<h2><SPAN name="chap31"></SPAN>CHAPTER XXXI.<br/> Old and new Acquaintances</h2>
<p>Elated with the idea of seeing life, Pen went into a hundred queer London
haunts. He liked to think he was consorting with all sorts of men—so he
beheld coalheavers in their tap-rooms; boxers in their inn-parlours; honest
citizens disporting in the suburbs or on the river; and he would have liked to
hob and nob with celebrated pickpockets, or drink a pot of ale with a company
of burglars and cracksmen, had chance afforded him an opportunity of making the
acquaintance of this class of society. It was good to see the gravity with
which Warrington listened to the Tutbury Pet or the Brighton Stunner at the
Champion’s Arms, and behold the interest which he took in the coalheaving
company assembled at the Fox-under-the-Hill. His acquaintance with the
public-houses of the metropolis and its neighbourhood, and with the frequenters
of their various parlours, was prodigious. He was the personal friend of the
landlord and landlady, and welcome to the bar as to the clubroom. He liked
their society, he said, better than that of his own class, whose manners
annoyed him, and whose conversation bored him. “In society,” he
used to say, “everybody is the same, wears the same dress, eats and
drinks, and says the same things; one young dandy at the club talks and looks
just like another, one Miss at a ball exactly resembles another, whereas
there’s character here. I like to talk with the strongest man in England,
or the man who can drink the most beer in England, or with that tremendous
republican of a hatter, who thinks Thistlewood was the greatest character in
history. I like better gin-and-water than claret. I like a sanded floor in
Carnaby Market better than a chalked one in Mayfair. I prefer Snobs, I own
it.” Indeed, this gentleman was a social republican; and it never entered
his head while conversing with Jack and Tom that he was in any respect their
better; although, perhaps, the deference which they paid him might secretly
please him.</p>
<p>Pen followed him then to these various resorts of men with great glee and
assiduity. But he was considerably younger, and therefore much more pompous and
stately than Warrington, in fact a young prince in disguise, visiting the poor
of his father’s kingdom. They respected him as a high chap, a fine
fellow, a regular young swell. He had somehow about him an air of imperious
good-humour, and a royal frankness and majesty, although he was only
heir-apparent to twopence-halfpenny, and but one in descent from a gallypot. If
these positions are made for us, we acquiesce in them very easily; and are
always pretty ready to assume a superiority over those who are as good as
ourselves. Pen’s condescension at this time of his life was a fine thing
to witness. Amongst men of ability this assumption and impertinence passes off
with extreme youth: but it is curious to watch the conceit of a generous and
clever lad—there is something almost touching in that early exhibition of
simplicity and folly.</p>
<p>So, after reading pretty hard of a morning, and, I fear, not law merely, but
politics and general history and literature, which were as necessary for the
advancement and instruction of a young man as mere dry law, after applying with
tolerable assiduity to letters, to reviews, to elemental books of law, and,
above all, to the newspaper, until the hour of dinner was drawing nigh, these
young gentlemen would sally out upon the town with great spirits and appetite,
and bent upon enjoying a merry night as they had passed a pleasant forenoon. It
was a jovial time, that of four-and-twenty, when every muscle of mind and body
was in healthy action, when the world was new as yet, and one moved over it
spurred onwards by good spirits and the delightful capability to enjoy. If ever
we feel young afterwards, it is with the comrades of that time: the tunes we
hum in our old age, are those we learned then. Sometimes, perhaps, the
festivity of that period revives in our memory; but how dingy the
pleasure-garden has grown, how tattered the garlands look, how scant and old
the company, and what a number of the lights have gone out since that day! Grey
hairs have come on like daylight streaming in—daylight and a headache
with it. Pleasure has gone to bed with the rouge on her cheeks. Well, friend,
let us walk through the day, sober and sad, but friendly.</p>
<p>I wonder what Laura and Helen would have said, could they have seen, as they
might not unfrequently have done had they been up and in London, in the very
early morning when the bridges began to blush in the sunrise, and the tranquil
streets of the city to shine in the dawn, Mr. Pen and Mr. Warrington rattling
over the echoing flags towards the Temple, after one of their wild nights of
carouse—nights wild, but not so wicked as such nights sometimes are, for
Warrington was a woman-hater; and Pen, as we have said, too lofty to stoop to a
vulgar intrigue. Our young Prince of Fairoaks never could speak to one of the
sex but with respectful courtesy, and shrank from a coarse word or gesture with
instinctive delicacy—for though we have seen him fall in love with a
fool, as his betters and inferiors have done, and as it is probable that he did
more than once in his life, yet for the time of the delusion it was always as a
Goddess that he considered her, and chose to wait upon her. Men serve women
kneeling—when they get on their feet, they go away.</p>
<p>That was what an acquaintance of Pen’s said to him in his hard homely
way;—an old friend with whom he had fallen in again in London—no
other than honest Mr. Bows of the Chatteris Theatre, who was now employed as
pianoforte player, to accompany the eminent lyrical talent which nightly
delighted the public at the Fielding’s Head in Covent Garden: and where
was held the little club called the Back Kitchen.</p>
<p>Numbers of Pen’s friends frequented this very merry meeting. The
Fielding’s Head had been a house of entertainment, almost since the time
when the famous author of ‘Tom Jones’ presided as magistrate in the
neighbouring Bow Street; his place was pointed out, and the chair said to have
been his, still occupied by the president of the night’s entertainment.
The worthy Cutts, the landlord of the Fielding’s Head, generally occupied
this post when not disabled by gout or other illness. His jolly appearance and
fine voice may be remembered by some of my male readers: he used to sing
profusely in the course of the harmonic meeting, and his songs were of what may
be called the British Brandy-and-Water School of Song—such as ‘The
Good Old English Gentleman,’ ‘Dear Tom, this Brown Jug,’ and
so forth—songs in which pathos and hospitality are blended, and the
praises of good liquor and the social affections are chanted in a baritone
voice. The charms of our women, the heroic deeds of our naval and military
commanders, are often sung in the ballads of this school; and many a time in my
youth have I admired how Cutts the singer, after he had worked us all up to
patriotic enthusiasm, by describing the way in which the brave Abercrombie
received his death-wound, or made us join him in tears, which he shed liberally
himself, as in faltering accents he told how autumn’s falling leaf
“proclaimed the old man he must die”—how Cutts the singer
became at once Cutts the landlord, and, before the applause which we were
making with our fists on his table, in compliment to his heart-stirring melody,
had died away,—was calling, “Now, gentlemen, give your orders, the
waiter’s in the room—John, a champagne cup for Mr. Green. I think,
sir, you said sausages and mashed potatoes? John, attend on the
gentleman.”</p>
<p>“And I’ll thank ye give me a glass of punch too, John, and take
care the wather boils,” a voice would cry not unfrequently, a well-known
voice to Pen, which made the lad blush and start when he heard it
first—that of the venerable Captain Costigan; who was now established in
London, and one of the great pillars of the harmonic meetings at the
Fielding’s Head.</p>
<p>The Captain’s manners and conversation brought very many young men to the
place. He was a character, and his fame had begun to spread soon after his
arrival in the metropolis, and especially after his daughter’s marriage.
He was great in his conversation to the friend for the time being (who was the
neighbour drinking by his side), about “me daughther.” He told of
her marriage, and of the events previous and subsequent to that ceremony; of
the carriages she kept; of Mirabel’s adoration for her and for him; of
the hundther pounds which he was at perfect liberty to draw from his
son-in-law, whenever necessity urged him. And having stated that it was his
firm intention to “dthraw next Sathurday, I give ye me secred word and
honour next Sathurday, the fourteenth, when ye’ll see the money will be
handed over to me at Coutts’s, the very instant I present the
cheque,” the Captain would not unfrequently propose to borrow a
half-crown of his friend until the arrival of that day of Greek Calends, when,
on the honour of an officer and gentleman, he would repee the thrifling
obligetion.</p>
<p>Sir Charles Mirabel had not that enthusiastic attachment to his father-in-law,
of which the latter sometimes boasted (although in other stages of emotion Cos
would inveigh, with tears in his eyes, against the ingratitude of the child of
his bosom, and the stinginess of the wealthy old man who had married her); but
the pair had acted not unkindly towards Costigan; had settled a small pension
on him, which was paid regularly, and forestalled with even more regularity by
poor Cos; and the period of the payments was always well known by his friend at
the Fielding’s Head, whither the honest Captain took care to repair,
bank-notes in hand, calling loudly for change in the midst of the full harmonic
meeting. “I think ye’ll find that note won’t be refused at
the Bank of England, Cutts, my boy,” Captain Costigan would say.
“Bows, have a glass? Ye needn’t stint yourself to-night, anyhow;
and a glass of punch will make ye play con spirito.” For he was lavishly
free with his money when it came to him, and was scarcely known to button his
breeches pocket, except when the coin was gone, or sometimes, indeed, when a
creditor came by.</p>
<p>It was in one of these moments of exultation that Pen found his old friend
swaggering at the singers’ table at the Back Kitchen of the
Fielding’s Head, and ordering glasses of brandy-and-water for any of his
acquaintances who made their appearance in the apartment. Warrington, who was
on confidential terms with the bass singer, made his way up to this quarter of
the room, and Pen walked at his friend’s heels.</p>
<p>Pen started and blushed to see Costigan. He had just come from Lady
Whiston’s party, where he had met and spoken with the Captain’s
daughter again for the first time after very old old days. He came up with
outstretched hand, very kindly and warmly to greet the old man; still retaining
a strong remembrance of the time when Costigan’s daughter had been
everything in the world to him. For though this young gentleman may have been
somewhat capricious in his attachments, and occasionally have transferred his
affections from one woman to another, yet he always respected the place where
Love had dwelt, and, like the Sultan of Turkey, desired that honours should be
paid to the lady towards whom he had once thrown the royal pocket-handkerchief.
The tipsy Captain returning the clasp of Pen’s hand with all the strength
of a palm which had become very shaky by the constant lifting up of weights of
brandy-and-water, looked hard in Pen’s face, and said, “Grecious
Heavens, is it possible? Me dear boy, me dear fellow, me dear friend;”
and then with a look of muddled curiosity, fairly broke down with, “I
know your face, me dear dear friend, but, bedad, I’ve forgot your
name.” Five years of constant punch had passed since Pen and Costigan
met. Arthur was a good deal changed, and the Captain may surly be excused for
forgetting him; when a man at the actual moment sees things double, we may
expect that his view of the past will be rather muzzy.</p>
<p>Pen saw his condition and laughed, although, perhaps, he was somewhat
mortified. “Don’t you remember me, Captain?” he said.
“I am Pendennis—Arthur Pendennis, of Chatteris.”</p>
<p>The sound of the young man’s friendly voice recalled and steadied
Cos’s tipsy remembrance, and he saluted Arthur, as soon as he knew him,
with a loud volley of friendly greetings. Pen was his dearest boy, his gallant
young friend, his noble collagian, whom he had held in his inmost heart ever
since they had parted—how was his fawther, no, his mother, and his
guardian, the General, the Major? “I preshoom, from your apparance,
you’ve come into your prawpertee; and, bedad, yee’ll spend it like
a man of spirit—I’ll go bail for that. No? not yet come into your
estete? If ye want any thrifle, heark ye, there’s poor old Jack Costigan
has got a guinea or two in his pocket—and, be heavens! you shall never
want, Awthur, me dear boy. What’ll ye have? John, come hither, and look
aloive; give this gentleman a glass of punch, and I’ll pay
for’t.—Your friend? I’ve seen him before. Permit me to have
the honour of making meself known to ye, sir, and requesting ye’ll take a
glass of punch.”</p>
<p>“I don’t envy Sir Charles Mirabel his father-in-law,” thought
Pendennis. “And how is my old friend, Mr. Bows, Captain? Have you any
news of him, and do you see him still?”</p>
<p>“No doubt he’s very well,” said the Captain, jingling his
money, and whistling the air of a song—‘The Little
Doodeen’—for the singing of which he was celebrated at the
Fielding’s Head. “Me dear boy—I’ve forgot your name
again—but my name’s Costigan, Jack Costigan, and I’d loike ye
to take as many tumblers of punch in my name as ever ye loike. Ye know my name;
I’m not ashamed of it.” And so the captain went maundering on.</p>
<p>“It’s pay-day with the General,” said Mr. Hodgen, the bass
singer, with whom Warrington was in deep conversation: “and he’s a
precious deal more than half seas over. He has already tried that ‘Little
Doodeen’ of his, and broke it, too, just before I sang ‘King
Death.’ Have you heard my new song, ‘The Body Snatcher,’ Mr.
Warrington?—angcored at Saint Bartholomew’s the other
night—composed expressly for me. Per’aps you or your friend would
like a copy of the song, sir? John, just ’ave the kyndness to ’and
over a ‘Body Snatcher’ ’ere, will yer?—There’s a
portrait of me, sir, as I sing it—as the Snatcher—considered rather
like.”</p>
<p>“Thank you,” said Warrington; “heard it nine times—know
it by heart, Hodgen.”</p>
<p>Here the gentleman who presided at the pianoforte began to play upon his
instrument, and Pen, looking in the direction of the music, beheld that very
Mr. Bows, for whom he had been asking but now, and whose existence Costigan had
momentarily forgotten. The little old man sate before the battered piano (which
had injured its constitution wofully by sitting up so many nights, and spoke
with a voice, as it were, at once hoarse and faint), and accompanied the
singers, or played with taste and grace in the intervals of the songs.</p>
<p>Bows had seen and recollected Pen at once when the latter came into the room,
and had remarked the eager warmth of the young man’s recognition of
Costigan. He now began to play an air, which Pen instantly remembered as one
which used to be sung by the chorus of villagers in ‘The Stranger,’
just before Mrs. Haller came in. It shook Pen as he heard it. He remembered how
his heart used to beat as that air was played, and before the divine Emily made
her entry. Nobody, save Arthur, took any notice of old Bows’s playing: it
was scarcely heard amidst the clatter of knives and forks, the calls for
poached eggs and kidneys, and the tramp of guests and waiters.</p>
<p>Pen went up and kindly shook the player by the hand at the end of his
performance; and Bows greeted Arthur with great respect and cordiality.
“What, you haven’t forgot the old tune, Mr. Pendennis?” he
said; “I thought you’d remember it. I take it, it was the first
tune of that sort you ever heard played—wasn’t it, sir? You were
quite a young chap then. I fear the Captain’s very bad to-night. He
breaks out on a pay-day; and I shall have the deuce’s own trouble in
getting home. We live together. We still hang on, sir, in partnership, though
Miss Em—though my lady Mirabel has left the firm.—And so you
remember old times, do you? Wasn’t she a beauty, sir?—Your health
and my service to you,”—and he took a sip at the pewter measure of
porter which stood by his side as he played.</p>
<p>Pen had many opportunities of seeing his early acquaintance afterwards, and of
renewing his relations with Costigan and the old musician.</p>
<p>As they sate thus in friendly colloquy, men of all sorts and conditions entered
and quitted the house of entertainment; and Pen had the pleasure of seeing as
many different persons of his race, as the most eager observer need desire to
inspect. Healthy country tradesmen and farmers, in London for their business,
came and recreated themselves with the jolly singing and suppers of the Back
Kitchen,—squads of young apprentices and assistants, the shutters being
closed over the scene of their labours, came hither for fresh air
doubtless,—rakish young medical students, gallant, dashing, what is
called “loudly” dressed, and (must it be owned?) somewhat
dirty,—were here smoking and drinking, and vociferously applauding the
songs; young university bucks were to be found here, too, with that
indescribable genteel simper which is only learned at the knees of Alma
Mater;—and handsome young guardsmen, and florid bucks from the St.
James’s Street Clubs—nay, senators English and Irish; and even
members of the House of Peers.</p>
<p>The bass singer had made an immense hit with his song of ‘The Body
Snatcher,’ and the town rushed to listen to it. The curtain drew aside,
and Mr. Hodgen appeared in the character of the Snatcher, sitting on a coffin,
with a flask of gin before him, with a spade, and a candle stuck in a skull.
The song was sung with a really admirable terrific humour. The singer’s
voice went down so low, that its grumbles rumbled into the hearer’s
awe-stricken soul; and in the chorus he clamped with his spade, and gave a
demoniac “Ha! ha!” which caused the very glasses to quiver on the
table, as with terror. None of the other singers, not even Cutts himself, as
that high-minded man owned, could stand up before the Snatcher, and he commonly
used to retire to Mrs. Cutts’s private apartments, or into the bar,
before that fatal song extinguished him. Poor Cos’s ditty, ‘The
Little Doodeen,’ which Bows accompanied charmingly on the piano, was sung
but to a few admirers, who might choose to remain after the tremendous
resurrectionist chant. The room was commonly emptied after that, or only left
in possession of a very few and persevering votaries of pleasure.</p>
<p>Whilst Pen and his friend were sitting here together one night, or rather
morning, two habitues of the house entered almost together. “Mr. Hoolan
and Mr. Doolan,” whispered Warrington to Pen, saluting these gentlemen,
and in the latter Pen recognised his friend of the Alacrity coach, who could
not dine with Pen on the day on which the latter had invited him, being
compelled by his professional duties to decline dinner-engagements on Fridays,
he had stated, with his compliments to Mr. Pendennis.</p>
<p>Doolan’s paper, the Dawn, was lying on the table much bestained by
porter, and cheek-by-jowl with Hoolan’s paper, which we shall call the
Day; the Dawn was Liberal—the Day was ultra-Conservative. Many of our
journals are officered by Irish gentlemen, and their gallant brigade does the
penning among us, as their ancestors used to transact the fighting in Europe;
and engage under many a flag, to be good friends when the battle is over.</p>
<p>“Kidneys, John, and a glass of stout,” says Hoolan. “How are
you, Morgan? how’s Mrs. Doolan?”</p>
<p>“Doing pretty well, thank ye, Mick, my boy—faith she’s
accustomed to it,” said Doolan. “How’s the lady that owns ye?
Maybe I’ll step down Sunday, and have a glass of punch, Kilburn
way.”</p>
<p>“Don’t bring Patsey with you, Mick, for our Georgy’s got the
measles,” said the friendly Morgan, and they straightway fell to talk
about matters connected with their trade—about the foreign
mails—about who was correspondent at Paris, and who wrote from
Madrid—about the expense the Morning Journal was at in sending couriers,
about the circulation of the Evening Star, and so forth.</p>
<p>Warrington, laughing, took the Dawn which was lying before him, and pointed to
one of the leading articles in that journal, which commenced thus—</p>
<p>“As rogues of note in former days who had some wicked work to
perform,—an enemy to be put out of the way, a quantity of false coin to
be passed, a lie to be told or a murder to be done—employed a
professional perjurer or assassin to do the work, which they were themselves
too notorious or too cowardly to execute: our notorious contemporary, the Day,
engages smashers out of doors to utter forgeries against individuals, and calls
in auxiliary cut-throats to murder the reputation of those who offend him. A
black-vizarded ruffian (whom we will unmask), who signs the forged name of
Trefoil, is at present one of the chief bravoes and bullies in our
contemporary’s establishment. He is the eunuch who brings the bowstring,
and strangles at the order of the Day. We can convict this cowardly slave, and
propose to do so. The charge which he has brought against Lord Bangbanagher,
because he is a Liberal Irish peer, and against the Board of Poor Law Guardians
of the Bangbanagher Union, is,” etc.</p>
<p>“How did they like the article at your place, Mick?” asked Morgan;
“when the Captain puts his hand to it he’s a tremendous hand at a
smasher. He wrote the article in two hours—in—whew—you know
where, while the boy was waiting.”</p>
<p>“Our governor thinks the public don’t mind a straw about these
newspaper rows, and has told the Docthor to stop answering,” said the
other. “Them two talked it out together in my room. The Docthor would
have liked a turn, for he says it’s such easy writing, and requires no
reading up of a subject: but the governor put a stopper on him.”</p>
<p>“The taste for eloquence is going out, Mick,” said Morgan.</p>
<p>“’Deed then it is, Morgan,” said Mick. “That was fine
writing when the Docthor wrote in the Phaynix, and he and Condy Roony blazed
away at each other day after day.”</p>
<p>“And with powder and shot, too, as well as paper,” says Morgan,
“Faith, the Docthor was out twice, and Condy Roony winged his man.”</p>
<p>“They are talking about Doctor Boyne and Captain Shandon,”
Warrington said, “who are the two Irish controversialists of the Dawn and
the Day, Dr. Boyne being the Protestant champion and Captain Shandon the
Liberal orator. They are the best friends in the world, I believe, in spite of
their newspaper controversies; and though they cry out against the English for
abusing their country, by Jove they abuse it themselves more in a single
article than we should take the pains to do in a dozen volumes. How are you,
Doolan?”</p>
<p>“Your servant, Mr. Warrington—Mr. Pendennis, I am delighted to have
the honour of seeing ye again. The night’s journey on the top of the
Alacrity was one of the most agreeable I ever enjoyed in my life, and it was
your liveliness and urbanity that made the trip so charming. I have often
thought over that happy night, sir, and talked over it to Mrs. Doolan. I have
seen your elegant young friend, Mr. Foker, too, here, sir, not unfrequently. He
is an occasional frequenter of this hostelry, and a right good one it is. Mr.
Pendennis, when I saw you I was on the Tom and Jerry Weekly Paper; I have now
the honour to be sub-editor of the Dawn, one of the best-written papers of the
empire”—and he bowed very slightly to Mr. Warrington. His speech
was unctuous and measured, his courtesy oriental, his tone, when talking with
the two Englishmen, quite different to that with which he spoke to his comrade.</p>
<p>“Why the devil will the fellow compliment so?” growled Warrington,
with a sneer which he hardly took the pains to suppress. “Psha—who
comes here?—all Parnassus is abroad to-night: here’s Archer. We
shall have some fun. Well, Archer, House up?”</p>
<p>“Haven’t been there. I have been,” said Archer, with an air
of mystery, “where I was wanted. Get me some supper, John—something
substantial. I hate your grandees who give you nothing to eat. If it had been
at Apsley House, it would have been quite different. The Duke knows what I
like, and says to the Groom of the Chambers, ‘Martin, you will have some
cold beef, not too much done, and a pint bottle of pale ale, and some brown
sherry, ready in my study as usual;—Archer is coming here this
evening.’ The Duke doesn’t eat supper himself, but he likes to see
a man enjoy a hearty meal, and he knows that I dine early. A man can’t
live upon air, be hanged to him.”</p>
<p>“Let me introduce you to my friend, Mr. Pendennis,” Warrington
said, with great gravity. “Pen, this is Mr Archer, whom you have heard me
talk about. You must know Pen’s uncle, the Major, Archer, you who know
everybody?”</p>
<p>“Dined with him the day before yesterday at Gaunt House,” Archer
said. “We were four—the French Ambassador, Steyne, and we two
commoners.”</p>
<p>“Why, my uncle is in Scot——” Pen was going to break
out, but Warrington pressed his foot under the table as a signal for him to be
quiet.</p>
<p>“It was about the same business that I have been to the palace
to-night,” Archer went on simply, “and where I’ve been kept
four hours, in an anteroom, with nothing but yesterday’s Times, which I
knew by heart, as I wrote three of the leading articles myself; and though the
Lord Chamberlain came in four times, and once holding the royal teacup and
saucer in his hand, he did not so much as say to me, ‘Archer, will you
have a cup of tea?’”</p>
<p>“Indeed! what is in the wind now?” asked Warrington—and
turning to Pen, added, “You know, I suppose, that when there is anything
wrong at Court they always send for Archer.”</p>
<p>“There is something wrong,” said Mr. Archer, “and as the
story will be all over the town in a day or two I don’t mind telling it.
At the last Chantilly races, where I rode Brian Boru for my old friend the Duke
de Saint Cloud—the old King said to me, Archer, I’m uneasy about
Saint Cloud. I have arranged his marriage with the Princess Marie Cunegonde;
the peace of Europe depends upon it—for Russia will declare war if the
marriage does not take place, and the young fool is so mad about Madame
Massena, Marshal Massena’s wife, that he actually refuses to be a party
to the marriage. Well, Sir, I spoke to Saint Cloud, and having got him into
pretty good humour by winning the race, and a good bit of money into the
bargain, he said to me, ‘Archer, tell the Governor I’ll think of
it.’”</p>
<p>“How do you say Governor in French?” asked Pen, who piqued himself
on knowing that language.</p>
<p>“Oh, we speak in English—I taught him when we were boys, and I
saved his life at Twickenham, when he fell out of a punt,” Archer said.
“I shall never forget the Queen’s looks as I brought him out of the
water. She gave me this diamond ring, and always calls me Charles to this
day.”</p>
<p>“Madame Massena must be rather an old woman, Archer,” Warrington
said.</p>
<p>“Dev’lish old—old enough to be his grandmother; I told him
so,” Archer answered at once. “But those attachments for old women
are the deuce and all. That’s what the King feels: that’s what
shocks the poor Queen so much. They went away from Paris last Tuesday night,
and are living at this present moment at Jaunay’s Hotel.”</p>
<p>“Has there been a private marriage, Archer?” asked Warrington.</p>
<p>“Whether there has or not I don’t know,” Mr. Archer replied,
“all I know is that I was kept waiting for four hours at the palace; that
I never saw a man in such a state of agitation as the King of Belgium when he
came out to speak to me, and that I’m devilish hungry—and here
comes some supper.”</p>
<p>“He has been pretty well to-night,” said Warrington, as the pair
went home together: “but I have known him in much greater force, and
keeping a whole room in a state of wonder. Put aside his archery practice, that
man is both able and honest—a good man of business, an excellent friend,
admirable to his family as husband, father, and son.”</p>
<p>“What is it makes him pull the long bow in that wonderful manner?”</p>
<p>“An amiable insanity,” answered Warrington. “He never did
anybody harm by his talk, or said evil of anybody. He is a stout politician
too, and would never write a word or do an act against his party, as many of us
do.”</p>
<p>“Of us! Who are we?” asked Pen. “Of what profession is Mr.
Archer?”</p>
<p>“Of the Corporation of the Goosequill—of the Press, my boy,”
said Warrington; “of the fourth estate.”</p>
<p>“Are you, too, of the craft, then?” Pendennis said.</p>
<p>“We will talk about that another time,” answered the other. They
were passing through the Strand as they talked, and by a newspaper office,
which was all lighted up and bright. Reporters were coming out of the place, or
rushing up to it in cabs; there were lamps burning in the editors’ rooms,
and above where the compositors were at work: the windows of the building were
in a blaze of gas.</p>
<p>“Look at that, Pen,” Warrington said. “There she is—the
great engine—she never sleeps. She has her ambassadors in every quarter
of the world—her couriers upon every road. Her officers march along with
armies, and her envoys walk into statesmen’s cabinets. They are
ubiquitous. Yonder journal has an agent, at this minute, giving bribes at
Madrid; and another inspecting the price of potatoes in Covent Garden. Look!
here comes the Foreign Express galloping in. They will be able to give news to
Downing Street to-morrow: funds will rise or fall, fortunes be made or lost;
Lord B. will get up, and, holding the paper in his hand, and seeing the noble
marquis in his place, will make a great speech; and—and Mr. Doolan will
be called away from his supper at the Back Kitchen; for he is foreign
sub-editor, and sees the mail on the newspaper sheet before he goes to his
own.”</p>
<p>And so talking, the friends turned into their chambers, as the dawn was
beginning to peep.</p>
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