And here Mr Codlin’s false position in society and the effect it wrought
upon his wounded spirit, were strongly illustrated; for whereas he had
been last night accosted by Mr Punch as ‘master,’ and had by inference
left the audience to understand that he maintained that individual for his
own luxurious entertainment and delight, here he was, now, painfully
walking beneath the burden of that same Punch’s temple, and bearing it
bodily upon his shoulders on a sultry day and along a dusty road. In place
of enlivening his patron with a constant fire of wit or the cheerful
rattle of his quarter-staff on the heads of his relations and
acquaintance, here was that beaming Punch utterly devoid of spine, all
slack and drooping in a dark box, with his legs doubled up round his neck,
and not one of his social qualities remaining.</p>
<p>Mr Codlin trudged heavily on, exchanging a word or two at intervals with
Short, and stopping to rest and growl occasionally. Short led the way;
with the flat box, the private luggage (which was not extensive) tied up
in a bundle, and a brazen trumpet slung from his shoulder-blade. Nell and
her grandfather walked next him on either hand, and Thomas Codlin brought
up the rear.</p>
<p>When they came to any town or village, or even to a detached house of good
appearance, Short blew a blast upon the brazen trumpet and carolled a
fragment of a song in that hilarious tone common to Punches and their
consorts. If people hurried to the windows, Mr Codlin pitched the temple,
and hastily unfurling the drapery and concealing Short therewith,
flourished hysterically on the pipes and performed an air. Then the
entertainment began as soon as might be; Mr Codlin having the
responsibility of deciding on its length and of protracting or expediting
the time for the hero’s final triumph over the enemy of mankind, according
as he judged that the after-crop of half-pence would be plentiful or
scant. When it had been gathered in to the last farthing, he resumed his
load and on they went again.</p>
<p>Sometimes they played out the toll across a bridge or ferry, and once
exhibited by particular desire at a turnpike, where the collector, being
drunk in his solitude, paid down a shilling to have it to himself. There
was one small place of rich promise in which their hopes were blighted,
for a favourite character in the play having gold-lace upon his coat and
being a meddling wooden-headed fellow was held to be a libel on the
beadle, for which reason the authorities enforced a quick retreat; but
they were generally well received, and seldom left a town without a troop
of ragged children shouting at their heels.</p>
<p>They made a long day’s journey, despite these interruptions, and were yet
upon the road when the moon was shining in the sky. Short beguiled the
time with songs and jests, and made the best of everything that happened.
Mr Codlin on the other hand, cursed his fate, and all the hollow things of
earth (but Punch especially), and limped along with the theatre on his
back, a prey to the bitterest chagrin.</p>
<p>They had stopped to rest beneath a finger-post where four roads met, and
Mr Codlin in his deep misanthropy had let down the drapery and seated
himself in the bottom of the show, invisible to mortal eyes and disdainful
of the company of his fellow creatures, when two monstrous shadows were
seen stalking towards them from a turning in the road by which they had
come. The child was at first quite terrified by the sight of these gaunt
giants—for such they looked as they advanced with lofty strides
beneath the shadow of the trees—but Short, telling her there was
nothing to fear, blew a blast upon the trumpet, which was answered by a
cheerful shout.</p>
<div class="fig"> <ANTIMG src="images/0136m.jpg" style="width:100%;" alt="0136m " /><br/></div>
<h5>
<SPAN href="images/0136.jpg" style="width:100%;" ><i>Original</i></SPAN>
</h5>
<p>‘It’s Grinder’s lot, an’t it?’ cried Mr Short in a loud key.</p>
<p>‘Yes,’ replied a couple of shrill voices.</p>
<p>‘Come on then,’ said Short. ‘Let’s have a look at you. I thought it was
you.’</p>
<p>Thus invited, ‘Grinder’s lot’ approached with redoubled speed and soon
came up with the little party.</p>
<p>Mr Grinder’s company, familiarly termed a lot, consisted of a young
gentleman and a young lady on stilts, and Mr Grinder himself, who used his
natural legs for pedestrian purposes and carried at his back a drum. The
public costume of the young people was of the Highland kind, but the night
being damp and cold, the young gentleman wore over his kilt a man’s pea
jacket reaching to his ankles, and a glazed hat; the young lady too was
muffled in an old cloth pelisse and had a handkerchief tied about her
head. Their Scotch bonnets, ornamented with plumes of jet black feathers,
Mr Grinder carried on his instrument.</p>
<p>‘Bound for the races, I see,’ said Mr Grinder coming up out of breath. ‘So
are we. How are you, Short?’ With that they shook hands in a very friendly
manner. The young people being too high up for the ordinary salutations,
saluted Short after their own fashion. The young gentleman twisted up his
right stilt and patted him on the shoulder, and the young lady rattled her
tambourine.</p>
<p>‘Practice?’ said Short, pointing to the stilts.</p>
<p>‘No,’ returned Grinder. ‘It comes either to walkin’ in ‘em or carryin’ of
‘em, and they like walkin’ in ‘em best. It’s wery pleasant for the
prospects. Which road are you takin’? We go the nighest.’</p>
<p>‘Why, the fact is,’ said Short, ‘that we are going the longest way,
because then we could stop for the night, a mile and a half on. But three
or four mile gained to-night is so many saved to-morrow, and if you keep
on, I think our best way is to do the same.’</p>
<p>‘Where’s your partner?’ inquired Grinder.</p>
<p>‘Here he is,’ cried Mr Thomas Codlin, presenting his head and face in the
proscenium of the stage, and exhibiting an expression of countenance not
often seen there; ‘and he’ll see his partner boiled alive before he’ll go
on to-night. That’s what he says.’</p>
<p>‘Well, don’t say such things as them, in a spear which is dewoted to
something pleasanter,’ urged Short. ‘Respect associations, Tommy, even if
you do cut up rough.’</p>
<p>‘Rough or smooth,’ said Mr Codlin, beating his hand on the little
footboard where Punch, when suddenly struck with the symmetry of his legs
and their capacity for silk stockings, is accustomed to exhibit them to
popular admiration, ‘rough or smooth, I won’t go further than the mile and
a half to-night. I put up at the Jolly Sandboys and nowhere else. If you
like to come there, come there. If you like to go on by yourself, go on by
yourself, and do without me if you can.’</p>
<p>So saying, Mr Codlin disappeared from the scene and immediately presented
himself outside the theatre, took it on his shoulders at a jerk, and made
off with most remarkable agility.</p>
<p>Any further controversy being now out of the question, Short was fain to
part with Mr Grinder and his pupils and to follow his morose companion.
After lingering at the finger-post for a few minutes to see the stilts
frisking away in the moonlight and the bearer of the drum toiling slowly
after them, he blew a few notes upon the trumpet as a parting salute, and
hastened with all speed to follow Mr Codlin. With this view he gave his
unoccupied hand to Nell, and bidding her be of good cheer as they would
soon be at the end of their journey for that night, and stimulating the
old man with a similar assurance, led them at a pretty swift pace towards
their destination, which he was the less unwilling to make for, as the
moon was now overcast and the clouds were threatening rain.</p>
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