<h2 class='c005'>CHAPTER XII</h2></div>
<p class='c006' ><span class='sc'>The</span> week following Easter proved rainy and disagreeable.
It was not a cheerful period, for the villa turned out to be a
fair-weather house. The stone walls seemed to absorb and
retain the moisture like a vault, and a mortuary atmosphere
hung about the rooms. Mr. Copley, with masculine imperviousness
to mud and water, succeeded in escaping from the
dampness of his home by journeying daily to the ever-luring
Embassy. But his wife and niece, more solicitous on the
subject of hair and clothes, remained storm-bound, and on
the fourth day Mrs. Copley’s conversation turned frequently
to malaria.</p>
<p class='c007' >Marcia, who had taken the villa for better, for worse,
steadfastly endeavoured to approve of it in even this uncheerful
mood. She divided her time between romping
through the big rooms with Gerald, Gervasio, and Marcellus,
and shivering over a brazier full of coals in her own room, to
the accompaniment of dripping ilex trees and the superfluous
splashing of the fountain. Her book was the <i>Egoist</i>,
and the <i>Egoist</i> is an illuminating work to a young woman in
Marcia’s frame of mind. It makes her hesitate. She knew
that Paul Dessart in no wise resembled the magnificent Sir
Willoughby, and that it was unfair to make the comparison,
but still she made it.</p>
<p class='c007' >As she stood by the window, gazing down on the rain-swept
Campagna, she pondered the situation and pondered
it again, and succeeded only in working herself into a state
of deeper indecision. Paul was interesting, attractive—as
her uncle said, ‘decorative’; but was he any more, or was
that enough? Should she be sorry if she said ‘no’?
Should she be sorrier if she said ‘yes’? So her mind busied
itself to the dripping of the raindrops; and for all the
thought she spent upon the question, she wandered in a
circle and finished where she had started.</p>
<p class='c007' >The Monday following Easter week dawned clear and
bright again. Marcia opened her eyes to a bar of sunlight
streaming in at the eastern window, and the first sound that
greeted her was a joyful chorus of bird-voices. She sat up
and viewed the weather with a sense of re-awakened life,
feeling as if her perplexities had somehow vanished with the
rain. She was no nearer making up her mind than she had
been the day before, but she was quite contented to let it
<span class="pagenum"><SPAN name='Page_116' id='Page_116'>116</SPAN></span>
stay unmade a little longer. The sound of horses’ hoofs
beneath her window told her that her uncle had started for
the station. When he was away and there were no guests
in the house, Marcia and Mrs. Copley usually had the first
breakfast served in their rooms. Accordingly, as she heard
her uncle gallop off, she made a leisurely toilet, and then ate
her coffee and rolls and marmalade at a little table set on the
balcony. It was late when she joined her aunt on the loggia.</p>
<p class='c007' >Mrs. Copley looked up from an intricate piece of embroidery.
‘Good morning, Marcia,’ she said, returning her
niece’s greeting. ‘Yes, isn’t it a relief to see some sunshine
again!—I have a surprise for you,’ she added.</p>
<p class='c007' >‘A surprise?’ asked Marcia. ‘My birthday isn’t
coming for two weeks. But never mind; surprises are
always welcome. What is it?’</p>
<p class='c007' >‘It isn’t a very big surprise; just a tiny one to break the
monotony of these four days of rain. I had a note from
Mrs. Royston this morning. It should have come yesterday,
only it was so wet that Angelo didn’t go for the mail.’
She paused to rummage through the basket of silks. ‘I
thought it was here, but no matter. She says that owing to
these dreadful riots they have changed all their plans.
They have entirely given up Naples, and are going north
instead, on a little trip of a week or so to Assisi and Perugia.
She wrote to say good-bye and to tell me that they would get
back to Rome in time for your party; though they are
afraid they can’t spend more than two or three days with us
then, as the change of plan involves some hurry. They
leave on Wednesday.’</p>
<p class='c007' >‘That is too bad,’ said Marcia, and with the words she
uttered a sigh of relief. Paul would go with them, probably;
or, at any rate, she need not see him; it would
postpone the difficulty. ‘But where is the surprise?’ she
inquired.</p>
<p class='c007' >‘Oh, the surprise!’ Mrs. Copley laughed. ‘I entirely
forgot it. I was afraid they might think it strange that I
hadn’t answered the note—though I really didn’t get it in
time—so I asked your uncle to stop at their hotel and invite
them all to come out to the villa for the night. I thought
that since we were planning to drive to the festa at Genazzano
to-morrow, it would be nice to have them with us. I
am sure they would be interested in seeing the festa.’</p>
<p class='c007' >
<span class="pagenum"><SPAN name='Page_117' id='Page_117'>117</SPAN></span>
Marcia dropped limply into a chair and looked at her aunt.
‘Is Mr. Dessart coming too?’</p>
<p class='c007' >‘I invited him, certainly. What’s the matter? Aren’t
you pleased? I thought you liked him.’</p>
<p class='c007' >‘Oh, yes, I do; only—I wish I’d got up earlier!’ And
then she laughed. The situation was rather funny, after all.
She might as well make the best of it. ‘Suppose we send
over to Palestrina and invite M. Benoit for dinner,’ she
suggested presently. ‘I think he is stopping there this
week, and it would be nice to have him. I suspect,’ she
added, ‘that he is a tiny bit interested in Eleanor.’</p>
<p class='c007' >A note was sent by a groom, who returned with the
information that he had found the gentleman sitting on a
rock in a field, painting a portrait of a sheep; that he had
delivered the note, and got this in return.</p>
<p class='c007' >‘This’ was a rapid sketch on bristol-board, representing
the young Frenchman in evening clothes making a bow,
with his hand on his heart, to the two ladies, who received
him on the steps of the loggia, while a clock in the corner
pointed to eight.</p>
<p class='c007' >Marcia looked at the sketch and laughed. ‘Here’s an
original acceptance, Aunt Katherine.’</p>
<p class='c007' >Mrs. Copley smiled appreciatively. ‘He seems to be a
very original young man,’ she conceded.</p>
<p class='c007' >‘<i>Naturellement.</i> He’s <i>a prix de Rome</i>.’</p>
<p class='c007' >‘When Frenchmen <i>are</i> nice they are very nice,’ said Mrs.
Copley; ‘but when they are not——’ Words failed her,
and she picked up her embroidery again.</p>
<p class='c007' >At the mid-day breakfast Marcia announced rather hopefully
that she did not think the Roystons would come.</p>
<p class='c007' >‘Why not?’ her aunt inquired.</p>
<p class='c007' >‘They’ve lost their maid, and there won’t be anybody to
help them pack. If they come out to the villa to-night they
won’t be ready to start for Perugia on Wednesday. Besides,
Mrs. Royston never likes to do anything on the spur of
the moment. She likes to plan her programme a week
ahead and stick to it. Oh, I know they won’t come,’ she
added with a laugh. ‘M. Benoit will be the only guest,
after all.’</p>
<p class='c007' >‘And I’ve ordered dinner for eight!’ said Mrs. Copley,
pathetically. ‘I am thinking of driving over to the contessa’s
this afternoon—I might invite her to join us.’</p>
<p class='c007' >
<span class="pagenum"><SPAN name='Page_118' id='Page_118'>118</SPAN></span>
‘Oh, no, Aunt Katherine! Please, not to-day. If the
Roystons should come, there’ll be a big enough party
without her; and, anyway, she wouldn’t be particularly
interested—Mr. Sybert isn’t here.’</p>
<p class='c007' >‘The contessa comes to see us, not Mr. Sybert,’ Mrs.
Copley returned, with a touch of asperity.</p>
<p class='c007' >Marcia smiled into her cup of chocolate and said nothing.</p>
<hr class='c008' />
<p class='c007' >While the sun was sunk in its noonday torpor, she stood
by her window, gazing absently off toward the old monastery,
engaged in a last valiant struggle to make up her mind.
She finally turned away with an impatient shrug which
banished Paul Dessart and his importunities to the bottom
of the Dead Sea. There was no use in bothering any more
about it now; Mrs. Royston’s mind at least was no weathercock.
Marcia clung tenaciously to the hope that they would
not come.</p>
<p class='c007' >It was a beautiful afternoon, fresh and sparkling from the
week of rain, and she suddenly decided upon a horseback
ride to brush from her mind all bothersome questions. She
got out her riding-habit and jerked the bell-rope with a
force which set bells jangling wildly through the house, and
brought Granton as nearly on a run as was consonant with
her dignity and years.</p>
<p class='c007' >‘It’s nothing serious,’ Marcia laughed in response to the
maid’s anxious face; ‘I just made up my mind to go for a
ride, and in the first flush of energy I rang louder than I
meant. It’s a great thing, Granton, to get your mind made
up about even so unimportant a matter as a horseback ride.’</p>
<p class='c007' >‘Yes, miss,’ Granton agreed somewhat vaguely as she
knelt down to help with a boot.</p>
<p class='c007' >‘How in the world do those soldiers in the King’s guard
ever get their boots on?’ Marcia asked.</p>
<p class='c007' >‘I don’t know, miss,’ said Granton, patiently.</p>
<p class='c007' >Marcia laughed. ‘Send word to the stables for Angelo to
bring the horses in fifteen minutes. I’m going to take a
long ride, and I must start immediately.’</p>
<p class='c007' >‘Very well, miss.’</p>
<p class='c007' >‘<i>Immediately</i>,’ Marcia called after her. In dealing with
Angelo reiteration was necessary. He was an Italian, and
he had still to learn the value of time.</p>
<p class='c007' >She tied her stock before the glass in a very mannish
<span class="pagenum"><SPAN name='Page_119' id='Page_119'>119</SPAN></span>
fashion, adjusted her hat—with the least perceptible tilt—and
catching up her whip and gloves, started out gaily,
humming a snatch of a very much reiterated Neapolitan
street song.</p>
<div class='lg-container-b'>
<div class='linegroup'>
<div class='group'>
<div class='line'>‘“Jammo ‘ncoppa, jammo jà . . .</div>
<div class='line in2'>Funiculì—funiculà.”’</div>
</div></div>
</div>
<p class='c007' >It ended in a series of trills; she did not know the words.
At the head of the stairs she met Granton returning.
Granton stood primly expressionless, waiting patiently for
her to have done before venturing to speak.</p>
<p class='c007' >Marcia completed her measure and broke off with a laugh.
‘Well, Granton, what’s the matter?’</p>
<p class='c007' >‘Angelo has taken Master Gerald’s pony to Palestrina to
be shod and both of the carriages are to be used, so the other
men will be needed for them, and there isn’t any one left to
ride with you.’</p>
<p class='c007' >Marcia’s smile changed to a frown. ‘How stupid!
Angelo has no business to go off without saying anything.’</p>
<p class='c007' >‘Mr. Copley left orders for him to have the pony shod.’</p>
<p class='c007' >‘He’s not Mr. Copley’s groom; he’s mine.’</p>
<p class='c007' >‘Yes, miss,’ said Granton.</p>
<p class='c007' >Marcia went on slowly downstairs, her frown gathering
volume as she proceeded. She wished to take a horseback
ride, and she wished nothing else for the moment. She
foresaw that her aunt would propose that she ride into
Tivoli and take tea with the contessa. If there was one
thing she hated, it was to ride at a steady jog-trot beside the
carriage; and if there was a second thing, it was to take tea
with the contessa.</p>
<p class='c007' >She heard Mrs. Copley’s and Gerald’s voices in the salon
and she advanced to the doorway.</p>
<p class='c007' >‘Aunt Katherine! I’m furious! This is the first time in
four days that it has stopped raining long enough for me to
go out, and I’m <i>dying</i> to take a gallop in the country. That
miserable Angelo has gone off with Gerald’s pony, and there
isn’t another man on the place that can go with me. You
needn’t propose my riding into Tivoli to take tea with the
contessa, for I won’t do it.’</p>
<p class='c007' >She delivered this outburst from the threshold, and as she
advanced into the room she was slightly disconcerted to see
Laurence Sybert lazily pulling himself from a chair to greet
<span class="pagenum"><SPAN name='Page_120' id='Page_120'>120</SPAN></span>
her—if she ever showed in a particularly bad light, Sybert
was sure to be at hand. He bowed, his face politely grave,
but there was the provoking suggestion of a smile not far
below the surface; and as she looked at him Marcia had the
uncomfortable feeling that her own face was growing red.</p>
<p class='c007' >‘I’m sorry about Angelo, my dear,’ said Mrs. Copley. ‘I
didn’t know that you wanted to ride this afternoon. But
here is Mr. Sybert who has come out to see your uncle, and
your uncle won’t be back till evening. I’m sure he will be
glad to go with you.’</p>
<p class='c007' >Marcia glanced back at her aunt with an expression which
said, ‘Oh, Aunt Katherine, wait till I get you alone!’</p>
<p class='c007' >‘Certainly, Miss Marcia, I should be delighted to fill the
recreant Angelo’s place,’ he affirmed, but in a tone which to
her ear did not express any undue eagerness.</p>
<p class='c007' >‘Thank you, Mr. Sybert,’ she smiled sweetly; ‘you are
very kind, but I shouldn’t think of troubling you. I know
that Aunt Katherine would like to have you go with her to
call on the contessa.’</p>
<p class='c007' >‘If you will permit it. Miss Marcia, I will ride with you
instead; for though I should be happy to call on Contessa
Torrenieri with Mrs. Copley, I have just driven out from
Tivoli, and by way of change I should prefer not driving
back.’</p>
<p class='c007' >‘It’s awfully kind of you to offer, but I don’t really want
to ride. I was just cross with Angelo for going off without
saying anything.’</p>
<p class='c007' >‘Marcia,’ remonstrated Mrs. Copley, ‘that doesn’t sound
polite.’</p>
<p class='c007' >Sybert laughed. ‘There is nothing, Miss Marcia,’ he
declared, ‘that would give me more pleasure this afternoon
than a gallop with you; and with your permission——’ he
touched the bell.</p>
<p class='c007' >Marcia shrugged her shoulders and gave the order as
Pietro appeared.</p>
<p class='c007' >‘Send word to the stables for Kentucky Lil and Triumvirate
to be saddled at once.’</p>
<p class='c007' >‘You may go upstairs and borrow as much of Howard’s
wardrobe as you wish,’ said Mrs. Copley. ‘I dare say you
did not come prepared to play the part of groom.’</p>
<p class='c007' >‘I’ll try not to get them muddier than necessary,’ he
promised as he turned toward the stairs.</p>
<p class='c007' >
<span class="pagenum"><SPAN name='Page_121' id='Page_121'>121</SPAN></span>
He reappeared shortly in corduroys and leather puttees.
Marcia was leaning on the loggia balustrade, idly watching
the hills, while a diminutive stable-boy slowly led the horses
back and forth in the driveway. Sybert helped her to
mount without a word, and they galloped down the avenue
in silence. He appreciated the fact that she would have
preferred staying at home to accepting his escort, and the
situation promised some slight entertainment. A man
inclined to be a trifle sardonic can find considerable amusement
in the spectacle of a pretty girl who does not wish to
talk to him, but finds herself in a position where she cannot
escape. As Sybert had been passing a very hard week, he
was the more willing to enjoy a little relaxation at Marcia’s
expense.</p>
<p class='c007' >They pulled their horses to a walk at the gateway, and
Sybert looked at her interrogatively. She took the lead and
turned to the left along the winding roadway that led up
into the mountains away from the Via Prænestina. He rode
up beside her again, and they galloped on without speaking.
Marcia did not propose to take the initiative in any conversation;
he could introduce a subject if he wished, otherwise
they would keep still. For the first mile or so he maintained
the stolid reserve of a well-trained groom. But finally, as
they slowed the horses to a walk on a steep hill-side, he broke
the silence.</p>
<p class='c007' >‘Are we going anywhere, or just riding for pleasure?’</p>
<p class='c007' >‘Just for pleasure.’</p>
<p class='c007' >He waited until they had reached the top of the hill before
renewing the conversation. Then, ‘It is a pleasant day,’
he observed.</p>
<p class='c007' >Marcia regarded the landscape critically.</p>
<p class='c007' >‘Very pleasant,’ she acquiesced.</p>
<p class='c007' >‘Looks a little like rain, however,’ he added, anxiously
fixing his eye on a small cloud on the horizon.</p>
<p class='c007' >Marcia studied the sky a moment with an heroic effort at
seriousness, and then she began to laugh.</p>
<p class='c007' >‘I suppose we might as well make the best of it,’ she
remarked.</p>
<p class='c007' >‘Philosophy is the wisest way,’ he agreed.</p>
<p class='c007' >‘Have you seen Gervasio?’</p>
<p class='c007' >‘I have not yet paid my respects to him. He is well, I
trust?’</p>
<p class='c007' >
<span class="pagenum"><SPAN name='Page_122' id='Page_122'>122</SPAN></span>
‘He is simply a walking appetite!’</p>
<p class='c007' >‘I thought he showed a tendency that way. Mrs. Copley
says that you have been suffering persecution for his sake.’</p>
<p class='c007' >‘Did she tell you about his stepfather? That’s my
story; she ought to have left it for me. I can tell it much
more dramatically. It was quite an adventure, wasn’t it?’</p>
<p class='c007' >‘It was. And you got off easily. It might have turned
out to be more of an adventure than you would have cared
for.’</p>
<p class='c007' >‘Oh, I like adventures.’</p>
<p class='c007' >‘When they’re ended safely, yes. But these Italian
peasants are a revengeful lot when they get it into their
heads that they have been mistreated. I don’t believe you
ought to drive about the country that way.’</p>
<p class='c007' >‘I should think that two boys and a groom might be
escort enough—the pony-carriage doesn’t accommodate
many more.’</p>
<p class='c007' >‘Nevertheless, joking apart, I don’t think it is safe. The
country’s pretty thoroughly stirred up just at present.’</p>
<p class='c007' >‘You’re as bad as Aunt Katherine with her tattooed
man! As for being afraid of these peasants, I know every
soul in Castel Vivalanti, and they’re all adorable—with the
exception of Gervasio’s relatives.’</p>
<p class='c007' >‘If I were your uncle,’ he observed, ‘I should prefer a
niece readier to take suggestions.’</p>
<p class='c007' >‘I am ready to take his suggestions, but you’re not my
uncle.’</p>
<p class='c007' >‘No,’ said Sybert, ‘I am not; and——’</p>
<p class='c007' >‘And what?’ Marcia asked.</p>
<p class='c007' >He laughed.</p>
<p class='c007' >‘I believe we declared an amnesty, did we not? Do you
think it is best to reopen hostilities?’</p>
<p class='c007' >‘It strikes me that there has been more or less light
skirmishing in spite of the amnesty.’</p>
<p class='c007' >‘At least there has been no serious damage done on either
side. I would suggest, if heavy firing is to be recommenced,
that we postpone it until the ride home.’</p>
<p class='c007' >‘Very well. Let’s talk some more about the weather.
It seems to be the only subject on which we can agree.’</p>
<p class='c007' >Sybert bowed gravely.</p>
<p class='c007' >‘It’s been rather rainy for the last week.’</p>
<p class='c007' >‘Very.’</p>
<p class='c007' >
<span class="pagenum"><SPAN name='Page_123' id='Page_123'>123</SPAN></span>
‘The villa must have been a little damp.’</p>
<p class='c007' >‘Very.’</p>
<p class='c007' >‘And rather monotonous?’</p>
<p class='c007' >‘Very!’ Marcia laughed and gave the dialogue a new
turn. ‘I spent the time reading.’</p>
<p class='c007' >‘Indeed?’</p>
<p class='c007' >‘The <i>Egoist</i>.’</p>
<p class='c007' >‘Meredith? Don’t you find him a trifle—er—for rainy
weather, you know?’</p>
<p class='c007' >‘I found the <i>Egoist</i>,’ she returned, ‘a most suggestive
work. It throws interesting side-lights on the men one
knows.’</p>
<p class='c007' >‘Oh, come, Miss Marcia,’ he remonstrated. ‘That’s
hardly fair; you slander us.’</p>
<p class='c007' >‘You mustn’t blame me—you must blame the author.
It’s a man who wrote it.’</p>
<p class='c007' >‘He should be regarded as a traitor. In case he is captured
and brought into camp, I shall order him shot at
sunrise.’</p>
<p class='c007' >‘He doesn’t accuse all men of being Sir Willoughbys,’ she
returned soothingly. ‘I hadn’t thought of you in exactly
that connexion. If you choose to wear the coat, you have
put it on yourself.’</p>
<p class='c007' >‘We’ll say, then, that it doesn’t fit, and I’ll resemble the
other fellow—the Daniel Deronda one—what’s his name,
Whitfield, Whitford?’ (Whitford, it will be remembered,
was the dark horse who came in at the finish and captured
the heroine.)</p>
<p class='c007' >Marcia laughed. ‘I really can’t say that the other fits
any better. I’m afraid you’re not in the book, Mr. Sybert.’</p>
<p class='c007' >They came to a fork in the roads and drew rein again.</p>
<p class='c007' >‘Which way?’ he asked.</p>
<p class='c007' >She paused and looked about. They were already far up
in the mountains, and towering ahead, nearer and clearer
now, on the crest of a still higher ridge, rose the old monastery
she could see from her window. She pointed with her
whip to the gaunt pile of grey stone against the sky.</p>
<p class='c007' >‘Is that your destination?’ he asked.</p>
<p class='c007' >‘Is it too far? I’ve been wanting to see it closer ever
since we came to the villa.’</p>
<p class='c007' >He studied the distance. ‘I should judge it’s about
seven kilometres in a straight line, but there’s no telling how
<span class="pagenum"><SPAN name='Page_124' id='Page_124'>124</SPAN></span>
long the road takes to get there. We can try it, though;
and if you’re not in a hurry to get home, we may reach it.’</p>
<p class='c007' >‘At any rate, there’s nothing to prevent our turning back
if we find it’s too far,’ she suggested.</p>
<p class='c007' >‘Oh, yes; one can always turn back,’ he agreed.</p>
<p class='c007' >‘One can always turn back.’ The words caught Marcia’s
attention, and she repeated them to herself. They seemed
to carry an inner meaning, and she commenced weighing
anew her feelings toward Paul. Could she turn back?
Was it not too late? No, if she were on the wrong road, the
sooner the better; but was she on the wrong road? There
were no guide-posts; the end was hidden by a turning.
She rode on, forgetting to talk, with a shadow on her face
and a serious light in her eyes.</p>
<p class='c007' >‘Well?’ Sybert inquired, ‘would you like my advice?’</p>
<p class='c007' >‘I’m afraid it’s not a matter you can help me with,’ she
returned, with a quick laugh.</p>
<p class='c007' >They pushed on farther up into the hills, between groves
of twisted olive trees and sloping vineyards, through fields
dyed blue and scarlet with forget-me-nots and poppies. All
nature was green and glistening after the rain, and the
mountain breeze blew fresh against their faces. Neither
could be insensible to the influence of the day. Their talk
was light and free and glancing—mere badinage; but it
occasionally struck a deeper note, and holding it for an
instant, half reluctantly let it go. Marcia had never known
Sybert in this mood—she had not, as she realized, known
him in any. In all their casual intercourse of the past few
months they had scarcely exchanged a single idea. He was
an unexplored country, and his character held for her the
attraction of the unknown.</p>
<p class='c007' >Sybert, on his side, glanced at her curiously from time to
time as she flung back a quick reply. With him, first
impressions died hard. He had first seen Marcia at a tea,
the centre of a laughing group, with all the room paying
court to her. She was pretty and attractive, faultlessly
gowned, thoroughly at ease. He had, in his thirteen
seasons, met many women who played many parts; and the
somewhat cynical conclusion he had carried away from the
experience was that if a woman be but young and fair she
has the gift to know it. But as he watched her now he
wondered suddenly if she were quite what he had thought
<span class="pagenum"><SPAN name='Page_125' id='Page_125'>125</SPAN></span>
her. It struck him that what he had regarded as over-sophistication
was rather the pseudo-sophistication of
youth; her occasional crudeness, but the crudeness that
comes from lack of experience. She knew nothing of life
outside the carefully closed confines of her own small world.
And yet he recognized in her a certain reckless spirit of
daring, of curiosity toward the world, that responded to a
chord in his own nature. He had seen it the night they
found Gervasio. It was in her face now as she galloped
along against the wind, with her eyes raised to the half-ruined
towers of the mediæval monastery. He had not been
very lenient toward her, he knew; and her scarcely veiled
antagonism had amused him. He felt now, as he watched
her, a momentary impulse to draw her out, to mould the
direction of her thoughts, to turn her face a new way.</p>
<p class='c007' >After a wild gallop along the crest of a hill she drew up,
laughing, to steady her hair, which threatened to come
tumbling down about her ears. She dropped the rein
loosely on the horse’s neck in order to leave both hands free,
and Sybert reached over and took it.</p>
<p class='c007' >‘See here, young lady,’ he remonstrated, ‘you’re going to
take a cropper some day if you ride like that.’</p>
<p class='c007' >She glanced back with a quick retort on her lips, but his
expression disarmed her. He was not watching her with his
usual critical look. She changed the words into a laugh.</p>
<p class='c007' >‘Do you know what you make me feel like doing, Mr.
Sybert? Giving Lil the reins and galloping down that hill
there with my hands in the air.’</p>
<p class='c007' >‘Perhaps I would better keep the reins in my own hands,’
was his cool proposition.</p>
<p class='c007' >‘I never knew any one who could rouse so much latent
antagonism in a person as you can! You never say a word
but I feel like doing exactly the opposite.’</p>
<p class='c007' >‘It’s well to know it. I shall frame my future suggestions
accordingly.’</p>
<p class='c007' >Marcia settled her hat and stretched out her hand. He
returned the reins with a show of doubt.</p>
<p class='c007' >‘Can I trust you to restrain your impulses?’ he inquired,
with his eyes on the declivity before them.</p>
<p class='c007' >She gathered up the reins, but made no movement to go
on. Instead she half-turned in the saddle and looked behind.</p>
<p class='c007' >They were on the shoulder of a mountain. Below them
<span class="pagenum"><SPAN name='Page_126' id='Page_126'>126</SPAN></span>
smaller foothills receded, tier below tier, until they sank
imperceptibly into the level plain of the Campagna. Ahead
of them the bare Sabines stretched in broken ridges, backed
in the distance by two snow-peaks of the Apennines.
Everywhere was the warmth of colouring, the brilliant hues
of an Italian spring.</p>
<p class='c007' >‘Italy is beautiful, isn’t it?’ Marcia asked simply.</p>
<p class='c007' >‘Yes,’ he agreed; ‘Italy is cursed with beauty.’</p>
<p class='c007' >She turned her eyes inquiringly from the landscape to him.</p>
<p class='c007' >‘A nation of artists’ models!’ he exclaimed half contemptuously.
‘Because of their fatal good looks, the
Italians can’t be allowed to be prosperous like any other
people.’</p>
<p class='c007' >‘Perhaps,’ she suggested, ‘their beauty is a compensation.
They are poor, I know; but don’t you think they
know how to be happy in spite of it?’</p>
<p class='c007' >‘They are too easily happy. That’s another curse.’</p>
<p class='c007' >‘But you surely don’t want them to be unhappy,’ she
remonstrated. ‘Since they have to be poor, shouldn’t you
rather see them contented?’</p>
<p class='c007' >‘Certainly not. They have nothing to be contented with.’</p>
<p class='c007' >‘But I don’t see that it makes any difference <i>what</i> you are
contented with so long as you <i>are</i> contented.’</p>
<p class='c007' >He looked at her with a half-smile.</p>
<p class='c007' >‘Nonsense, Miss Marcia; you know better than that.
When people are contented with their lot, does their lot ever
improve? Do you think the Italian people <i>ought</i> to be
happy? You have seen the way they live, or—no,’ he
broke off, ‘you don’t know anything about it.’</p>
<p class='c007' >‘Yes, I do,’ she returned. ‘I know they’re poor—horribly
poor—but they seem to get a good deal of pleasure
out of life in spite of it.’</p>
<p class='c007' >He shook his head. ‘You can’t convince me with that
argument. Have you never heard of a holy discontent?
That’s what these people need—and,’ he added grimly,
‘some of them have got it.’</p>
<p class='c007' >‘A holy discontent,’ she repeated. ‘What a terrible
thing to have! It’s like living for revenge.’</p>
<p class='c007' >‘Oh, well,’ he shrugged, ‘a man must live for something
besides his three meals a day.’</p>
<p class='c007' >‘He can live for his family,’ she suggested.</p>
<p class='c007' >‘Yes, if he has one. Otherwise he must live for an idea.’</p>
<p class='c007' >
<span class="pagenum"><SPAN name='Page_127' id='Page_127'>127</SPAN></span>
She glanced at him sidewise. She would have liked to
ask what idea he lived for, but it was a question she did not
dare to put. Instead she commented: ‘It’s queer, isn’t it,
how the ideas that men used to live for have passed away?
Chivalry and crusading and going to war and living as
hermits—I really don’t see what’s left.’</p>
<p class='c007' >‘The most of the old ideals are exploded,’ he agreed.
‘But we have new ones to-day—sufficiently bad—to meet
the needs of the present century. A man can make a god of
his business, for instance.’</p>
<p class='c007' >Marcia shifted her seat a trifle uneasily as she thought of
her father, who certainly did make a god of his business.
It may have struck Sybert that it was not a propitious
subject, for he added almost instantly—</p>
<p class='c007' >‘And there’s always art to fall back upon.’</p>
<p class='c007' >‘But you don’t object to that,’ she remonstrated.</p>
<p class='c007' >‘No, it’s good enough in its way,’ he agreed; ‘but it
doesn’t go very deep.’</p>
<p class='c007' >‘Artists would tell you then that it isn’t the true art.’</p>
<p class='c007' >‘I dare say,’ he shrugged; ‘but at best there are a good
many truer things.’</p>
<p class='c007' >‘What, for instance?’</p>
<p class='c007' >‘Well, three meals a day.’</p>
<p class='c007' >Marcia laughed, and then she inquired—</p>
<p class='c007' >‘Suppose you knew a person, Mr. Sybert, who didn’t care
for anything but art—who just wanted to have the world
beautiful and nothing else, what would you think?’</p>
<p class='c007' >‘Not much,’ he returned; ‘what would you?’</p>
<p class='c007' >‘I think that you go a great deal farther in the other
extreme!’</p>
<p class='c007' >‘Not at all,’ he maintained. ‘I am granting that art is a
very fine thing; only there are so many more vital issues in
life that one doesn’t have time to bother with it much.
However, I suppose it’s a phase one has to go through with
in Italy. Oh, I’ve been through with it, too,’ he added.
‘I used to feel that Botticelli and Giorgione and the rest of
them were really important.’</p>
<p class='c007' >‘But you got over it?’ she inquired.</p>
<p class='c007' >‘Yes, I got over it—one does.’</p>
<p class='c007' >Marcia laughed again. ‘Mr. Sybert,’ she said, ‘I think
you are an awfully queer man. You are so sort of unfeeling
in some respects and feeling in others.’</p>
<p class='c007' >
<span class="pagenum"><SPAN name='Page_128' id='Page_128'>128</SPAN></span>
‘Miss Marcia, you strike me as an awfully queer young
woman for exactly the same reasons.’</p>
<p class='c007' >They had come to a curve in the road, and under an over-hanging
precipice hollowed out of the rock was a little
shrine to the Madonna, and beside it a rough iron cross.</p>
<p class='c007' >‘Some poor devil has met his fate here,’ said Sybert, and
he reined in his horse and leaned from his saddle to make out
the blurred inscription traced on the bars. ‘Felice Buconi
in the year 1840 at this spot received death at the hand of an
assassin. Pray for his soul,’ he translated. ‘Poor fellow!
It’s a tragedy in Italy to meet one’s death at the hands of an
assassin.’</p>
<p class='c007' >‘Why more in Italy than in any other place?’</p>
<p class='c007' >‘Because one dies without receiving the sacrament, and
has some trouble about getting into heaven.’</p>
<p class='c007' >‘Oh!’ she returned. ‘I suppose when Gervasio’s father
wished that I might die of an apoplexy he was not
only damning me for this world, but for the world to
come.’</p>
<p class='c007' >‘Exactly. An apoplexy in Italy is a comprehensive curse.’</p>
<p class='c007' >‘I think,’ she commented, ‘that I prefer a religion which
doesn’t have a purgatory.’</p>
<p class='c007' >‘Purgatory,’ he returned, ‘has always struck me as quite
superior to anything the Protestants offer. It really gives
one something to die for.’</p>
<p class='c007' >‘I should think, for the matter of that, that heaven direct
would give one something to die for.’</p>
<p class='c007' >‘What, for instance? Golden paving-stones, eternal
sunshine, and singing angels!’</p>
<p class='c007' >‘Oh, not necessarily just those things. They’re merely
symbolical.’</p>
<p class='c007' >‘At least,’ said Sybert, ‘perfect peace and beauty and
happiness, and nothing beyond. You needn’t tell me, Miss
Marcia, that you want to spend an eternity in any such
place as that. It might do for a vacation—a villeggiatura—but
for ever!’</p>
<p class='c007' >‘Probably angels’ ideas of happiness are more settled
than men’s.’</p>
<p class='c007' >‘In that case angels must be infinitely lower than men.
To be happy in a place that has reached the end, that stands
still, would require a very selfish man—and I don’t see why
not a very selfish angel—to settle down contentedly to an
<span class="pagenum"><SPAN name='Page_129' id='Page_129'>129</SPAN></span>
eternity of bliss while there’s still so much work to be done
in the world.’</p>
<p class='c007' >‘I suppose,’ she suggested, ‘that when you get to be an
angel, you forget about the world and leave all the sorrow
and misery behind.’</p>
<p class='c007' >‘A fools’ paradise!’ he maintained.</p>
<p class='c007' >They were suddenly aroused from their talk by a peal of
thunder. They looked up to see that the sun had disappeared.
Sybert’s small cloud on the horizon had grown
until it covered the sky.</p>
<p class='c007' >‘Well, Miss Marcia,’ he laughed, ‘I am afraid we are
going to get a wetting to pay for our immersion in philosophy
and art. Shall we turn back?’</p>
<p class='c007' >‘If we’re going to get wet anyway,’ she said, ‘I should
prefer seeing the monastery first, since we’ve come so far.’
She looked across the valley in front of them, where, not
half a mile away, the walls rose grim and gaunt amid a
cluster of cypresses.</p>
<p class='c007' >‘You can see about as much from here as you could if you
went any nearer,’ he returned. ‘I should advise you to
look and run.’</p>
<p class='c007' >As he spoke a cool wind swept up the valley, swaying the
olive trees and turning their leaves to silver. A flash of
lightning followed, and a few big drops splashed in their
faces.</p>
<p class='c007' >‘We’re in for it!’ Marcia exclaimed, as she struggled
to control Kentucky Lil, who was quivering and plunging.</p>
<p class='c007' >Sybert glanced about quickly. The flying clouds overhead,
and an ominous orange light that had suddenly settled
down upon the landscape, betokened that a severe mountain
storm was at hand. They would be drenched through
before they could reach the monastery—which, after all,
might not prove a hospitable order to ladies. He presently
spied a low stone building nearer at hand on the slope of
the hill they had just left behind. ‘We’d better make for
that,’ he said, pointing it out with his whip. ‘Though it
hasn’t a very promising look, it will at least be a shelter
until the storm is over.’</p>
<div class='chapter'>
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