<SPAN name="startofbook"></SPAN>
<br/>
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<br/>
<br/>
<span style='font-family:"Bookman Old Style"'>[Illustration: "Margaret"]<br/></span>
<br/>
<h1>THE</h1><br/>
<br/>
<h1>EAGLE'S SHADOW</h1><br/>
<br/>
By<br/>
<br/>
JAMES BRANCH CABELL<br/>
<br/>
<br/>
Illustrated by Will Grafé<br/>
Decorated by Bianthe Ostortag<br/>
<br/>
<ANTIMG border="0" src="image004.jpg" alt="image004.jpg" width-obs="160" height-obs="150"/><br/>
1904<br/>
<br/>
Published, October, 1904<br/>
<ANTIMG border="0" src="image008.jpg" alt="image008.jpg" width-obs="160" height-obs="150"/><br/>
To<br/>
<br/>
Martha Louise Branch<br/>
<br/>
<i>In trust that the enterprise may be judged <br/>less by the merits of its
factor than <br/>by those of its patron</i><br/>
<br/>
<br/>
<br/>
<br/>
<br/>
<ANTIMG border="0" src="image010.jpg" alt="image010.jpg" width-obs="60" height-obs="50"/>CONTENTS<ANTIMG border="0" src="image012.jpg" alt="image012.jpg" width-obs="60" height-obs="50"/><br/>
<br/>
CHAPTER<br/>
<br/>
<SPAN href="#I">I.</SPAN><br/>
<br/>
<SPAN href="#II">II.</SPAN><br/>
<br/>
<SPAN href="#III">III.</SPAN><br/>
<br/>
<SPAN href="#IV">IV.</SPAN><br/>
<br/>
<SPAN href="#V">V.</SPAN><br/>
<br/>
<SPAN href="#VI">VI.</SPAN><br/>
<br/>
<SPAN href="#VII">VII.</SPAN><br/>
<br/>
<SPAN href="#VIII">VIII.</SPAN><br/>
<br/>
<SPAN href="#IX">IX.</SPAN><br/>
<br/>
<SPAN href="#X">X.</SPAN><br/>
<br/>
<SPAN href="#XI">XI.</SPAN><br/>
<br/>
<SPAN href="#XII">XII.</SPAN><br/>
<br/>
<SPAN href="#XIII">XIII.</SPAN><br/>
<br/>
<SPAN href="#XIV">XIV.</SPAN><br/>
<br/>
<SPAN href="#XV">XV.</SPAN><br/>
<br/>
<SPAN href="#XVI">XVI.</SPAN><br/>
<br/>
<SPAN href="#XVII">XVII.</SPAN><br/>
<br/>
<SPAN href="#XVII">XVIII.</SPAN><br/>
<br/>
<SPAN href="#XIX">XIX.</SPAN><br/>
<br/>
<SPAN href="#XX">XX.</SPAN><br/>
<br/>
<SPAN href="#XXI">XXI.</SPAN><br/>
<br/>
<SPAN href="#XXII">XXII.</SPAN><br/>
<br/>
<SPAN href="#XXIII">XXIII.</SPAN><br/>
<br/>
<SPAN href="#XXIV">XXIV.</SPAN><br/>
<br/>
<SPAN href="#XXV">XXV.</SPAN><br/>
<br/>
<SPAN href="#XXVI">XXVI.</SPAN><br/>
<br/>
<SPAN href="#XXVII">XXVII.</SPAN><br/>
<br/>
<SPAN href="#XXVIII">XXVIII.</SPAN><br/>
<br/>
<SPAN href="#XXIX">XXIX.</SPAN><br/>
<br/>
<SPAN href="#XXX">XXX.</SPAN><br/>
<br/>
<SPAN href="#XXXI">XXXI.</SPAN><br/>
<br/>
<SPAN href="#XXXII">XXXII.</SPAN><br/>
<br/>
<SPAN href="#XXXIII">XXXIII.</SPAN><br/>
<br/>
<br/>
<br/>
<br/>
THE CHARACTERS<br/>
<br/>
Colonel Thomas Hugonin, formerly in the service of Her Majesty the<br/>
Empress of India, Margaret Hugonin's father.<br/>
<br/>
Frederick R. Woods, the founder of Selwoode, Margaret's uncle by<br/>
marriage.<br/>
<br/>
Billy Woods, his nephew, Margaret's quondam fiancé.<br/>
<br/>
Hugh Van Orden, a rather young young man, Margaret's adorer.<br/>
<br/>
Martin Jeal, M.D., of Fairhaven, Margaret's family physician.<br/>
<br/>
Cock-Eye Flinks, a gentleman of leisure, Margaret's chance<br/>
acquaintance.<br/>
<br/>
Petheridge Jukesbury, president of the Society for the Suppression of<br/>
Nicotine and the Nude, Margaret's almoner in furthering the cause of<br/>
education and temperance.<br/>
<br/>
Felix Kennaston, a minor poet, Margaret's almoner in furthering the<br/>
cause of literature and art.<br/>
<br/>
Sarah Ellen Haggage, Madame President of the Ladies' League for the<br/>
Edification of the Impecunious, Margaret's almoner in furthering the<br/>
cause of charity and philanthropy. Kathleen Eppes Saumarez, a lecturer<br/>
before women's clubs, Margaret's almoner in furthering the cause of<br/>
theosophy, nature study, and rational dress.<br/>
<br/>
Adèle Haggage, Mrs. Haggage's daughter, Margaret's rival with Hugh Van<br/>
Orden.<br/>
<br/>
And Margaret Hugonin.<br/>
<br/>
The other participants in the story are Wilkins, Célestine, The Spring<br/>
Moon and The Eagle.<br/>
<br/>
<br/>
<br/>
<br/>
LIST OF ILLUSTRATIONS<br/>
<br/>
"Margaret"<br/>
<br/>
"'Altogether,' says Colonel Hugonin, 'they strike me as being the<br/>
most ungodly menagerie ever gotten together under one roof since Noah<br/>
landed on Ararat'"<br/>
<br/>
"Then, for no apparent reason, Margaret flushed, and Billy ... thought<br/>
it vastly becoming"<br/>
<br/>
"Billy Woods"<br/>
<br/>
"Billy unfolded it slowly, with a puzzled look growing in his<br/>
countenance"<br/>
<br/>
"'My lady,' he asked, very softly, 'haven't you any good news for me<br/>
on this wonderful morning?'"<br/>
<br/>
"Miss Hugonin pouted. 'You needn't, be such a grandfather,' she<br/>
suggested helpfully."<br/>
<br/>
"Regarded them with alert eyes"<br/>
<br/>
<br/>
<br/>
<br/>
THE EAGLE'S SHADOW<br/>
<br/>
<br/>
<SPAN name="I">I</SPAN><br/>
<br/>
This is the story of Margaret Hugonin and of the Eagle. And with your<br/>
permission, we will for the present defer all consideration of the<br/>
bird, and devote our unqualified attention to Margaret.<br/>
<br/>
I have always esteemed Margaret the obvious, sensible, most<br/>
appropriate name that can be bestowed upon a girl-child, for it is a<br/>
name that fits a woman--any woman--as neatly as her proper size in<br/>
gloves.<br/>
<br/>
Yes, the first point I wish to make is that a woman-child, once<br/>
baptised Margaret, is thereby insured of a suitable name. Be she grave<br/>
or gay in after-life, wanton or pious or sullen, comely or otherwise,<br/>
there will be no possible chance of incongruity; whether she develop a<br/>
taste for winter-gardens or the higher mathematics, whether she take<br/>
to golf or clinging organdies, the event is provided for. One has only<br/>
to consider for a moment, and if among a choice of Madge, Marjorie,<br/>
Meta, Maggie, Margherita, Peggy, and Gretchen, and countless<br/>
others--if among all these he cannot find a name that suits her to a<br/>
T--why, then, the case is indeed desperate and he may permissibly<br/>
fall back upon Madam or--if the cat jump propitiously, and at his own<br/>
peril--on Darling or Sweetheart.<br/>
<br/>
The second proof that this name must be the best of all possible names<br/>
is that Margaret Hugonin bore it. And so the murder is out. You may<br/>
suspect what you choose. I warn you in advance that I have no part<br/>
whatever in her story; and if my admiration for her given name appear<br/>
somewhat excessive, I can only protest that in this dissentient world<br/>
every one has a right to his own taste. I knew Margaret. I admired<br/>
her. And if in some unguarded moment I may have carried my admiration<br/>
to the point of indiscretion, her husband most assuredly knows all<br/>
about it, by this, and he and I are still the best of friends. So you<br/>
perceive that if I ever did so far forget myself it could scarcely<br/>
have amounted to a hanging matter.<br/>
<br/>
I am doubly sure that Margaret Hugonin was beautiful, for the reason<br/>
that I have never found a woman under forty-five who shared my<br/>
opinion. If you clap a Testament into my hand, I cannot affirm that<br/>
women are eager to recognise beauty in one another; at the utmost they<br/>
concede that this or that particular feature is well enough. But when<br/>
a woman is clean-eyed and straight-limbed, and has a cheery heart,<br/>
she really cannot help being beautiful; and when Nature accords her<br/>
a sufficiency of dimples and an infectious laugh, I protest she is<br/>
well-nigh irresistible. And all these Margaret Hugonin had.<br/>
<br/>
And surely that is enough.<br/>
<br/>
I shall not endeavour, then, to picture her features to you in any<br/>
nicely picked words. Her chief charm was that she was Margaret.<br/>
<br/>
And besides that, mere carnal vanities are trivial things; a gray<br/>
eye or so is not in the least to the purpose. Yet since it is the<br/>
immemorial custom of writer-folk to inventory such possessions of<br/>
their heroines, here you have a catalogue of her personal attractions.<br/>
Launce's method will serve our turn.<br/>
<br/>
Imprimis, there was not very much of her--five feet three, at the<br/>
most; and hers was the well-groomed modern type that implies a<br/>
grandfather or two and is in every respect the antithesis of that<br/>
hulking Venus of the Louvre whom people pretend to admire. Item, she<br/>
had blue eyes; and when she talked with you, her head drooped forward<br/>
a little. The frank, intent gaze of these eyes was very flattering<br/>
and, in its ultimate effect, perilous, since it led you fatuously to<br/>
believe that she had forgotten there were any other trousered beings<br/>
extant. Later on you found this a decided error. Item, she had a quite<br/>
incredible amount of yellow hair, that was not in the least like gold<br/>
or copper or bronze--I scorn the hackneyed similes of metallurgical<br/>
poets--but a straightforward yellow, darkening at the roots; and she<br/>
wore it low down on her neck in great coils that were held in place<br/>
by a multitude of little golden hair-pins and divers corpulent<br/>
tortoise-shell ones. Item, her nose was a tiny miracle of perfection;<br/>
and this was noteworthy, for you will observe that Nature, who is an<br/>
adept at eyes and hair and mouths, very rarely achieves a creditable<br/>
nose. Item, she had a mouth; and if you are a Gradgrindian with a<br/>
taste for hairsplitting, I cannot swear that it was a particularly<br/>
small mouth. The lips were rather full than otherwise; one saw in them<br/>
potentialities of heroic passion, and tenderness, and generosity, and,<br/>
if you will, temper. No, her mouth was not in the least like the pink<br/>
shoe-button of romance and sugared portraiture; it was manifestly<br/>
designed less for simpering out of a gilt frame or the dribbling of<br/>
stock phrases over three hundred pages than for gibes and laughter<br/>
and cheery gossip and honest, unromantic eating, as well as another<br/>
purpose, which, as a highly dangerous topic, I decline even to<br/>
mention.<br/>
<br/>
There you have the best description of Margaret Hugonin that I am<br/>
capable of giving you. No one realises its glaring inadequacy more<br/>
acutely than I.<br/>
<br/>
Furthermore, I stipulate that if in the progress of our comedy she<br/>
appear to act with an utter lack of reason or even common-sense--as<br/>
every woman worth the winning must do once or twice in a<br/>
lifetime--that I be permitted to record the fact, to set it down in<br/>
all its ugliness, nay, even to exaggerate it a little--all to the end<br/>
that I may eventually exasperate you and goad you into crying out,<br/>
"Come, come, you are not treating the girl with common justice!"<br/>
<br/>
For, if such a thing were possible, I should desire you to rival even<br/>
me in a liking for Margaret Hugonin. And speaking for myself, I can<br/>
assure you that I have come long ago to regard her faults with the<br/>
same leniency that I accord my own.<br/>
<br/>
<br/>
<br/>
<SPAN name="II">II</SPAN><br/>
<br/>
We begin on a fine May morning in Colonel Hugonin's rooms at Selwoode,<br/>
which is, as you may or may not know, the Hugonins' country-place.<br/>
And there we discover the Colonel dawdling over his breakfast, in an<br/>
intermediate stage of that careful toilet which enables him later in<br/>
the day to pass casual inspection as turning forty-nine.<br/>
<br/>
At present the old gentleman is discussing the members of his<br/>
daughter's house-party. We will omit, by your leave, a number of<br/>
picturesque descriptive passages--for the Colonel is, on occasion, a<br/>
man of unfettered speech--and come hastily to the conclusion, to the<br/>
summing-up of the whole matter.<br/>
<br/>
"Altogether," says Colonel Hugonin, "they strike me as being the most<br/>
ungodly menagerie ever gotten together under one roof since Noah<br/>
landed on Ararat."<br/>
<br/>
Now, I am sorry that veracity compels me to present the Colonel<br/>
in this particular state of mind, for ordinarily he was as<br/>
pleasant-spoken a gentleman as you will be apt to meet on the<br/>
longest summer day.<br/>
<br/>
<ANTIMG src="image014.jpg" alt="image014.jpg" width-obs="400" height-obs="500"><br/>
[Illustration: "'Altogether,' says Colonel Hugonin, 'they strike me as<br/>
being the most ungodly menagerie ever gotten together under one roof<br/>
since Noah landed on Ararat.'"]<br/>
<br/>
You must make allowances for the fact that, on this especial morning,<br/>
he was still suffering from a recent twinge of the gout, and that his<br/>
toast was somewhat dryer than he liked it; and, most potent of all,<br/>
that the foreign mail, just in, had caused him to rebel anew against<br/>
the proprieties and his daughter's inclinations, which chained him to<br/>
Selwoode, in the height of the full London season, to preside over a<br/>
house-party every member of which he cordially disliked. Therefore,<br/>
the Colonel having glanced through the well-known names of those at<br/>
Lady Pevensey's last cotillion, groaned and glared at his daughter,<br/>
who sat opposite him, and reviled his daughter's friends with point<br/>
and fluency, and characterised them as above, for the reason that he<br/>
was hungered at heart for the shady side of Pall Mall, and that their<br/>
presence at Selwoode prevented his attaining this Elysium. For, I am<br/>
sorry to say that the Colonel loathed all things American, saving his<br/>
daughter, whom he worshipped.<br/>
<br/>
And, I think, no one who could have seen her preparing his second cup<br/>
of tea would have disputed that in making this exception he acted with<br/>
a show of reason. For Margaret Hugonin--but, as you know, she is<br/>
our heroine, and, as I fear you have already learned, words are very<br/>
paltry makeshifts when it comes to describing her. Let us simply say,<br/>
then, that Margaret, his daughter, began to make him a cup of tea, and<br/>
add that she laughed.<br/>
<br/>
Not unkindly; no, for at bottom she adored her father--a comely<br/>
Englishman of some sixty-odd, who had run through his wife's fortune<br/>
and his own, in the most gallant fashion--and she accorded his<br/>
opinions a conscientious, but at times, a sorely taxed, tolerance.<br/>
That very month she had reached twenty-three, the age of omniscience,<br/>
when the fallacies and general obtuseness of older people become<br/>
dishearteningly apparent.<br/>
<br/>
"It's nonsense," pursued the old gentleman, "utter, bedlamite<br/>
nonsense, filling Selwoode up with writing people! Never heard of such<br/>
a thing. Gad, I do remember, as a young man, meeting Thackeray at a<br/>
garden-party at Orleans House--gentlemanly fellow with a broken nose--<br/>
and Browning went about a bit, too, now I think of it. People had 'em<br/>
one at a time to lend flavour to a dinner--like an olive; we didn't<br/>
dine on olives, though. You have 'em for breakfast, luncheon, dinner,<br/>
and everything! I'm sick of olives, I tell you, Margaret!" Margaret<br/>
pouted.<br/>
<br/>
"They ain't even good olives. I looked into one of that fellow<br/>
Charteris's books the other day--that chap you had here last week.<br/>
It was bally rot--proverbs standing on their heads and grinning<br/>
like dwarfs in a condemned street-fair! Who wants to be told that<br/>
impropriety is the spice of life and that a roving eye gathers<br/>
remorse? <i>You</i> may call that sort of thing cleverness, if you like; I<br/>
call it damn' foolishness." And the emphasis with which he said this<br/>
left no doubt that the Colonel spoke his honest opinion.<br/>
<br/>
"Attractive," said his daughter patiently, "Mr. Charteris is very,<br/>
very clever. Mr. Kennaston says literature suffered a considerable<br/>
loss when he began to write for the magazines."<br/>
<br/>
And now that Margaret has spoken, permit me to call your attention to<br/>
her voice. Mellow and suave and of astonishing volume was Margaret's<br/>
voice; it came not from the back of her throat, as most of our women's<br/>
voices do, but from her chest; and I protest it had the timbre of a<br/>
violin. Men, hearing her voice for the first time, were wont to stare<br/>
at her a little and afterward to close their hands slowly, for always<br/>
its modulations had the tonic sadness of distant music, and it<br/>
thrilled you to much the same magnanimity and yearning, cloudily<br/>
conceived; and yet you could not but smile in spite of yourself at the<br/>
quaint emphasis fluttering through her speech and pouncing for the<br/>
most part on the unlikeliest word in the whole sentence.<br/>
<br/>
But I fancy the Colonel must have been tone-deaf. "Don't you make<br/>
phrases for me!" he snorted; "you keep 'em for your menagerie Think!<br/>
By gad, the world never thinks. I believe the world deliberately<br/>
reads the six bestselling books in order to incapacitate itself for<br/>
thinking." Then, his wrath gathering emphasis as he went on: "The<br/>
longer I live the plainer I see Shakespeare was right--what<br/>
fools these mortals be, and all that. There's that Haggage<br/>
woman--speech-making through the country like a hiatused politician.<br/>
It may be philanthropic, but it ain't ladylike--no, begad! What has<br/>
she got to do with Juvenile Courts and child-labour in the South, I'd<br/>
like to know? Why ain't she at home attending to that crippled boy<br/>
of hers--poor little beggar!--instead of flaunting through America<br/>
meddling with other folk's children?"<br/>
<br/>
Miss Hugonin put another lump of sugar into his cup and deigned no<br/>
reply.<br/>
<br/>
"By gad," cried the Colonel fervently, "if you're so anxious to spend<br/>
that money of yours in charity, why don't you found a Day Nursery for<br/>
the Children of Philanthropists--a place where advanced men and women<br/>
can leave their offspring in capable hands when they're busied with<br/>
Mothers' Meetings and Educational Conferences? It would do a thousand<br/>
times more good, I can tell you, than that fresh kindergarten scheme<br/>
of yours for teaching the children of the labouring classes to make a<br/>
new sort of mud-pie."<br/>
<br/>
"You don't understand these things, attractive," Margaret gently<br/>
pointed out. "You aren't in harmony with the trend of modern thought."<br/>
<br/>
"No, thank God!" said the Colonel, heartily.<br/>
<br/>
Ensued a silence during which he chipped at his egg-shell in an<br/>
absent-minded fashion.<br/>
<br/>
"That fellow Kennaston said anything to you yet?" he presently<br/>
queried.<br/>
<br/>
"I--I don't understand," she protested--oh, perfectly unconvincingly.<br/>
The tea-making, too, engrossed her at this point to an utterly<br/>
improbable extent.<br/>
<br/>
Thus it shortly befell that the Colonel, still regarding her under<br/>
intent brows, cleared his throat and made bold to question her<br/>
generosity in the matter of sugar; five lumps being, as he suggested,<br/>
a rather unusual allowance for one cup.<br/>
<br/>
Then, "Mr. Kennaston and I are very good friends," said she, with<br/>
dignity. And having spoiled the first cup in the making, she began on<br/>
another.<br/>
<br/>
"Glad to hear it," growled the old gentleman. "I hope you value his<br/>
friendship sufficiently not to marry him. The man's a fraud--a flimsy,<br/>
sickening fraud, like his poetry, begad, and that's made up of botany<br/>
and wide margins and indecency in about equal proportions. It ain't<br/>
fit for a woman to read--in fact, a woman ought not to read anything;<br/>
a comprehension of the Decalogue and the cookery-book is enough<br/>
learning for the best of 'em. Your mother never--never--"<br/>
<br/>
Colonel Hugonin paused and stared at the open window for a little. He<br/>
seemed to be interested in something a great way off.<br/>
<br/>
"We used to read Ouida's books together," he said, somewhat wistfully.<br/>
"Lord, Lord, how she revelled in Chandos and Bertie Cecil and those<br/>
dashing Life Guardsmen! And she used to toss that little head of hers<br/>
and say I was a finer figure of a man than any of 'em--thirty<br/>
years ago, good Lord! And I was then, but I ain't now. I'm only a<br/>
broken-down, cantankerous old fool," declared the Colonel, blowing<br/>
his nose violently, "and that's why I'm quarrelling with the dearest,<br/>
foolishest daughter man ever had. Ah, my dear, don't mind me--run your<br/>
menagerie as you like, and I'll stand it."<br/>
<br/>
Margaret adopted her usual tactics; she perched herself on the arm<br/>
of his chair and began to stroke his cheek very gently. She<br/>
often wondered as to what dear sort of a woman that tender-eyed,<br/>
pink-cheeked mother of the old miniature had been--the mother who had<br/>
died when she was two years old. She loved the idea of her, vague as<br/>
it was. And, just now, somehow, the notion of two grown people reading<br/>
Ouida did not strike her as being especially ridiculous.<br/>
<br/>
"Was she very beautiful?" she asked, softly.<br/>
<br/>
"My dear," said her father, "you are the picture of her."<br/>
<br/>
"You dangerous old man!" said she, laughing and rubbing her cheek<br/>
against his in a manner that must have been highly agreeable. "Dear,<br/>
do you know that is the nicest little compliment I've had for a long<br/>
time?"<br/>
<br/>
Thereupon the Colonel chuckled. "Pay me for it, then," said he, "by<br/>
driving the dog-cart over to meet Billy's train to-day. Eh?"<br/>
<br/>
"I--I can't," said Miss Hugonin, promptly.<br/>
<br/>
"Why?" demanded her father.<br/>
<br/>
"Because----" said Miss Hugonin; and after giving this really<br/>
excellent reason, reflected for a moment and strengthened it by<br/>
adding, "Because----"<br/>
<br/>
"See here," her father questioned, "what did you two quarrel about,<br/>
anyway?"<br/>
<br/>
"I--I really don't remember," said she, reflectively; then continued,<br/>
with hauteur and some inconsistency, "I am not aware that Mr. Woods<br/>
and I have ever quarrelled."<br/>
<br/>
"By gad, then," said the Colonel, "you may as well prepare to, for<br/>
I intend to marry you to Billy some day. Dear, dear, child," he<br/>
interpolated, with malice aforethought, "have you a fever?--your<br/>
cheek's like a coal. Billy's a man, I tell you--worth a dozen of your<br/>
Kennastons and Charterises. I like Billy. And besides, it's only right<br/>
he should have Selwoode--wasn't he brought up to expect it? It<br/>
ain't right he should lose it simply because he had a quarrel with<br/>
Frederick, for, by gad--not to speak unkindly of the dead, my<br/>
dear--Frederick quarrelled with every one he ever knew, from the woman<br/>
who nursed him to the doctor who gave him his last pill. He may have<br/>
gotten his genius for money-making from Heaven, but he certainly<br/>
got his temper from the devil. I really believe," said the Colonel,<br/>
reflectively, "it was worse than mine. Yes, not a doubt of it--I'm a<br/>
lamb in comparison. But he had his way, after all; and even now poor<br/>
Billy can't get Selwoode without taking you with it," and he caught<br/>
his daughter's face between his hands and turned it toward his for a<br/>
moment. "I wonder now," said he, in meditative wise, "if Billy will<br/>
consider that a drawback?"<br/>
<br/>
It seemed very improbable. Any number of marriageable males would have<br/>
sworn it was unthinkable.<br/>
<br/>
However, "Of course," Margaret began, in a crisp voice, "if you advise<br/>
Mr. Woods to marry me as a good speculation--"<br/>
<br/>
But her father caught her up, with a whistle. "Eh?" said he. "Love in<br/>
a cottage?--is it thus the poet turns his lay? That's damn' nonsense!<br/>
I tell you, even in a cottage the plumber's bill has to be paid, and<br/>
the grocer's little account settled every month. Yes, by gad, and<br/>
even if you elect to live on bread and cheese and kisses, you'll find<br/>
Camembert a bit more to your taste than Sweitzer."<br/>
<br/>
"But I don't want to marry anybody, you ridiculous old dear," said<br/>
Margaret.<br/>
<br/>
"Oh, very well," said the old gentleman; "don't. Be an old maid, and<br/>
lecture before the Mothers' Club, if you like. I don't care. Anyhow,<br/>
you meet Billy to-day at twelve-forty-five. You will?--that's a good<br/>
child. Now run along and tell the menagerie I'll be down-stairs as<br/>
soon as I've finished dressing."<br/>
<br/>
And the Colonel rang for his man and proceeded to finish his toilet.<br/>
He seemed a thought absent-minded this morning.<br/>
<br/>
"I say, Wilkins," he questioned, after a little. "Ever read any of<br/>
Ouida's books?"<br/>
<br/>
"Ho, yes, sir," said Wilkins; "Miss 'Enderson--Mrs. 'Aggage's maid,<br/>
that his, sir--was reading haloud hout hof 'Hunder Two Flags' honly<br/>
last hevening, sir."<br/>
<br/>
"H'm--Wilkins--if you can run across one of them in the servants'<br/>
quarters--you might leave it--by my bed--to-night."<br/>
<br/>
"Yes, sir."<br/>
<br/>
"And--h'm, Wilkins--you can put it under that book of Herbert<br/>
Spencer's my daughter gave me yesterday. <i>Under</i> it, Wilkins--and,<br/>
h'm, Wilkins--you needn't mention it to anybody. Ouida ain't cultured,<br/>
Wilkins, but she's damn' good reading. I suppose that's why she ain't<br/>
cultured, Wilkins."<br/>
<br/>
<br/>
<br/>
<SPAN name="III">III</SPAN><br/>
<br/>
And now let us go back a little. In a word, let us utilise the next<br/>
twenty minutes--during which Miss Hugonin drives to the neighbouring<br/>
railway station, in, if you press me, not the most pleasant state of<br/>
mind conceivable--by explaining a thought more fully the posture of<br/>
affairs at Selwoode on the May morning that starts our story.<br/>
<br/>
And to do this I must commence with the nature of the man who founded<br/>
Selwoode.<br/>
<br/>
It was when the nineteenth century was still a hearty octogenarian<br/>
that Frederick R. Woods caused Selwoode to be builded. I give you the<br/>
name by which he was known on "the Street." A mythology has grown<br/>
about the name since, and strange legends of its owner are still<br/>
narrated where brokers congregate. But with the lambs he sheared, and<br/>
the bulls he dragged to earth, and the bears he gored to financial<br/>
death, we have nothing to do; suffice it, that he performed these<br/>
operations with almost uniform success and in an unimpeachably<br/>
respectable manner.<br/>
<br/>
And if, in his time, he added materially to the lists of inmates in<br/>
various asylums and almshouses, it must be acknowledged that he bore<br/>
his victims no malice, and that on every Sunday morning he confessed<br/>
himself to be a miserable sinner, in a voice that was perfectly<br/>
audible three pews off. At bottom, I think he considered his relations<br/>
with Heaven on a purely business basis; he kept a species of running<br/>
account with Providence; and if on occasions he overdrew it somewhat,<br/>
he saw no incongruity in evening matters with a cheque for the church<br/>
fund.<br/>
<br/>
So that at his death it was said of him that he had, in his day, sent<br/>
more men into bankruptcy and more missionaries into Africa than any<br/>
other man in the country.<br/>
<br/>
In his sixty-fifth year, he caught Alfred Van Orden short in Lard,<br/>
erected a memorial window to his wife and became a country gentleman.<br/>
He never set foot in Wall Street again. He builded Selwoode--a<br/>
handsome Tudor manor which stands some seven miles from the village of<br/>
Fairhaven--where he dwelt in state, by turns affable and domineering<br/>
to the neighbouring farmers, and evincing a grave interest in the<br/>
condition of their crops. He no longer turned to the financial reports<br/>
in the papers; and the pedigree of the Woodses hung in the living-hall<br/>
for all men to see, beginning gloriously with Woden, the Scandinavian<br/>
god, and attaining a respectable culmination in the names of Frederick<br/>
R. Woods and of William, his brother.<br/>
<br/>
It is not to be supposed that he omitted to supply himself with a<br/>
coat-of-arms. Frederick R. Woods evinced an almost childlike pride in<br/>
his heraldic blazonings.<br/>
<br/>
"The Woods arms," he would inform you, with a relishing gusto, "are<br/>
vert, an eagle displayed, barry argent and gules. And the crest is<br/>
out of a ducal coronet, or, a demi-eagle proper. We have no motto,<br/>
sir--none of your ancient coats have mottoes."<br/>
<br/>
The Woods Eagle he gloried in. The bird was perched in every available<br/>
nook at Selwoode; it was carved in the woodwork, was set in the<br/>
mosaics, was chased in the tableware, was woven in the napery, was<br/>
glazed in the very china. Turn where you would, an eagle or two<br/>
confronted you; and Hunston Wyke, who is accounted something of a<br/>
wit, swore that Frederick R. Woods at Selwoode reminded him of "a<br/>
sore-headed bear who had taken up permanent quarters in an aviary."<br/>
<br/>
There was one, however, who found the bear no very untractable<br/>
monster. This was the son of his brother, dead now, who dwelt at<br/>
Selwoode as heir presumptive. Frederick R. Woods's wife had died long<br/>
ago, leaving him childless. His brother's boy was an orphan; and so,<br/>
for a time, he and the grim old man lived together peaceably enough.<br/>
Indeed, Billy Woods was in those days as fine a lad as you would wish<br/>
to see, with the eyes of an inquisitive cherub and a big tow-head,<br/>
which Frederick R. Woods fell into the habit of cuffing heartily, in<br/>
order to conceal the fact that he would have burned Selwoode to the<br/>
ground rather than allow any one else to injure a hair of it.<br/>
<br/>
In the consummation of time, Billy, having attained the ripe age of<br/>
eighteen, announced to his uncle that he intended to become a famous<br/>
painter. Frederick R. Woods exhorted him not to be a fool, and packed<br/>
him off to college.<br/>
<br/>
Billy Woods returned on his first vacation with a fragmentary mustache<br/>
and any quantity of paint-tubes, canvases, palettes, mahl-sticks, and<br/>
such-like paraphernalia. Frederick R. Woods passed over the mustache,<br/>
and had the painters' trappings burned by the second footman. Billy<br/>
promptly purchased another lot. His uncle came upon them one morning,<br/>
rubbed his chin meditatively for a moment, and laughed for the first<br/>
time, so far as known, in his lifetime; then he tiptoed to his own<br/>
apartments, lest Billy--the lazy young rascal was still abed in the<br/>
next room--should awaken and discover his knowledge of this act of<br/>
flat rebellion.<br/>
<br/>
I dare say the old gentleman was so completely accustomed to having<br/>
his own way that this unlooked-for opposition tickled him by its<br/>
novelty; or perhaps he recognised in Billy an obstinacy akin to his<br/>
own; or perhaps it was merely that he loved the boy. In any event, he<br/>
never again alluded to the subject; and it is a fact that when<br/>
Billy sent for carpenters to convert an upper room into an atelier,<br/>
Frederick R. Woods spent two long and dreary weeks in Boston in order<br/>
to remain in ignorance of the entire affair.<br/>
<br/>
Billy scrambled through college, somehow, in the allotted four years.<br/>
At the end of that time, he returned to find new inmates installed at<br/>
Selwoode.<br/>
<br/>
For the wife of Frederick R. Woods had been before her marriage one of<br/>
the beautiful Anstruther sisters, who, as certain New Yorkers still<br/>
remember--those grizzled, portly, rosy-gilled fellows who prattle<br/>
on provocation of Jenny Lind and Castle Garden, and remember<br/>
everything--created a pronounced furor at their début in the days of<br/>
crinoline and the Grecian bend; and Margaret Anstruther, as they<br/>
will tell you, was married to Thomas Hugonin, then a gallant cavalry<br/>
officer in the service of Her Majesty, the Empress of India.<br/>
<br/>
And she must have been the nicer of the two, because everybody who<br/>
knew her says that Margaret Hugonin is exactly like her.<br/>
<br/>
So it came about naturally enough, that Billy Woods, now an <i>Artium</i><br/>
<i>Baccalaureus</i>_, if you please, and not a little proud of it, found the<br/>
Colonel and his daughter, then on a visit to this country, installed<br/>
at Selwoode as guests and quasi-relatives. And Billy was twenty-two,<br/>
and Margaret was nineteen.<br/>
<br/>
* * * * *<br/>
<br/>
Precisely what happened I am unable to tell you. Billy Woods claims<br/>
it is none of my business; and Margaret says that it was a long, long<br/>
time ago and she really can't remember.<br/>
<br/>
But I fancy we can all form a very fair notion of what is most likely<br/>
to occur when two sensible, normal, healthy young people are thrown<br/>
together in this intimate fashion at a country-house where the<br/>
remaining company consists of two elderly gentlemen. Billy was forced<br/>
to be polite to his uncle's guest; and Margaret couldn't well be<br/>
discourteous to her host's nephew, could she? Of course not: so<br/>
it befell in the course of time that Frederick R. Woods and the<br/>
Colonel--who had quickly become a great favourite, by virtue of his<br/>
implicit faith in the Eagle and in Woden and Sir Percival de Wode of<br/>
Hastings, and such-like flights of heraldic fancy, and had augmented<br/>
his popularity by his really brilliant suggestion of Wynkyn de Worde,<br/>
the famous sixteenth-century printer, as a probable collateral<br/>
relation of the family--it came to pass, I say, that the two gentlemen<br/>
nodded over their port and chuckled, and winked at one another and<br/>
agreed that the thing would do.<br/>
<br/>
This was all very well; but they failed to make allowances for the<br/>
inevitable quarrel and the subsequent spectacle of the gentleman<br/>
contemplating suicide and the lady looking wistfully toward a nunnery.<br/>
In this case it arose, I believe, over Teddy Anstruther, who for a<br/>
cousin was undeniably very attentive to Margaret; and in the natural<br/>
course of events they would have made it up before the week was out<br/>
had not Frederick R. Woods selected this very moment to interfere in<br/>
the matter.<br/>
<br/>
Ah, <i>si vieillesse savait</i>!<br/>
<br/>
The blundering old man summoned Billy into his study and ordered him<br/>
to marry Margaret Hugonin, precisely as the Colonel might have ordered<br/>
a private to go on sentry-duty. Ten days earlier Billy would have<br/>
jumped at the chance; ten days later he would probably have suggested<br/>
it himself; but at that exact moment he would have as willingly<br/>
contemplated matrimony with Alecto or Medusa or any of the Furies.<br/>
Accordingly, he declined. Frederick R. Woods flew into a pyrotechnical<br/>
display of temper, and gave him his choice between obeying his<br/>
commands and leaving his house forever--the choice, in fact, which he<br/>
had been according Billy at very brief intervals ever since the boy<br/>
had had the measles, fifteen years before, and had refused to take the<br/>
proper medicines.<br/>
<br/>
It was merely his usual manner of expressing a request or a<br/>
suggestion. But this time, to his utter horror and amaze, the boy took<br/>
him at his word and left Selwoode within the hour.<br/>
<br/>
Billy's life, you see, was irrevocably blighted. It mattered very<br/>
little what became of him; personally, he didn't care in the least.<br/>
But as for that fair, false, fickle woman--perish the thought! Sooner<br/>
a thousand deaths! No, he would go to Paris and become a painter of<br/>
worldwide reputation; the money his father had left him would easily<br/>
suffice for his simple wants. And some day, the observed of all<br/>
observers in some bright hall of gaiety, he would pass her coldly by,<br/>
with a cynical smile upon his lips, and she would grow pale and totter<br/>
and fall into the arms of the bloated Silenus, for whose title she had<br/>
bartered her purely superficial charms.<br/>
<br/>
Yes, upon mature deliberation, that was precisely what Billy decided<br/>
to do.<br/>
<br/>
Followed dark days at Selwoode. Frederick R. Woods told Margaret of<br/>
what had occurred; and he added the information that, as his wife's<br/>
nearest relative, he intended to make her his heir.<br/>
<br/>
Then Margaret did what I would scarcely have expected of Margaret.<br/>
She turned upon him like a virago and informed Frederick R. Woods<br/>
precisely what she thought of him; she acquainted him with the fact<br/>
that he was a sordid, low-minded, grasping beast, and a miser, and<br/>
a tyrant, and (I think) a parricide; she notified him that he was<br/>
thoroughly unworthy to wipe the dust off his nephew's shoes--an<br/>
office toward which, to do him justice, he had never shown any marked<br/>
aspirations--and that Billy had acted throughout in a most noble and<br/>
sensible manner; and that, personally, she wouldn't marry Billy Woods<br/>
if he were the last man on earth, for she had always despised him; and<br/>
she added the information that she expected to die shortly, and she<br/>
hoped they would both be sorry <i>then</i>; and subsequently she clapped<br/>
the climax by throwing her arms about his neck and bursting into tears<br/>
and telling him he was the dearest old man in the world and that she<br/>
was thoroughly ashamed of herself.<br/>
<br/>
So they kissed and made it up. And after a little the Colonel and<br/>
Margaret went away from Selwoode, and Frederick R. Woods was left<br/>
alone to nourish his anger and indignation, if he could, and to hunger<br/>
for his boy, whether he would or not. He was too proud to seek him<br/>
out; indeed, he never thought of that; and so he waited alone in his<br/>
fine house, sick at heart, impotent, hoping against hope that the boy<br/>
would come back. The boy never came.<br/>
<br/>
No, the boy never came, because he was what the old man had made<br/>
him--headstrong, and wilful, and obstinate. Billy had been thoroughly<br/>
spoiled. The old man had nurtured his pride, had applauded it as a<br/>
mark of proper spirit; and now it was this same pride that had robbed<br/>
him of the one thing he loved in all the world.<br/>
<br/>
So, at last, the weak point in the armour of this sturdy old Pharisee<br/>
was found, and Fate had pierced it gaily. It was retribution, if you<br/>
will; and I think that none of his victims in "the Street," none of<br/>
the countless widows and orphans that he had made, suffered more<br/>
bitterly than he in those last days.<br/>
<br/>
It was almost two years after Billy's departure from Selwoode that his<br/>
body-servant, coming to rouse Frederick R. Woods one June morning,<br/>
found him dead in his rooms. He had been ailing for some time. It<br/>
was his heart, the doctors said; and I think that it was, though not<br/>
precisely in the sense which they meant.<br/>
<br/>
The man found him seated before his great carved desk, on which his<br/>
head and shoulders had fallen forward; they rested on a sheet of<br/>
legal-cap paper half-covered with a calculation in his crabbed old<br/>
hand as to the value of certain properties--the calculation which he<br/>
never finished; and underneath was a mass of miscellaneous papers,<br/>
among them his will, dated the day after Billy left Selwoode, in which<br/>
Frederick R. Woods bequeathed his millions unconditionally to Margaret<br/>
Hugonin when she should come of age.<br/>
<br/>
Her twenty-first birthday had fallen in the preceding month. So<br/>
Margaret was one of the richest women in America; and you may depend<br/>
upon it, that if many men had loved her before, they worshipped her<br/>
now--or, at least, said they did, and, after all, their protestations<br/>
were the only means she had of judging. She might have been a<br/>
countess--and it must be owned that the old Colonel, who had an honest<br/>
Anglo-Saxon reverence for a title, saw this chance lost wistfully--and<br/>
she might have married any number of grammarless gentlemen, personally<br/>
unknown to her, whose fervent proposals almost every mail brought in;<br/>
and besides these, there were many others, more orthodox in their<br/>
wooing, some of whom were genuinely in love with Margaret Hugonin, and<br/>
some--I grieve to admit it--who were genuinely in love with her money;<br/>
and she would have none of them.<br/>
<br/>
She refused them all with the utmost civility, as I happen to know.<br/>
How I learned it is no affair of yours.<br/>
<br/>
For Miss Hugonin had remarkably keen eyes, which she used to<br/>
advantage. In the world about her they discovered very little that she<br/>
could admire. She was none the happier for her wealth; the piled-up<br/>
millions overshadowed her personality; and it was not long before she<br/>
knew that most people regarded her simply as the heiress of the Woods<br/>
fortune--an unavoidable encumbrance attached to the property, which<br/>
divers thrifty-minded gentlemen were willing to put up with. To put up<br/>
with!--at the thought, her pride rose in a hot blush, and, it must be<br/>
confessed, she sought consolation in the looking-glass.<br/>
<br/>
She was an humble-minded young woman, as the sex goes, and she saw no<br/>
great reason there why a man should go mad over Margaret Hugonin. This<br/>
decision, I grant you, was preposterous, for there were any number of<br/>
reasons. Her final conclusion, however, was for the future to regard<br/>
all men as fortune-hunters and to do her hair differently.<br/>
<br/>
She carried out both resolutions. When a gentleman grew pressing in<br/>
his attentions, she more than suspected his motives; and when she<br/>
eventually declined him it was done with perfect, courtesy, but the<br/>
glow of her eyes was at such times accentuated to a marked degree.<br/>
<br/>
Meanwhile, the Eagle brooded undisturbed at Selwoode. Miss Hugonin<br/>
would allow nothing to be altered.<br/>
<br/>
"The place doesn't belong to me, attractive," she would tell her<br/>
father. "I belong to the place. Yes, I do--I'm exactly like a little<br/>
cow thrown in with a little farm when they sell it, and <i>all</i> my<br/>
little suitors think so, and they are very willing to take me on those<br/>
terms, too. But they shan't, attractive. I hate every single solitary<br/>
man in the whole wide world but you, beautiful, and I particularly<br/>
hate that horrid old Eagle; but we'll keep him because he's a constant<br/>
reminder to me that Solomon or Moses, or whoever it was that said all<br/>
men were liars, was a person of <i>very</i> great intelligence."<br/>
<br/>
So that I think we may fairly say the money did her no good.<br/>
<br/>
If it benefited no one else, it was not Margaret's fault. She had a<br/>
high sense of her responsibilities, and therefore, at various times,<br/>
endeavoured to further the spread of philanthropy and literature and<br/>
theosophy and art and temperance and education and other laudable<br/>
causes. Mr. Kennaston, in his laughing manner, was wont to jest at<br/>
her varied enterprises and term her Lady Bountiful; but, then, Mr.<br/>
Kennaston had no real conception of the proper uses of money. In<br/>
fact, he never thought of money. He admitted this to Margaret with a<br/>
whimsical sigh.<br/>
<br/>
Margaret grew very fond of Mr. Kennaston because he was not mercenary.<br/>
<br/>
Mr. Kennaston was much at Selwoode. Many people came there<br/>
now--masculine women and muscleless men, for the most part. They had,<br/>
every one of them, some scheme for bettering the universe; and if<br/>
among them Margaret seemed somewhat out of place--a butterfly among<br/>
earnest-minded ants--her heart was in every plan they advocated, and<br/>
they found her purse-strings infinitely elastic. The girl was pitiably<br/>
anxious to be of some use in the world.<br/>
<br/>
So at Selwoode they gossiped of great causes and furthered the<br/>
millenium. And above them the Eagle brooded in silence.<br/>
<br/>
And Billy? All this time Billy was junketing abroad, where every<br/>
year he painted masterpieces for the Salon, which--on account of a<br/>
nefarious conspiracy among certain artists, jealous of his superior<br/>
merits--were invariably refused.<br/>
<br/>
Now Billy is back again in America, and the Colonel has insisted that<br/>
he come to Selwoode, and Margaret is waiting for him in the dog-cart.<br/>
The glow of her eyes is very, very bright. Her father's careless words<br/>
this morning, coupled with certain speeches of Mr. Kennaston's last<br/>
night, have given her food for reflection.<br/>
<br/>
"He wouldn't dare," says Margaret, to no one in particular. "Oh, no,<br/>
he wouldn't dare after what happened four years ago."<br/>
<br/>
And, Margaret-like, she has quite forgotten that what happened four<br/>
years ago was all caused by her having flirted outrageously with Teddy<br/>
Anstruther, in order to see what Billy would do.<br/>
<br/>
<br/>
<br/>
<SPAN name="IV">IV</SPAN><br/>
<br/>
The twelve forty-five, for a wonder, was on time; and there descended<br/>
from it a big, blond young man, who did not look in the least like a<br/>
fortune-hunter.<br/>
<br/>
Miss Hugonin resented this. Manifestly, he looked clean and honest for<br/>
the deliberate purpose of deceiving her. Very well! She'd show him!<br/>
<br/>
He was quite unembarrassed. He shook hands cordially; then he shook<br/>
hands with the groom, who, you may believe it, was grinning in a most<br/>
unprofessional manner because Master Billy was back again at Selwoode.<br/>
Subsequently, in his old decisive way, he announced they would walk to<br/>
the house, as his legs needed stretching.<br/>
<br/>
The insolence of it!--quite as if he had something to say to Margaret<br/>
in private and couldn't wait a minute. Beyond doubt, this was a young<br/>
man who must be taken down a peg or two, and that at once. Of course,<br/>
she wasn't going to walk back with him!--a pretty figure they'd cut<br/>
strolling through the fields, like a house-girl and the milkman on a<br/>
Sunday afternoon! She would simply say she was too tired to walk, and<br/>
that would end the matter.<br/>
<br/>
So she said she thought the exercise would do them both good.<br/>
<br/>
They came presently with desultory chat to a meadow bravely decked in<br/>
all the gauds of Spring. About them the day was clear, the air bland.<br/>
Spring had revamped her ageless fripperies of tender leaves and<br/>
bird-cries and sweet, warm odours for the adornment of this meadow;<br/>
above it she had set a turkis sky splashed here and there with little<br/>
clouds that were like whipped cream; and upon it she had scattered<br/>
largesse, a Danaë's shower of buttercups. Altogether, she had made of<br/>
it a particularly dangerous meadow for a man and a maid to frequent.<br/>
<br/>
Yet there Mr. Woods paused under a burgeoning maple--paused<br/>
resolutely, with the lures of Spring thick about him, compassed with<br/>
every snare of scent and sound and colour that the witch is mistress<br/>
of.<br/>
<br/>
Margaret hoped he had a pleasant passage over. Her father, thank you,<br/>
was in the pink of condition. Oh, yes, she was quite well. She hoped<br/>
Mr. Woods would not find America--<br/>
<br/>
"Well, Peggy," said Mr. Woods, "then, we'll have it out right here."<br/>
<br/>
His insolence was so surprising that--in order to recover<br/>
herself--Margaret actually sat down under the maple-tree. Peggy,<br/>
indeed! Why, she hadn't been called Peggy for--no, not for four whole<br/>
years!<br/>
<br/>
"Because I intend to be friends, you know," said Mr. Woods.<br/>
<br/>
And about them the maple-leaves made a little island of sombre green,<br/>
around which more vivid grasses rippled and dimpled under the fitful<br/>
spring breezes. And everywhere leaves lisped to one another, and birds<br/>
shrilled insistently. It was a perilous locality.<br/>
<br/>
I fancy Billy Woods was out of his head when he suggested being<br/>
friends in such a place. Friends, indeed!--you would have thought from<br/>
the airy confidence with which he spoke that Margaret had come safely<br/>
to forty year and wore steel-rimmed spectacles!<br/>
<br/>
But Miss Hugonin merely cast down her eyes and was aware of no reason<br/>
why they shouldn't be. She was sure he must be hungry, and she thought<br/>
luncheon must be ready by now.<br/>
<br/>
In his soul, Mr. Woods observed that her lashes were long--long beyond<br/>
all reason. Lacking the numbers that Petrarch flowed in, he did not<br/>
venture, even to himself, to characterise them further. But oh, how<br/>
queer it was they should be pure gold at the roots!--she must have<br/>
dipped them in the ink-pot. And oh, the strong, sudden, bewildering<br/>
curve of 'em! He could not recall at the present moment ever noticing<br/>
quite such lashes anywhere else. No, it was highly improbable that<br/>
there were such lashes anywhere else. Perhaps a few of the superior<br/>
angels might have such lashes. He resolved for the future to attend<br/>
church more regularly.<br/>
<br/>
Aloud, Mr. Woods observed that in that case they had better shake<br/>
hands.<br/>
<br/>
It would have been ridiculous to contest the point. The dignified<br/>
course was to shake hands, since he insisted on it, and then to return<br/>
at once to Selwoode.<br/>
<br/>
Margaret Hugonin had a pretty hand, and Mr. Woods, as an artist, could<br/>
not well fail to admire it. Still, he needn't have looked at it as<br/>
though he had never before seen anything quite like it; he needn't<br/>
have neglected to return it; and when Miss Hugonin reclaimed it, after<br/>
a decent interval, he needn't have laughed in a manner that compelled<br/>
her to laugh, too. These things were unnecessary and annoying, as they<br/>
caused Margaret to forget that she despised him.<br/>
<br/>
<ANTIMG src="image016.jpg" alt="image016.jpg" width-obs="400" height-obs="500"><br/>
[Illustration: "Then, for no apparent reason, Margaret flushed, and<br/>
Billy ... thought it vastly becoming"]<br/>
<br/>
For the time being--will you believe it?--she actually thought he was<br/>
rather nice.<br/>
<br/>
"I acted like an ass," said Mr. Woods, tragically. "Oh, yes, I did,<br/>
you know. But if you'll forgive me for having been an ass I'll forgive<br/>
you for throwing me over for Teddy Anstruther, and at the wedding I'll<br/>
dance through any number of pairs of patent-leathers you choose to<br/>
mention."<br/>
<br/>
So that was the way he looked at it. Teddy Anstruther, indeed! Why,<br/>
Teddy was a dark little man with brown eyes--just the sort of man she<br/>
most objected to. How could any one ever possibly fancy a brown-eyed<br/>
man? Then, for no apparent reason, Margaret flushed, and Billy, who<br/>
had stretched his great length of limb on the grass beside her, noted<br/>
it with a pair of the bluest eyes in the world and thought it vastly<br/>
becoming.<br/>
<br/>
"Billy," said she, impulsively--and the name having slipped out once<br/>
by accident, it would have been absurd to call him anything else<br/>
afterward--"it was horrid of you to refuse to take any of that money."<br/>
<br/>
"But I didn't want it," he protested. "Good Lord, I'd only have done<br/>
something foolish with it. It was awfully square of you, Peggy, to<br/>
offer to divide, but I didn't want it, you see. I don't want to be a<br/>
millionaire, and give up the rest of my life to founding libraries and<br/>
explaining to people that if they never spend any money on amusements<br/>
they'll have a great deal by the time they're too old to enjoy it. I'd<br/>
rather paint pictures."<br/>
<br/>
So that I think Margaret must have endeavoured at some time to make<br/>
him accept part of Frederick R. Woods's money.<br/>
<br/>
"You make me feel--and look--like a thief," she reproved him.<br/>
<br/>
Then Billy laughed a little. "You don't look in the least like one,"<br/>
he reassured her. "You look like an uncommonly honest, straightforward<br/>
young woman," Mr. Woods added, handsomely, "and I don't believe you'd<br/>
purloin under the severest temptation."<br/>
<br/>
She thanked him for his testimonial, with all three dimples in<br/>
evidence.<br/>
<br/>
This was unsettling. He hedged.<br/>
<br/>
"Except, perhaps--" said he.<br/>
<br/>
"Yes?" queried Margaret, after a pause.<br/>
<br/>
However, she questioned him with her head drooped forward, her brows<br/>
raised; and as this gave him the full effect of her eyes, Mr. Woods<br/>
became quite certain that there was, at least, one thing she might be<br/>
expected to rob him of, and wisely declined to mention it.<br/>
<br/>
Margaret did not insist on knowing what it was. Perhaps she heard it<br/>
thumping under his waistcoat, where it was behaving very queerly.<br/>
<br/>
So they sat in silence for a while. Then Margaret fell a-humming to<br/>
herself; and the air--will you believe it?--chanced by the purest<br/>
accident to be that foolish, senseless old song they used to sing<br/>
together four years ago.<br/>
<br/>
Billy chuckled. "Let's!" he obscurely pleaded.<br/>
<br/>
Spring prompted her.<br/>
<br/>
"Oh, where have you been, Billy boy?"<br/>
queried Margaret's wonderful contralto,<br/>
<br/>
"Oh, where have you been, Billy boy, Billy boy?<br/>
Oh, where have you been, charming Billy?"<br/>
<br/>
She sang it in a low, hushed voice, just over her breath. Not looking<br/>
at him, however. And oh, what a voice! thought Billy Woods. A voice<br/>
that was honey and gold and velvet and all that is most sweet and rich<br/>
and soft in the world! Find me another voice like that, you <i>prime</i><br/>
<i>donne</i>! Find me a simile for it, you uninventive poets! Indeed, I'd<br/>
like to see you do it.<br/>
<br/>
But he chimed in, nevertheless, with his pleasant throaty baritone,<br/>
and lilted his own part quite creditably.<br/>
<br/>
"I've been to seek a wife,<br/>
She's the joy of my life;<br/>
She's a young thing, and cannot leave her mother"--<br/>
<br/>
Only Billy sang it "father," just as they used to do.<br/>
<br/>
And then they sang it through, did Margaret and Billy--sang of the<br/>
dimple in her chin and the ringlets in her hair, and of the cherry<br/>
pies she achieved with such celerity--sang as they sat in the<br/>
spring-decked meadow every word of that inane old song that is so<br/>
utterly senseless and so utterly unforgettable.<br/>
<br/>
It was a quite idiotic performance. I set it down to the snares of<br/>
Spring--to her insidious, delightful snares of scent and sound and<br/>
colour that--for the moment, at least--had trapped these young people<br/>
into loving life infinitely.<br/>
<br/>
But I wonder who is responsible for that tatter of rhyme and melody<br/>
that had come to them from nowhere in particular? Mr. Woods, as he sat<br/>
up at the conclusion of the singing vigorously to applaud, would have<br/>
shared his last possession, his ultimate crust, with that unknown<br/>
benefactor of mankind. Indeed, though, the heart of Mr. Woods just now<br/>
was full of loving kindness and capable of any freakish magnanimity.<br/>
<br/>
For--will it be believed?--Mr. Woods, who four years ago had thrown<br/>
over a fortune and exiled himself from his native land, rather than<br/>
propose marriage to Margaret Hugonin, had no sooner come again into<br/>
her presence and looked once into her perfectly fathomless eyes than<br/>
he could no more have left her of his own accord than a moth can turn<br/>
his back to a lighted candle. He had fancied himself entirely cured<br/>
of that boy-and-girl nonsense; his broken heart, after the first few<br/>
months, had not interfered in the least with a naturally healthy<br/>
appetite; and, behold, here was the old malady raging again in his<br/>
veins and with renewed fervour.<br/>
<br/>
And all because the girl had a pretty face! I think you will agree<br/>
with me that in the conversation I have recorded Margaret had not<br/>
displayed any great wisdom or learning or tenderness or wit, nor,<br/>
in fine, any of the qualities a man might naturally look for in a<br/>
helpmate. Yet at the precise moment he handed his baggage-check to the<br/>
groom, Mr. Woods had made up his mind to marry her. In an instant he<br/>
had fallen head over ears in love; or to whittle accuracy to a point,<br/>
he had discovered that he had never fallen out of love; and if you had<br/>
offered him an empress or fetched Helen of Troy from the grave for his<br/>
delectation he would have laughed you to scorn.<br/>
<br/>
In his defense, I can only plead that Margaret was an unusually<br/>
beautiful woman. It is all very well to flourish a death's-head at the<br/>
feast, and bid my lady go paint herself an inch thick, for to this<br/>
favour she must come; and it is quite true that the reddest lips in<br/>
the universe may give vent to slander and lies, and the brightest eyes<br/>
be set in the dullest head, and the most roseate of complexions be<br/>
purchased at the corner drug-store; but, say what you will, a pretty<br/>
woman is a pretty woman, and while she continue so no amount of<br/>
common-sense or experience will prevent a man, on provocation, from<br/>
alluring, coaxing, even entreating her to make a fool of him. We like<br/>
it. And I think they like it, too.<br/>
<br/>
So Mr. Woods lost his heart on a fine spring morning and was<br/>
unreasonably elated over the fact.<br/>
<br/>
And Margaret? Margaret was content.<br/>
<br/>
<br/>
<br/>
<SPAN name="V">V</SPAN><br/>
<br/>
They talked for a matter of a half-hour in the fashion aforetime<br/>
recorded--not very wise nor witty talk, if you will, but very pleasant<br/>
to make. There were many pauses. There was much laughter over nothing<br/>
in particular. There were any number of sentences ambitiously begun<br/>
that ended nowhere. Altogether, it was just the sort of talk for a man<br/>
and a maid.<br/>
<br/>
Yet some twenty minutes later, Mr. Woods, preparing for luncheon in<br/>
the privacy of his chamber, gave a sudden exclamation. Then he sat<br/>
down and rumpled his hair thoroughly.<br/>
<br/>
"Good Lord!" he groaned; "I'd forgotten all about that damned money!<br/>
Oh, you ass!--you abject ass! Why, she's one of the richest women in<br/>
America, and you're only a fifth-rate painter with a paltry thousand<br/>
or so a year! <i>You</i> marry her!--why, I dare say she's refused a<br/>
hundred better men than you! She'd think you were mad! Why, she'd<br/>
think you were after her money! She--oh, she'd only think you a<br/>
precious cheeky ass, she would, and she'd be quite right. You <i>are</i> an<br/>
ass, Billy Woods! You ought to be locked up in some nice quiet stable,<br/>
where your heehawing wouldn't disturb people. You need a keeper, you<br/>
do!"<br/>
<br/>
He sat for some ten minutes, aghast. Afterward he rose and threw back<br/>
his shoulders and drew a deep breath.<br/>
<br/>
"No, we aren't an ass," he addressed his reflection in the mirror, as<br/>
he carefully knotted his tie. "We're only a poor chuckle-headed moth<br/>
who's been looking at a star too long. It's a bright star, Billy, but<br/>
it isn't for you. So we're going to be sensible now. We're going to<br/>
get a telegram to-morrow that will call us away from Selwoode. We<br/>
aren't coming back any more, either. We're simply going to continue<br/>
painting fifth-rate pictures, and hoping that some day she'll find the<br/>
right man and be very, very happy."<br/>
<br/>
Nevertheless, he decided that a blue tie would look better, and was<br/>
very particular in arranging it.<br/>
<br/>
At the same moment Margaret stood before her mirror and tidied her<br/>
hair for luncheon and assured her image in the glass that she was a<br/>
weak-minded fool. She pointed out to herself the undeniable fact that<br/>
Billy, having formerly refused to marry her--oh, ignominy!--seemed<br/>
pleasant-spoken enough, now that she had become an heiress. His<br/>
refusal to accept part of her fortune was a very flimsy device; it<br/>
simply meant he hoped to get all of it. Oh, he did, did he!<br/>
<br/>
Margaret powdered her nose viciously.<br/>
<br/>
<i>She</i> saw through him! His honest bearing she very plainly perceived<br/>
to be the result of consummate hypocrisy. In his laughter her keen ear<br/>
detected a hollow ring; and his courteous manner she found, at bottom,<br/>
mere servility. And finally she demonstrated--to her own satisfaction,<br/>
at least--that his charm of manner was of exactly the, same sort that<br/>
had been possessed by many other eminently distinguished criminals.<br/>
<br/>
How did she do this? My dear sir, you had best inquire of your mother<br/>
or your sister or your wife, or any other lady that your fancy<br/>
dictates. They know. I am sure I don't.<br/>
<br/>
And after it all--<br/>
<br/>
"Oh, dear, dear!" said Margaret; "I <i>do</i> wish he didn't have such nice<br/>
eyes!"<br/>
<br/>
<br/>
<br/>
<SPAN name="VI">VI</SPAN><br/>
<br/>
On the way to luncheon Mr. Woods came upon Adèle Haggage and Hugh Van<br/>
Orden, both of whom he knew, very much engrossed in one another, in a<br/>
nook under the stairway. To Billy it seemed just now quite proper that<br/>
every one should be in love; wasn't it--after all--the most pleasant<br/>
condition in the world? So he greeted them with a semi-paternal smile<br/>
that caused Adèle to flush a little.<br/>
<br/>
For she was--let us say, interested--in Mr. Van Orden. That was<br/>
tolerably well known. In fact, Margaret--prompted by Mrs. Haggage,<br/>
it must be confessed--had invited him to Selwoode for the especial<br/>
purpose of entertaining Miss Adèle Haggage; for he was a good match,<br/>
and Mrs. Haggage, as an experienced chaperon, knew the value of<br/>
country houses. Very unexpectedly, however, the boy had developed a<br/>
disconcerting tendency to fall in love with Margaret, who snubbed him<br/>
promptly and unmercifully. He had accordingly fallen back on Adèle,<br/>
and Mrs. Haggage had regained both her trust in Providence and her<br/>
temper.<br/>
<br/>
In the breakfast-room, where luncheon was laid out, the Colonel<br/>
greeted Mr. Woods with the enthusiasm a sailor shipwrecked on a desert<br/>
island might conceivably display toward the boat-crew come to rescue<br/>
him. The Colonel liked Billy; and furthermore, the poor Colonel's<br/>
position at Selwoode just now was not utterly unlike that of the<br/>
suppositious mariner; were I minded to venture into metaphor, I should<br/>
picture him as clinging desperately to the rock of an old fogeyism<br/>
and surrounded by weltering seas of advanced thought. Colonel Hugonin<br/>
himself was not advanced in his ideas. Also, he had forceful opinions<br/>
as to the ultimate destination of those who were.<br/>
<br/>
Then Billy was presented to the men of the party--Mr. Felix Kennaston<br/>
and Mr. Petheridge Jukesbury. Mrs. Haggage he knew slightly; and<br/>
Kathleen Saumarez he had known very well indeed, some six years<br/>
previously, before she had ever heard of Miguel Saumarez, and when<br/>
Billy was still an undergraduate. She was a widow now, and not<br/>
well-to-do; and Mr. Woods's first thought on seeing her was that a man<br/>
was a fool to write verses, and that she looked like just the sort of<br/>
woman to preserve them.<br/>
<br/>
His second was that he had verged on imbecility when he fancied he<br/>
admired that slender, dark-haired type. A woman's hair ought to be an<br/>
enormous coronal of sunlight; a woman ought to have very large, candid<br/>
eyes of a colour between that of sapphires and that of the spring<br/>
heavens, only infinitely more beautiful than either; and all<br/>
petticoated persons differing from this description were manifestly<br/>
quite unworthy of any serious consideration.<br/>
<br/>
So his eyes turned to Margaret, who had no eyes for him. She had<br/>
forgotten his existence, with an utterness that verged on ostentation;<br/>
and if it had been any one else Billy would have surmised she was in a<br/>
temper. But that angel in a temper!--nonsense! And, oh, what eyes she<br/>
had! and what lashes! and what hair!--and altogether, how adorable she<br/>
was, and what a wonder the admiring gods hadn't snatched her up to<br/>
Olympus long ago!<br/>
<br/>
Thus far Mr. Woods.<br/>
<br/>
But if Miss Hugonin was somewhat taciturn, her counsellors in divers<br/>
schemes for benefiting the universe were in opulent vein. Billy heard<br/>
them silently.<br/>
<br/>
"I have spent the entire morning by the lake," Mr. Kennaston informed<br/>
the party at large, "in company with a mocking-bird who was practising<br/>
a new aria. It was a wonderful place; the trees were lisping verses to<br/>
themselves, and the sky overhead was like a robin's egg in colour,<br/>
and a faint wind was making tucks and ruches and pleats all over<br/>
the water, quite as if the breezes had set up in business as<br/>
mantua-makers. I fancy they thought they were working on a great sheet<br/>
of blue silk, for it was very like that. And every once in a while a<br/>
fish would leap and leave a splurge of bubble and foam behind that you<br/>
would have sworn was an inserted lace medallion."<br/>
<br/>
Mr. Kennaston, as you are doubtless aware, is the author of "The<br/>
King's Quest" and other volumes of verse. He is a full-bodied young<br/>
man, with hair of no particular shade; and if his green eyes are a<br/>
little aged, his manner is very youthful. His voice in speaking is<br/>
wonderfully pleasing, and he has a habit of cocking his head on one<br/>
side, in a bird-like fashion.<br/>
<br/>
"Indeed," Mr. Petheridge Jukesbury observed, "it is very true that God<br/>
made the country and man made the town. A little more wine, please."<br/>
<br/>
Mr. Jukesbury is a prominent worker in the cause of philanthropy<br/>
and temperance. He is ponderous and bland; and for the rest, he is<br/>
president of the Society for the Suppression of Nicotine and the<br/>
Nude, vice-president of the Anti-Inebriation League, secretary of the<br/>
Incorporated Brotherhood of Benevolence, and the bearer of divers<br/>
similar honours.<br/>
<br/>
"I am never really happy in the country," Mrs. Saumarez dissented; "it<br/>
reminds me so constantly of our rural drama. I am always afraid the<br/>
quartette may come on and sing something."<br/>
<br/>
Kathleen Eppes Saumarez, as I hope you do not need to be told, is<br/>
the well-known lecturer before women's clubs, and the author of many<br/>
sympathetic stories of Nature and animal life of the kind that have<br/>
had such a vogue of late. There was always an indefinable air of<br/>
pathos about her; as Hunston Wyke put it, one felt, somehow, that her<br/>
mother had been of a domineering disposition, and that she took after<br/>
her father.<br/>
<br/>
"Ah, dear lady," Mr. Kennaston cried, playfully, "you, like many of<br/>
us, have become an alien to Nature in your quest of a mere Earthly<br/>
Paradox. Epigrams are all very well, but I fancy there is more<br/>
happiness to be derived from a single impulse from a vernal wood than<br/>
from a whole problem-play of smart sayings. So few of us are<br/>
natural," Mr. Kennaston complained, with a dulcet sigh; "we are too<br/>
sophisticated. Our very speech lacks the tang of outdoor life.<br/>
Why should we not love Nature--the great mother, who is, I grant you,<br/>
the necessity of various useful inventions, in her angry moods, but<br/>
who, in her kindly moments--" He paused, with a wry face. "I beg your<br/>
pardon," said he, "but I believe I've caught rheumatism lying by that<br/>
confounded pond."<br/>
<br/>
Mrs. Saumarez rallied the poet, with a pale smile. "That comes of<br/>
communing with Nature," she reminded him; "and it serves you rightly,<br/>
for natural communications corrupt good epigrams. I prefer Nature<br/>
with wide margins and uncut leaves," she spoke, in her best platform<br/>
manner. "Art should be an expurgated edition of Nature, with all<br/>
the unpleasant parts left out. And I am sure," Mrs. Saumarez added,<br/>
handsomely, and clinching her argument, "that Mr. Kennaston gives us<br/>
much better sunsets in his poems than I have ever seen in the west."<br/>
<br/>
He acknowledged this with a bow.<br/>
<br/>
"Not sherry--claret, if you please," said Mr. Jukesbury. "Art should<br/>
be an expurgated edition of Nature," he repeated, with a suave<br/>
chuckle. "Do you know, I consider that admirably put, Mrs.<br/>
Saumarez--admirably, upon my word. Ah, if our latter-day writers would<br/>
only take that saying to heart! We do not need to be told of the vice<br/>
and corruption prevalent, I am sorry to say, among the very best<br/>
people; what we really need is continually to be reminded of the fact<br/>
that pure hearts and homes and happy faces are to be found to-day<br/>
alike in the palatial residences of the wealthy and in the humbler<br/>
homes of those less abundantly favoured by Fortune, and yet dwelling<br/>
together in harmony and Christian resignation and--er--comparatively<br/>
moderate circumstances."<br/>
<br/>
"Surely," Mrs. Saumarez protested, "art has nothing to do with<br/>
morality. Art is a process. You see a thing in a certain way; you make<br/>
your reader see it in the same way--or try to. If you succeed, the<br/>
result is art. If you fail, it may be the book of the year."<br/>
<br/>
"Enduring immortality and--ah--the patronage of the reading public,"<br/>
Mr. Jukesbury placidly insisted, "will be awarded, in the end, only<br/>
to those who dwell upon the true, the beautiful, and the--er<br/>
--respectable. Art must cheer; it must be optimistic and<br/>
edifying and--ah--suitable for young persons; it must have an uplift,<br/>
a leaven of righteousness, a--er--a sort of moral baking-powder. It<br/>
must utterly eschew the--ah--unpleasant and repugnant details of life.<br/>
It is, if I may so express myself, not at home in the ménage à trois<br/>
or--er--the representation of the nude. Yes, another glass of claret,<br/>
if you please."<br/>
<br/>
"I quite agree with you," said Mrs. Haggage, in her deep voice. Sarah<br/>
Ellen Haggage is, of course, the well-known author of "Child-Labour in<br/>
the South," and "The Down-Trodden Afro-American," and other notable<br/>
contributions to literature. She is, also, the "Madame President" both<br/>
of the Society for the Betterment of Civic Government and Sewerage,<br/>
and of the Ladies' League for the Edification of the Impecunious.<br/>
<br/>
"And I am glad to see," Mrs. Haggage presently went on, "that the<br/>
literature of the day is so largely beginning to chronicle the sayings<br/>
and doings of the labouring classes. The virtues of the humble must be<br/>
admitted in spite of their dissolute and unhygienic tendencies. Yes,"<br/>
Mrs. Haggage added, meditatively, "our literature is undoubtedly<br/>
acquiring a more elevated tone; at last we are shaking off the<br/>
scintillant and unwholesome influence of the French."<br/>
<br/>
"Ah, the French!" sighed Mr. Kennaston; "a people who think depravity<br/>
the soul of wit! Their art is mere artfulness. They care nothing for<br/>
Nature."<br/>
<br/>
"No," Mrs. Haggage assented; "they prefer nastiness. <i>All</i> French<br/>
books are immoral. I ran across one the other day that was simply<br/>
hideously indecent--unfit for a modest woman to read. And I can assure<br/>
you that none of its author's other books are any better. I purchased<br/>
the entire set at once and read them carefully, in order to make sure<br/>
that I was perfectly justified in warning my working-girls' classes<br/>
against them. I wish to misjudge no man--not even a member of a nation<br/>
notoriously devoted to absinthe and illicit relations."<br/>
<br/>
She breathed heavily, and looked at Mr. Woods as if, somehow, he<br/>
was responsible. Then she gave the name of the book to Petheridge<br/>
Jukesbury. He wished to have it placed on the <i>Index Expurgatorius</i> of<br/>
the Brotherhood of Benevolence, he said.<br/>
<br/>
"Dear, dear," Felix Kennaston sighed, as Mr. Jukesbury made a note of<br/>
it; "you are all so practical. You perceive an evil and proceed at<br/>
once, in your common-sense way, to crush it, to stamp it out. Now,<br/>
I can merely lament certain unfortunate tendencies of the age; I am<br/>
quite unable to contend against them. Do you know," Mr. Kenneston<br/>
continued gaily, as he trifled with a bunch of grapes, "I feel<br/>
horribly out-of-place among you? Here is Mrs. Saumarez creating an<br/>
epidemic of useful and improving knowledge throughout the country, by<br/>
means of her charming lectures. Here is Mrs. Haggage, the mainspring,<br/>
if I may say so, of any number of educational and philanthropic<br/>
alarm clocks which will some day rouse the sleeping public from its<br/>
lethargy. And here is my friend Jukesbury, whose eloquent pleas for a<br/>
higher life have turned so many workmen from gin and improvidence, and<br/>
which in a printed form are disseminated even in such remote regions<br/>
as Africa, where I am told they have produced the most satisfactory<br/>
results upon the unsophisticated but polygamous monarchs of that<br/>
continent. And here, above all, is Miss Hugonin, utilising the vast<br/>
power of money--which I am credibly informed is a very good thing to<br/>
have, though I cannot pretend to speak from experience--and casting<br/>
whole bakeryfuls of bread upon the waters of charity. And here am<br/>
I, the idle singer of an empty day--a mere drone in this hive of<br/>
philanthropic bees! Dear, dear," said Mr. Kennaston, enviously, "what<br/>
a thing it is to be practical!" And he laughed toward Margaret, in his<br/>
whimsical way.<br/>
<br/>
Miss Hugonin had been strangely silent; but she returned Mr.<br/>
Kennaston's smile, and began to take part in the conversation.<br/>
<br/>
"You're only an ignorant child," she rebuked him, "and a very naughty<br/>
child, too, to make fun of us in this fashion."<br/>
<br/>
"Yes," Mr. Kennaston assented, "I am wilfully ignorant. The world<br/>
adores ignorance; and where ignorance is kissed it is folly to be<br/>
wise. To-morrow I shall read you a chapter from my 'Defense of<br/>
Ignorance,' which my confiding publisher is going to bring out in the<br/>
autumn."<br/>
<br/>
So the table-talk went on, and now Margaret bore a part therein.<br/>
<br/>
* * * * *<br/>
<br/>
However, I do not think we need record it further.<br/>
<br/>
Mr. Woods listened in a sort of a daze. Adèle Haggage and Hugh Van<br/>
Orden were conversing in low tones at one end of the table; the<br/>
Colonel was eating his luncheon, silently and with a certain air of<br/>
resignation; and so Billy Woods was left alone to attend and marvel.<br/>
<br/>
The ideas they advanced seemed to him, for the most part, sensible.<br/>
What puzzled him was the uniform gravity which they accorded<br/>
equally--as it appeared to him--to the discussion of the most pompous<br/>
platitudes and of the most arrant nonsense. They were always serious;<br/>
and the general tone of infallibility, Billy thought, could be<br/>
warranted only by a vast fund of inexperience.<br/>
<br/>
But, in the main, they advocated theories he had always<br/>
held--excellent theories, he considered. And he was seized with an<br/>
unreasonable desire to repudiate every one of them.<br/>
<br/>
For it seemed to him that every one of them was aimed at Margaret's<br/>
approval. It did not matter to whom a remark was ostensibly<br/>
addressed--always at its conclusion the speaker glanced more or<br/>
less openly toward Miss Hugonin. She was the audience to which they<br/>
zealously played, thought Billy; and he wondered.<br/>
<br/>
I think I have said that, owing to the smallness of the house-party,<br/>
luncheon was served in the breakfast-room. The dining-room at Selwoode<br/>
is very rarely used, because Margaret declares its size makes a meal<br/>
there equivalent to eating out-of-doors.<br/>
<br/>
And I must confess that the breakfast-room is far cosier. The room, in<br/>
the first place, is of reasonable dimensions; it is hung with Flemish<br/>
tapestries from designs by Van Eyck representing the Four Seasons, but<br/>
the walls and ceiling are panelled in oak, and over the mantel carved<br/>
in bas-relief the inevitable Eagle is displayed.<br/>
<br/>
The mantel stood behind Margaret's chair; and over her golden head,<br/>
half-protectingly, half-threateningly, with his wings outstretched to<br/>
the uttermost, the Eagle brooded as he had once brooded over Frederick<br/>
R. Woods. The old man sat contentedly beneath that symbol of what<br/>
he had achieved in life. He had started (as the phrase runs) from<br/>
nothing; he had made himself a power. To him, the Eagle meant that<br/>
crude, incalculable power of wealth he gloried in. And to Billy Woods,<br/>
the Eagle meant identically the same thing, and--I am sorry to say--he<br/>
began to suspect that the Eagle was really the audience to whom Miss<br/>
Hugonin's friends so zealously played.<br/>
<br/>
Perhaps the misanthropy of Mr. Woods was not wholly unconnected with<br/>
the fact that Margaret never looked at him. <i>She'd</i> show him!--the<br/>
fortune-hunter!<br/>
<br/>
So her eyes never strayed toward him; and her attention never left<br/>
him. At the end of luncheon she could have enumerated for you every<br/>
morsel he had eaten, every glare he had directed toward Kennaston,<br/>
every beseeching look he had turned to her. Of course, he had taken<br/>
sherry--dry sherry. Hadn't he told her four years ago--it was the<br/>
first day she had ever worn the white organdie dotted with purple<br/>
sprigs, and they sat by the lake so late that afternoon that Frederick<br/>
R. Woods finally sent for them to come to dinner--hadn't he told her<br/>
then that only women and children cared for sweet wines? Of course he<br/>
had--the villain!<br/>
<br/>
<ANTIMG src="image018.jpg" alt="image018.jpg" width-obs="148" height-obs="400"><br/>
[Illustration: "Billy Woods"]<br/>
<br/>
Billy, too, had his emotions. To hear that paragon, that queen among<br/>
women, descant of work done in the slums and of the mysteries of<br/>
sweat-shops; to hear her state off-hand that there were seventeen<br/>
hundred and fifty thousand children between the ages of ten and<br/>
fifteen years employed in the mines and factories of the United<br/>
States; to hear her discourse of foreign missions as glibly as though<br/>
she had been born and nurtured in Zambesi Land: all these things<br/>
filled him with an odd sense of alienation. He wasn't worthy of her,<br/>
and that was a fact. He was only a dumb idiot, and half the words that<br/>
were falling thick and fast from philanthropic lips about him might as<br/>
well have been hailstones, for all the benefit he was deriving from<br/>
them. He couldn't understand half she said.<br/>
<br/>
In consequence, he very cordially detested the people who<br/>
could--especially that grimacing ass, Kennaston.<br/>
<br/>
Altogether, neither Mr. Woods nor Miss Hugonin got much comfort from<br/>
their luncheon.<br/>
<br/>
<br/>
<br/>
<SPAN name="VII">VII</SPAN><br/>
<br/>
After luncheon Billy had a quiet half-hour with the Colonel in the<br/>
smoking-room.<br/>
<br/>
Said Billy, between puffs of a cigar:<br/>
<br/>
"Peggy's changed a bit."<br/>
<br/>
The Colonel grunted. Perhaps he dared not trust to words.<br/>
<br/>
"Seems to have made some new friends."<br/>
<br/>
A more vigorous grunt.<br/>
<br/>
"Cultured lot, they seem?" said Mr. Woods. "Anxious to do good in the<br/>
world, too--philanthropic set, eh?"<br/>
<br/>
A snort this time.<br/>
<br/>
"Eh?" said Mr. Woods. There was dawning suspicion in his tone.<br/>
<br/>
The Colonel looked about him. "My boy," said he, "you thank your stars<br/>
you didn't get that money; and, depend upon it, there never was a<br/>
gold-ship yet that wasn't followed."<br/>
<br/>
"Pirates?" Billy Woods suggested, helpfully.<br/>
<br/>
"Pirates are human beings," said Colonel Hugonin, with dignity.<br/>
"Sharks, my boy; sharks!"<br/>
<br/>
<br/>
<br/>
<br/>
<SPAN name="VIII">VIII</SPAN><br/>
That evening, after proper deliberation, "Célestine," Miss Hugonin<br/>
commanded, "get out that little yellow dress with the little red<br/>
bandanna handkerchiefs on it; and for heaven's sake, stop pulling<br/>
my hair out by the roots, unless you want a <i>raving</i> maniac on your<br/>
hands, Célestine!"<br/>
<br/>
Whereby she had landed me in a quandary. For how, pray, is it possible<br/>
for me, a simple-minded male, fittingly to depict for you the clothes<br/>
of Margaret?--the innumerable vanities, the quaint devices, the<br/>
pleasing conceits with which she delighted to enhance her comeliness?<br/>
The thing is beyond me. Let us keep discreetly out of her wardrobe,<br/>
you and I.<br/>
<br/>
Otherwise, I should have to prattle of an infinity of mysteries--of<br/>
her scarfs, feathers, laces, gloves, girdles, knots, hats, shoes,<br/>
fans, and slippers--of her embroideries, rings, pins, pendants,<br/>
ribbons, spangles, bracelets, and chains--in fine, there would be no<br/>
end to the list of gewgaws that went to make Margaret Hugonin even<br/>
more adorable than Nature had fashioned her. For when you come to<br/>
think of it, it takes the craft and skill and life-work of a thousand<br/>
men to dress one girl properly; and in Margaret's case, I protest that<br/>
every one of them, could he have beheld the result of their united<br/>
labours, would have so gloried in his own part therein that there<br/>
would have been no putting up with any of the lot.<br/>
<br/>
Yet when I think of the tiny shoes she affected--patent-leather ones<br/>
mostly, with a seam running straight up the middle (and you may guess<br/>
the exact date of our comedy by knowing in what year these shoes were<br/>
modish); the string of fat pearls she so often wore about her round,<br/>
full throat; the white frock, say, with arabesques of blue all over<br/>
it, that Felix Kennaston said reminded him of Ruskin's tombstone; or<br/>
that other white-and-blue one--<i>décolleté</i>, that was--which I swear<br/>
seraphic mantua-makers had woven out of mists and the skies of June:<br/>
when I remember these things, I repeat, almost am I tempted to become<br/>
a boot-maker and a lapidary and a milliner and, in fine, an adept<br/>
in all the other arts and trades and sciences that go to make a<br/>
well-groomed American girl what she is--the incredible fruit<br/>
of grafted centuries, the period after the list of Time's<br/>
achievements--just that I might describe Margaret to you properly.<br/>
<br/>
But the thing is beyond me. I leave such considerations, then, to<br/>
Célestine, and resolve for the future rigorously to eschew all such<br/>
gauds. Meanwhile, if an untutored masculine description will content<br/>
you--<br/>
<br/>
Margaret, I have on reliable feminine authority, was one of the very<br/>
few blondes whose complexions can carry off reds and yellows.<br/>
This particular gown--I remember it perfectly--was of a dim, dull<br/>
yellow--flounciful (if I may coin a word), diaphanous, expansive. I<br/>
have not the least notion what fabric composed it; but scattered about<br/>
it, in unexpected places, were diamond-shaped red things that I am<br/>
credibly informed are called medallions. The general effect of it may<br/>
be briefly characterised as grateful to the eye and dangerous to the<br/>
heart, and to a rational train of thought quite fatal.<br/>
<br/>
For it was cut low in the neck; and Margaret's neck and shoulders<br/>
would have drawn madrigals from a bench of bishops.<br/>
<br/>
And in consequence, Billy Woods ate absolutely no dinner that evening.<br/>
<br/>
<br/>
<br/>
<SPAN name="IX">IX</SPAN><br/>
<br/>
It was an hour or two later when the moon, drifting tardily up from<br/>
the south, found Miss Hugonin and Mr. Kennaston chatting amicably<br/>
together in the court at Selwoode. They were discussing the deplorable<br/>
tendencies of the modern drama.<br/>
<br/>
The court at Selwoode lies in the angle of the building, the ground<br/>
plan of which is L-shaped. Its two outer sides are formed by covered<br/>
cloisters leading to the palm-garden, and by moonlight--the night<br/>
bland and sweet with the odour of growing things, vocal with plashing<br/>
fountains, spangled with fire-flies that flicker indolently among a<br/>
glimmering concourse of nymphs and fauns eternally postured in flight<br/>
or in pursuit--by moonlight, I say, the court at Selwoode is perhaps<br/>
as satisfactory a spot for a <i>tête-à-tête</i> as this transitory world<br/>
affords.<br/>
<br/>
Mr. Kennaston was in vein to-night; he scintillated; he was also a<br/>
little nervous. This was probably owing to the fact that Margaret,<br/>
leaning against the back of the stone bench on which they both sat,<br/>
her chin propped by her hand, was gazing at him in that peculiar,<br/>
intent fashion of hers which--as I think I have mentioned--caused you<br/>
fatuously to believe she had forgotten there were any other trousered<br/>
beings extant.<br/>
<br/>
Mr. Kennaston, however, stuck to apt phrases and nice distinctions.<br/>
The moon found it edifying, but rather dull.<br/>
<br/>
After a little Mr. Kennaston paused in his boyish, ebullient speech,<br/>
and they sat in silence. The lisping of the fountains was very<br/>
audible. In the heavens, the moon climbed a little further and<br/>
registered a manifestly impossible hour on the sun-dial. It also<br/>
brightened.<br/>
<br/>
It was a companionable sort of a moon. It invited talk of a<br/>
confidential nature.<br/>
<br/>
"Bless my soul," it was signalling to any number of gentlemen at that<br/>
moment, "there's only you and I and the girl here. Speak out, man!<br/>
She'll have you now, if she ever will. You'll never have a chance like<br/>
this again, I can tell you. Come, now, my dear boy, I'm shining full<br/>
in your face, and you've no idea how becoming it is. I'm not like that<br/>
garish, blundering sun, who doesn't know any better than to let her<br/>
see how red and fidgetty you get when you're excited; I'm an old hand<br/>
at such matters. I've presided over these little affairs since Babylon<br/>
was a paltry village. <i>I'll</i> never tell. And--and if anything should<br/>
happen, I'm always ready to go behind a cloud, you know. So, speak<br/>
out!--speak out, man, if you've the heart of a mouse!"<br/>
<br/>
Thus far the conscienceless spring moon.<br/>
<br/>
Mr. Kennaston sighed. The moon took this as a promising sign and<br/>
brightened over it perceptibly, and thereby afforded him an excellent<br/>
gambit.<br/>
<br/>
"Yes?" said Margaret. "What is it, beautiful?"<br/>
<br/>
That, in privacy, was her fantastic name for him.<br/>
<br/>
The poet laughed a little. "Beautiful child," said he--and that, under<br/>
similar circumstances, was his perfectly reasonable name for<br/>
her--"I have been discourteous. To be frank, I have been sulking as<br/>
irrationally as a baby who clamours for the moon yonder."<br/>
<br/>
"You aren't really anything but a baby, you know." Indeed, Margaret<br/>
almost thought of him as such. He was so delightfully naïf.<br/>
<br/>
He bent toward her. A faint tremor woke in his speech. "And so," said<br/>
he, softly, "I cry for the moon--the unattainable, exquisite moon. It<br/>
is very ridiculous, is it not?"<br/>
<br/>
But he did not look at the moon. He looked toward Margaret--past<br/>
Margaret, toward the gleaming windows of Selwoode, where the Eagle<br/>
brooded:<br/>
<br/>
"Oh, I really can't say," Margaret cried, in haste. "She was kind to<br/>
Endymion, you know. We will hope for the best. I think we'd better go<br/>
into the house now."<br/>
<br/>
"You bid me hope?" said he.<br/>
<br/>
"Beautiful, if you really want the moon, I don't see the <i>least</i><br/>
objection to your continuing to hope. They make so many little<br/>
airships and things nowadays, you know, and you'll probably find it<br/>
only green cheese, after all. What <i>is</i> green cheese, I wonder?--it<br/>
sounds horribly indigestible and unattractive, doesn't it?" Miss<br/>
Hugonin babbled, in a tumult of fear and disappointment. He was about<br/>
to spoil their friendship now; men were so utterly inconsiderate. "I'm<br/>
a little cold," said she, mendaciously, "I really must go in."<br/>
<br/>
He detained her. "Surely," he breathed, "you must know what I have so<br/>
long wanted to tell you--"<br/>
<br/>
"I haven't the <i>least</i> idea," she protested, promptly. "You can tell<br/>
me all about it in the morning. I have some accounts to cast up<br/>
to-night. Besides, I'm not a good person to tell secrets to.<br/>
You--you'd much better not tell me. Oh, really, Mr. Kennaston," she<br/>
cried, earnestly, "you'd much better not tell me!"<br/>
<br/>
"Ah, Margaret, Margaret," he pleaded, "I am not adamant. I am only a<br/>
man, with a man's heart that hungers for you, cries for you, clamours<br/>
for you day by day! I love you, beautiful child--love you with a<br/>
poet's love that is alien to these sordid days, with a love that is<br/>
half worship. I love you as Leander loved his Hero, as Pyramus loved<br/>
Thisbe. Ah, child, child, how beautiful you are! You are fairest of<br/>
created women, child--fair as those long-dead queens for whose smiles<br/>
old cities burned and kingdoms were lightly lost. I am mad for love of<br/>
you! Ah, have pity upon me, Margaret, for I love you very tenderly!"<br/>
<br/>
He delivered these observations with appropriate fervour.<br/>
<br/>
"Mr. Kennaston," said she, "I am sorry. We got along so nicely before,<br/>
and I was <i>so</i> proud of your friendship. We've had such good times<br/>
together, you and I, and I've liked your verses so, and I've liked<br/>
you--Oh, please, <i>please</i>, let's keep on being just friends!" Margaret<br/>
wailed, piteously.<br/>
<br/>
"Friends!" he cried, and gave a bitter laugh. "I was never friends<br/>
with you, Margaret. Why, even as I read my verses to you--those<br/>
pallid, ineffectual verses that praised you timorously under varied<br/>
names--even then there pulsed in my veins the riotous pæan of love,<br/>
the great mad song of love that shamed my paltry rhymes. I cannot be<br/>
friends with you, child! I must have all or nothing. Bid me hope or<br/>
go!"<br/>
<br/>
Miss Hugonin meditated for a moment and did neither.<br/>
<br/>
"Beautiful," she presently queried, "would you be very, very much<br/>
shocked if I descended to slang?"<br/>
<br/>
"I think," said he, with an uncertain smile, "that I could endure it."<br/>
<br/>
"Why, then--cut it out, beautiful! Cut it out! I don't believe a word<br/>
you've said, in the first place; and, anyhow, it annoys me to have you<br/>
talk to me like that. I don't like it, and it simply makes me awfully,<br/>
awfully tired."<br/>
<br/>
With which characteristic speech, Miss Hugonin leaned back and sat up<br/>
very rigidly and smiled at him like a cherub.<br/>
<br/>
Kennaston groaned.<br/>
<br/>
"It shall be as you will," he assured her, with a little quaver in his<br/>
speech that was decidedly effective. "And in any event, I am not sorry<br/>
that I have loved you, beautiful child. You have always been a power<br/>
for good in my life. You have gladdened me with the vision of a beauty<br/>
that is more than human, you have heartened me for this petty business<br/>
of living, you have praised my verses, you have even accorded me<br/>
certain pecuniary assistance as to their publication--though I must<br/>
admit that to accept it of you was very distasteful to me. Ah!" Felix<br/>
Kennaston cried, with a quick lift of speech, "impractical child that<br/>
I am, I had not thought of that! My love had caused me to forget the<br/>
great barrier that stands between us."<br/>
<br/>
He gasped and took a short turn about the court.<br/>
<br/>
"Pardon me, Miss Hugonin," he entreated, when his emotions were under<br/>
a little better control, "for having spoken as I did. I had forgotten.<br/>
Think of me, if you will, as no better than the others--think of me as<br/>
a mere fortune-hunter. My presumption will be justly punished."<br/>
<br/>
"Oh, no, no, it isn't that," she cried; "it isn't that, is it?<br/>
You--you would care just as much about me if I were poor, wouldn't<br/>
you, beautiful? I don't want you to care for me, of course," Margaret<br/>
added, with haste. "I want to go on being friends. Oh, that money,<br/>
that <i>nasty</i> money!" she cried, in a sudden gust of petulance. "It<br/>
makes me so distrustful, and I can't help it!"<br/>
<br/>
He smiled at her wistfully. "My dear," said he, "are there no mirrors<br/>
at Selwoode to remove your doubts?"<br/>
<br/>
"I--yes, I do believe in you," she said, at length. "But I don't want<br/>
to marry you. You see, I'm not a bit in love with you," Margaret<br/>
explained, candidly.<br/>
<br/>
Ensued a silence. Mr. Kennaston bowed his head.<br/>
<br/>
"You bid me go?" said he.<br/>
<br/>
"No--not exactly," said she.<br/>
<br/>
He indicated a movement toward her.<br/>
<br/>
"Now, you needn't attempt to take any liberties with me," Miss Hugonin<br/>
announced, decisively, "because if you do I'll never speak to you<br/>
again. You must let me go now. You--you must let me think."<br/>
<br/>
Then Felix Kennaston acted very wisely. He rose and stood aside, with<br/>
a little bow.<br/>
<br/>
"I can wait, child," he said, sadly. "I have already waited a long<br/>
time."<br/>
<br/>
Miss Hugonin escaped into the house without further delay. It was very<br/>
flattering, of course; he had spoken beautifully, she thought, and<br/>
nobly and poetically and considerately, and altogether there was<br/>
absolutely no excuse for her being in a temper. Still, she was.<br/>
<br/>
The moon, however, considered the affair as arranged.<br/>
<br/>
For she had been no whit more resolute in her refusal, you see, than<br/>
becomes any self-respecting maid. In fact, she had not refused him;<br/>
and the experienced moon had seen the hopes of many a wooer thrive,<br/>
chameleon-like, on answers far less encouraging than that which<br/>
Margaret had given Felix Kennaston.<br/>
<br/>
Margaret was very fond of him. All women like a man who can do a<br/>
picturesque thing without bothering to consider whether or not he be<br/>
making himself ridiculous; and more than once in thinking of him she<br/>
had wondered if--perhaps--possibly--some day--? And always these vague<br/>
flights of fancy had ended at this precise point--incinerated, if you<br/>
will grant me the simile, by the sudden flaming of her cheeks.<br/>
<br/>
The thing is common enough. You may remember that Romeo was not the<br/>
only gentleman that Juliet noticed at her début: there was the young<br/>
Petruchio; and the son and heir of old Tiberio; and I do not question<br/>
that she had a kind glance or so for County Paris. Beyond doubt, there<br/>
were many with whom my lady had danced; with whom she had laughed a<br/>
little; with whom she had exchanged a few perfectly affable words and<br/>
looks--when of a sudden her heart speaks: "Who's he that would not<br/>
dance? If he be married, my grave is like to prove my marriage-bed."<br/>
In any event, Paris and Petruchio and Tiberio's young hopeful can go<br/>
hang; Romeo has come.<br/>
<br/>
Romeo is seldom the first. Pray you, what was there to prevent Juliet<br/>
from admiring So-and-so's dancing? or from observing that Signor<br/>
Such-an-one had remarkably expressive eyes? or from thinking of Tybalt<br/>
as a dear, reckless fellow whom it was the duty of some good woman to<br/>
rescue from perdition? If no one blames the young Montague for sending<br/>
Rosaline to the right-about--Rosaline for whom he was weeping and<br/>
rhyming an hour before--why, pray, should not Signorina Capulet have<br/>
had a few previous <i>affaires du coeur</i>? Depend upon it, she had; for<br/>
was she not already past thirteen?<br/>
<br/>
In like manner, I dare say that a deal passed between Desdemona and<br/>
Cassio that the honest Moor never knew of; and that Lucrece was<br/>
probably very pleasant and agreeable to Tarquin, as a well-bred<br/>
hostess should be; and that Helen had that little affair with Theseus<br/>
before she ever thought of Paris; and that if Cleopatra died for love<br/>
of Antony it was not until she had previously lived a great while with<br/>
Cæsar.<br/>
<br/>
So Felix Kennaston had his hour. Now Margaret has gone into Selwoode,<br/>
flame-faced and quite unconscious that she is humming under her breath<br/>
the words of a certain inane old song:<br/>
<br/>
"Oh, she sat for me a chair;<br/>
She has ringlets in her hair;<br/>
She's a young thing and cannot leave her mother"--<br/>
<br/>
Only she sang it "father." And afterward, she suddenly frowned and<br/>
stamped her foot, did Margaret.<br/>
<br/>
"I <i>hate</i> him!" said she; but she looked very guilty.<br/>
<br/>
<br/>
<br/>
<SPAN name="X">X</SPAN><br/>
<br/>
In the living-hall of Selwoode Miss Hugonin paused. Undeniably there<br/>
were the accounts of the Ladies' League for the Edification of the<br/>
Impecunious to be put in order; her monthly report as treasurer<br/>
was due in a few days, and Margaret was in such matters a careful,<br/>
painstaking body, and not wholly dependent upon her secretary; but she<br/>
was entirely too much out of temper to attend to that now.<br/>
<br/>
It was really all Mr. Kennaston's fault, she assured a pricking<br/>
conscience, as she went out on the terrace before Selwoode. He had<br/>
bothered her dreadfully.<br/>
<br/>
There she found Petheridge Jukesbury smoking placidly in the<br/>
effulgence of the moonlight; and the rotund, pasty countenance he<br/>
turned toward her was ludicrously like the moon's counterfeit in muddy<br/>
water. I am sorry to admit it, but Mr. Jukesbury had dined somewhat<br/>
injudiciously. You are not to stretch the phrase; he was merely<br/>
prepared to accord the universe his approval, to pat Destiny upon<br/>
the head, and his thoughts ran clear enough, but with Aprilian<br/>
counter-changes of the jovial and the lachrymose.<br/>
<br/>
"Ah, Miss Hugonin," he greeted her, with a genial smile, "I am indeed<br/>
fortunate. You find me deep in meditation, and also, I am sorry to<br/>
say, in the practise of a most pernicious habit. You do not object?<br/>
Ah, that is so like you. You are always kind, Miss Hugonin. Your<br/>
kindness, which falls, if I may so express myself, as the gentle rain<br/>
from Heaven upon all deserving charitable institutions, and daily<br/>
comforts the destitute with good advice and consoles the sorrowing<br/>
with blankets, would now induce you to tolerate an odour which I am<br/>
sure is personally distasteful to you."<br/>
<br/>
"But <i>really</i> I don't mind," was Margaret's protest.<br/>
<br/>
"I cannot permit it," Mr. Jukesbury insisted, and waved a pudgy hand<br/>
in the moonlight. "No, really, I cannot permit it. We will throw<br/>
it away, if you please, and say no more about it," and his glance<br/>
followed the glowing flight of his cigar-end somewhat wistfully. "Your<br/>
father's cigars are such as it is seldom my privilege to encounter;<br/>
but, then, my personal habits are not luxurious, nor my private<br/>
income precisely what my childish imaginings had pictured it at this<br/>
comparatively advanced period of life. Ah, youth, youth!--as the poet<br/>
admirably says, Miss Hugonin, the thoughts of youth are long, long<br/>
thoughts, but its visions of existence are rose-tinged and free from<br/>
care, and its conception of the responsibilities of manhood--such<br/>
as taxes and the water-rate--I may safely characterise as extremely<br/>
sketchy. But pray be seated, Miss Hugonin," Petheridge Jukesbury<br/>
blandly urged.<br/>
<br/>
Common courtesy forced her to comply. So Margaret seated herself on<br/>
a little red rustic bench. In the moonlight--but I think I have<br/>
mentioned how Margaret looked in the moonlight; and above her golden<br/>
head the Eagle, sculptured over the door-way, stretched his wings to<br/>
the uttermost, half-protectingly, half-threateningly, and seemed to<br/>
view Mr. Jukesbury with a certain air of expectation.<br/>
<br/>
"A beautiful evening," Petheridge Jukesbury suggested, after a little<br/>
cogitation.<br/>
<br/>
She conceded that this was undeniable.<br/>
<br/>
"Where Nature smiles, and only the conduct of man is vile and<br/>
altogether what it ought not to be," he continued, with unction--"ah,<br/>
how true that is and how consoling! It is a good thing to meditate<br/>
upon our own vileness, Miss Hugonin--to reflect that we are but worms<br/>
with naturally the most vicious inclinations. It is most salutary.<br/>
Even I am but a worm, Miss Hugonin, though the press has been pleased<br/>
to speak most kindly of me. Even you--ah, no!" cried Mr. Jukesbury,<br/>
kissing his finger-tips, with gallantry; "let us say a worm who has<br/>
burst its cocoon and become a butterfly--a butterfly with a charming<br/>
face and a most charitable disposition and considerable property!"<br/>
<br/>
Margaret thanked him with a smile, and began to think wistfully of the<br/>
Ladies' League accounts. Still, he was a good man; and she endeavoured<br/>
to persuade herself that she considered his goodness to atone for his<br/>
flabbiness and his fleshiness and his interminable verbosity--which<br/>
she didn't.<br/>
<br/>
Mr. Jukesbury sighed.<br/>
<br/>
"A naughty world," said he, with pathos--"a very naughty world, which<br/>
really does not deserve the honour of including you in its census<br/>
reports. Yet I dare say it has the effrontery to put you down in the<br/>
tax-lists; it even puts me down--me, an humble worker in the vineyard,<br/>
with both hands set to the plough. And if I don't pay up it sells<br/>
me out. A very naughty world, indeed! I dare say," Mr. Jukesbury<br/>
observed, raising his eyes--not toward heaven, but toward the Eagle,<br/>
"that its conduct, as the poet says, creates considerable distress<br/>
among the angels. I don't know. I am not acquainted with many angels.<br/>
My wife was an angel, but she is now a lifeless form. She has been for<br/>
five years. I erected a tomb to her at considerable personal expense,<br/>
but I don't begrudge it--no, I don't begrudge it, Miss Hugonin. She<br/>
was very hard to live with. But she was an angel, and angels are rare.<br/>
Miss Hugonin," said Petheridge Jukesbury, with emphasis, "<i>you</i> are an<br/>
angel."<br/>
<br/>
"Oh, dear, <i>dear</i>!" said Margaret, to herself; "I do wish I'd gone to<br/>
bed directly after dinner!"<br/>
<br/>
Above them the Eagle brooded.<br/>
<br/>
"Surely," he breathed, "you must know what I have so long wanted to<br/>
tell you--"<br/>
<br/>
"No," said Margaret, "and I don't want to know, please. You make me<br/>
awfully tired, and I don't care for you in the <i>least</i>. Now, you let<br/>
go my hand--let go at once!"<br/>
<br/>
He detained her. "You are an angel," he insisted--"an angel with a<br/>
large property. I love you, Margaret! Be mine!--be my blushing bride,<br/>
I entreat you! Your property is far too large for an angel to look<br/>
after. You need a man of affairs. I am a man of affairs. I am<br/>
forty-five, and have no bad habits. My press-notices are, as a rule,<br/>
favourable, my eloquence is accounted considerable, and my dearest<br/>
aspiration is that you will comfort my declining years. I might add<br/>
that I adore you, but I think I mentioned that before. Margaret, will<br/>
you be my blushing bride?"<br/>
<br/>
"No!" said Miss Hugonin emphatically. "No, you tipsy old beast--no!"<br/>
<br/>
There was a rustle of skirts. The door slammed, and the philanthropist<br/>
was left alone on the terrace.<br/>
<br/>
<br/>
<br/>
<SPAN name="XI">XI</SPAN><br/>
<br/>
In the living-hall Margaret came upon Hugh Van Orden, who was<br/>
searching in one of the alcoves for a piece of music that Adèle<br/>
Haggage wanted and had misplaced.<br/>
<br/>
The boy greeted her miserably.<br/>
<br/>
"Miss Hugonin," he lamented, "you're awfully hard on me."<br/>
<br/>
"I am sorry," said Margaret, "that you consider me discourteous to a<br/>
guest in my own house." Oh, I grant you Margaret was in a temper now.<br/>
<br/>
"It isn't that," he protested; "but I never see you alone. And I've<br/>
had something to tell you."<br/>
<br/>
"Yes?" said she, coldly.<br/>
<br/>
He drew near to her. "Surely," he breathed, "you must know what I have<br/>
long wanted to tell you--"<br/>
<br/>
"Yes, I should think I <i>did</i>!" said Margaret, "and if you dare tell<br/>
me a word of it I'll never speak to you again. It's getting a little<br/>
monotonous. Good-night, Mr. Van Orden."<br/>
<br/>
Half way up the stairs she paused and ran lightly back.<br/>
<br/>
"Oh, Hugh, Hugh!" she said, contritely, "I was unpardonably rude. I'm<br/>
sorry, dear, but it's quite impossible. You are a dear, cute little<br/>
boy, and I love you--but not that way. So let's shake hands, Hugh, and<br/>
be friends! And then you can go and play with Adèle." He raised her<br/>
hand to his lips. He really was a nice boy.<br/>
<br/>
"But, oh, dear!" said Margaret, when he had gone; "what horrid<br/>
creatures men are, and what a temper I'm in, and what a vexatious<br/>
place the world is! I wish I were a pauper! I wish I had never been<br/>
born! And I wish--and I wish I had those League papers fixed! I'll<br/>
do it to-night! I'm sure I need something tranquillising, like<br/>
assessments and decimal places and unpaid dues, to keep me from<br/>
<i>screaming</i>. I hate them all--all three of them--as badly as I do<br/>
<i>him!</i>"<br/>
<br/>
Thereupon she blushed, for no apparent reason, and went to her own<br/>
rooms in a frame of mind that was inexcusable, but very becoming. Her<br/>
cheeks burned, her eyes flashed with a brighter glow that was gem-like<br/>
and a little cruel, and her chin tilted up defiantly. Margaret had a<br/>
resolute chin, a masculine chin. I fancy that it was only at the last<br/>
moment that Nature found it a thought too boyish and modified it with<br/>
a dimple--a very creditable dimple, by the way, that she must have<br/>
been really proud of. That ridiculous little dint saved it, feminised<br/>
it.<br/>
<br/>
Altogether, then, she swept down upon the papers of the Ladies' League<br/>
for the Edification of the Impecunious with very much the look of a<br/>
diminutive Valkyrie--a Valkyrie of unusual personal attractions, you<br/>
understand--<i>en route</i> for the battle-field and a little, a very<br/>
little eager and expectant of the strife.<br/>
<br/>
Subsequently, "Oh, dear, <i>dear</i>!" said she, amid a feverish rustling<br/>
of papers; "the whole world is out of sorts to-night! I never <i>did</i><br/>
know how much seven times eight is, and I hate everybody, and I've<br/>
left that list of unpaid dues in Uncle Fred's room, and I've got to go<br/>
after it, and I don't want to! Bother those little suitors of mine!"<br/>
<br/>
Miss Hugonin rose, and went out from her own rooms, carrying a bunch<br/>
of keys, across the hallway to the room in which Frederick R. Woods<br/>
had died. It was his study, you may remember. It had been little<br/>
used since his death, but Margaret kept her less important papers<br/>
there--the overflow, the flotsam of her vast philanthropic and<br/>
educational correspondence.<br/>
<br/>
And there she found Billy Woods.<br/>
<br/>
<br/>
<br/>
<SPAN name="XII">XII</SPAN><br/>
<br/>
His back was turned to the door as she entered. He was staring at a<br/>
picture beside the mantel--a portrait of Frederick R. Woods--and his<br/>
eyes when he wheeled about were wistful.<br/>
<br/>
Then, on a sudden, they lighted up as if they had caught fire from<br/>
hers, and his adoration flaunted crimson banners in his cheeks, and<br/>
his heart, I dare say, was a great blaze of happiness. He loved her,<br/>
you see; when she entered a room it really made a difference to this<br/>
absurd young man. He saw a great many lights, for instance, and heard<br/>
music. And accordingly, he laughed now in a very contented fashion.<br/>
<br/>
"I wasn't burglarising," said he--"that is, not exactly. I ought to<br/>
have asked your permission, I suppose, before coming here, but I<br/>
couldn't find you, and--and it was rather important. You see," Mr.<br/>
Woods continued, pointing to the great carved desk. "I happened to<br/>
speak of this desk to the Colonel to-night. We--we were talking of<br/>
Uncle Fred's death, and I found out, quite by accident, that it hadn't<br/>
been searched since then--that is, not thoroughly. There are secret<br/>
drawers, you see; one here," and he touched the spring that threw<br/>
it open, "and the other on this side. There is--there is nothing of<br/>
importance in them; only receipted bills and such. The other drawer is<br/>
inside that centre compartment, which is locked. The Colonel wouldn't<br/>
come. He said it was all foolishness, and that he had a book he wanted<br/>
to read. So he sent me after what he called my mare's nest. It isn't,<br/>
you see--no, not quite, not quite," Mr. Woods murmured, with an odd<br/>
smile, and then laughed and added, lamely: "I--I suppose I'm the only<br/>
person who knew about it."<br/>
<br/>
Mr. Woods's manner was a thought strange. He stammered a little in<br/>
speaking; he laughed unnecessarily; and Margaret could see that his<br/>
hands trembled. Taking him all in all, you would have sworn he was<br/>
repressing some vital emotion. But he did not seem unhappy--no, not<br/>
exactly unhappy. He was with Margaret, you see.<br/>
<br/>
"Oh, you beauty!" his meditations ran.<br/>
<br/>
He had some excuse. In the soft, rosy twilight of the room--the study<br/>
at Selwoode is panelled in very dark oak, and the doors and windows<br/>
are screened with crimson hangings--her parti-coloured red-and-yellow<br/>
gown might have been a scrap of afterglow left over from an unusually<br/>
fine sunset. In a word, Miss Hugonin was a very quaint and colourful<br/>
and delectable figure as she came a little further into the room. Her<br/>
eyes shone like blue stars, and her hair shone--there must be pounds<br/>
of it, Billy thought--and her very shoulders, plump, flawless,<br/>
ineffable, shone with the glow of an errant cloud-tatter that is just<br/>
past the track of dawn, and is therefore neither pink nor white, but<br/>
manages somehow to combine the best points of both colours.<br/>
<br/>
"Ah, indeed?" said Miss Hugonin. Her tone imparted a surprising degree<br/>
of chilliness to this simple remark.<br/>
<br/>
"No," she went on, very formally, "this is not a private room; you owe<br/>
me no apology for being here. Indeed, I am rather obliged to you, Mr.<br/>
Woods, for none of us knew of these secret drawers. Here is the key to<br/>
the central compartment, if you will be kind enough to point out the<br/>
other one. Dear, dear!" Margaret concluded, languidly, "all this is<br/>
quite like a third-rate melodrama. I haven't the least doubt you will<br/>
discover a will in there in your favour, and be reinstated as the<br/>
long-lost heir and all that sort of thing. How tiresome that will be<br/>
for me, though."<br/>
<br/>
She was in a mood to be cruel to-night. She held out the keys to<br/>
him, in a disinterested fashion, and dropped them daintily into his<br/>
outstretched palm, just as she might have given a coin to an unusually<br/>
grimy mendicant. But the tips of her fingers grazed his hand.<br/>
<br/>
That did the mischief. Her least touch was enough to set every nerve<br/>
in his body a-tingle. "Peggy!" he said hoarsely, as the keys jangled<br/>
to the floor. Then Mr. Woods drew a little nearer to her and said<br/>
"Peggy, Peggy!" in a voice that trembled curiously, and appeared to<br/>
have no intention of saying anything further.<br/>
<br/>
Indeed, words would have seemed mere tautology to any one who could<br/>
have seen his eyes. Margaret looked into them for a minute, and her<br/>
own eyes fell before their blaze, and her heart--very foolishly--stood<br/>
still for a breathing-space. Subsequently she recalled the fact<br/>
that he was a fortune-hunter, and that she despised him, and also<br/>
observed--to her surprise and indignation--that he was holding her<br/>
hand and had apparently been doing so for some time. You may believe<br/>
it, that she withdrew that pink-and-white trifle angrily enough.<br/>
<br/>
"Pray don't be absurd, Mr. Woods," said she.<br/>
<br/>
Billy caught up the word. "Absurd!" he echoed--"yes, that describes<br/>
what I've been pretty well, doesn't it, Peggy? I <i>was</i> absurd when I<br/>
let you send me to the right-about four years ago. I realised that<br/>
to-day the moment I saw you. I should have held on like the very<br/>
grimmest death; I should have bullied you into marrying me, if<br/>
necessary, and in spite of fifty Anstruthers. Oh, yes, I know that<br/>
now. But I was only a boy then, Peggy, and so I let a boy's pride come<br/>
between us. I know now there isn't any question of pride where you<br/>
are concerned--not any question of pride nor of any silly<br/>
misunderstandings, nor of any uncle's wishes, nor of anything but just<br/>
you, Peggy. It's just you that I care for now--just you."<br/>
<br/>
"Ah!" Margaret cried, with a swift intake of the breath that was<br/>
almost a sob. He had dared, after all; oh, it was shameless, sordid!<br/>
And yet (she thought dimly), how dear that little quiver in his voice<br/>
had been were it unplanned!--and how she could have loved this big,<br/>
eager boy were he not the hypocrite she knew him!<br/>
<br/>
<i>She'd</i> show him! But somehow--though it was manifestly what he<br/>
deserved--she found she couldn't look him in the face while she did<br/>
it.<br/>
<br/>
So she dropped her eyes to the floor and waited for a moment of tense<br/>
silence. Then, "Am I to consider this a proposal, Mr. Woods?" she<br/>
asked, in muffled tones.<br/>
<br/>
Billy stared. "Yes," said he, very gravely, after an interval.<br/>
<br/>
"You see," she explained, still in the same dull voice, "you phrased<br/>
it so vaguely I couldn't well be certain. You don't propose very well,<br/>
Mr. Woods. I--I've had opportunities to become an authority on such<br/>
matters, you see, since I've been rich. That makes a difference,<br/>
doesn't it? A great many men are willing to marry me now who wouldn't<br/>
have thought of such a thing, say--say, four years ago. So I've had<br/>
some experience. Oh, yes, three--three <i>persons</i> have offered to marry<br/>
me for my money earlier in this very evening--before you did, Mr.<br/>
Woods. And, really, I can't compliment you on your methods, Mr. Woods;<br/>
they are a little vague, a little abrupt, a little transparent, don't<br/>
you think?"<br/>
<br/>
"Peggy!" he cried, in a frightened whisper. He could not believe, you<br/>
see, that it was the woman he loved who was speaking.<br/>
<br/>
And for my part, I admit frankly that at this very point, if ever in<br/>
her life, Margaret deserved a thorough shaking.<br/>
<br/>
"Dear me," she airily observed, "I'm sure I've said nothing out of the<br/>
way. I think it speaks very well for you that you're so fond of your<br/>
old home--so anxious to regain it at <i>any</i> cost. It's quite touching,<br/>
Mr. Woods."<br/>
<br/>
She raised her eyes toward his. I dare say she was suffering as much<br/>
as he. But women consider it a point of honour to smile when they<br/>
stab; Margaret smiled with an innocence that would have seemed<br/>
overdone in an angel.<br/>
<br/>
Then, in an instant, she had the grace to be abjectly ashamed of<br/>
herself. Billy's face had gone white. His mouth was set, mask-like,<br/>
and his breathing was a little perfunctory. It stung her, though, that<br/>
he was not angry. He was sorry.<br/>
<br/>
"I--I see," he said, very carefully. "You think I--want the money.<br/>
Yes--I see."<br/>
<br/>
"And why not?" she queried, pleasantly. "Dear me, money's a very<br/>
sensible thing to want, I'm sure. It makes a great difference, you<br/>
know."<br/>
<br/>
He looked down into her face for a moment. One might have sworn this<br/>
detected fortune-hunter pitied her.<br/>
<br/>
"Yes," he assented, slowly, "it makes a difference--not a difference<br/>
for the better, I'm afraid, Peggy."<br/>
<br/>
Ensued a silence.<br/>
<br/>
Then Margaret tossed her head. She was fast losing her composure.<br/>
She would have given the world to retract what she had said, and<br/>
accordingly she resolved to brazen it out.<br/>
<br/>
"You needn't look at me as if I were a convicted criminal," she said,<br/>
sharply. "I won't marry you, and there's an end of it."<br/>
<br/>
"It isn't that I'm thinking of," said Mr. Woods, with a grave smile.<br/>
"You see, it takes me a little time to realise your honest opinion<br/>
of me. I believe I understand now. You think me a very hopeless<br/>
cad--that's about your real opinion, isn't it, Peggy? I didn't know<br/>
that, you see. I thought you knew me better than that. You did once,<br/>
Peggy--once, a long time ago, and--and I hoped you hadn't quite<br/>
forgotten that time."<br/>
<br/>
The allusion was ill chosen.<br/>
<br/>
"Oh, oh, <i>oh</i>!" she cried, gasping. "<i>You</i> to remind me of that<br/>
time!--you of all men. Haven't you a vestige of shame? Haven't you<br/>
a rag of honour left? Oh, I didn't know there were such men in the<br/>
world! And to think--to think--" Margaret's glorious voice broke, and<br/>
she wrung her hands helplessly.<br/>
<br/>
Then, after a little, she raised her eyes to his, and spoke without<br/>
a trace of emotion. "To think," she said, and her voice was toneless<br/>
now, "to think that I loved you! It's that that hurts, you know. For I<br/>
loved you very dearly, Billy Woods--yes, I think I loved you quite as<br/>
much as any woman can ever love a man. You were the first, you see,<br/>
and girls--girls are very foolish about such things. I thought you<br/>
were brave, and strong, and clean, and honest, and beautiful, and<br/>
dear--oh, quite the best and dearest man in the world, I thought you,<br/>
Billy Woods! That--that was queer, wasn't it?" she asked, with a<br/>
listless little shiver. "Yes, it was very queer. You didn't think of<br/>
me in quite that way, did you? No, you--you thought I was well enough<br/>
to amuse you for a while. I was well enough for a summer flirtation,<br/>
wasn't I, Billy? But marriage--ah, no, you never thought of marriage<br/>
then. You ran away when Uncle Fred suggested that. You refused<br/>
point-blank--refused in this very room--didn't you, Billy? Ah,<br/>
that--that hurt," Margaret ended, with a faint smile. "Yes, it--hurt."<br/>
<br/>
Billy Woods raised a protesting hand, as though to speak, but<br/>
afterward he drew a deep, tremulous breath and bit his lip and was<br/>
silent.<br/>
<br/>
She had spoken very quietly, very simply, very like a tired child;<br/>
now her voice lifted. "But you've hurt me more to-night," she said,<br/>
equably--"to-night, when you've come cringing back to me--to me, whom<br/>
you'd have none of when I was poor. I'm rich now, though. That makes<br/>
a difference, doesn't it, Billy? You're willing to whistle back the<br/>
girl's love you flung away once--yes, quite willing. But can't you<br/>
understand how much it must hurt me to think I ever loved you?"<br/>
Margaret asked, very gently.<br/>
<br/>
She wanted him to understand. She wanted him to be ashamed. She prayed<br/>
God that he might be just a little, little bit ashamed, so that she<br/>
might be able to forgive him.<br/>
<br/>
But he stood silent, bending puzzled brows toward her.<br/>
<br/>
"Can't you understand, Billy?" she pleaded, softly. "I can't help<br/>
seeing what a cur you are. I must hate you, Billy--of course, I must,"<br/>
she insisted, very gently, as though arguing the matter with herself;<br/>
then suddenly she sobbed and wrung her hands in anguish. "Oh, I can't,<br/>
I can't!" she wailed. "God help me, I can't hate you, even though I<br/>
know you for what you are!"<br/>
<br/>
His arms lifted a little; and in a flash Margaret knew that what she<br/>
most wanted in all the world was to have them close about her, and<br/>
then to lay her head upon his shoulder and cry contentedly.<br/>
<br/>
Oh, she did want to forgive him! If he had lost all sense of shame,<br/>
why could he not lie to her? Surely, he could at least lie? And,<br/>
oh, how gladly she would believe!--only the tiniest, the flimsiest<br/>
fiction, her eyes craved of him.<br/>
<br/>
But he merely said "I see--I see," very slowly, and then smiled.<br/>
"We'll put the money aside just now," he said. "Perhaps, after a<br/>
little, we--we'll came back to that. I think you've forgotten, though,<br/>
that when--when Uncle Fred and I had our difference you had just<br/>
thrown me over--had just ordered me never to speak to you again?<br/>
I couldn't very well ask you to marry me, could I, under those<br/>
circumstances?"<br/>
<br/>
"I spoke in a moment of irritation," a very dignified Margaret pointed<br/>
out; "you would have paid no attention whatever to it if you had<br/>
really--cared."<br/>
<br/>
Billy laughed, rather sadly. "Oh, I cared right enough," he said. "I<br/>
still care. The question is--do you?"<br/>
<br/>
"No," said Margaret, with decision, "I don't--not in the <i>least</i>."<br/>
<br/>
"Peggy," Mr. Woods commanded, "look at me!"<br/>
<br/>
"You have had your answer, I think," Miss Hugonin indifferently<br/>
observed.<br/>
<br/>
Billy caught her chin in his hand and turned her face to his. "Peggy,<br/>
do you--care?" he asked, softly.<br/>
<br/>
And Margaret looked into his honest-seeming eyes and, in a panic, knew<br/>
that her traitor lips were forming "yes."<br/>
<br/>
"That would be rather unfortunate, wouldn't it?" she asked, with a<br/>
smile. "You see, it was only an hour ago I promised to marry Mr.<br/>
Kennaston."<br/>
<br/>
"Kennaston!" Billy gasped. "You--you don't mean that you care for<br/>
<i>him</i>, Peggy?"<br/>
<br/>
"I really can't see why it should concern you," said Margaret,<br/>
sweetly, "but since you ask--I do. You couldn't expect me to remain<br/>
inconsolable forever, you know."<br/>
<br/>
Then the room blurred before her eyes. She stood rigid, defiant.<br/>
She was dimly aware that Billy was speaking, speaking from a great<br/>
distance, it seemed, and then after a century or two his face came<br/>
back to her out of the whirl of things. And, though she did not know<br/>
it, they were smiling bravely at one another.<br/>
<br/>
"--and so," Mr. Woods was stating, "I've been an even greater ass than<br/>
usual, and I hope you'll be very, very happy."<br/>
<br/>
<ANTIMG src="image020.jpg" alt="image020.jpg" width-obs="400" height-obs="480"><br/>
[Illustration: "Billy unfolded it slowly, with a puzzled look growing<br/>
in his countenance."]<br/>
<br/>
"Thank you," she returned, mechanically, "I--I hope so."<br/>
<br/>
After an interval, "Good-night, Peggy," said Mr. Woods.<br/>
<br/>
"Oh--? Good-night," said she, with a start.<br/>
<br/>
He turned to go. Then, "By Jove!" said he, grimly, "I've been so busy<br/>
making an ass of myself I'd forgotten all about more--more important<br/>
things."<br/>
<br/>
Mr. Woods picked up the keys and, going to the desk, unlocked the<br/>
centre compartment with a jerk. Afterward he gave a sharp exclamation.<br/>
He had found a paper in the secret drawer at the back which appeared<br/>
to startle him.<br/>
<br/>
Billy unfolded it slowly, with a puzzled look growing in his<br/>
countenance. Then for a moment Margaret's golden head drew close to<br/>
his yellow curls and they read it through together. And in the most<br/>
melodramatic and improbable fashion in the world they found it to be<br/>
the last will and testament of Frederick R. Woods.<br/>
<br/>
"But--but I don't understand," was Miss Hugonin's awed comment. "It's<br/>
exactly like the other will, only--why, it's dated the seventeenth<br/>
of June, the day before he died! And it's witnessed by Hodges and<br/>
Burton--the butler and the first footman, you know--and they've never<br/>
said anything about such a paper. And, then, why should he have made<br/>
another will just like the first?"<br/>
<br/>
Billy pondered.<br/>
<br/>
By and bye, "I think I can explain that," he said, in a rather<br/>
peculiar voice. "You see, Hodges and Burton witnessed all his papers,<br/>
half the time without knowing what they were about. They would hardly<br/>
have thought of this particular one after his death. And it isn't<br/>
quite the same will as the other; it leaves you practically<br/>
everything, but it doesn't appoint any trustees, as the other did,<br/>
because this will was drawn up after you were of age. Moreover, it<br/>
contains these four bequests to colleges, to establish a Woods chair<br/>
of ethnology, which the other will didn't provide for. Of course, it<br/>
would have been simpler merely to add a codicil to the first will,<br/>
but Uncle Fred was always very methodical. I--I think he was probably<br/>
going through the desk the night he died, destroying various papers.<br/>
He must have taken the other will out to destroy it just--just before<br/>
he died. Perhaps--perhaps--" Billy paused for a little and then<br/>
laughed, unmirthfully. "It scarcely matters," said he. "Here is the<br/>
will. It is undoubtedly genuine and undoubtedly the last he made.<br/>
You'll have to have it probated, Peggy, and settle with the colleges.<br/>
It--it won't make much of a hole in the Woods millions."<br/>
<br/>
There was a half-humorous bitterness in his voice that Margaret noted<br/>
silently. So (she thought) he had hoped for a moment that at the last<br/>
Frederick R. Woods had relented toward him. It grieved her, in a dull<br/>
fashion, to see him so mercenary. It grieved her--though she would<br/>
have denied it emphatically--to see him so disappointed. Since he<br/>
wanted the money so much, she would have liked for him to have had it,<br/>
worthless as he was, for the sake of the boy he had been.<br/>
<br/>
"Thank you," she said, coldly, as she took the paper; "I will give it<br/>
to my father. He will do what is necessary. Good-night, Mr. Woods."<br/>
<br/>
Then she locked up the desk in a businesslike fashion and turned to<br/>
him, and held out her hand.<br/>
<br/>
"Good-night, Billy," said this perfectly inconsistent young woman.<br/>
"For a moment I thought Uncle Fred had altered his will in your<br/>
favour. I almost wish he had."<br/>
<br/>
Billy smiled a little.<br/>
<br/>
"That would never have done," he said, gravely, as he shook<br/>
hands; "you forget what a sordid, and heartless, and generally<br/>
good-for-nothing chap I am, Peggy. It's much better as it is."<br/>
<br/>
Only the tiniest, the flimsiest fiction, her eyes craved of him. Even<br/>
now, at the eleventh hour, lie to me, Billy Woods, and, oh, how gladly<br/>
I will believe!<br/>
<br/>
But he merely said "Good-night, Peggy," and went out of the room. His<br/>
broad shoulders had a pathetic droop, a listlessness.<br/>
<br/>
Margaret was glad. Of course, she was glad. At last, she had told him<br/>
exactly what she thought of him. Why shouldn't she be glad? She was<br/>
delighted.<br/>
<br/>
So, by way of expressing this delight, she sat down at the desk and<br/>
began to cry very softly.<br/>
<br/>
<br/>
<br/>
<SPAN name="XIII">XIII</SPAN><br/>
<br/>
Having duly considered the emptiness of existence, the unworthiness of<br/>
men, the dreary future that awaited her--though this did not trouble<br/>
her greatly, as she confidently expected to die soon--and many other<br/>
such dolorous topics, Miss Hugonin decided to retire for the night.<br/>
She rose, filled with speculations as to the paltriness of life and<br/>
the probability of her eyes being red in the morning.<br/>
<br/>
"It will be all his fault if they are," she consoled herself.<br/>
"Doubtless he'll be very much pleased. After robbing me of all faith<br/>
in humanity, I dare say the one thing needed to complete his happiness<br/>
is to make me look like a fright. I hate him! After making me<br/>
miserable, now, I suppose he'll go off and make some other woman<br/>
miserable. Oh, of course, he'll make love to the first woman he meets<br/>
who has any money. I'm sure she's welcome to him. I only pity any<br/>
woman who has to put up with <i>him</i>. No, I don't," Margaret decided,<br/>
after reflection; "I hate her, too!"<br/>
<br/>
Miss Hugonin went to the door leading to the hallway and paused.<br/>
Then--I grieve to relate it--she shook a little pink-tipped fist in<br/>
the air.<br/>
<br/>
"I detest you!" she commented, between her teeth; "oh, how <i>dare</i> you<br/>
make me feel so ashamed of the way I've treated you!"<br/>
<br/>
The query--as possibly you may have divined--was addressed to Mr.<br/>
Woods. He was standing by the fireplace in the hallway, and his tall<br/>
figure was outlined sharply against the flame of the gas-logs that<br/>
burned there. His shoulders had a pathetic droop, a listlessness.<br/>
<br/>
Billy was reading a paper of some kind by the firelight, and the black<br/>
outline of his face smiled grimly over it. Then he laughed and threw<br/>
it into the fire.<br/>
<br/>
"Billy!" a voice observed--a voice that was honey and gold and velvet<br/>
and all that is most sweet and rich and soft in the world.<br/>
<br/>
Mr. Woods was aware of a light step, a swishing, sibilant, delightful<br/>
rustling--the caress of sound is the rustling of a well-groomed<br/>
woman's skirts--and of an afterthought of violets, of a mere<br/>
reminiscence of orris, all of which came toward him through the<br/>
dimness of the hall. He started, noticeably.<br/>
<br/>
"Billy," Miss Hugonin stated, "I'm sorry for what I said to you. I'm<br/>
not sure it isn't true, you know, but I'm sorry I said it."<br/>
<br/>
"Bless your heart!" said Billy; "don't you worry over that, Peggy.<br/>
That's all right. Incidentally, the things you've said to me and about<br/>
me aren't true, of course, but we won't discuss that just now. I--I<br/>
fancy we're both feeling a bit fagged. Go to bed, Peggy! We'll both<br/>
go to bed, and the night will bring counsel, and we'll sleep off all<br/>
unkindliness. Go to bed, little sister!--get all the beauty-sleep you<br/>
aren't in the least in need of, and dream of how happy you're going to<br/>
be with the man you love. And--and in the morning I may have something<br/>
to say to you. Good-night, dear."<br/>
<br/>
And this time he really went. And when he had come to the bend in the<br/>
stairs his eyes turned back to hers, slowly and irresistibly, drawn<br/>
toward them, as it seemed, just as the sunflower is drawn toward the<br/>
sun, or the needle toward the pole, or, in fine, as the eyes of young<br/>
gentlemen ordinarily are drawn toward the eyes of the one woman in the<br/>
world. Then he disappeared.<br/>
<br/>
The mummery of it vexed Margaret. There was no excuse for his looking<br/>
at her in that way. It irritated her. She was almost as angry with him<br/>
for doing it as she would have been for not doing it.<br/>
<br/>
Therefore, she bent an angry face toward the fire, her mouth pouting<br/>
in a rather inviting fashion. Then it rounded slowly into a sanguine<br/>
O, which of itself suggested osculation, but in reality stood for<br/>
"observe!" For the paper Billy had thrown into the fire had fallen<br/>
under the gas-logs, and she remembered his guilty start.<br/>
<br/>
"After all," said Margaret, "it's none of my business."<br/>
<br/>
So she eyed it wistfully.<br/>
<br/>
"It may be important," she considerately remembered. "It ought not to<br/>
be left there."<br/>
<br/>
So she fished it out with a big paper-cutter.<br/>
<br/>
"But it can't be very important," she dissented afterward, "or he<br/>
wouldn't have thrown it away."<br/>
<br/>
So she looked at the superscripture on the back of it.<br/>
<br/>
Then she gave a little gasp and tore it open and read it by the<br/>
firelight.<br/>
<br/>
Miss Hugonin subsequently took credit to herself for not going into<br/>
hysterics. And I think she had some reason to; for she found the paper<br/>
a duplicate of the one Billy had taken out of the secret drawer, with<br/>
his name set in the place of hers. At the last Frederick R. Woods had<br/>
relented toward his nephew.<br/>
<br/>
Margaret laughed a little; then she cried a little; then she did both<br/>
together. Afterward she sat in the firelight, very puzzled and very<br/>
excited and very penitent and very beautiful, and was happier than she<br/>
had ever been in her life.<br/>
<br/>
"He had it in his pocket," her dear voice quavered; "he had it in his<br/>
pocket, my brave, strong, beautiful Billy did, when he asked me to<br/>
marry him. It was King Cophetua wooing the beggar-maid--and the beggar<br/>
was an impudent, ungrateful, idiotic little <i>piece</i>!" Margaret hissed,<br/>
in her most shrewish manner. "She ought to be spanked. She ought to go<br/>
down on her knees to him in sackcloth, and tears, and ashes, and all<br/>
sorts of penitential things. She will, too. Oh, it's such a beautiful<br/>
world--<i>such</i> a beautiful world! Billy loves me--really! Billy's a<br/>
millionaire, and I'm a pauper. Oh, I'm glad, glad, <i>glad</i>!"<br/>
<br/>
She caressed the paper that had rendered the world such a goodly place<br/>
to live in--caressed it tenderly and rubbed her check against it. That<br/>
was Margaret's way of showing affection, you know; and I protest it<br/>
must have been very pleasant for the paper. The only wonder was that<br/>
the ink it was written in didn't turn red with delight.<br/>
<br/>
Then she read it through again, for sheer enjoyment of those<br/>
beautiful, incomprehensible words that disinherited her. How <i>lovely</i><br/>
of Uncle Fred! she thought. Of course, he'd forgiven Billy; who<br/>
wouldn't? What beautiful language Uncle Fred used! quite prayer-booky,<br/>
she termed it. Then she gasped.<br/>
<br/>
The will in Billy's favour was dated a week earlier than the one they<br/>
had found in the secret drawer. It was worthless, mere waste paper. At<br/>
the last Frederick R. Woods's pride had conquered his love.<br/>
<br/>
"Oh, the horrid old man!" Margaret wailed; "he's left me everything he<br/>
had! How <i>dare</i> he disinherit Billy! I call it rank impertinence in<br/>
him. Oh, boy dear, dear, <i>dear</i> boy!" Miss Hugonin crooned, in an<br/>
ecstacy of tenderness and woe. "He found this first will in one of the<br/>
other drawers, and thought <i>he</i> was the rich one, and came in a great<br/>
whirl of joy to ask me to marry him, and I was horrid to him! Oh, what<br/>
a mess I've made of it! I've called him a fortune-hunter, and I've<br/>
told him I love another man, and he'll never, never ask me to marry<br/>
him now. And I love him, I worship him, I adore him! And if only<br/>
I were poor--"<br/>
<br/>
Ensued a silence. Margaret lifted the two wills, scrutinised them<br/>
closely, and then looked at the fire, interrogatively.<br/>
<br/>
"It's penal servitude for quite a number of years," she said. "But,<br/>
then, he really <i>couldn't</i> tell any one, you know. No gentleman would<br/>
allow a lady to be locked up in jail. And if he knew--if he knew I<br/>
didn't and couldn't consider him a fortune-hunter, I really believe he<br/>
would--"<br/>
<br/>
Whatever she believed he would do, the probability of his doing it<br/>
seemed highly agreeable to Miss Hugonin. She smiled at the fire in the<br/>
most friendly fashion, and held out one of the folded papers to it.<br/>
<br/>
"Yes," said Margaret, "I'm quite sure he will."<br/>
<br/>
There I think we may leave her. For I have dredged the dictionary,<br/>
and I confess I have found no fitting words wherewith to picture this<br/>
inconsistent, impulsive, adorable young woman, dreaming brave dreams<br/>
in the firelight of her lover and of their united future. I should<br/>
only bungle it. You must imagine it for yourself.<br/>
<br/>
It is a pretty picture, is it not?--with its laughable side, perhaps;<br/>
under the circumstances, whimsical, if you will; but very, very<br/>
sacred. For she loved him with a clean heart, loved him infinitely.<br/>
<br/>
Let us smile at it--tenderly--and pass on.<br/>
<br/>
But upon my word, when I think of how unreasonably, how outrageously<br/>
Margaret had behaved during the entire evening, I am tempted to<br/>
depose her as our heroine. I begin to regret I had not selected Adèle<br/>
Haggage.<br/>
<br/>
She would have done admirably. For, depend upon it, she, too, had<br/>
her trepidations, her white nights, her occult battles over Hugh Van<br/>
Orden. Also, she was a pretty girl--if you care for brunettes--and<br/>
accomplished. She was versed in I forget how many foreign languages,<br/>
both Continental and dead, and could discourse sensibly in any one of<br/>
them. She was perfectly reasonable, perfectly consistent, perfectly<br/>
unimpulsive, and never expressed an opinion that was not countenanced<br/>
by at least two competent authorities. I don't know a man living,<br/>
prepared to dispute that Miss Haggage excelled Miss Hugonin in all<br/>
these desirable qualities.<br/>
<br/>
Yet with pleasing unanimity they went mad for Margaret and had the<br/>
greatest possible respect for Adèle.<br/>
<br/>
And, my dear Mrs. Grundy, I grant you cheerfully that this was all<br/>
wrong. A sensible man, as you very justly observe, will seek in a<br/>
woman something more enduring than mere personal attractions; he will<br/>
value her for some sensible reason--say, for her wit, or her learning,<br/>
or her skill in cookery, or her proficiency in Greek. A sensible man<br/>
will look for a sensible woman; he will not concern his sensible head<br/>
over such trumperies as a pair of bright eyes, or a red lip or so, or<br/>
a satisfactory suit of hair. These are fleeting vanities.<br/>
<br/>
However--<br/>
<br/>
You have doubtless heard ere this, my dear madam, that had Cleopatra's<br/>
nose been an inch shorter the destiny of the world would have been<br/>
changed; had she been the woman you describe--perfectly reasonable,<br/>
perfectly consistent, perfectly sensible in all she said and<br/>
did--confess, dear lady, wouldn't Antony have taken to his heels and<br/>
have fled from such a monster?<br/>
<br/>
<br/>
<br/>
<SPAN name="XIV">XIV</SPAN><br/>
<br/>
I regret to admit that Mr. Woods did not toss feverishly about his bed<br/>
all through the silent watches of the night. He was very miserable,<br/>
but he was also twenty-six. That is an age when the blind bow-god<br/>
deals no fatal wounds. It is an age to suffer poignantly, if you will;<br/>
an age wherein to aspire to the dearest woman on earth, to write her<br/>
halting verses, to lose her, to affect the <i>clichés</i> of cynicism, to<br/>
hear the chimes at midnight--and after it all, to sleep like a top.<br/>
<br/>
So Billy slept. And kind Hypnos loosed a dream through the gates of<br/>
ivory that lifted him to a delectable land where Peggy was nineteen,<br/>
and had never heard of Kennaston, and was unbelievably sweet and dear<br/>
and beautiful. But presently they and the Colonel put forth to sea--on<br/>
a great carved writing-desk--fishing for sharks, which the Colonel<br/>
said were very plentiful in those waters; and Frederick R. Woods<br/>
climbed up out of the sea, and said Billy was a fool and must go to<br/>
college; and Peggy said that was impossible, as seventeen hundred and<br/>
fifty thousand children had to be given an education apiece, and they<br/>
couldn't spare one for Billy; and a missionary from Zambesi Land came<br/>
out of one of the secret drawers and said Billy must give him both<br/>
of his feet as he needed them for his working-girls' classes; and<br/>
thereupon the sharks poked their heads out of the water and began, in<br/>
a deafening chorus, to cry, "Feet, feet, feet!" And Billy then woke<br/>
with a start, and found it was only the birds chattering in the dawn<br/>
outside.<br/>
<br/>
Then he was miserable.<br/>
<br/>
He tossed, and groaned, and dozed, and smoked cigarettes until he<br/>
could stand it no longer. He got up and dressed, in sheer desperation,<br/>
and went for a walk in the gardens.<br/>
<br/>
The day was clear as a new-minted coin. It was not yet wholly aired,<br/>
not wholly free from the damp savour of night, but low in the east the<br/>
sun was taking heart. A mile-long shadow footed it with Billy Woods<br/>
in his pacings through the amber-chequered gardens. Actaeon-like, he<br/>
surprised the world at its toilet, and its fleeting grace somewhat<br/>
fortified his spirits.<br/>
<br/>
But his thoughts pestered him like gnats. The things he said to the<br/>
roses it is not necessary to set down.<br/>
<br/>
<br/>
<br/>
<SPAN name="XV">XV</SPAN><br/>
<br/>
After a vituperative half-hour or so Mr. Woods was hungry. He came<br/>
back toward Selwoode; and upon the terrace in front of the house he<br/>
found Kathleen Saumarez.<br/>
<br/>
During the warm weather, one corner of the terrace had been converted,<br/>
by means of gay red-and-white awnings, into a sort of living-room.<br/>
There were chairs, tables, sofa-cushions, bowls of roses, and any<br/>
number of bright-coloured rugs. Altogether, it was a cosy place,<br/>
and the glowing hues of its furnishings were very becoming to Mrs.<br/>
Saumarez, who sat there writing industriously.<br/>
<br/>
It was a thought embarrassing. They had avoided one another<br/>
yesterday--rather obviously--both striving to put off a necessarily<br/>
awkward meeting. Now it had come. And now, somehow, their eyes met for<br/>
a moment, and they laughed frankly, and the awkwardness was gone.<br/>
<br/>
"Kathleen," said Mr. Woods, with conviction, "you're a dear."<br/>
<br/>
"You broke my heart," said she, demurely, "but I'm going to forgive<br/>
you."<br/>
<br/>
Mrs. Saumarez was not striving to be clever now. And, heavens (thought<br/>
Billy), how much nicer she was like this! It wasn't the same woman:<br/>
her thin cheeks flushed arbutus-like, and her rather metallic voice<br/>
was grown low and gentle. Billy brought memories with him, you see;<br/>
and for the moment, she was Kathleen Eppes again--Kathleen Eppes in<br/>
the first flush of youth, eager, trustful, and joyous-hearted, as he<br/>
had known her long ago. Since then, the poor woman had eaten of the<br/>
bread of dependence and had found it salt enough; she had paid for it<br/>
daily, enduring a thousand petty slights, a thousand petty insults,<br/>
and smiling under them as only women can. But she had forgotten now<br/>
that shrewd Kathleen Saumarez who must earn her livelihood as best she<br/>
might. She smiled frankly--a purely unprofessional smile.<br/>
<br/>
"I was sorry when I heard you were coming," she said, irrelevantly,<br/>
"but I'm glad now."<br/>
<br/>
Mr. Woods--I grieve to relate--was still holding her hand in his.<br/>
There stirred in his pulses the thrill Kathleen Eppes had always<br/>
wakened--a thrill of memory now, a mere wraith of emotion. He was<br/>
thinking of a certain pink-cheeked girl with crinkly black-brown<br/>
hair and eyes that he had likened to chrysoberyls--and he wondered<br/>
whimsically what had become of her. This was not she. This was<br/>
assuredly not Kathleen, for this woman had a large mouth--a humorous<br/>
and kindly mouth it was true, but undeniably a large one--whereas,<br/>
Kathleen's mouth had been quite perfect and rather diminutive than<br/>
otherwise. Hadn't he rhymed of it often enough to know?<br/>
<br/>
They stood gazing at one another for a long time; and in the back of<br/>
Billy's brain lines of his old verses sang themselves to a sad little<br/>
tune--the verses that reproved the idiocy of all other poets, who had<br/>
very foolishly written their sonnets to other women: and yet, as the<br/>
jingle pointed out,<br/>
<br/>
Had these poets ever strayed<br/>
In thy path, they had not made<br/>
Random rhymes of Arabella,<br/>
Songs of Dolly, hymns of Stella,<br/>
Lays of Lalage or Chloris--<br/>
Not of Daphne nor of Doris,<br/>
Florimel nor Amaryllis,<br/>
Nor of Phyllida nor Phyllis,<br/>
Were their wanton melodies:<br/>
But all of these--<br/>
All their melodies had been<br/>
Of thee, Kathleen.<br/>
<br/>
Would they have been? Billy thought it improbable. The verses were<br/>
very silly; and, recalling the big, blundering boy who had written<br/>
them, Billy began to wonder--somewhat forlornly--whither he, too,<br/>
had vanished. He and the girl he had gone mad for both seemed rather<br/>
mythical--legendary as King Pepin.<br/>
<br/>
"Yes," said Mrs. Saumarez--and oh, she startled him; "I fancy they're<br/>
both quite dead by now. Billy," she cried, earnestly, "don't laugh<br/>
at them!--don't laugh at those dear, foolish children! I--somehow, I<br/>
couldn't bear that, Billy."<br/>
<br/>
"Kathleen," said Mr. Woods, in admiration, "you're a witch. I wasn't<br/>
laughing, though, my dear. I was developing quite a twilight mood over<br/>
them--a plaintive, old-lettery sort of mood, you know."<br/>
<br/>
She sighed a little. "Yes--I know." Then her eyelids flickered in a<br/>
parody of Kathleen's glance that Billy noted with a queer tenderness.<br/>
"Come and talk to me, Billy," she commanded. "I'm an early bird this<br/>
morning, and entitled to the very biggest and best-looking worm I can<br/>
find. You're only a worm, you know--we're all worms. Mr. Jukesbury<br/>
told me so last night, making an exception in my favour, for it<br/>
appears I'm an angel. He was amorously inclined last night, the tipsy<br/>
old fraud! It's shameless, Billy, the amount of money he gets out of<br/>
Miss Hugonin--for the deserving poor. Do you know, I rather fancy he<br/>
classes himself under that head? And I grant you he's poor enough--but<br/>
deserving!" Mrs. Saumarez snapped her fingers eloquently.<br/>
<br/>
"Eh? Shark, eh?" queried Mr. Woods, in some discomfort.<br/>
<br/>
She nodded. "He is as bad as Sarah Haggage," she informed him, "and<br/>
everybody knows what a bloodsucker she is. The Haggage is a disease,<br/>
Billy, that all rich women are exposed to--'more easily caught than<br/>
the pestilence, and the taker runs presently mad.' Depend upon it,<br/>
Billy, those two will have every penny they can get out of your<br/>
uncle's money."<br/>
<br/>
"Peggy's so generous," he pleaded. "She wants to make everybody<br/>
happy--bring about a general millenium, you know."<br/>
<br/>
"She pays dearly enough for her fancies," said Mrs. Saumarez, in a<br/>
hard voice. Then, after a little, she cried, suddenly: "Oh, Billy,<br/>
Billy, it shames me to think of how we lie to her, and toady to her,<br/>
and lead her on from one mad scheme to another!--all for the sake of<br/>
the money we can pilfer incidentally! We're all arrant hypocrites, you<br/>
know; I'm no better than the others, Billy--not a bit better. But<br/>
my husband left me so poor, and I had always been accustomed to the<br/>
pretty things of life, and I couldn't--I couldn't give them up, Billy.<br/>
I love them too dearly. So I lie, and toady, and write drivelling<br/>
talks about things I don't understand, for drivelling women to<br/>
listen to, and I still have the creature comforts of life. I pawn my<br/>
self-respect for them--that's all. Such a little price to pay, isn't<br/>
it, Billy?"<br/>
<br/>
She spoke in a sort of frenzy. I dare say that at the outset she<br/>
wanted Mr. Woods to know the worst of her, knowing he could not fail<br/>
to discover it in time. Billy brought memories with him, you see; and<br/>
this shrewd, hard woman wanted, somehow, more than anything else in<br/>
the world, that he should think well of her. So she babbled out the<br/>
whole pitiful story, waiting in a kind of terror to see contempt and<br/>
disgust awaken in his eyes.<br/>
<br/>
But he merely said "I see--I see," very slowly, and his eyes were<br/>
kindly. He couldn't be angry with her, somehow; that pink-cheeked,<br/>
crinkly haired girl stood between them and shielded her. He was only<br/>
very, very sorry.<br/>
<br/>
"And Kennaston?" he asked, after a little.<br/>
<br/>
Mrs. Saumarez flushed. "Mr. Kennaston is a man of great genius," she<br/>
said, quickly. "Of course, Miss Hugonin is glad to assist him in<br/>
publishing his books--it's an honour to her that he permits it. They<br/>
have to be published privately, you know, as the general public isn't<br/>
capable of appreciating such dainty little masterpieces. Oh, don't<br/>
make any mistake, Billy--Mr. Kennaston is a very wonderful and very<br/>
admirable man."<br/>
<br/>
"H'm, yes; he struck me as being an unusually nice chap," said Mr.<br/>
Woods, untruthfully. "I dare say they'll be very happy."<br/>
<br/>
"Who?" Mrs. Saumarez demanded.<br/>
<br/>
"Why--er--I don't suppose they'll make any secret of it," Billy<br/>
stammered, in tardy repentance of his hasty speaking. "Peggy told me<br/>
last night she had accepted him."<br/>
<br/>
Mrs. Saumarez turned to rearrange a bowl of roses. She seemed to have<br/>
some difficulty over it.<br/>
<br/>
"Billy," she spoke, inconsequently, and with averted head, "an honest<br/>
man is the noblest work of God--and the rarest."<br/>
<br/>
Billy groaned.<br/>
<br/>
"Do you know," said he, "I've just been telling the roses in the<br/>
gardens yonder the same thing about women? I'm a misogynist this<br/>
morning. I've decided no woman is worthy of being loved."<br/>
<br/>
"That is quite true," she assented, "but, on the other hand, no man is<br/>
worthy of loving."<br/>
<br/>
Billy smiled.<br/>
<br/>
"I've likewise come to the conclusion," said he, "that a man's love is<br/>
like his hat, in that any peg will do to hang it on; also, in that the<br/>
proper and best place for it is on his own head. Oh, I assure you,<br/>
I vented any number of cheap cynicisms on the helpless roses! And<br/>
yet--will you believe it, Kathleen?--it doesn't seem to make me feel a<br/>
bit better--no, not a bit."<br/>
<br/>
"It's very like his hat," she declared, "in that he has a new one<br/>
every year." Then she rested her hand on his, in a half-maternal<br/>
fashion. "What's the matter, boy?" she asked, softly. "You're always<br/>
so fresh and wholesome. I don't like to see you like this. Better<br/>
leave phrase-making to us phrase-mongers."<br/>
<br/>
Her voice rang true--true, and compassionate, and tender, and all that<br/>
a woman's voice should be. Billy could not but trust her.<br/>
<br/>
"I've been an ass," said he, rather tragically. "Oh, not an unusual<br/>
ass, Kathleen--just the sort men are always making of themselves. You<br/>
see, before I went to France, there was a girl I--cared for. And I let<br/>
a quarrel come between us--a foolish, trifling, idle little quarrel,<br/>
Kathleen, that we might have made up in a half-hour. But I was too<br/>
proud, you see. No, I wasn't proud, either," Mr. Woods amended,<br/>
bitterly; "I was simply pig-headed and mulish. So I went away. And<br/>
yesterday I saw her again and realised that I--still cared. That's<br/>
all, Kathleen. It isn't an unusual story." And Mr. Woods laughed,<br/>
mirthlessly, and took a turn on the terrace.<br/>
<br/>
Mrs. Saumarez was regarding him intently. Her cheeks were of a deeper,<br/>
more attractive pink, and her breath came and went quickly.<br/>
<br/>
"I--I don't understand," she said, in a rather queer voice.<br/>
<br/>
"Oh, it's simple enough," Billy assured her. "You see, she--well, I<br/>
think she would have married me once. Yes, she cared for me once. And<br/>
I quarreled with her--I, conceited young ass that I was, actually<br/>
presumed to dictate to the dearest, sweetest, most lovable woman on<br/>
earth, and tell her what she must do and what she mustn't. I!--good<br/>
Lord, I, who wasn't worthy to sweep a crossing clean for her!--who<br/>
wasn't worthy to breathe the same air with her!--who wasn't worthy to<br/>
exist in the same world she honoured by living in! Oh, I <i>was</i> an ass!<br/>
But I've paid for it!--oh, yes, Kathleen, I've paid dearly for it,<br/>
and I'll pay more dearly yet before I've done. I tried to avoid her<br/>
yesterday--you must have seen that. And I couldn't--I give you my<br/>
word, I could no more have kept away from her than I could have spread<br/>
a pair of wings and flown away. She doesn't care a bit for me now; but<br/>
I can no more give up loving her than I can give up eating my dinner.<br/>
That isn't a pretty simile, Kathleen, but it expresses the way I feel<br/>
toward her. It isn't merely that I want her; it's more than that--oh,<br/>
far more than that. I simply can't do without her. Don't you<br/>
understand, Kathleen?" he asked, desperately.<br/>
<br/>
"Yes--I think I understand," she said, when he had ended. "I--oh,<br/>
Billy, I am almost sorry. It's dear of you--dear of you, Billy, to<br/>
care for me still, but--but I'm almost sorry you care so much. I'm not<br/>
worth it, boy dear. And I--I really don't know what to say. You must<br/>
let me think."<br/>
<br/>
Mr. Woods gave an inarticulate sound. The face she turned to him<br/>
was perplexed, half-sad, fond, a little pleased, and strangely<br/>
compassionate. It was Kathleen Eppes who sat beside him; the six years<br/>
were as utterly forgotten as the name of Magdalen's first lover. She<br/>
was a girl again, listening--with a heart that fluttered, I dare<br/>
say--to the wild talk, the mad dithyrambics of a big, blundering boy.<br/>
<br/>
The ludicrous horror of it stunned Mr. Woods.<br/>
<br/>
He could no more have told her of her mistake than he could have<br/>
struck her in the face.<br/>
<br/>
"Kathleen--!" said he, vaguely.<br/>
<br/>
"Let me think!--ah, let me think, Billy!" she pleaded, in a flutter of<br/>
joy and amazement. "Go away, boy dear!--Go away for a little and<br/>
let me think! I'm not an emotional woman, but I'm on the verge of<br/>
hysterics now, for--for several reasons. Go in to breakfast, Billy!<br/>
I--I want to be alone. You've made me very proud and--and sorry, I<br/>
think, and glad, and--and--oh, I don't know, boy dear. But please go<br/>
now--please!"<br/>
<br/>
Billy went.<br/>
<br/>
In the living-hall he paused to inspect a picture with peculiar<br/>
interest. Since Kathleen cared for him (he thought, rather forlornly),<br/>
he must perjure himself in as plausible a manner as might be possible;<br/>
please God, having done what he had done, he would lie to her like a<br/>
gentleman and try to make her happy.<br/>
<br/>
A vision in incredible violet ruffles, coming down to breakfast, saw<br/>
him, and paused on the stairway, and flushed and laughed deliciously.<br/>
<br/>
Poor Billy stared at her; and his heart gave a great bound and then<br/>
appeared to stop for an indefinite time.<br/>
<br/>
"Good Lord!" said Mr. Woods, in his soul. "And I thought I was an ass<br/>
last night! Why, last night, in comparison, I displayed intelligence<br/>
that was almost human! Oh, Peggy, Peggy! if I only dared tell you what<br/>
I think of you, I believe I would gladly die afterward--yes, I'm sure<br/>
I would. You really haven't any right to be so beautiful!--it isn't<br/>
fair to us, Peggy!"<br/>
<br/>
But the vision was peeping over the bannisters at him, and the<br/>
vision's eyes were sparkling with a lucent mischief and a wonderful,<br/>
half-hushed contralto was demanding of him:<br/>
<br/>
"Oh, where have you been, Billy boy, Billy boy?<br/>
Oh, where have you been, charming Billy?"<br/>
<br/>
And Billy's baritone answered her:<br/>
<br/>
"I've been to seek a wife--"<br/>
<br/>
and broke off in a groan.<br/>
<br/>
"Good Lord!" said Mr. Woods.<br/>
<br/>
It was a ludicrous business, if you will. Indeed, it was vastly<br/>
humorous--was it not?--this woman's thinking a man's love might by any<br/>
chance endure through six whole years. But their love endures, you<br/>
see; and the silly creatures have a superstition among them that love<br/>
is a sacred thing, stronger than time, victorious over death itself.<br/>
Let us laugh, then, at Kathleen Saumarez--those of us who have learned<br/>
that love is only a tinkling cymbal and faith a sounding brass and<br/>
fidelity an obsolete affectation: but for my part, I honour and<br/>
think better of the woman who through all her struggles with the<br/>
world--through all those sordid, grim, merciless, secret battles where<br/>
the vanquished may not even cry for succour--I honour her, I say, for<br/>
that she had yet cherished the memory of that first love which is the<br/>
best and purest and most unselfish and most excellent thing in life.<br/>
<br/>
<br/>
<br/>
<SPAN name="XVI">XVI</SPAN><br/>
<br/>
Breakfast Margaret enjoyed hugely. I regret to confess that the fact<br/>
that every one of her guests was more or less miserable moved this<br/>
hard-hearted young woman to untimely and excessive mirth. Only Mrs.<br/>
Saumarez puzzled her, for she could think of no reason for that lady's<br/>
manifest agitation when Kathleen eventually joined the others.<br/>
<br/>
But for the rest, the hopeless glances that Hugh Van Orden cast toward<br/>
her caused Adèle to flush, and Mrs. Haggage to become despondent and<br/>
speechless and astonishingly rigid; and Petheridge Jukesbury's vaguely<br/>
apologetic attitude toward the world struck Miss Hugonin as infinitely<br/>
diverting. Kennaston she pitied a little; but his bearing toward<br/>
her ranged ludicrously from that of proprietorship to that of<br/>
supplication, and, moreover, she was furious with him for having<br/>
hinted at various times that Billy was a fortune-hunter.<br/>
<br/>
Margaret was quite confident by this that she had never believed<br/>
him--"not really, you know"--having argued the point out at some<br/>
length the night before, and reaching her conclusion by a course of<br/>
reasoning peculiar to herself.<br/>
<br/>
Mr. Woods, as you may readily conceive, was sunk in the Slough of<br/>
Despond deeper than ever plummet sounded. Margaret thought this very<br/>
nice of him; it was a delicate tribute to her that he ate nothing;<br/>
and the fact that Hugh Van Orden and Petheridge Jukesbury--as she<br/>
believed--acted in precisely the same way for precisely the same<br/>
reason, merely demonstrated, of course, their overwhelming conceit and<br/>
presumption.<br/>
<br/>
So sitting in the great Eagle's shadow, she ate a quantity of<br/>
marmalade--she was wont to begin the day in this ungodly English<br/>
fashion--and gossiped like a brook trotting over sunlit pebbles. She<br/>
had planned a pulverising surprise for the house-party; and in due<br/>
time, she intended to explode it, and subsequently Billy was to<br/>
apologise for his conduct, and then they were to live happily ever<br/>
afterward.<br/>
<br/>
She had not yet decided what he was to apologise for; that was his<br/>
affair. His conscience ought to have told him, by this, wherein he had<br/>
offended; and if his conscience hadn't, why then, of course, he would<br/>
have to apologise for his lack of proper sensibility.<br/>
<br/>
After breakfast she went, according to her usual custom, to her<br/>
father's rooms, for, as I think I have told you, the old gentleman was<br/>
never visible until noon. She had astonishing news for him.<br/>
<br/>
What time she divulged it, the others sat on the terrace, and Mr.<br/>
Kennaston read to them, as he had promised, from his "Defense of<br/>
Ignorance." It proved a welcome diversion to more than one of the<br/>
party. Mr. Woods, especially, esteemed it a godsend; it staved off<br/>
misfortune for at least a little; so he sat at Kathleen's side in<br/>
silence, trying desperately to be happy, trying desperately not to see<br/>
the tiny wrinkles, the faint crow's feet Time had sketched in her face<br/>
as a memorandum of the work he meant to do shortly.<br/>
<br/>
Billy consoled himself with the reflection that he was very fond of<br/>
her; but, oh (he thought), what worship, what adoration he could<br/>
accord this woman if she would only decline--positively--to have<br/>
anything whatever to do with him!<br/>
<br/>
I think we ought not to miss hearing Mr. Kennaston's discourse. It is<br/>
generally conceded that his style is wonderfully clever; and I have<br/>
no doubt that his detractors--who complain that his style is mere<br/>
word-twisting, a mere inversion of the most ancient truisms--are<br/>
actuated by the very basest jealousy. Let us listen, then, and be duly<br/>
edified as he reads in a low, sweet voice, and the birds twitter about<br/>
him in the clear morning.<br/>
<br/>
"It has been for many years," Mr. Kennaston began, "the custom of<br/>
patriotic gentlemen in quest of office to point with pride to the fact<br/>
that the schoolmaster is abroad in the land, in whose defense they<br/>
stand pledged to draw their salaries and fight to the last gasp<br/>
for reelection. These lofty platitudes, while trying to the lungs,<br/>
doubtless appeal to a certain class of minds. But, indeed, the<br/>
schoolmaster is not abroad; he is domesticated in every village in<br/>
America, where each hamlet has its would-be Shakespeare, and each<br/>
would-be Shakespeare has his 'Hamlet' by heart. Learning is rampant in<br/>
the land, and valuable information is pasted up in the streetcars so<br/>
that he who rides may read.<br/>
<br/>
"And Ignorance--beautiful, divine Ignorance--is forsaken by a<br/>
generation that clamours for the truth. And what value, pray, has this<br/>
Truth that we should lust after it?"<br/>
<br/>
He glanced up, in an inquiring fashion. Mr. Jukesbury, meeting his<br/>
eye, smiled and shook his head and said "Fie, fie!" very placidly.<br/>
<br/>
To do him justice, he had not the least idea what Kennaston was<br/>
talking about.<br/>
<br/>
"I am aware," the poet continued, with an air of generosity, "that<br/>
many pleasant things have been said of it. In fact, our decade has<br/>
turned its back relentlessly upon the decayed, and we no longer read<br/>
the lament over the lost art of lying issued many magazines ago by<br/>
a once prominent British author. Still, without advancing any Wilde<br/>
theories, one may fairly claim that truth is a jewel--a jewel with<br/>
many facets, differing in appearance from each point of view.<br/>
<br/>
"And while 'Tell the truth and shame the Devil' is a very pretty<br/>
sentiment, it need not necessarily mean anything. The Devil, if there<br/>
be a personal devil--and it has been pointed out, with some show of<br/>
reason, that an impersonal one could scarcely carry out such enormous<br/>
contracts--would, in all probability, rather approve than otherwise of<br/>
indiscriminate truth-telling. Irritation is the root of all evil; and<br/>
there is nothing more irritating than to hear the truth about one's<br/>
self. It is bad enough, in all conscience, to be insulted, but the<br/>
truth of an insult is the barb that prevents its retraction. 'Truth<br/>
hurts' has all the pathos of understatement. It not only hurts, but<br/>
infuriates. It has no more right to go naked in public than any one<br/>
else. Indeed, it has less right; for truth-telling is natural to<br/>
mankind--as is shown by its prevalence among the younger sort, such as<br/>
children and cynics--and, as Shakespeare long ago forgot to tell us, a<br/>
touch of nature makes the whole world embarrassed."<br/>
<br/>
At this point Mrs. Haggage sniffed. She considered he was growing<br/>
improper. She distrusted Nature.<br/>
<br/>
"Truth-telling, then, may safely be regarded as an unamiable<br/>
indiscretion. In art, the bare truth must, in common gallantry, be<br/>
awarded a print petticoat or one of canvas, as the case may be, to<br/>
hide her nakedness; and in life, it is a disastrous virtue that we<br/>
have united to commend and avoid. Nor is the decision an unwise one;<br/>
for man is a gregarious animal, knowing that friendship is, at best,<br/>
but a feeble passion and therefore to be treated with the care due an<br/>
invalid. It is impossible to be quite candid in conversation with a<br/>
man; and with a woman it is absolutely necessary that your speech<br/>
should be candied.<br/>
<br/>
"Truth, then, is the least desirable of acquaintances.<br/>
<br/>
"But even if one wished to know the truth, the desire could scarcely<br/>
be fulfilled. Francis Bacon, Lord Verulam, a prominent lawyer of<br/>
Elizabeth's time, who would have written Shakespeare's plays had his<br/>
other occupations not prevented it, quotes Pilate as inquiring, 'What<br/>
is Truth?'--and then not staying for an answer. Pilate deserves all<br/>
the praise he has never received. Nothing is quite true. Even Truth<br/>
lies at the bottom of a well and not infrequently in other places. No<br/>
assertion is one whit truer than its opposite."<br/>
<br/>
A mild buzz of protest rose about him. Kennaston smiled and cocked his<br/>
head on one side.<br/>
<br/>
"We have, for example," he pointed out, "a large number of proverbs,<br/>
the small coin of conversation, received everywhere, whose value no<br/>
one disputes. They are rapped forth, like an oath, with an air of<br/>
settling the question once and forever. Well! there is safety in<br/>
quotations. But even the Devil can cite Shakespeare for his purpose.<br/>
'Never put off till to-morrow what you can do to-day' agrees ill with<br/>
'Sufficient unto the day is the evil thereof'; and it is somewhat<br/>
difficult to reconcile 'Take care of the pence, and the pounds will<br/>
take care of themselves' with the equally familiar 'Penny-wise,<br/>
pound-foolish.' Yet the sayings are equally untrue; any maxim is,<br/>
perforce, a general statement, and therefore fallacious, and therefore<br/>
universally accepted. Art is long, and life is short, but the<br/>
platitudes concerning them are both insufferable and eternal. We must<br/>
remember that a general statement is merely a snap-shot at flying<br/>
truth, an instantaneous photograph of a moving body. It may be the way<br/>
that a thing is; but it is never the way in which any one ever saw<br/>
that thing, or ever will. This is, of course, a general statement.<br/>
<br/>
"As to present events, then, it may be assumed that no one is either<br/>
capable or desirous of speaking the truth; why, then, make such<br/>
a pother about it as to the past? There we have carried the<br/>
investigation of truth to such an extreme that nowadays very few of us<br/>
dare believe anything. Opinions are difficult to secure when a quarter<br/>
of an hour in the library will prove either side of any question.<br/>
Formerly, people had a few opinions, which, if erroneous, were at<br/>
least universal. Nero was not considered an immaculate man. The Flood<br/>
was currently believed to have caused the death of quite a number of<br/>
persons. And George Washington, it was widely stated, once cut down<br/>
a cherry-tree. But now all these comfortable illusions have been<br/>
destroyed by 'the least little men who spend their time and lose their<br/>
wits in chasing nimble and retiring truth, to the extreme perturbation<br/>
and drying up of the moistures.'"<br/>
<br/>
Kennaston looked up for a moment, and Billy Woods, who had counted<br/>
seven wrinkles and was dropping into a forlorn doze, started<br/>
violently. His interest then became abnormal.<br/>
<br/>
"There are," Mr. Kennaston complained, rather reproachfully, "too many<br/>
inquiries, doubts, investigations, discoveries, and apologies. There<br/>
are palliations of Tiberius, eulogies of Henry VIII., rehabilitations<br/>
of Aaron Burr. Lucretia Borgia, it appears, was a grievously<br/>
misunderstood woman, and Heliogabalus a most exemplary monarch; even<br/>
the dog in the manger may have been a nervous animal in search of<br/>
rest and quiet. As for Shakespeare, he was an atheist, a syndicate, a<br/>
lawyer's clerk, an inferior writer, a Puritan, a scholar, a <i>nom de<br/>
plume</i>, a doctor of medicine, a fool, a poacher, and another man of<br/>
the same name. Information of this sort crops up on every side. Even<br/>
the newspapers are infected; truth lurks in the patent-medicine<br/>
advertisements, and sometimes creeps stealthily into the very<br/>
editorials. We must all learn the true facts of history, whether we<br/>
will or no; eventually, the writers of historical romance will not<br/>
escape.<br/>
<br/>
"So the sad tale goes. Ignorance--beautiful, divine Ignorance--is<br/>
forsaken by a generation that clamours for the truth. The<br/>
earnest-minded person has plucked Zeus out of Heaven, and driven the<br/>
Maenad from the wood, and dragged Poseidon out of his deep-sea palace.<br/>
The conclaves of Olympus, it appears, are merely nature-myths;<br/>
the stately legends clustering about them turn out to be a rather<br/>
elaborate method of expressing the fact that it occasionally rains.<br/>
The heroes who endured their angers and jests and tragic loves are<br/>
delicately veiled allusions to the sun--surely, a very harmless topic<br/>
of conversation, even in Greece; and the monsters, 'Gorgons and Hydras<br/>
and Chimæras dire,' their grisly offspring, their futile opponents,<br/>
are but personified frosts. Mythology--the poet's necessity, the<br/>
fertile mother of his inventions--has become a series of atmospheric<br/>
phenomena, and the labours of Hercules prove to be a dozen weather<br/>
bulletins.<br/>
<br/>
"Is it any cause for wonder, that under this cheerless influence our<br/>
poetry is either silent or unsold? The true poet must be ignorant, for<br/>
information is the thief of rhyme. And it is only in dealing with--"<br/>
<br/>
Kennaston paused. Margaret had appeared in the vestibule, and behind<br/>
her stood her father, looking very grave.<br/>
<br/>
"We have made a most interesting discovery," Miss Hugonin airily<br/>
announced to the world at large. "It appears that Uncle Fred left all<br/>
his property to Mr. Woods here. We found the will only last night. I'm<br/>
sure you'll all be interested to learn I'm a pauper now, and intend to<br/>
support myself by plain sewing. Any work of this nature you may<br/>
choose to favour me with, ladies and gentlemen, will receive my most<br/>
<i>earnest</i> attention."<br/>
<br/>
She dropped a courtesy. The scene appealed to her taste for the<br/>
dramatic.<br/>
<br/>
Billy came toward her quickly.<br/>
<br/>
"Peggy," he demanded of her, in the semi-privacy of the vestibule,<br/>
"will you kindly elucidate the meaning of this da--this idiotic<br/>
foolishness?"<br/>
<br/>
"Why, this," she explained, easily, and exhibited a folded paper. "I<br/>
found it in the grate last night."<br/>
<br/>
He inspected it with large eyes. "That's absurd," he said, at length.<br/>
"You know perfectly well this will isn't worth the paper it's written<br/>
on."<br/>
<br/>
"My dear sir," she informed him, coldly, "you are vastly mistaken. You<br/>
see, I've burned the other one." She pushed by him. "Mr. Kennaston,<br/>
are you ready for our walk? We'll finish the paper some other time.<br/>
Wasn't it the strangest thing in the world--?" Her dear, deep, mellow<br/>
voice died away as she and Kennaston disappeared in the gardens.<br/>
<br/>
Billy gasped.<br/>
<br/>
But meanwhile, Colonel Hugonin had given the members of his daughter's<br/>
house-party some inkling as to the present posture of affairs. They<br/>
were gazing at Billy Woods rather curiously. He stood in the vestibule<br/>
of Selwoode, staring after Margaret Hugonin; but they stared at him,<br/>
and over his curly head, sculptured above the door-way, they saw the<br/>
Eagle--the symbol of the crude, incalculable power of wealth.<br/>
<br/>
Mr. Woods stood in the vestibule of his own house.<br/>
<br/>
<br/>
<br/>
<SPAN name="XVII">XVII</SPAN><br/>
<br/>
"By gad!" said Colonel Hugonin, very grimly, "anybody would think<br/>
you'd just lost a fortune instead of inheriting one! Wish you joy of<br/>
it, Billy. I ain't saying, you know, we shan't miss it, my daughter<br/>
and I--no, begad, for it's a nice pot of money, and we'll miss it<br/>
damnably. But since somebody had to have it, I'd much rather it was<br/>
you, my boy, than a set of infernal, hypocritical, philanthropic<br/>
sharks, and I'm damn' glad Frederick has done the square thing by<br/>
you--yes, begad!"<br/>
<br/>
The old gentleman was standing beside Mr. Woods in the vestibule of<br/>
Selwoode, some distance from the other members of the house-party,<br/>
and was speaking in confidence. He was sincere; I don't say that<br/>
the thought of facing the world at sixty-five with practically<br/>
no resources save his half-pay--I think I have told you that the<br/>
Colonel's diversions had drunk up his wife's fortune and his own like<br/>
a glass of water--I don't say that this thought moved him to hilarity.<br/>
Over it, indeed, he pulled a frankly grave face.<br/>
<br/>
But he cared a deal for Billy; and even now there was balm--soothing,<br/>
priceless balm--to be had of the reflection that this change in<br/>
his prospects affected materially the prospects of those cultured,<br/>
broad-minded, philanthropic persons who had aforetime set his daughter<br/>
to requiring of him a perusal of Herbert Spencer.<br/>
<br/>
Billy was pretty well aware how monetary matters stood with the old<br/>
wastrel; and the sincerity of the man affected him far more than the<br/>
most disinterested sentiments would have done. Mr. Woods accordingly<br/>
shook hands, with entirely unnecessary violence.<br/>
<br/>
"You're a trump, that's what you are!" he declared; "oh, yes, you are,<br/>
Colonel! You're an incorrigible, incurable old ace of trumps--the<br/>
very best there is in the pack--and it's entirely useless for you to<br/>
attempt to conceal it."<br/>
<br/>
"Gad----!" said the Colonel.<br/>
<br/>
"And don't you worry about that will," Mr. Woods advised. "I--I can't<br/>
explain things just now, but it's all right. You just wait--just wait<br/>
till I've seen Peggy," Billy urged, in desperation, "and I'll explain<br/>
everything."<br/>
<br/>
"By gad----!" said the Colonel. But Mr. Woods was half-way out of the<br/>
vestibule.<br/>
<br/>
Mr. Woods was in an unenviable state of perturbation.<br/>
<br/>
He could not quite believe that Peggy had destroyed the will; the<br/>
thing out-Heroded Herod, out-Margareted Margaret. But if she had,<br/>
it struck him as a high-handed proceeding, entailing certain<br/>
vague penalties made and provided by the law to cover just such<br/>
cases--penalties of whose nature he was entirely ignorant and didn't<br/>
care to think. Heavens! for all he knew, that angel might have let<br/>
herself in for a jail sentence.<br/>
<br/>
Billy pictured that queen among women! that paragon! with her glorious<br/>
hair cropped and her pink-tipped little hands set to beating hemp--he<br/>
had a shadowy notion that the lives of all female convicts were<br/>
devoted to this pursuit--and groaned in horror.<br/>
<br/>
"In the name of Heaven!" Mr. Woods demanded of his soul, "what<br/>
<i>possible</i> reason could she have had for this new insanity? And in the<br/>
name of Heaven, why couldn't she have put off her <i>tête-à-tête</i> with<br/>
Kennaston long enough to explain? And in the name of Heaven, what does<br/>
she see to admire in that putty-faced, grimacing ass, any way! And in<br/>
the name of Heaven, what am I to say to this poor, old man here? I<br/>
can't explain that his daughter isn't in any danger of being poor, but<br/>
merely of being locked up in jail! And in the name of Heaven, how<br/>
long does that outrageous angel expect me to remain in this state of<br/>
suspense!"<br/>
<br/>
Billy groaned again and paced the vestibule. Then he retraced his<br/>
steps, shook hands with Colonel Hugonin once more, and, Kennaston or<br/>
no Kennaston, set out to find her.<br/>
<br/>
<br/>
<br/>
<SPAN name="XVIII">XVIII</SPAN><br/>
<br/>
But when he came out upon the terrace, Sarah Ellen Haggage stopped<br/>
him--stopped him with a queer blending of diffidence and resolve in<br/>
her manner.<br/>
<br/>
The others, by this, had disappeared in various directions, puzzled<br/>
and exceedingly uncertain what to do. Indeed, to congratulate Billy<br/>
in the Colonel's presence would have been tactless; and, on the other<br/>
hand, to condole with the Colonel without seeming to affront the<br/>
wealthy Mr. Woods was almost impossible. So they temporised and<br/>
fled--all save Mrs. Haggage.<br/>
<br/>
She, alone, remained to view Mr. Woods with newly opened eyes; for<br/>
as he paused impatiently--the sculptured Eagle above his head--she<br/>
perceived that he was a remarkably handsome and intelligent young man.<br/>
Her motherly heart opened toward this lonely, wealthy orphan.<br/>
<br/>
"My dear Billy," she cooed, with asthmatic gentleness, "as an old,<br/>
old friend of your mother's, aren't you going to let me tell you how<br/>
rejoiced Adèle and I are over your good fortune? It isn't polite, you<br/>
naughty boy, for you to run away from your friends as soon as they've<br/>
heard this wonderful news. Ah, such news it was--such a manifest<br/>
intervention of Providence! My heart has been fluttering, fluttering<br/>
like a little bird, Billy, ever since I heard it."<br/>
<br/>
In testimony to this fact, Mrs. Haggage clasped a stodgy hand to an<br/>
exceedingly capacious bosom, and exhibited the whites of her eyes<br/>
freely. Her smile, however, remained unchanged and ample.<br/>
<br/>
"Er--ah--oh, yes! Very kind of you, I'm sure!" said Mr. Woods.<br/>
<br/>
"I never in my life saw Adèle so deeply affected by <i>anything</i>," Mrs.<br/>
Haggage continued, with a certain large archness. "The sweet child<br/>
was always so fond of you, you know, Billy. Ah, I remember distinctly<br/>
hearing her speak of you many and many a time when you were in that<br/>
dear, delightful, wicked Paris, and wonder when you would come back<br/>
to your friends--not very grand and influential friends, Billy, but<br/>
sincere, I trust, for all that."<br/>
<br/>
Mr. Woods said he had no doubt of it.<br/>
<br/>
"So many people," she informed him, confidentially, "will pursue you<br/>
with adulation now that you are wealthy. Oh, yes, you will find that<br/>
wealth makes a great difference, Billy. But not with Adèle and<br/>
me--no, dear boy, despise us if you will, but my child and I are not<br/>
mercenary. Money makes no difference with us; we shall be the same to<br/>
you that we always were--sincerely interested in your true welfare,<br/>
overjoyed at your present good fortune, prayerful as to your brilliant<br/>
future, and delighted to have you drop in any evening to dinner. We do<br/>
not consider money the chief blessing of life; no, don't tell me that<br/>
most people are different, Billy, for I know it very well, and many is<br/>
the tear that thought has cost me. We live in a very mercenary world,<br/>
my dear boy; but <i>our</i> thoughts, at least, are set on higher things,<br/>
and I trust we can afford to despise the merely temporal blessings of<br/>
life, and I entreat you to remember that our humble dwelling is always<br/>
open to the son of my old, old friend, and that there is always a jug<br/>
of good whiskey in the cupboard."<br/>
<br/>
Thus in the shadow of the Eagle babbled the woman whom--for all her<br/>
absurdities--Margaret had loved as a mother.<br/>
<br/>
Billy thanked her with an angry heart.<br/>
<br/>
"And this"--I give you the gist of his meditations--"this is Peggy's<br/>
dearest friend! Oh, Philanthropy, are thy protestations, then, all<br/>
void and empty, and are thy noblest sentiments--every one of 'em--so<br/>
full of sound and rhetoric, so specious, so delectable--are these,<br/>
then, but dicers' oaths!"<br/>
<br/>
Aloud, "I'm rather surprised, you know," he said, slowly, "that you<br/>
take it just this way, Mrs. Haggage. I should have thought you'd have<br/>
been sorry on--on Miss Hugonin's account. It's awfully jolly of you,<br/>
of course--oh, awfully jolly, and I appreciate it at its true worth, I<br/>
assure you. But it's a bit awkward, isn't it, that the poor girl will<br/>
be practically penniless? I really don't know whom she'll turn to<br/>
now."<br/>
<br/>
Then Billy, the diplomatist, received a surprise.<br/>
<br/>
"She'll come with me, of course," said Mrs. Haggage.<br/>
<br/>
Mr. Woods made an--unfortunately--inaudible observation.<br/>
<br/>
"I beg your pardon?" she queried. Then, obtaining no response, she<br/>
continued, with perfect simplicity: "Margaret's quite like a daughter<br/>
to me, you know. Of course, she and the Colonel will come with us--at<br/>
least, until affairs are a bit more settled. Even afterward--well, we<br/>
have a large house, Billy, and I don't see that they'd be any better<br/>
off anywhere else."<br/>
<br/>
Billy's emotions were complex.<br/>
<br/>
"You big-hearted old parasite," his own heart was singing. "If you<br/>
could only keep that ring of truth that's in your voice for your<br/>
platform utterances--why, in less than no time you could afford to<br/>
feed your Afro-Americans on nightingales' tongues and clothe every<br/>
working-girl in the land in cloth of gold! You've been pilfering from<br/>
Peggy for years--pilfering right and left with both hands! But you've<br/>
loved her all the time, God bless you; and now the moment she's in<br/>
trouble you're ready to take both her and the Colonel--whom, by the<br/>
way, you must very cordially detest--and share your pitiful, pilfered<br/>
little crusts with 'em and--having two more mouths to feed--probably<br/>
pilfer a little more outrageously in the future! You're a<br/>
sanctimonious old hypocrite, you are, and a pious fraud, and a<br/>
delusion, and a snare, and you and Adèle have nefarious designs on me<br/>
at this very moment, but I think I'd like to kiss you!"<br/>
<br/>
Indeed, I believe Mr. Woods came very near doing so. She loved Peggy,<br/>
you see; and he loved every one who loved her.<br/>
<br/>
But he compromised by shaking hands energetically, for a matter of<br/>
five minutes, and entreating to be allowed to subscribe to some of her<br/>
deserving charitable enterprises--any one she might mention--and so<br/>
left the old lady a little bewildered, but very much pleased.<br/>
<br/>
She decided that for the future Adèle must not see so much of Mr.<br/>
Van Orden. She began to fear that gentleman's views of life were not<br/>
sufficiently serious.<br/>
<br/>
<br/>
<br/>
<SPAN name="XIX">XIX</SPAN><br/>
<br/>
Billy went into the gardens in pursuit of Margaret. He was almost<br/>
happy now and felt vaguely ashamed of himself. Then he came upon<br/>
Kathleen Saumarez, who, indeed, was waiting for him there; and his<br/>
heart went down into his boots.<br/>
<br/>
He realised on a sudden that he was one of the richest men in America.<br/>
It was a staggering thought. Also, Mr. Woods's views, at this moment,<br/>
as to the advantages of wealth, might have been interesting.<br/>
<br/>
Kathleen stood silent for an instant, eyes downcast, face flushed. She<br/>
was trembling.<br/>
<br/>
Then, "Billy," she asked, almost inaudibly, "do--do you still<br/>
want--your answer?"<br/>
<br/>
The birds sang about them. Spring triumphed in the gardens. She looked<br/>
very womanly and very pretty.<br/>
<br/>
To all appearances, it might easily have been a lover and his lass met<br/>
in the springtide, shamefaced after last night's kissing. But Billy,<br/>
somehow, lacked much of the elation and the perfect content and the<br/>
disposition to burst into melody that is currently supposed to seize<br/>
upon rustic swains at such moments. He merely wanted to know if at<br/>
any time in the remote future his heart would be likely to resume the<br/>
discharge of its proper functions. It was standing still now.<br/>
<br/>
However, "Can you ask--dear?" His words, at least, lied gallantly.<br/>
<br/>
The poor woman looked up into Billy's face. After years of battling<br/>
with the world, here for the asking was peace and luxury and wealth<br/>
incalculable, and--as Kathleen thought--a love that had endured since<br/>
they were boy and girl together. Yet she shrunk from him a little and<br/>
clinched her hands before she spoke.<br/>
<br/>
"Yes," Kathleen faltered, and afterward she shuddered.<br/>
<br/>
And here, if for the moment I may prefigure the Eagle as a sentient<br/>
being, I can imagine his chuckle.<br/>
<br/>
"Please God," thought poor Billy, "I will make her happy. Yes, please<br/>
God, I can at least do that, since she cares for me."<br/>
<br/>
Then he kissed her.<br/>
<br/>
"My dear," said he, aloud, "I'll try to make you happy. And--and you<br/>
don't mind, do you, if I leave you now?" queried this ardent lover.<br/>
"You see, it's absolutely necessary I should see--see Miss Hugonin<br/>
about this will business. You don't mind very much, do you--darling?"<br/>
Mr. Woods inquired of her, the last word being rather obviously an<br/>
afterthought.<br/>
<br/>
"No," said she. "Not if you must--dear."<br/>
<br/>
Billy went away, lugging a heart of lead in his breast.<br/>
<br/>
Kathleen stared after him and gave a hard, wringing motion of her<br/>
hands. She had done what many women do daily; the thing is common and<br/>
sensible and universally commended; but in her own eyes, the draggled<br/>
trollop of the pavements was neither better nor worse than she.<br/>
<br/>
At the entrance of the next walkway Billy encountered Felix<br/>
Kennaston--alone and in the most ebulliently mirthful of humours.<br/>
<br/>
<br/>
<br/>
<SPAN name="XX">XX</SPAN><br/>
<br/>
But we had left Mr. Kennaston, I think, in company with Miss Hugonin,<br/>
at the precise moment she inquired of him whether it were not the<br/>
strangest thing in the world--referring thereby to the sudden manner<br/>
in which she had been disinherited.<br/>
<br/>
The poet laughed and assented. Afterward, turning north from the front<br/>
court, they descended past the shield-bearing griffins--and you may<br/>
depend upon it that each shield is adorned with a bas-relief of the<br/>
Eagle--that guard the broad stairway leading to the formal gardens<br/>
of Selwoode. The gardens stretch northward to the confines of Peter<br/>
Blagden's estate of Gridlington; and for my part--unless it were that<br/>
primitive garden that Adam lost--I can imagine no goodlier place.<br/>
<br/>
On this particular forenoon, however, neither Miss Hugonin nor Felix<br/>
Kennaston had eyes for its comeliness; silently they braved the<br/>
griffins, and in silence they skirted the fish-pond--silver-crinkling<br/>
in the May morning--and passed through cloistral ilex-shadowed walks,<br/>
and amphitheatres of green velvet, and terraces ample and mellow<br/>
in the sunlight, silently. The trees pelted them with blossoms;<br/>
pedestaled in leafy recesses, Satyrs grinned at them apishly, and the<br/>
arrows of divers pot-bellied Cupids threatened them, and Fauns piped<br/>
for them ditties of no tone; the birds were about shrill avocations<br/>
overhead, and everywhere the heatless, odourful air was a caress; but<br/>
for all this, Miss Hugonin and Mr. Kennaston were silent and very<br/>
fidgetty.<br/>
<br/>
Margaret was hatless--and the glory of the eminently sensible spring<br/>
sun appeared to centre in her hair--and violet-clad; and the gown,<br/>
like most of her gowns, was all tiny tucks and frills and flounces,<br/>
diapered with semi-transparencies--unsubstantial, foam-like, mere<br/>
violet froth. As she came starry-eyed through the gardens, the<br/>
impudent wind trifling with her hair, I protest she might have been<br/>
some lady of Oberon's court stolen out of Elfland to bedevil us poor<br/>
mortals, with only a moonbeam for the changeable heart of her, and<br/>
for raiment a violet shadow spirited from the under side of some big,<br/>
fleecy cloud.<br/>
<br/>
They came presently through a trim, yew-hedged walkway to a<br/>
summer-house covered with vines, into which Margaret peeped and<br/>
declined to enter, on the ground that it was entirely too chilly<br/>
and gloomy and <i>exactly</i> like a mausoleum; but nearby they found a<br/>
semi-circular marble bench about which a group of elm-trees made a<br/>
pleasant shadow splashed at just the proper intervals with sunlight.<br/>
<br/>
On this Margaret seated herself; and then pensively moved to the other<br/>
end of the bench, because a slanting sunbeam fell there. Since it<br/>
was absolutely necessary to blast Mr. Kennaston's dearest hopes,<br/>
she thoughtfully endeavoured to distract his attention from his own<br/>
miseries--as far as might be possible--by showing him how exactly like<br/>
an aureole her hair was in the sunlight. Margaret always had a kind<br/>
heart.<br/>
<br/>
Kennaston stood before her, smiling a little. He was the sort of man<br/>
to appreciate the manoeuver.<br/>
<br/>
"My lady," he asked, very softly, "haven't you any good news for me on<br/>
this wonderful morning?"<br/>
<br/>
"Excellent news," Margaret assented, with a cheerfulness that was<br/>
not utterly free from trepidation. "I've decided not to marry you,<br/>
beautiful, and I trust you're properly grateful. You see, you're very<br/>
nice, of course, but I'm going to marry somebody else, and bigamy is<br/>
a crime, you know; and, anyhow, I'm only a pauper, and you'd never be<br/>
able to put up with my temper--now, beautiful, I'm quite sure you<br/>
couldn't, so there's not a bit of use in arguing it. Some day you'd<br/>
end by strangling me, which would be horribly disagreeable for me, and<br/>
then they'd hang you for it, you know, and that would be equally<br/>
disagreeable for you. Fancy, though, what a good advertisement it would<br/>
be for your poems!"<br/>
<br/>
<ANTIMG src="image022.jpg" alt="image022.jpg" width-obs="400" height-obs="500"><br/>
[Illustration: "'My lady,' he asked, very softly, 'haven't you any<br/>
good news for me on this wonderful morning?'"]<br/>
<br/>
She was not looking at him now--oh, no, Margaret was far too busily<br/>
employed getting the will (which she had carried all this time) into<br/>
an absurd little silver chain-bag hanging at her waist. She had no<br/>
time to look at Felix Kennaston. There was such scant room in the bag;<br/>
her purse took up so much space there was scarcely any left for the<br/>
folded paper; the affair really required her closest, undivided<br/>
attention. Besides, she had not the least desire to look at Kennaston<br/>
just now.<br/>
<br/>
"Beautiful child," he pleaded, "look at me!"<br/>
<br/>
But she didn't.<br/>
<br/>
She felt that at that moment she could have looked at a gorgon, say,<br/>
or a cockatrice, or any other trifle of that nature with infinitely<br/>
greater composure. The pause that followed Margaret accordingly<br/>
devoted to a scrutiny of his shoes and sincere regret that their owner<br/>
was not a mercenary man who would be glad to be rid of her.<br/>
<br/>
"Beautiful child," spoke the poet's voice, sadly, "you aren't--surely,<br/>
you aren't saying this in mistaken kindness to me? Surely, you aren't<br/>
saying this because of what has happened in regard to your money<br/>
affairs? Believe me, my dear, that makes no difference to me. It<br/>
is you I love--you, the woman of my heart--and not a certain, and<br/>
doubtless desirable, amount of metal disks and dirty paper."<br/>
<br/>
"Now I suppose you're going to be very noble and very nasty about it,"<br/>
observed Miss Hugonin, resentfully. "That's my main objection to<br/>
you, you know, that you haven't any faults I can recognise and feel<br/>
familiar and friendly with."<br/>
<br/>
"My dear," he protested, "I assure you I am not intentionally<br/>
disagreeable."<br/>
<br/>
At that, she raised velvet eyes to his--with a visible effort,<br/>
though--and smiled.<br/>
<br/>
"I know you far too well to think that," she said, wistfully. "I<br/>
know I'm not worthy of you. I'm tremendously fond of you, beautiful,<br/>
but--but, you see, I love somebody else," Margaret concluded, with<br/>
admirable candour.<br/>
<br/>
"Ah!" said he, in a rather curious voice. "The painter chap, eh?"<br/>
<br/>
Then Margaret's face flamed in a wonderful glow of shame and happiness<br/>
and pride that must have made the surrounding roses very hopelessly<br/>
jealous. A quaint mothering look, sacred, divine, Madonna-like,<br/>
woke in her great eyes as she thought--remorsefully--of<br/>
how unhappy Billy must be at that very moment and of how big he was<br/>
and of his general niceness; and she desired, very heartily, that this<br/>
fleshy young man would make his scene and have done with it. Who was<br/>
he, forsooth, to keep her from Billy? She wished she had never heard<br/>
of Felix Kennaston.<br/>
<br/>
<i>Souvent femme varie</i>, my brothers.<br/>
<br/>
However, "Yes," said Margaret..<br/>
<br/>
"You are a dear," said Mr. Kennaston, with conviction in his voice.<br/>
<br/>
I dare say Margaret was surprised.<br/>
<br/>
But the poet had taken her hand and had kissed it reverently, and then<br/>
sat down beside her, twisting one foot under him in a fashion he had.<br/>
He was frankly grateful to her for refusing him; and, the mask of<br/>
affectation slipped, she saw in him another man.<br/>
<br/>
"I am an out-and-out fraud," he confessed, with the gayest of smiles.<br/>
"I am not in love with you, and I am inexpressibly glad that you are<br/>
not in love with me. Oh, Margaret, Margaret--you don't mind if I call<br/>
you that, do you? I shall have to, in any event, because I like you so<br/>
tremendously now that we are not going to be married--you have no idea<br/>
what a night I spent."<br/>
<br/>
"I consider it most peculiar and unsympathetic of my hair not to have<br/>
turned gray. I thought you were going to have me, you see."<br/>
<br/>
Margaret was far to much astonished to be angry.<br/>
<br/>
"But last night!" she presently echoed, in candid surprise. "Why, last<br/>
night you didn't know I was poor!"<br/>
<br/>
He wagged a protesting forefinger. "That made no earthly difference,"<br/>
he assured her. "Of course, it was the money--and in some degree the<br/>
moon--that induced me to make love to you. I acted on the impulse of<br/>
the moment; just for an instant, the novelty of doing a perfectly<br/>
sensible thing--and marrying money is universally conceded to come<br/>
under that head--appealed to me. So I did it. But all the time I was<br/>
in love with Kathleen Saumarez. Why, the moment I left you, I began to<br/>
realise that not even you--and you are quite the most fascinating and<br/>
generally adorable woman I ever knew, Margaret--I began to realise, I<br/>
say, that not even you could ever make me forget that fact. And I<br/>
was very properly miserable. It is extremely queer," Mr. Kennaston<br/>
continued, after an interval of meditation, "but falling in love<br/>
appears to be the one utterly inexplicable, utterly reasonless thing<br/>
one ever does in one's life. You can usually think of some more or<br/>
less plausible palliation for embezzlement, say, or for robbing a<br/>
cathedral or even for committing suicide--but no man can ever explain<br/>
how he happened to fall in love. He simply did it."<br/>
<br/>
Margaret nodded sagely. She knew.<br/>
<br/>
"Now you," Mr. Kennaston was pleased to say, "are infinitely more<br/>
beautiful, younger, more clever, and in every way more attractive than<br/>
Kathleen. I recognise these things clearly, but it does not appear,<br/>
somehow, to alter the fact that I am in love with her. I think I have<br/>
been in love with her all my life. We were boy and girl together,<br/>
Margaret, and--and I give you my word," Kennaston cried, with his<br/>
boyish flush, "I worship her! I simply cannot explain the perfectly<br/>
unreasonable way in which I worship her!"<br/>
<br/>
He was sincere. He loved Kathleen Saumarez as much as he was capable<br/>
of loving any one--almost as much as he loved to dilate on his own<br/>
peculiarities and emotions.<br/>
<br/>
Margaret's gaze was intent upon him. "Yet," she marvelled, "you made<br/>
love to me very tropically."<br/>
<br/>
With unconcealed pride, Mr. Kennaston assented. "Didn't I?" he said.<br/>
"I was in rather good form last night, I thought."<br/>
<br/>
"And you were actually prepared to marry me?" she asked--"even after<br/>
you knew I was poor?"<br/>
<br/>
"I couldn't very well back out," he submitted, and then cocked<br/>
his head on one side. "You see," he added, whimsically, "I was<br/>
sufficiently a conceited ass to fancy you cared a little for me. So,<br/>
of course, I was going to marry you and try to make you happy. But how<br/>
dear--oh, how unutterably dear it was of you, Margaret, to decline<br/>
to be made happy in any such fashion!" And Mr. Kennaston paused to<br/>
chuckle and to regard her with genuine esteem and affection.<br/>
<br/>
But still her candid eyes weighed him, and transparently found him<br/>
wanting.<br/>
<br/>
"You are thinking, perhaps, what an unutterable cad I have been?" he<br/>
suggested.<br/>
<br/>
"Yes--you are rather by way of being a cad, beautiful. But I can't<br/>
help liking you, somehow. I dare say it's because you're honest<br/>
with me. Nobody--nobody," Miss Hugonin lamented, a forlorn little<br/>
quiver in her voice, "<i>ever</i> seemed to be honest with me except you,<br/>
and now I know you weren't. Oh, beautiful, aren't I ever to have any<br/>
real friends?" she pleaded, wistfully.<br/>
<br/>
Kennaston had meant a deal to her, you see; he had been the one<br/>
man she trusted. She had gloried in his fustian rhetoric, his glib<br/>
artlessness, his airy scorn of money; and now all this proved mere<br/>
pinchbeck. On a sudden, too, there woke in some bycorner of her heart<br/>
a queasy realisation of how near she had come to loving Kennaston. The<br/>
thought nauseated her.<br/>
<br/>
"My dear," he answered, kindly, "you will have any number of friends<br/>
now that you are poor. It was merely your money that kept you from<br/>
having any. You see," Mr. Kennaston went on, with somewhat the air of<br/>
one climbing upon his favourite hobby, "money is the only thing<br/>
that counts nowadays. In America, the rich are necessarily our only<br/>
aristocracy. It is quite natural. One cannot hope for an aristocracy<br/>
of intellect, if only for the reason that not one person in a thousand<br/>
has any; and birth does not count for much. Of course, it is quite<br/>
true that all of our remote ancestors came over with William the<br/>
Conqueror--I have sometimes thought that the number of steerage<br/>
passengers his ships would accommodate must have been little short of<br/>
marvellous--but it is equally true that the grandfathers of most of<br/>
our leisure class were either deserving or dishonest persons--who<br/>
either started life on a farm, and studied Euclid by the firelight and<br/>
did all the other priggish things they thought would look well in a<br/>
biography, or else met with marked success in embezzlement. So money,<br/>
after all, is our only standard; and when a woman is as rich as you<br/>
were yesterday she cannot hope for friends any more than the Queen<br/>
of England can. You could have plenty of flatterers, toadies,<br/>
sycophants--anything, in fine, but friends."<br/>
<br/>
"I don't believe it," said Margaret, half angrily--"not a word of it.<br/>
There <i>must</i> be some honest people in the world who don't consider<br/>
that money is everything. You know there must be, beautiful!"<br/>
<br/>
The poet laughed. "That," said he, affably, "is poppycock. You are<br/>
repeating the sort of thing I said to you yesterday. I am honest now.<br/>
The best of us, Margaret, cannot help being impressed by the power of<br/>
money. It is the greatest power in the world, and we cannot--cannot<br/>
possibly--look upon rich people as being quite like us. We must<br/>
toady to them a bit, Margaret, whether we want to or not. The Eagle<br/>
intimidates us all."<br/>
<br/>
"I <i>hate</i> him!" Miss Hugonin announced, with vehemence.<br/>
<br/>
Kennaston searched his pockets. After a moment he produced a dollar<br/>
bill and showed her the Eagle on it.<br/>
<br/>
"There," he said, gravely, "is the original of the Woods Eagle--the<br/>
Eagle that intimidates us all. Do you remember what Shakespeare--one<br/>
always harks back to Shakespeare to clinch an argument, because not<br/>
even our foremost actors have been able to conceal the fact that he<br/>
was, as somebody in Dickens acutely points out, 'a dayvilish clever<br/>
fellow'--do you remember. I say, what Shakespeare observes as to this<br/>
very Eagle?"<br/>
<br/>
Miss Hugonin shook her little head till it glittered in the sunlight<br/>
like a topaz. She cared no more for Shakespeare than the average woman<br/>
does, and she was never quite comfortable when he was alluded to.<br/>
<br/>
"He says," Mr. Kennaston quoted, solemnly:<br/>
"The Eagle suffers little birds to sing,<br/>
And is not careful what they mean thereby,<br/>
Knowing that with the shadow of his wing<br/>
He can at pleasure still their melody."<br/>
<br/>
"That's nonsense," said Margaret, calmly. "I haven't the <i>least</i> idea<br/>
what you're talking about, and I don't believe you have either."<br/>
<br/>
He waved the dollar bill with a heroical gesture. "Here," he asserted,<br/>
"is the Eagle. And by the little birds, I have not a doubt he meant<br/>
charity and independence and kindliness and truth and the rest of the<br/>
standard virtues. That is quite as plausible as the interpretation of<br/>
the average commentator. The presence of money chills these little<br/>
birds--ah, it is lamentable, no doubt, but it is true."<br/>
<br/>
"I don't believe it," said Margaret--quite as if that settled the<br/>
question.<br/>
<br/>
But now his hobby, rowelled by opposition, was spurred to loftier<br/>
flights.<br/>
<br/>
"Ah, the power of these great fortunes America has bred is monstrous,"<br/>
he suddenly cried. "And always they work for evil. If I were ever to<br/>
write a melodrama, Margaret, I could wish for no more thorough-paced<br/>
villain than a large fortune." Kennaston paused and laughed grimly.<br/>
"We cringe to the Eagle!" said he. "Eh, well, why not? The Eagle is<br/>
very powerful and very cruel. In the South yonder, the Eagle has<br/>
penned over a million children in his factories, where day by day he<br/>
drains the youth and health and very life out of their tired bodies;<br/>
in sweat-shops, men and women are toiling for the Eagle, giving their<br/>
lives for the pittance that he grudges them; in countless mines and<br/>
mills, the Eagle is trading human lives for coal and flour; in<br/>
Wall Street yonder, the Eagle is juggling as he will with life's<br/>
necessities--thieving from the farmer, thieving from the consumer,<br/>
thieving from the poor fools who try to play the Eagle's game, and<br/>
driving them at will to despair and ruin and death: look whither you<br/>
may, men die that the Eagle may grow fat. So the Eagle thrives, and<br/>
daily the rich grow richer and the poor grow poorer, and the end----"<br/>
Kennaston paused, staring into vacancy. "Eh, well," said he, with a<br/>
smile and a snap of his fingers, "the end rests upon the knees of<br/>
the gods. But there must need be an end some day. And meanwhile, you<br/>
cannot blame us if we cringe to the Eagle that is master of the world.<br/>
It is human nature to cringe to its master; and while human nature<br/>
is not always an admirable thing, it is, I believe, rather widely<br/>
distributed."<br/>
<br/>
Margaret did not return the smile. Like any sensible woman, she never<br/>
tolerated opinions that differed from her own.<br/>
<br/>
So she waved his preachment aside. "You're trying to be eloquent," was<br/>
her observation, "and you've only succeeded in being very silly and<br/>
tiresome. Go away, beautiful. You make me awfully tired, and I don't<br/>
care for you in the least. Go and talk to Kathleen. I shall be<br/>
here--on this very spot," Margaret added, with commendable precision<br/>
and an unaccountable increase of colour, "if--if any one should happen<br/>
to ask."<br/>
<br/>
Then Kennaston rose and laughed merrily.<br/>
<br/>
"You are quite delicious," he commented. "It will always be a<br/>
grief and a puzzle to me that I am not mad for love of you. It is<br/>
unreasonable of me," he complained, sadly, and shook his head, "but I<br/>
prefer Kathleen. And I am quite certain that somebody will ask where<br/>
you are. I shall describe to him the exact spot--"<br/>
<br/>
Mr. Kennaston paused, with a slight air of apology.<br/>
<br/>
"If I were you," he suggested, pleasantly, "I would move a<br/>
little--just a little--to the left. That will enable you to obtain to<br/>
a fuller extent the benefit of the sunbeam which is falling--quite<br/>
by accident, of course--upon your hair. You are perfectly right,<br/>
Margaret, in selecting that hedge as a background. Its sombre green<br/>
sets you off to perfection."<br/>
<br/>
He went away chuckling. He felt that Margaret must think him a devil<br/>
of a fellow.<br/>
<br/>
She didn't, though.<br/>
<br/>
"The <i>idea</i> of his suspecting me of such unconscionable vanity!" she<br/>
said, properly offended. Then, "Anyhow, a man has no business to know<br/>
about such things," she continued, with rising indignation. "I believe<br/>
Felix Kennaston is as good a judge of chiffons as any woman. That's<br/>
effeminate, I think, and catty and absurd. I don't believe I ever<br/>
liked him--not really, that is. Now, what would Billy care about<br/>
sunbeams and backgrounds, I'd like to know! He'd never even notice<br/>
them. Billy is a <i>man</i>. Why, that's just what father said yesterday!"<br/>
Margaret cried, and afterward laughed happily. "I suppose old people<br/>
are right sometimes--but, dear, dear, they're terribly unreasonable at<br/>
others!"<br/>
<br/>
Having thus uttered the ancient, undying plaint of youth, Miss Hugonin<br/>
moved a matter of two inches to the left, and smiled, and waited<br/>
contentedly. It was barely possible some one might come that way; and<br/>
it is always a comfort to know that one is not exactly repulsive in<br/>
appearance.<br/>
<br/>
Also, there was the spring about her; and, chief of all, there was a<br/>
queer fluttering in her heart that was yet not unpleasant. In fine,<br/>
she was unreasonably happy for no reason at all.<br/>
<br/>
I believe the foolish poets call this feeling love and swear it<br/>
is divine; however, they will say anything for the sake of an<br/>
ear-tickling jingle. And while it is true that scientists have any<br/>
number of plausible and interesting explanations for this same<br/>
feeling, I am sorry to say I have forgotten them.<br/>
<br/>
I am compelled, then, to fall back upon those same unreliable,<br/>
irresponsible rhymesters, and to insist with them that a maid waiting<br/>
in the springtide for the man she loves is necessarily happy and very<br/>
rarely puzzles her head over the scientific reason for it.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXI">XXI</SPAN><br/>
<br/>
But ten minutes later she saw Mr. Woods in the distance striding<br/>
across the sunlit terraces, and was seized with a conviction that<br/>
their interview was likely to prove a stormy one. There was an ominous<br/>
stiffness in his gait.<br/>
<br/>
"Oh, dear, dear!" Miss Hugonin wailed; "he's in a temper now, and<br/>
he'll probably be just as disagreeable as it's possible for any one<br/>
to be. I do wish men weren't so unreasonable! He looks exactly like a<br/>
big, blue-eyed thunder-cloud just now--just now, when I'm sure he has<br/>
every cause in the <i>world</i> to be very much pleased--after all<br/>
I've done for him. He makes me awfully tired. I think he's <i>very<br/>
ungrateful</i>. I--I think I'm rather afraid."<br/>
<br/>
In fact, she was. Now that the meeting she had anticipated these<br/>
twelve hours past was actually at hand, there woke in her breast an<br/>
unreasoning panic. Miss Hugonin considered, and caught up her skirts,<br/>
and whisked into the summer-house, and there sat down in the darkest<br/>
corner and devoutly wished Mr. Woods in Crim Tartary, or Jericho, or,<br/>
in a word, any region other than the gardens of Selwoode.<br/>
<br/>
Billy came presently to the opening in the hedge and stared at the<br/>
deserted bench. He was undeniably in a temper. But, then, how becoming<br/>
it was! thought someone.<br/>
<br/>
"Miss Hugonin!" he said, coldly.<br/>
<br/>
Evidently (thought someone) he intends to be just as nasty as<br/>
possible.<br/>
<br/>
"Peggy!" said Mr. Woods, after a little.<br/>
<br/>
Perhaps (thought someone) he won't be <i>very</i> nasty.<br/>
<br/>
"Dear Peggy!" said Mr. Woods, in his most conciliatory tone.<br/>
<br/>
Someone rearranged her hair complacently.<br/>
<br/>
But there was no answer, save the irresponsible chattering of the<br/>
birds, and with a sigh Billy turned upon his heel.<br/>
<br/>
Then, by the oddest chance in the world, Margaret coughed.<br/>
<br/>
I dare say it was damp in the summer-house; or perhaps it was caused<br/>
by some passing bronchial irritation; or perhaps, incredible as it may<br/>
seem, she coughed to show him where she was. But I scarcely think so,<br/>
because Margaret insisted afterward--very positively, too--that she<br/>
didn't cough at all.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXII">XXII</SPAN><br/>
<br/>
"Well!" Mr. Woods observed, lengthening the word somewhat.<br/>
<br/>
In the intimate half-light of the summer-house, he loomed prodigiously<br/>
big. He was gazing downward in careful consideration of three fat<br/>
tortoise-shell pins and a surprising quantity of gold hair, which was<br/>
practically all that he could see of Miss Hugonin's person; for that<br/>
young lady had suddenly become a limp mass of abashed violet ruffles,<br/>
and had discovered new and irresistible attractions in the mosaics<br/>
about her feet.<br/>
<br/>
Billy's arms were crossed on his breast and his right hand caressed<br/>
his chin meditatively. By and bye, "I wonder, now," he reflected,<br/>
aloud, "if you can give any reason--any possible reason--why you<br/>
shouldn't be locked up in the nearest sanatorium?"<br/>
<br/>
"You needn't be rude, you know," a voice observed from the<br/>
neighbourhood of the ruffles, "because there isn't anything you can do<br/>
about it."<br/>
<br/>
Mr. Woods ventured a series of inarticulate observations. "But why?"<br/>
he concluded, desperately. "But why, Peggy?--in Heaven's name, what's<br/>
the meaning of all this?"<br/>
<br/>
She looked up. Billy was aware of two large blue stars; his heart<br/>
leapt; and then he recalled a pair of gray-green eyes that had<br/>
regarded him in much the same fashion not long ago, and he groaned.<br/>
<br/>
"I was unfair to you last night," she said, and the ring of her odd,<br/>
deep voice, and the richness and sweetness of it, moved him to faint<br/>
longing, to a sick heart-hunger. It was tremulous, too, and very<br/>
tender. "Yes, I was unutterably unfair, Billy. You asked me to marry<br/>
you when you thought I was a beggar, and--and Uncle Fred <i>ought</i> to<br/>
have left you the money. It was on account of me that he didn't, you<br/>
know. I really owed it to you. And after the way I talked to you--so<br/>
long as I had the money--I--and, anyhow, its very disagreeable and<br/>
eccentric and <i>horrid</i> of you to object to being rich!" Margaret<br/>
concluded, somewhat incoherently.<br/>
<br/>
She had not thought it would be like this. He seemed so stern.<br/>
<br/>
But, "Isn't that exactly like her?" Mr. Woods was demanding of his<br/>
soul. "She thinks she has been unfair to me--to me, whom she doesn't<br/>
care a button for, mind you. So she hands over a fortune to make up<br/>
for it, simply because that's the first means that comes to hand! Now,<br/>
isn't that perfectly unreasonable, and fantastic, and magnificent, and<br/>
incredible?--in short, isn't that Peggy all over? Why, God bless her,<br/>
her heart's bigger than a barn-door! Oh, it's no wonder that fellow<br/>
Kennaston was grinning just now when he sent me to her! He can afford<br/>
to grin."<br/>
<br/>
Aloud, he stated, "You're an angel, Peggy that's what you are. I've<br/>
always suspected it, and I'm glad to know it now for a fact. But in<br/>
this prosaic world not even angels are allowed to burn up wills for<br/>
recreation. Why, bless my soul, child, you--why, there's no telling<br/>
what trouble you might have gotten into!"<br/>
<br/>
Miss Hugonin pouted. "You needn't be such a grandfather," she<br/>
suggested, helpfully.<br/>
<br/>
"But it's a serious business," he insisted. At this point Billy began<br/>
to object to her pouting as distracting one's mind from the subject<br/>
under discussion. "It--why, it's----"<br/>
<br/>
"It's what?" she pouted, even more rebelliously.<br/>
<br/>
"Crimson," said Mr. Woods, considering--"oh, the very deepest,<br/>
duskiest crimson such as you can't get in tubes. It's a colour was<br/>
never mixed on any palette. It's--eh? Oh, I beg your pardon."<br/>
<br/>
"I think you ought to," said Margaret, primly. Nevertheless, she had<br/>
brightened considerably.<br/>
<br/>
"Of course," Mr. Woods continued with a fine colour, "I can't take the<br/>
money. That's absurd."<br/>
<br/>
"Is it?" she queried, idly. "Now, I wonder how you're going to help<br/>
yourself?"<br/>
<br/>
"Simplest thing in the world," he assured her. "You see this match,<br/>
don't you, Peggy? Well, now you're going to give me that paper I see<br/>
in that bag-thing at your waist, and I'm going to burn it till it's<br/>
all nice, soft, feathery ashes that can't ever be probated. And then<br/>
the first will, which is practically the same as the last, will be<br/>
allowed to stand, and I'll tell your father all about the affair,<br/>
because he ought to know, and you'll have to settle with those<br/>
colleges. And in that way," Mr. Woods submitted, "Uncle Fred's last<br/>
wishes will be carried out just as he expressed them, and there<br/>
needn't be any trouble--none at all. So give me the will, Peggy?"<br/>
<br/>
It is curious what a trivial matter love makes of felony.<br/>
<br/>
Margaret's heart sank.<br/>
<br/>
However, "Yes?" said she, encouragingly; "and what do you intend doing<br/>
afterward?--"<br/>
<br/>
"I--I shall probably live abroad," said Billy. "Cheaper, you know."<br/>
<br/>
<ANTIMG src="image024.jpg" alt="image024.jpg" width-obs="340" height-obs="500"><br/>
[Illustration: "Miss Hugonin pouted. 'You needn't be such a<br/>
grandfather,' she suggested, helpfully"]<br/>
<br/>
And here (he thought) was an excellent, an undreamed-of opportunity to<br/>
inform her of his engagement. He had much better tell her now and have<br/>
done. Mr. Woods opened his mouth and looked at Margaret, and closed<br/>
it. Again she was pouting in a fashion that distracted one's mind.<br/>
<br/>
"That would be most unattractive," said Miss Hugonin, calmly. "You're<br/>
very stupid, Billy, to think of living abroad. Billy, I think you're<br/>
almost as stupid as I am. I've been very stupid, Billy. I thought I<br/>
liked Mr. Kennaston. I don't, Billy--not that way. I've just told him<br/>
so. I'm not--I'm not engaged to anybody now, Billy. But wasn't it<br/>
stupid of me to make such a mistake, Billy?"<br/>
<br/>
That was a very interesting mosaic there in the summer-house.<br/>
<br/>
"I don't understand," said Mr. Woods. His voice shook, and his hands<br/>
lifted a little toward her and trembled.<br/>
<br/>
Poor Billy dared not understand. Her eyes downcast, her foot tapping<br/>
the floor gently, Margaret was all one blush. She, too, was trembling<br/>
a little, and she was a little afraid and quite unutterably happy; and<br/>
outwardly she was very much the tiny lady of Oberon's court, very much<br/>
the coquette quintessentialised.<br/>
<br/>
It is pitiable that our proud Margaret should come to such a pass. Ah,<br/>
the men that you have flouted and scorned and bedeviled and mocked at,<br/>
Margaret--could they see you now, I think the basest of them could<br/>
not but pity and worship you. This man is bound in honour to another<br/>
woman; yet a little, and his lips will open--very dry, parched lips<br/>
they are now--and he will tell you, and your pride will drive you mad,<br/>
and your heart come near to breaking.<br/>
<br/>
"Don't you understand--oh, you silly Billy!" She was peeping at him<br/>
meltingly from under her lashes.<br/>
<br/>
"I--I'm imagining vain things," said Mr. Woods. "I--oh, Peggy, Peggy,<br/>
I think I must be going mad!"<br/>
<br/>
He stared hungrily at the pink, startled face that lifted toward his.<br/>
Ah, no, no, it could not be possible, this thing he had imagined for a<br/>
moment. He had misunderstood.<br/>
<br/>
And now just for a little (thought poor Billy) let my eyes drink in<br/>
those dear felicities of colour and curve, and meet just for a little<br/>
the splendour of those eyes that have the April in them, and rest just<br/>
for a little upon that sanguine, close-grained, petulant mouth; and<br/>
then I will tell her, and then I think that I must die.<br/>
<br/>
"Peggy----" he began, in a flattish voice.<br/>
<br/>
"They have evidently gone," said the voice of Mr. Kennaston; "yes,<br/>
those beautiful, happy young people have foolishly deserted the very<br/>
prettiest spot in the gardens. Let us sit here, Kathleen."<br/>
<br/>
"But I'm not an eavesdropper," Mr. Woods protested, half angrily.<br/>
<br/>
I fear Margaret was not properly impressed.<br/>
<br/>
"Please, Billy," she pleaded, in a shrill whisper, "please let's<br/>
listen. He's going to propose to her now, and you've no idea how<br/>
funny he is when he proposes. Oh, don't be so pokey, Billy--do let's<br/>
listen!"<br/>
<br/>
But Mr. Woods had risen with a strange celerity and was about to leave<br/>
the summer-house.<br/>
<br/>
Margaret pouted. Mrs. Saumarez and Mr. Kennaston were seated not<br/>
twenty feet from the summer-house, on the bench which Miss Hugonin had<br/>
just left. And when that unprincipled young woman finally rose to her<br/>
feet, it must be confessed that it was with a toss of the head and<br/>
with the reflection that while to listen wasn't honourable, it would<br/>
at least be very amusing. I grieve to admit it, but with Billy's<br/>
scruples she hadn't the slightest sympathy.<br/>
<br/>
Then Kennaston cried, suddenly: "Why, you're mad, Kathleen! Woods<br/>
wants to marry <i>you</i>! Why, he's heels over head in love with Miss<br/>
Hugonin!"<br/>
<br/>
Miss Hugonin turned to Mr. Woods with a little intake of the breath.<br/>
<br/>
No, I shall not attempt to tell you what Billy saw in her countenance.<br/>
Timanthes-like, I drape before it the vines of the summer-house. For<br/>
a brief space I think we had best betake ourselves outside,<br/>
leaving Margaret in a very pitiable state of anger, and shame, and<br/>
humiliation, and heartbreak--leaving poor Billy with a heart that<br/>
ached, seeing the horror of him in her face.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXIII">XXIII</SPAN><br/>
<br/>
Mrs. Saumarez laughed bitterly.<br/>
<br/>
"No," she said, "Billy cared for me, you know, a long time ago. And<br/>
this morning he told me he still cared. Billy doesn't pretend to be<br/>
a clever man, you see, and so he can afford to practice some of the<br/>
brute virtues, such as constancy and fidelity."<br/>
<br/>
There was a challenging flame in her eyes, but Kennaston let the stab<br/>
pass unnoticed. To do him justice, he was thinking less of himself,<br/>
just now, than of how this news would affect Margaret; and his face<br/>
was very grave and strangely tender, for in his own fashion he loved<br/>
Margaret.<br/>
<br/>
"It's nasty, very nasty," he said, at length, in a voice that was<br/>
puzzled. "Yet I could have sworn yesterday----" Kennaston paused and<br/>
laughed lightly. "She was an heiress yesterday, and to-day she is<br/>
nobody. And Mr. Woods, being wealthy, can afford to gratify the<br/>
virtues you commend so highly and, with a fidelity that is most<br/>
edifying, return again to his old love. And she welcomes him--and the<br/>
Woods millions--with open arms. It is quite affecting, is it not,<br/>
Kathleen?"<br/>
<br/>
"You needn't be disagreeable," she observed.<br/>
<br/>
"My dear Kathleen, I assure you I am not angry. I am merely a little<br/>
sorry for human nature. I could have sworn Woods was honest. But<br/>
rogues all, rogues all, Kathleen! Money rules us in the end; and now<br/>
the parable is fulfilled, and Love the prodigal returns to make merry<br/>
over the calf of gold. Confess," Mr. Kennaston queried, with a smile,<br/>
"is it not strange an all-wise Creator should have been at pains to<br/>
fashion this brave world about us for little men and women such as<br/>
we to lie and pilfer in? Was it worth while, think you, to arch the<br/>
firmament above our rogueries, and light the ageless stars as candles<br/>
to display our antics? Let us be frank, Kathleen, and confess that<br/>
life is but a trivial farce ignobly played in a very stately temple."<br/>
And Mr. Kennaston laughed again.<br/>
<br/>
"Let us be frank!" Kathleen cried, with a little catch in her voice.<br/>
"Why, it isn't in you to be frank, Felix Kennaston! Your life is<br/>
nothing but a succession of poses--shallow, foolish poses meant<br/>
to hoodwink the world and at times yourself. For you do hoodwink<br/>
yourself, don't you, Felix?" she asked, eagerly, and gave him no time<br/>
to answer. She feared, you see, lest his answer might dilapidate the<br/>
one fortress she had been able to build about his honour.<br/>
<br/>
"And now," she went on, quickly, "you're trying to make me think you a<br/>
devil of a fellow, aren't you? And you're hinting that I've accepted<br/>
Billy because of his money, aren't you? Well, it is true that I<br/>
wouldn't marry him if he were poor. But he's very far from being poor.<br/>
And he cares for me. And I am fond of him. And so I shall marry him<br/>
and make him as good a wife as I can. So there!"<br/>
<br/>
Mrs. Saumarez faced him with an uneasy defiance. He was smiling oddly.<br/>
<br/>
"I have heard it rumoured in many foolish tales and jingling verses,"<br/>
said Kennaston, after a little, "that a thing called love exists in<br/>
the world. And I have also heard, Kathleen, that it sometimes enters<br/>
into the question of marriage. It appears that I was misinformed."<br/>
<br/>
"No," she answered, slowly, "there is a thing called love. I think<br/>
women are none the better for knowing it. To a woman, it means to take<br/>
some man--some utterly commonplace man, perhaps--perhaps, only an idle<br/>
<i>poseur</i> such as you are, Felix--and to set him up on a pedestal, and<br/>
to bow down and worship him; and to protest loudly, both to the world<br/>
and to herself, that in spite of all appearances her idol really<br/>
hasn't feet of clay, or that, at any rate, it is the very nicest clay<br/>
in the world. For a time she deceives herself, Felix. Then the idol<br/>
topples from the pedestal and is broken, and she sees that it is all<br/>
clay, Felix--clay through and through--and her heart breaks with it."<br/>
<br/>
Kennaston bowed his head. "It is true," said he; "that is the love of<br/>
women."<br/>
<br/>
"To a man," she went on, dully, "it means to take some woman--the<br/>
nearest woman who isn't actually deformed--and to make pretty speeches<br/>
to her and to make her love him. And after a while--" Kathleen<br/>
shrugged her shoulders drearily. "Why, after a while," said she, "he<br/>
grows tired and looks for some other woman."<br/>
<br/>
"It is true," said Kennaston--"yes, very true that some men love in<br/>
that fashion."<br/>
<br/>
There ensued a silence. It was a long silence, and under the tension<br/>
of it Kathleen's composure snapped like a cord that has been stretched<br/>
to the breaking point.<br/>
<br/>
"Yes, yes, yes!" she cried, suddenly; "that is how I have loved you<br/>
and that is how you've loved me, Felix Kennaston! Ah, Billy told me<br/>
what happened last night! And that--that was why I--" Mrs. Saumarez<br/>
paused and regarded him curiously. "You don't make a very noble<br/>
figure, just now, do you?" she asked, with careful deliberation. "You<br/>
were ready to sell yourself for Miss Hugonin's money, weren't you? And<br/>
now you must take her without the money. Poor Felix! Ah, you poor,<br/>
petty liar, who've over-reached yourself so utterly!" And again<br/>
Kathleen began to laugh, but somewhat shrilly, somewhat hysterically.<br/>
<br/>
"You are wrong," he said, with a flush. "It is true that I asked Miss<br/>
Hugonin to marry me. But she--very wisely, I dare say--declined."<br/>
<br/>
"Ah!" Kathleen said, slowly. Then--and it will not do to inquire too<br/>
closely into her logic--she spoke with considerable sharpness: "She's<br/>
a conceited little cat! I never in all my life knew a girl to be quite<br/>
so conceited as she is. Positively, I don't believe she thinks there's<br/>
a man breathing who's good enough for her!"<br/>
<br/>
Kennaston grinned. "Oh, Kathleen, Kathleen!" he said; "you are simply<br/>
delicious."<br/>
<br/>
And Mrs. Saumarez coloured prettily and tried to look severe and<br/>
could not, for the simple reason that, while she knew Kennaston to be<br/>
flippant and weak and unstable as water and generally worthless, yet<br/>
for some occult cause she loved him as tenderly as though he had been<br/>
a paragon of all the manly virtues. And I dare say that for many of us<br/>
it is by a very kindly provision of Nature that all women are created<br/>
capable of doing this illogical thing and that most of them do it<br/>
daily.<br/>
<br/>
"It is true," the poet said, at length, "that I have played no heroic<br/>
part. And I don't question, Kathleen, that I am all you think me. Yet,<br/>
such as I am, I love you. And such as I am, you love me, and it is I<br/>
that you are going to marry, and not that Woods person."<br/>
<br/>
"He's worth ten of you!" she cried, scornfully.<br/>
<br/>
"Twenty of me, perhaps," Mr. Kennaston assented, "but that isn't the<br/>
question. You don't love him, Kathleen. You are about to marry him for<br/>
his money. You are about to do what I thought to do yesterday. But you<br/>
won't, Kathleen. You know that I need you, my dear, and--unreasonably<br/>
enough, God knows--you love me."<br/>
<br/>
Mrs. Saumarez regarded him intently for a considerable space, and<br/>
during that space the Eagle warred in her heart with the one foe<br/>
he can never conquer. Love had a worthless ally; but Love fought<br/>
staunchly.<br/>
<br/>
By and bye, "Yes," she said, and her voice was almost sullen; "I love<br/>
you. I ought to love Billy, but I don't. I shall ask him to release me<br/>
from my engagement. And yes, I will marry you if you like."<br/>
<br/>
He raised her hand to his lips. "You are an angel," Mr. Kennaston was<br/>
pleased to say.<br/>
<br/>
<br/>
"No," Mrs. Saumarez dissented, rather forlornly; "I'm simply a fool.<br/>
Otherwise, I wouldn't be about to marry you, knowing you as I do for<br/>
what you are--knowing that I haven't one chance in a hundred of any<br/>
happiness."<br/>
<br/>
"My dear," he said, and his voice was earnest, "you know at least that<br/>
what there is of good in me is at its best with you."<br/>
<br/>
"Yes, yes!" Kathleen cried, quickly. "That is so, isn't it, Felix?<br/>
And you do care for me, don't you? Felix, are you sure you care for<br/>
me--quite sure? And are you quite certain, Felix, that you never cared<br/>
so much for any one else?"<br/>
<br/>
Mr. Kennaston was quite certain. He proceeded to explain his feelings<br/>
toward her at some length.<br/>
<br/>
Kathleen listened with downcast eyes and almost cheated herself into<br/>
the belief that the man she loved was all that he should be. But at<br/>
the bottom of her heart she knew he wasn't.<br/>
<br/>
I think we may fairly pity her.<br/>
<br/>
Kennaston and Mrs. Saumarez chatted very amicably for some ten<br/>
minutes. At the end of that period, the twelve forty-five express<br/>
bellowing faintly in the distance recalled the fact that the morning<br/>
mail was in, and thereupon, in the very best of humours, they set<br/>
out for the house. I grieve to admit it, but Kathleen had utterly<br/>
forgotten Billy by this, and was no more thinking of him than she was<br/>
of the Man in the Iron Mask.<br/>
<br/>
She was with Kennaston, you see; and her thoughts, and glances, and<br/>
lips, and adoration were all given to his pleasuring, just as her life<br/>
would have been if its loss could have saved him from a toothache. He<br/>
strutted a little, and was a little grateful to her, and--to do<br/>
him justice--received the tribute she accorded him with perfect<br/>
satisfaction and equanimity.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXIV">XXIV</SPAN><br/>
<br/>
Margaret came out of the summer-house, Billy Woods followed her, in a<br/>
very moist state of perturbation.<br/>
<br/>
"Peggy----" said Mr. Woods.<br/>
<br/>
But Miss Hugonin was laughing. Clear as a bird-call, she poured forth<br/>
her rippling mimicry of mirth. They train women well in these matters.<br/>
To Margaret, just now, her heart seemed dead within her. Her lover was<br/>
proved unworthy. Her pride was shattered. She had loved this clumsy<br/>
liar yonder, had given up a fortune for him, dared all for him, had<br/>
(as the phrase runs) flung herself at his head. The shame of it was a<br/>
physical sickness, a nausea. But now, in this jumble of miseries, in<br/>
this breaking-up of the earth and the void heavens that surged about<br/>
her and would not be mastered, the girl laughed; and her laughter was<br/>
care-free and half-languid like that of a child who is thinking of<br/>
something else. Ah, yes, they train women well in these matters.<br/>
<br/>
At length Margaret said, in high, crisp accents: "Pardon me, but I<br/>
can't help being amused, Mr. Woods, by the way in which hard luck<br/>
dogs your footsteps. I think Fate must have some grudge against you,<br/>
Mr. Woods."<br/>
<br/>
"Peggy----" said Mr. Woods.<br/>
<br/>
"Pardon me," she interrupted him, her masculine little chin high in<br/>
the air, "but I wish you wouldn't call me that. It was well enough<br/>
when we were boy and girl together, Mr. Woods. But you've developed<br/>
since--ah, yes, you've developed into such a splendid actor, such a<br/>
consummate liar, such a clever scoundrel, Mr. Woods, that I scarcely<br/>
recognise you now."<br/>
<br/>
And there was not a spark of anger in the very darkest corner of<br/>
Billy's big, brave heart, but only pity--pity all through and through,<br/>
that sent little icy ticklings up and down his spine and turned his<br/>
breathing to great sobs. For she had turned full face to him and he<br/>
could see the look in her eyes.<br/>
<br/>
I think he has never forgotten it. Years after the memory of it would<br/>
come upon him suddenly and set hot drenching waves of shame and<br/>
remorse surging about his body--remorse unutterable that he ever hurt<br/>
his Peggy so deeply. For they were tragic eyes. Beneath them her<br/>
twitching mouth smiled bravely, but the mirth of her eyes was<br/>
monstrous. It was the mirth of a beaten woman, of a woman who has<br/>
known the last extreme of shame and misery and has learned to laugh at<br/>
it. Even now Billy Woods cannot quite forget.<br/>
<br/>
"Peggy," said he, brokenly, "ah, dear, dear Peggy, listen to me!"<br/>
<br/>
"Why, have you thought of a plausible lie so soon?" she queried,<br/>
sweetly. "Dear me, Mr. Woods, what is the use of explaining things? It<br/>
is very simple. You wanted to marry me last night because I was rich.<br/>
And when I declined the honour, you went back to your old love. Oh,<br/>
it's very simple, Mr. Woods! It's a pity, though--isn't it?--that all<br/>
your promptness went for nothing. Why, dear me, you actually managed<br/>
to propose before breakfast, didn't you? I should have thought that<br/>
such eagerness would have made an impression on Kathleen--oh, a most<br/>
favourable impression. Too bad it hasn't!"<br/>
<br/>
"Listen!" said Billy. "Ah, you're forcing me to talk like a cad,<br/>
Peggy, but I can't see you suffer--I can't! Kathleen misunderstood<br/>
what I said to her. I--I didn't mean to propose to her, Peggy. It was<br/>
a mistake, I tell you. It's you I love--just you. And when I asked you<br/>
to marry me last night--why, I thought the money was mine, Peggy.<br/>
I'd never have asked you if I hadn't thought that. I--ah, you don't<br/>
believe me, you don't believe me, Peggy, and before God, I'm telling<br/>
you the simple truth! Why, I hadn't ever seen that last will, Peggy!<br/>
It was locked up in that centre place in the desk, you remember.<br/>
Why--why, you yourself had the keys to it, Peggy. Surely, you<br/>
remember, dear?" And Billy's voice shook and skipped whole octaves as<br/>
he pleaded with her, for he knew she did not believe him and he could<br/>
not endure the horror of her eyes.<br/>
<br/>
But Margaret shook her head; and as aforetime the twitching lips<br/>
continued to laugh beneath those tragic eyes. Ah, poor little lady of<br/>
Elfland! poor little Undine, with a soul wakened to suffering!<br/>
<br/>
"Clumsy, very clumsy!" she rebuked him. "I see that you are accustomed<br/>
to prepare your lies in advance, Mr. Woods. As an extemporaneous liar<br/>
you are very clumsy. Men don't propose by mistake except in farces.<br/>
And while we are speaking of farces, don't you think it time to drop<br/>
that one of your not knowing about that last will?"<br/>
<br/>
"The farce!" Billy stammered. "You--why, you saw me when I found it!"<br/>
<br/>
"Ah, yes, I saw you when you pretended to find it. I saw you when you<br/>
pretended to unlock that centre place. But now, of course, I know it<br/>
never was locked. I'm very careless about locking things, Mr. Woods.<br/>
Ah, yes, that gave you a beautiful opportunity, didn't it? So, when<br/>
you were rummaging through my desk--without my permission, by the way,<br/>
but that's a detail--you found both wills and concocted your little<br/>
comedy? That was very clever. Oh, you think you're awfully smooth,<br/>
don't you, Billy Woods? But if you had been a bit more daring, don't<br/>
you see, you could have suppressed the last one and taken the money<br/>
without being encumbered by me? That was rather clumsy of you, wasn't<br/>
it?" Suave, gentle, sweet as honey was the speech of Margaret as she<br/>
lifted her face to his, but her eyes were tragedies.<br/>
<br/>
"Ah!" said Billy. "Ah--yes--you think--that." He was very careful in<br/>
articulating his words, was Billy, and afterward he nodded his head<br/>
gravely. The universe had somehow suffered an airy dissolution like<br/>
that of Prospero's masque--Selwoode and its gardens, the great globe<br/>
itself, "the cloud-capped towers, the gorgeous palaces, the solemn<br/>
temples" were all as vanished wraiths. There was only Peggy left--<br/>
Peggy with that unimaginable misery in her eyes that he must drive<br/>
away somehow. If that was what she thought, there was no way for him<br/>
to prove it wasn't so.<br/>
<br/>
"Why, dear me, Mr. Woods," she retorted, carelessly, "what else could<br/>
I think?"<br/>
<br/>
Here Mr. Woods blundered.<br/>
<br/>
"Ah, think what you will, Peggy!" he cried, his big voice cracking and<br/>
sobbing and resonant with pain. "Ah, my dear, think what you will, but<br/>
don't grieve for it, Peggy! Why, if I'm all you say I am, that's no<br/>
reason you should suffer for it! Ah, don't, Peggy! In God's name,<br/>
don't! I can't bear it, dear," he pleaded with her, helplessly.<br/>
<br/>
Billy was suffering, too. But her sorrow was the chief of his, and<br/>
what stung him now to impotent anger was that she must suffer and he<br/>
be unable to help her--for, ah, how willingly, how gladly, he would<br/>
have borne all poor Peggy's woes upon his own broad shoulders.<br/>
<br/>
But none the less, he had lost an invaluable opportunity to hold his<br/>
tongue.<br/>
<br/>
"Suffer! I suffer!" she mocked him, languidly; and then, like a<br/>
banjo-string, the tension snapped, and she gave a long, angry gasp,<br/>
and her wrath flamed.<br/>
<br/>
"Upon my word, you're the most conceited man I ever knew in my life!<br/>
You think I'm in love with you! With you! Billy Woods, I wouldn't wipe<br/>
my feet on you if you were the last man left on earth! I hate you, I<br/>
loathe you, I detest you, I despise you! Do you hear me?--I hate you.<br/>
What do I care if you <i>are</i> a snob, and a cad, and a fortune-hunter,<br/>
and a forger, and--well, I don't care! Perhaps you haven't ever<br/>
forged anything yet, but I'm quite sure you would if you ever got an<br/>
opportunity. You'd be delighted to do it. Yes, you would--you're just<br/>
the sort of man who <i>revels</i> in crime. I love you! Why, that's the<br/>
best joke I've heard for a long time. I'm only sorry for you, Billy<br/>
Woods--<i>sorry</i> because Kathleen has thrown you over--sorry, do you<br/>
understand? Yes, since you're so fond of skinny women, I think it's a<br/>
great pity she wouldn't have you. Don't talk to me!--she <i>is</i> skinny.<br/>
I guess I know. She's as skinny as a beanpole. She's skinnier than I<br/>
ever imagined it possible for anybody--<i>anybody</i>--to be. And she<br/>
pads and rouges till I think it's disgusting, and not half--not<br/>
<i>one-half</i>--of her hair belongs to her, and that half is dyed. But,<br/>
of course, if you like that sort of thing, there's no accounting for<br/>
tastes, and I'm sure I'm very sorry for you, even though personally I<br/>
<i>don't</i> care for skinny women. I hate 'em! And I hate you, too, Billy<br/>
Woods!"<br/>
<br/>
She stamped her foot, did Margaret. You must bear with her, for her<br/>
heart is breaking now, and if she has become a termagant it is because<br/>
her shamed pride has driven her mad. Bear with her, then, a little<br/>
longer.<br/>
<br/>
Billy tried to bear with her, for in part he understood.<br/>
<br/>
"Peggy," said he, very gently, "you're wrong."<br/>
<br/>
"Yes, I dare say!" she snapped at him.<br/>
<br/>
"We won't discuss Kathleen, if you please. But you're wrong about the<br/>
will. I've told you the whole truth about that, but I don't blame you<br/>
for not believing me, Peggy--ah, no, not I. There seems to be a curse<br/>
upon Uncle Fred's money. It brings out the worst of all of us. It has<br/>
changed even you, Peggy--and not for the better, Peggy. You've become<br/>
distrustful. You--ah, well, we won't discuss that now. Give me the<br/>
will, my dear, and I'll burn it before your eyes. That ought to show<br/>
you, Peggy, that you're wrong." Billy was very white-lipped as he<br/>
ended, for the Woods temper is a short one.<br/>
<br/>
But she had an arrow left for him. "Give it to you! And do you think<br/>
I'd trust you with it, Billy Woods?"<br/>
<br/>
"Peggy!--ah, Peggy, I hadn't deserved that. Be just, at least, to me,"<br/>
poor Billy begged of her.<br/>
<br/>
Which was an absurd thing to ask of an angry woman.<br/>
<br/>
"Yes, I <i>do</i> know what you'd do with it! You'd take it right off and<br/>
have it probated or executed or whatever it is they do to wills, and<br/>
turn me straight out in the gutter. That's just what you're <i>longing</i><br/>
to do this very moment. Oh, I know, Billy Woods--I know what a temper<br/>
you've got, and I know you're keeping quiet now simply because you<br/>
know that's the most exasperating thing you can possibly do. I<br/>
wouldn't have such a disposition as you've got for the world. You've<br/>
absolutely <i>no</i> control over your temper--not a bit of it. You're<br/>
<i>vile</i>, Billy Woods! Oh, I <i>hate</i> you! Yes, you've made me cry, and I<br/>
suppose you're very proud of yourself. <i>Aren't</i> you proud? Don't stand<br/>
staring at me like a stuck pig, but answer me when I talk to you!<br/>
Aren't you <i>proud</i> of making me cry? Aren't you? Ah, don't talk to<br/>
me--don't talk to <i>me</i>, I tell you! I don't wish to hear a word you've<br/>
got to say. I <i>hate</i> you. And you shan't have the money, that's flat."<br/>
<br/>
"I don't want it," said Billy. "I've been trying to tell you for the<br/>
last, half-hour I don't want it. In God's name, why can't you talk<br/>
like a sensible woman, Peggy?" I am afraid that Mr. Woods, too, was<br/>
beginning to lose his temper.<br/>
<br/>
"That's right--swear at me! It only needed that. You do want the<br/>
money, and when you say you don't you're lying--lying--<i>lying</i>, do you<br/>
understand? You all want my money. Oh, dear, <i>dear</i>!" Margaret wailed,<br/>
and her great voice was shaken to its depths and its sobbing was the<br/>
long, hopeless sobbing of a violin, as she flung back her tear-stained<br/>
face, and clenched her little hands tight at her sides; "why <i>can't</i><br/>
you let me alone? You're all after my money--you, and Mr. Kennaston,<br/>
and Mr. Jukesbury, and all of you! Why <i>can't</i> you let me alone? Ever<br/>
since I've had it you've hunted me as if I'd been a wild beast. God<br/>
help me, I haven't had a moment's peace, a moment's rest, a, moment's<br/>
quiet, since Uncle Fred died. They all want my money--everybody wants<br/>
my money! Oh, Billy, Billy, why <i>can't</i> they let me alone?"<br/>
<br/>
"Peggy----" said he.<br/>
<br/>
But she interrupted him. "Don't talk to <i>me</i>, Billy Woods! Don't you<br/>
<i>dare</i> talk to me. I told you I didn't wish to hear a word you had to<br/>
say, didn't I? Yes, you all want my money. And you shan't have it.<br/>
It's mine. Uncle Fred left it to me. It's mine, I tell you. I've got<br/>
the greatest thing in the world--money! And I'll keep it. Ah, I hate<br/>
you all--every one of you--but I'll make you cringe to me. I'll make<br/>
you <i>all</i> cringe, do you hear, because I've got the money you're ready<br/>
to sell your paltry souls for! Oh, I'll make you cringe most of all,<br/>
Billy Woods! I'm rich, do you hear?--rich--<i>rich</i>! Wouldn't you be<br/>
glad to marry the rich Margaret Hugonin, Billy? Ah, haven't you<br/>
schemed hard for that? You'd be glad to do it, wouldn't you? You'd<br/>
give your dirty little soul for that, wouldn't you, Billy? Ah, what a<br/>
cur you are! Well, some day perhaps I'll buy you just as I would any<br/>
other cur. Wouldn't you be glad if I did, Billy? Beg for it, Billy!<br/>
Beg, sir! Beg!" And Margaret flung back her head again, and laughed<br/>
shrilly, and held up her hand before him as one holds a lump of sugar<br/>
before a pug-dog.<br/>
<br/>
In Selwoode I can fancy how the Eagle screamed his triumph.<br/>
<br/>
But Billy's face was ashen.<br/>
<br/>
"Before God!" he said, between his teeth, "loving you as I do, I<br/>
wouldn't marry you now for all the wealth in the world! The money has<br/>
ruined you--ruined you, Peggy."<br/>
<br/>
For a little she stared at him. By and bye, "I dare say it has," she<br/>
said, in a strangely sober tone. "I've been scolding like a fishwife.<br/>
I beg your pardon, Mr. Woods--not for what I've said, because I meant<br/>
every <i>word</i> of it, but I beg your pardon for saying it. Don't come<br/>
with me, please."<br/>
<br/>
Blindly she turned from him. Her shoulders had the droop of an old<br/>
woman's. Margaret was wearied now, weary with the weariness of death.<br/>
<br/>
For a while Mr. Woods stared after the tired little figure that<br/>
trudged straight onward in the sunlight, stumbling as she went. Then a<br/>
pleached walk swallowed her, and Mr. Woods groaned.<br/>
<br/>
"Oh, Peggy, Peggy!" he said, in bottomless compassion; "oh, my poor<br/>
little Peggy! How changed you are!"<br/>
<br/>
Afterward Mr. Woods sank down upon the bench and buried his face in<br/>
his hands. He sat there for a long time. I don't believe he thought<br/>
of anything very clearly. His mind was a turgid chaos of misery; and<br/>
about him the birds shrilled and quavered and carolled till the air<br/>
was vibrant with their trilling. One might have thought they choired<br/>
in honour of the Eagle's triumph, in mockery of poor Billy.<br/>
<br/>
Then Mr. Woods raised his head with a queer, alert look. Surely he had<br/>
heard a voice--the dearest of all voices.<br/>
<br/>
"Billy!" it wailed; "oh, Billy, <i>Billy</i>!"<br/>
<br/>
<br/>
<br/>
<SPAN name="XXV">XXV</SPAN><br/>
<br/>
For at the height of this particularly mischancy posture of affairs<br/>
the meddlesome Fates had elected to dispatch Cock-eye Flinks to serve<br/>
as our <i>deus ex machina</i>. And just as in the comedy the police turn<br/>
up in the nick of time to fetch Tartuffe to prison, or in the tragedy<br/>
Friar John manages to be detained on his journey to Mantua and thus<br/>
bring about that lamentable business in the tomb of the Capulets, so<br/>
Mr. Flinks now happens inopportunely to arrive upon our lesser stage.<br/>
<br/>
Faithfully to narrate how Cock-eye Flinks chanced to be at Selwoode<br/>
were a task of magnitude. That gentleman travelled very quietly; and<br/>
for the most part, he journeyed incognito under a variety of aliases<br/>
suggested partly by a fertile imagination and in part by prudential<br/>
motives. For his notions of proprietary rights were deplorably vague,<br/>
and his acquaintance with the police, in consequence, extensive. And<br/>
finally, that he was now at Selwoode was not in the least his fault,<br/>
but all the doing of an N. and O. brakesman, who had in uncultured<br/>
argument, reinforced by a coupling-pin, persuaded Mr. Flinks to<br/>
disembark from the northern freight on the night previous.<br/>
<br/>
Mr. Flinks, then, sat leaning against a tree in the gardens of<br/>
Selwoode, some thirty feet from the wall that stands between Selwoode<br/>
and Gridlington, and nursed his pride and foot, both injured in that<br/>
high debate of last evening, and with a jackknife rounded off the top<br/>
of a substantial staff designed to alleviate his present lameness.<br/>
Meanwhile, he tempered his solitude with music, whistling melodiously<br/>
the air of a song that pertained to the sacredness of home and of a<br/>
white-haired mother.<br/>
<br/>
Subsequently to Cock-eye Flinks (as the playbill has it), enter a<br/>
vision in violet ruffles.<br/>
<br/>
Wide-eyed, she came upon him in her misery, steadily trudging toward<br/>
an unknown goal. I think he startled her a bit. Indeed, it must be<br/>
admitted that Mr. Flinks, while a man of undoubted talent in his<br/>
particular line of business, was, like many of your great geniuses, in<br/>
outward aspect unprepossessing and misleading; for whereas he looked<br/>
like a very shiftless and very dirty tramp, he was as a matter of fact<br/>
as vile a rascal as ever pawned a swinish soul for whiskey.<br/>
<br/>
"What are you doing here?" said Margaret, sharply. "Don't you know<br/>
this is private property?"<br/>
<br/>
To his feet rose Cock-eye Flinks. "Lady," said he, with humbleness,<br/>
"you wouldn't be hard on a poor workingman, would you? It ain't my<br/>
fault I'm here, lady--at least, it ain't rightly my fault. I just<br/>
climbed over the wall to rest a minute--just a minute, lady, in the<br/>
shade of these beautiful trees. I ain't a-hurting nobody by that,<br/>
lady, I hope."<br/>
<br/>
"Well, you had no business to do it," Miss Hugonin pointed out, "and<br/>
you can just climb right back." Then she regarded him more intently,<br/>
and her face softened somewhat. "What's the matter with your foot?"<br/>
she demanded.<br/>
<br/>
"Brakesman," said Mr. Flinks, briefly. "Threw me off a train. He<br/>
struck me cruel hard, he did, and me a poor workingman trying to make<br/>
my way to New York, lady, where my poor old mother's dying, lady, and<br/>
me out of a job. Ah, it's a hard, hard world, lady--and me her only<br/>
son--and he struck me cruel, cruel hard, he did, but I forgive him for<br/>
it, lady. Ah, lady, you're so beautiful I know you're got a kind, good<br/>
heart, lady. Can't you do something for a poor workingman, lady, with<br/>
a poor dying mother--and a poor, sick wife," Mr. Flinks added as a<br/>
dolorous afterthought; and drew nearer to her and held out one hand<br/>
appealingly.<br/>
<br/>
Petheridge Jukesbury had at divers times pointed out to her the evils<br/>
of promiscuous charity, and these dicta Margaret parroted glibly<br/>
enough, to do her justice, so long as there was no immediate question<br/>
of dispensing alms. But for all that the next whining beggar would<br/>
move her tender heart, his glib inventions playing upon it like a<br/>
fiddle, and she would give as recklessly as though there were no<br/>
such things in the whole wide world as soup-kitchens and organised<br/>
charities and common-sense. "Because, you know," she would afterward<br/>
salve her conscience, "I <i>couldn't</i> be sure he didn't need it, whereas<br/>
I was <i>quite</i> sure I didn't."<br/>
<br/>
Now she wavered for a moment. "You didn't say you had a wife before,"<br/>
she suggested.<br/>
<br/>
"An invalid," sighed Mr. Flinks--"a helpless invalid, lady. And six<br/>
small children probably crying for bread at this very moment. Ah,<br/>
lady, think what my feelings must be to hear 'em cry in vain--think<br/>
what I must suffer to know that I summoned them cherubs out of Heaven<br/>
into this here hard, hard world, lady, and now can't do by 'em<br/>
properly!" And Cock-eye Flinks brushed away a tear which I, for one,<br/>
am inclined to regard as a particularly ambitious flight of his<br/>
imagination.<br/>
<br/>
Promptly Margaret opened the bag at her waist and took out her purse.<br/>
"Don't!" she pleaded. "Please don't! I--I'm upset already. Take this,<br/>
and please--oh, <i>please</i>, don't spend it in getting drunk or gambling<br/>
or anything horrid," Miss Hugonin implored him. "You all do, and it's<br/>
so selfish of you and so discouraging."<br/>
<br/>
Mr. Flinks eyed the purse hungrily. Such a fat purse! thought Cock-eye<br/>
Plinks. And there ain't nobody within a mile of here, neither. You are<br/>
not to imagine that Mr. Flinks was totally abandoned; his vices were<br/>
parochial, restrained for the most part by a lively apprehension of<br/>
the law. But now the spell of the Eagle was strong upon him.<br/>
<br/>
"Lady," said Mr. Flinks, twisting in his grimy hand the bill she had<br/>
given him--and there, too, the Eagle flaunted in his vigour and<br/>
heartened him, "lady, that ain't much for you to give. Can't you do a<br/>
little better than that by a poor workingman, lady?"<br/>
<br/>
A very unpleasant-looking person, Mr. Cock-eye Flinks. Oh, a<br/>
peculiarly unpleasant-looking person to be a model son and a loving<br/>
husband and a tender father. Margaret was filled with a vague alarm.<br/>
<br/>
But she was brave, was Margaret. "No," said she, very decidedly, "I<br/>
shan't give you another cent. So you climb right over that wall and go<br/>
straight back where you belong."<br/>
<br/>
The methods of Mr. Flinks, I regret to say, were somewhat more crude<br/>
than those of Mesdames Haggage and Saumarez and Messieurs Kennaston<br/>
and Jukesbury.<br/>
<br/>
"Cheese it!" said Mr. Flinks, and flung away his staff and drew very<br/>
near to her. "Gimme that money, do you hear!"<br/>
<br/>
"Don't you dare touch me!" she panted; "ah, don't you <i>dare</i>!"<br/>
<br/>
"Aw, hell!" said Mr. Flinks, disgustedly, and his dirty hands were<br/>
upon her, and his foul breath reeked in her face.<br/>
<br/>
In her hour of need Margaret's heart spoke.<br/>
<br/>
"Billy!" she wailed; "oh, Billy, <i>Billy</i>!"<br/>
<br/>
* * * * *<br/>
<br/>
He came to her--just as he would have scaled Heaven to come to her,<br/>
just as he would have come to her in the nethermost pit of Hell if she<br/>
had called. Ah, yes, Billy Woods came to her now in her peril, and<br/>
I don't think that Mr. Flinks particularly relished the look upon<br/>
Billy's face as he ran through the gardens, for Billy was furiously<br/>
moved.<br/>
<br/>
Cock-eye Flinks glanced back at the wall behind him. Ten feet high,<br/>
and the fellow ain't far off. Cock-eye Flinks caught up his staff, and<br/>
as Billy closed upon him, struck him full on the head. Again and again<br/>
he struck him. It was a sickening business.<br/>
<br/>
Billy had stopped short. For an instant he stood swaying on his feet,<br/>
a puzzled face showing under the trickling blood. Then he flung out<br/>
his hands a little, and they flapped loosely at the wrists, like<br/>
wet clothes hung in the wind to dry, and Billy seemed to crumple up<br/>
suddenly, and slid down upon the grass in an untidy heap.<br/>
<br/>
"Ah-h-h!" said Mr. Flinks. He drew back and stared stupidly at that<br/>
sprawling flesh which just now had been a man, and was seized with<br/>
uncontrollable shuddering. "Ah-h-h!" said Mr. Flinks, very quietly.<br/>
<br/>
And Margaret went mad. The earth and the sky dissolved in many<br/>
floating specks and then went red--red like that heap yonder. The<br/>
veneer of civilisation peeled, fell from her like snow from a shaken<br/>
garment. The primal beast woke and flicked aside the centuries' work.<br/>
She was the Cave-woman who had seen the death of her mate--the brute<br/>
who had been robbed of her mate.<br/>
<br/>
"Damn you! <i>Damn</i> you!" she screamed, her voice high, flat, quite<br/>
unhuman; "ah, God in Heaven damn you!" With inarticulate bestial cries<br/>
she fell upon the man who had killed Billy, and her violet fripperies<br/>
fluttered, her impotent little hands beat at him, tore at him. She was<br/>
fearless, shameless, insane. She only knew that Billy was dead.<br/>
<br/>
With an oath the man flung her from him and turned on his heel. She<br/>
fell to coaxing the heap in the grass to tell her that he forgave<br/>
her--to open his eyes--to stop bloodying her dress--to come to<br/>
luncheon...<br/>
<br/>
A fly settled on Billy's face and came in his zig-zag course to the<br/>
red stream trickling from his nostrils, and stopped short. She brushed<br/>
the carrion thing away, but it crawled back drunkenly. She touched it<br/>
with her finger, and the fly would not move. On a sudden, every nerve<br/>
in her body began to shake and jerk like a flag snapping in the wind.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXVI">XXVI</SPAN><br/>
<br/>
Some ten minutes afterward, as the members of the house-party sat<br/>
chatting on the terrace before Selwoode, there came among them a mad<br/>
woman in violet trappings that were splotched with blood.<br/>
<br/>
"Did you know that Billy was dead?" she queried, smilingly. "Oh, yes,<br/>
a man killed Billy just now. Wasn't it too bad? Billy was such a nice<br/>
boy, you know. I--I think it's very sad. I think it's the saddest<br/>
thing I ever knew of in my life."<br/>
<br/>
Kathleen Saumarez was the first to reach her. But she drew back<br/>
quickly.<br/>
<br/>
"No, ah, no!" she said, with a little shudder. "You didn't love Billy.<br/>
He loved you, and you didn't love him. Oh, Kathleen, Kathleen, how<br/>
<i>could</i> you help loving Billy? He was such a nice boy. I--I'm rather<br/>
sorry he's dead."<br/>
<br/>
Then she stood silent, picking at her dress thoughtfully and still<br/>
smiling. Afterward, for the first and only time in history, Miss<br/>
Hugonin fainted--fainted with an anxious smile.<br/>
<br/>
Petheridge Jukesbury caught her as she fell, and began to blubber like<br/>
a whipped schoolboy as he stood there holding her in his arms.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXVII">XXVII</SPAN><br/>
<br/>
But Billy was not dead. There was still a feeble, jerky fluttering in<br/>
his big chest when Colonel Hugonin found him. His heart still moved,<br/>
but under the Colonel's hand its stirrings were vague and aimless as<br/>
those of a captive butterfly.<br/>
<br/>
The Colonel had seen dead men and dying men before this; and as he<br/>
bent over the boy he loved he gave a convulsive sob, and afterward<br/>
buried his face in his hands.<br/>
<br/>
Then--of all unlikely persons in the world--it was Petheridge<br/>
Jukesbury who rose to meet the occasion.<br/>
<br/>
His suavity and blandness forgotten in the presence of death, he<br/>
mounted with confident alacrity to heights of greatness. Masterfully,<br/>
he overrode them all. He poured brandy between Billy's teeth. Then he<br/>
ordered the ladies off to bed, and recommended to Mr. Kennaston--when<br/>
that gentleman spoke of a clergyman--a far more startling destination.<br/>
<br/>
For, "It is far from my intention," said Mr.<br/>
<br/>
Jukesbury, "to appear lacking in respect to the cloth, but--er--just<br/>
at present I am inclined to think we are in somewhat greater need of a<br/>
mattress and a doctor and--ah--the exercise of a little common-sense.<br/>
The gentleman is--er--let us hope, in no immediate danger."<br/>
<br/>
"How dare you suggest such a thing, sir?" thundered Petheridge<br/>
Jukesbury. "Didn't you see that poor girl's face? I tell you I'll be<br/>
damned if he dies, sir!"<br/>
<br/>
And I fancy the recording angel heard him, and against a list of wordy<br/>
cheats registered that oath to his credit.<br/>
<br/>
It was Petheridge Jukesbury, then, who stalked into Mrs. Haggage's<br/>
apartments and appropriated her mattress as the first at hand, and<br/>
afterward waddled through the gardens bearing it on his fat shoulders,<br/>
and still later lifted Billy upon it as gently as a woman could have.<br/>
But it was the hatless Colonel on his favourite Black Bess ("Damn your<br/>
motor-cars!" the Colonel was wont to say; "I consider my appearance<br/>
sufficiently unprepossessing already, sir, without my arriving in<br/>
Heaven in fragments and stinking of gasoline!") who in Fairhaven town,<br/>
some quarter of an hour afterward, leaped Dr. Jeal's garden fence, and<br/>
subsequently bundled the doctor into his gig; and again yet later it<br/>
was the Colonel who stood fuming upon the terrace with Dr. Jeal on his<br/>
way to Selwoode indeed, but still some four miles from the mansion<br/>
toward which he was urging his staid horse at its liveliest gait.<br/>
<br/>
Kennaston tried to soothe him. But the Colonel clamoured to the<br/>
heavens. Kennaston he qualified in various ways. And as for Dr. Jeal,<br/>
he would hold him responsible--"personally, sir"--for the consequences<br/>
of his dawdling in this fashion--"Damme, sir, like a damn' snail with<br/>
a wooden leg!"<br/>
<br/>
"I am afraid," said Kennaston, gravely, "that the doctor will be of<br/>
very little use when he does arrive."<br/>
<br/>
There was that in his face which made the Colonel pause in his<br/>
objurgations.<br/>
<br/>
"Sir," said the Colonel, "what--do--you--mean?" He found articulation<br/>
somewhat difficult.<br/>
<br/>
"In your absence," Kennaston answered, "Mr. Jukesbury, who it<br/>
appears knows something of medicine, has subjected Mr. Woods to an<br/>
examination. It--it would be unkind to deceive you----"<br/>
<br/>
"Come to the point, sir," the Colonel interrupted him. "What--do<br/>
you--mean?"<br/>
<br/>
"I mean," said Felix Kennaston, sadly, "that--he is afraid--Mr. Woods<br/>
will never recover consciousness."<br/>
<br/>
Colonel Hugonin stared at him. The skin of his flabby, wrinkled old<br/>
throat was working convulsively.<br/>
<br/>
Then, "You're wrong, sir," the Colonel said. "Billy <i>shan't</i> die. Damn<br/>
Jukesbury! Damn all doctors, too, sir! I put my trust in my God, sir,<br/>
and not in a box of damn' sugar-pills, sir. And I tell you, sir, <i>that<br/>
boy is not going to die</i>."<br/>
<br/>
Afterward he turned and went into Selwoode defiantly.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXVIII">XXVIII</SPAN><br/>
<br/>
In the living-hall the Colonel found Margaret, white as paper, with<br/>
purple lips that timidly smiled at him.<br/>
<br/>
"Why ain't you in bed?" the old gentleman demanded, with as great an<br/>
affectation of sternness as he could muster. To say the truth, it was<br/>
not much; for Colonel Hugonin, for all his blustering optimism, was<br/>
sadly shaken now.<br/>
<br/>
"Attractive," said Margaret, "I was, but I couldn't stay there. My--my<br/>
brain won't stop working, you see," she complained, wearily. "There's<br/>
a thin little whisper in the back of it that keeps telling me about<br/>
Billy, and what a liar he is, and what nice eyes he has, and how<br/>
poor Billy is dead. It keeps telling me that, over and over again,<br/>
attractive. It's such a tiresome, silly little whisper. But he is<br/>
dead, isn't he? Didn't Mr. Kennaston tell me just now that he was<br/>
dead?--or was it the whisper, attractive?"<br/>
<br/>
The Colonel coughed. "Kennaston--er--Kennaston's a fool," he declared,<br/>
helplessly. "Always said he was a fool. We'll have Jeal in presently."<br/>
<br/>
"No--I remember now--Mr. Kennaston said Billy would die very soon. You<br/>
don't like people to disagree with you, do you, attractive? Of course,<br/>
he will die, for the man hit him very, <i>very</i> hard. I'm sorry Billy is<br/>
going to die, though, even if he is such a liar!"<br/>
<br/>
"Don't!" said the Colonel, hoarsely; "don't, daughter! I don't know<br/>
what there is between you and Billy, but you're wrong. Oh, you're very<br/>
hopelessly wrong! Billy's the finest boy I know."<br/>
<br/>
Margaret shook her head in dissent.<br/>
<br/>
"No, he's a very contemptible liar," she said, disinterestedly, "and<br/>
that is what makes it so queer that I should care for him more than I<br/>
do for anything else in the world. Yes, it's very queer."<br/>
<br/>
Then Margaret went into the room opening into the living-hall, where<br/>
Billy Woods lay unconscious, pallid, breathing stertorously. And the<br/>
Colonel stared after her.<br/>
<br/>
"Oh, my God, my God!" groaned the poor Colonel; "why couldn't it have<br/>
been I? Why couldn't it have been I that ain't wanted any longer?<br/>
She'd never have grieved like that for me!"<br/>
<br/>
And indeed, I don't think she would have.<br/>
<br/>
For to Margaret there had come, as, God willing, there comes to every<br/>
clean-souled woman, the time to put away all childish things, and all<br/>
childish memories, and all childish ties, if need be, to follow one<br/>
man only, and cleave to him, and know his life and hers to be knit up<br/>
together, past severance, in a love that death itself may not affright<br/>
nor slay.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXIX">XXIX</SPAN><br/>
<br/>
She sat silent in one corner of the darkened room. It was the bedroom<br/>
that Frederick R. Woods formerly occupied--on the ground floor of<br/>
Selwoode, opening into the living-hall--to which they had carried<br/>
Billy.<br/>
<br/>
Jukesbury had done what he could. In the bed lay Billy Woods, swathed<br/>
in hot blankets, with bottles of hot water set to his feet. Jukesbury<br/>
had washed his face clean of that awful red, and had wrapped bandages<br/>
of cracked ice about his head and propped it high with pillows. It<br/>
was little short of marvellous to see the pursy old hypocrite going<br/>
cat-footed about the room on his stealthy ministrations, replenishing<br/>
the bandages, forcing spirits of ammonia between Billy's teeth,<br/>
fighting deftly and confidently with death.<br/>
<br/>
Billy still breathed.<br/>
<br/>
The Colonel came and went uneasily. The clock on the mantel ticked.<br/>
Margaret brooded in a silence that was only accentuated by that<br/>
horrible wheezing, gurgling, tremulous breathing in the bed yonder.<br/>
Would the doctor never come!<br/>
<br/>
She was curiously conscious of her absolute lack of emotion.<br/>
<br/>
But always the interminable thin whispering in the back of her head<br/>
went on and on. "Oh, if he had only died four years ago! Oh, if he had<br/>
only died the dear, clean-minded, honest boy I used to know! When that<br/>
noise stops he will be dead. And then, perhaps, I shall be able to<br/>
cry. Oh, if he had only died four years ago!"<br/>
<br/>
And then <i>da capo</i>. On and on ran the interminable thin whispering as<br/>
Margaret waited for death to come to Billy. Billy looked so old now,<br/>
under his many bandages. Surely he must be very, very near death.<br/>
<br/>
Suddenly, as Jukesbury wrapped new bandages about his forehead, Billy<br/>
opened his eyes and, without further movement, smiled placidly up at<br/>
him.<br/>
<br/>
"Hello, Jukesbury," said Billy Woods, "where's my armour?"<br/>
<br/>
Jukesbury, too, smiled. "The man is bringing it downstairs now," he<br/>
answered, quietly.<br/>
<br/>
"Because," Billy went on, fretfully, "I don't propose to miss the<br/>
Trojan war. The princes orgulous with high blood chafed, you know, are<br/>
all going to be there, and I don't propose to miss it."<br/>
<br/>
Behind his fat back, Petheridge Jukesbury waved a cautioning hand at<br/>
Margaret, who had risen from her chair.<br/>
<br/>
"But it is very absurd," Billy murmured, in the mere ghost of a voice,<br/>
"because men don't propose by mistake except in farces. Somebody told<br/>
me that, but I can't remember who, because I am a misogynist. That is<br/>
a Greek word, and I would explain it to Peggy, if she would only give<br/>
me a chance, but she can't because she has those seventeen hundred<br/>
and fifty thousand children to look after. There must be some way to<br/>
explain to her, though, because where there's a will there is always<br/>
a way, and there were three wills. Uncle Fred should not have left so<br/>
many wills--who would have thought the old man had so much ink in him?<br/>
But I will be a very great painter, Uncle Fred, and make her sorry for<br/>
the way she has treated me, and <i>then</i> Kathleen will understand I was<br/>
talking about Peggy."<br/>
<br/>
His voice died away, and Margaret sat with wide eyes listening for it<br/>
again. Would the doctor never come!<br/>
<br/>
Billy was smiling and picking at the sheets.<br/>
<br/>
"But Peggy is so rich," the faint voice presently complained--"so<br/>
beastly rich! There is gold in her hair, and if you will look very<br/>
closely you will see that her lashes were pure gold until she dipped<br/>
them in the ink-pot. Besides, she expects me to sit up and beg for<br/>
lumps of sugar, and I <i>never</i> take sugar in my coffee. And Peggy<br/>
doesn't drink coffee at all, so I think it is very unfair, especially<br/>
as Teddy Anstruther drinks like a fish and she is going to marry him.<br/>
Peggy, why won't you marry me? You know I've always loved you, Peggy,<br/>
and now I can tell you so because Uncle Fred has left me all his<br/>
money. You think a great deal about money, Peggy. You said it was the<br/>
greatest thing in the world. And it must be, because it is the only<br/>
thing--the <i>only</i> thing, Peggy--that has been strong enough to keep<br/>
us apart. A part is never greater than the whole, Peggy, but I will<br/>
explain about that when you open that desk. There are sharks in it.<br/>
Aren't there, Peggy?--<i>aren't</i> there?"<br/>
<br/>
His voice had risen to a querulous tone. Gently the fat old man<br/>
restrained him.<br/>
<br/>
"Yes," said Petheridge Jukesbury; "dear me, yes. Why, dear me, of<br/>
course."<br/>
<br/>
But his warning hand held Margaret back--Margaret, who stood with big<br/>
tears trickling down her cheeks.<br/>
<br/>
"Dearer than life itself," Billy assented, wearily, "but before God,<br/>
loving you as I do, I wouldn't marry you now for all the wealth in the<br/>
world. I forget why, but all the world is a stage, you know, and they<br/>
don't use stages now, but only railroads. Is that why you rail at me<br/>
so, Peggy? That is a joke. You ought to laugh at my jokes, because I<br/>
love you, but I can't ever, ever tell you so because you are rich. A<br/>
rich man cannot pass through a needle's eye. Oh, Peggy, Peggy, I love<br/>
your eyes, but they're so <i>big</i>, Peggy!"<br/>
<br/>
So Billy Woods lay still and babbled ceaselessly. But through all his<br/>
irrelevant talk, as you may see a tributary stream pulse unsullied<br/>
in a muddied river, ran the thought of Peggy--of Peggy, and of her<br/>
cruelty, and of her beauty, and of the money that stood between them.<br/>
<br/>
And Margaret, who could never have believed him in his senses,<br/>
listened and knew that in his delirium, the rudder of his thoughts<br/>
snapped, he could not but speak truth. As she crouched in the corner<br/>
of the room, her face buried in an arm-chair, her gold hair half<br/>
loosened, her shoulders monotonously heaving, she wept gently,<br/>
inaudibly, almost happily.<br/>
<br/>
Almost happily. Billy was dying, but she knew now, past any doubting,<br/>
that he loved her. The dear, clean-minded, honest boy had come<br/>
back to her, and she could love him now without shame, and there was<br/>
only herself to be loathed.<br/>
<br/>
<ANTIMG src="image026.jpg" alt="image026.jpg" width-obs="340" height-obs="500"><br/>
[Illustration: "Regarded them with alert eyes."]<br/>
<br/>
Then the door opened. Then, with Colonel Hugonin, came Martin Jeal--a<br/>
wisp of a man like a November leaf--and regarded them from under his<br/>
shaggy white hair with alert eyes.<br/>
<br/>
"Hey, what's this?" said Dr. Jeal. "Eh, yes! Eh--yes!" he meditated,<br/>
slowly. "Most irregular. You must let us have the room, Miss Hugonin."<br/>
<br/>
In the hall she waited. Hope! ah, of course, there was no hope! the<br/>
thin little whisper told her.<br/>
<br/>
By and bye, though--after centuries of waiting--the three men came<br/>
into the hall.<br/>
<br/>
"Miss Hugonin," said Dr. Jeal, with a strange kindness in his voice,<br/>
"I don't think we shall need you again. I am happy to tell you,<br/>
though, that the patient is doing nicely--very nicely indeed."<br/>
<br/>
Margaret clutched his arm. "You--you mean----"<br/>
<br/>
"I mean," said Dr. Jeal, "that there is no fracture. A slight<br/>
concussion of the brain, madam, and--so far as I can see--no signs of<br/>
inflammation. Barring accidents, I think we'll have that young man out<br/>
of bed in a week. Thanks," he added, "to Mr.--er--Jukesbury here whose<br/>
prompt action was, under Heaven, undoubtedly the means of staving off<br/>
meningitis and probably--indeed, more than probably--the means<br/>
of saving Mr. Woods's life. It was splendid, sir, splendid! No<br/>
doctor--why, God bless my soul!"<br/>
<br/>
For Miss Hugonin had thrown her arms about Petheridge Jukesbury's neck<br/>
and had kissed him vigorously.<br/>
<br/>
"You beautiful child!" said Miss Hugonin.<br/>
<br/>
"Er--Jukesbury," said the Colonel, mysteriously, "there's a little<br/>
cognac in the cellar that--er--" The Colonel jerked his thumb across<br/>
the hallway with the air of a conspirator. "Eh?" said the Colonel.<br/>
<br/>
"Why--er--yes," said Mr. Jukesbury. "Why--ah--yes, I think I might."<br/>
<br/>
They went across the hall together. The Colonel's hand rested<br/>
fraternally on Petheridge Jukesbury's shoulder.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXX">XXX</SPAN><br/>
<br/>
The next day there was a general exodus from Selwoode, and Margaret's<br/>
satellites dispersed upon their divers ways. Selwoode, as they<br/>
understood it, was no longer hers; and they knew Billy Woods well<br/>
enough to recognise that from Selwoode's new master there were no<br/>
desirable pickings to be had such as the philanthropic crew had<br/>
fattened on these four years past. So there came to them, one and all,<br/>
urgent telegrams or insistent letters or some equally unanswerable<br/>
demand for their presence elsewhere, such as are usually prevalent<br/>
among our guests in very dull or very troublous times.<br/>
<br/>
Miss Hugonin smiled a little bitterly. She considered that the scales<br/>
had fallen from her eyes, and flattered herself that she was by way of<br/>
becoming a bit of a misanthrope; also, I believe, there was a note<br/>
concerning the hollowness of life and the worthlessness of society in<br/>
general. In a word, Margaret fell back upon the extreme cynicism and<br/>
world-weariness of twenty-three, and assured herself that she despised<br/>
everybody, whereas, as a matter of fact, she never in her life<br/>
succeeded in disliking anything except mice and piano-practice, and,<br/>
for a very little while, Billy Woods; and this for the very excellent<br/>
reason that the gods had fashioned her solely to the end that she<br/>
might love all mankind, and in return be loved by humanity in general<br/>
and adored by that portion of it which inhabits trousers.<br/>
<br/>
But, "The rats always desert a sinking ship," said Miss Hugonin, with<br/>
the air of one delivering a particularly original sentiment. "They<br/>
make me awfully tired, and I don't care for them in the least. But<br/>
Petheridge Jukesbury is a <i>dear</i>, and I may be poor now, but I <i>did</i><br/>
try to do good with the money when I had it, and <i>anyhow</i>, Billy is<br/>
going to get well."<br/>
<br/>
And, after all, that was the one thing that really mattered, though of<br/>
course Billy would always despise her. He would be quite right, too,<br/>
the girl thought humbly.<br/>
<br/>
But the conventionalities of life are more powerful than even youthful<br/>
cynicism and youthful heart-break. Prior to devoting herself to a<br/>
loveless life and the commonplaces of the stoic's tub, Miss Hugonin<br/>
was compelled by the barest decency to bid her guests Godspeed.<br/>
<br/>
And Adèle Haggage kissed her for the first time in her life. She had<br/>
been a little awed by Miss Hugonin, the famous heiress--a little<br/>
jealous of her, I dare say, on account of Hugh Van Orden--but now she<br/>
kissed her very heartily in farewell, and said, "Don't forget you are<br/>
to come to us as soon as <i>possible</i>," and was beyond any question<br/>
perfectly sincere in saying it.<br/>
<br/>
And Hugh Van Orden almost dragged Margaret under the main stairway,<br/>
and, far from showing any marked abhorrence to her in her present<br/>
state of destitution, implored her with tears in his eyes to marry him<br/>
at once, and to bring the Colonel to live with them for the rest of<br/>
his natural existence.<br/>
<br/>
For, "It's damned impertinent of me, of course," Mr. Van Orden readily<br/>
conceded, "and I suppose I ought to beg your pardon for mentioning it,<br/>
but I <i>do</i> love you to a perfectly unlimited extent. It's playing the<br/>
very deuce with my polo, Miss Hugonin, and as for my appetite--why,<br/>
if you won't have me," cried Hugh, in desperation, "I--I really, you<br/>
know, I don't believe I'll <i>ever</i> be able to eat anything!"<br/>
<br/>
When Margaret refused him--for the sixth time, I think--I won't swear<br/>
that she didn't kiss him under the dark stairway. And if she did, he<br/>
was a nice boy, and he deserved it.<br/>
<br/>
And as for Sarah Ellen Haggage, that unreverend old parasite brought<br/>
her a blank cheque signed with her name, and mentioned quite a goodly<br/>
sum as the extent to which Margaret might go for necessary expenses.<br/>
<br/>
"For you'll need it," she said, and rubbed her nose reflectively.<br/>
"Moving is the very deuce for wasting money, because so many little<br/>
things keep cropping up. Now, remember, a quarter is quite enough to<br/>
give <i>any</i> man for moving a trunk. And there's no earthly sense in<br/>
your taking a cab, Margaret--the street-car will bring you within a<br/>
block of our door. These little trifles count, dear. And don't let<br/>
Célestine pack your things, because she's abominably careless. Let<br/>
Marie do it--and don't tip her. Give her an old hat. And if I were<br/>
you, I would certainly consult a lawyer about the legality of that<br/>
idiotic will. I remember distinctly hearing that Mr. Woods was very<br/>
eccentric in his last days, and I haven't a doubt he was raving mad<br/>
when, he left all his money to a great, strapping, long-legged young<br/>
fellow, who is perfectly capable of taking care of himself. Getting<br/>
better, is he? Well, I suppose I'm glad to hear it, but he'd much<br/>
better have stayed in Paris--where, I remember distinctly hearing, he<br/>
led the most dissipated and immoral life, my dear--instead of coming<br/>
over here and upsetting everything." And again Mrs. Haggage rubbed her<br/>
nose--indignantly.<br/>
<br/>
"He <i>didn't</i>!" said Margaret. "And I <i>can't</i> take your money,<br/>
beautiful! And I don't see how we can possibly come to stay with you."<br/>
<br/>
"Don't you argue with me!" Mrs. Haggage exhorted her. "I'm not in any<br/>
temper to be argued with. I've spent the morning sewing bias<br/>
stripes in a bias skirt--something which from a moral-ruining and<br/>
resolution-overthrowing standpoint simply knocks the spots off Job.<br/>
You'll take that money, and you'll come to me as soon as you can,<br/>
and--God bless you, my dear!"<br/>
<br/>
And again Margaret was kissed. Altogether, it was a very osculatory<br/>
morning for Miss Hugonin.<br/>
<br/>
Mr. Jukesbury's adieus, however, were more formal; and--I am sorry to<br/>
say it--the old fellow went away wondering if the rich Mr. Woods might<br/>
not conceivably be very grateful to the man who had saved his life and<br/>
evince his gratitude in some agreeable and substantial form.<br/>
<br/>
Mrs. Saumarez and Mr. Kennaston, also, were somewhat unenthusiastic in<br/>
their parting. Kennaston could not feel quite at ease with Margaret,<br/>
brazen it as he might with devil-may-carish flippancy; and Kathleen<br/>
had by this an inkling as to how matters stood between Margaret and<br/>
Billy, and was somewhat puzzled thereat, and loved the former in<br/>
consequence no more than any Christian female is compelled to love the<br/>
woman who, either unconsciously or with deliberation, purloins her<br/>
ancient lover. A woman rarely forgives the man who has ceased to care<br/>
for her; and rarelier still can she pardon the woman who has dared<br/>
succeed her in his affections.<br/>
<br/>
And besides, they were utterly engrossed with one another, and utterly<br/>
happy, and utterly selfish with the immemorial selfishness of lovers,<br/>
who cannot for a moment conceive that the whole world is not somehow<br/>
benefited by their happiness and does not await with breathless<br/>
interest the outcome of their bickerings with the blind bow-god, and<br/>
from this providential delusion derive a meritorious and comfortable<br/>
glow. So Mrs. Saumarez and Mr. Kennaston parted from Margaret with<br/>
kindness, it is true, but not without awkwardness.<br/>
<br/>
And that was the man that almost she had loved! thought Margaret, as<br/>
she gazed on the whirl of dust left by their carriage-wheels. Gone<br/>
with a few perfunctory words of sympathy!<br/>
<br/>
And for my part, I think that the base Indian who threw a pearl away<br/>
worth more than all his tribe was, in comparison with Felix Kennaston,<br/>
a shrewd and long-headed man. If you had given <i>me</i> his chances,<br/>
Margaret ... but this, however, is highly digressive.<br/>
<br/>
The Colonel, standing beside her, used language that was unrefined.<br/>
His aspirations as to the future of Mr. Kennaston and Mr. Jukesbury,<br/>
it appeared, were both lurid and unfriendly.<br/>
<br/>
"But why, attractive?" queried his daughter.<br/>
<br/>
"May they be qualified with such and such adjectives!" desired the<br/>
Colonel, fervently. "They tried to lend me money--wouldn't hear of<br/>
my not taking it! In case of necessity.' Bah!" said the Colonel, and<br/>
shook his fist after the retreating carriages. "May they be qualified<br/>
with such and such adjectives!"<br/>
<br/>
How happily she laughed! "And you're swearing at them!" she pouted.<br/>
"Oh, my dear, my dear, how hard you are on all my little friends!"<br/>
<br/>
"Of course I am," said the Colonel, stoutly. "They've deprived me of<br/>
the pleasure of despising 'em. It was worth double the money, I tell<br/>
you! I never objected to any men quite so much. And now they've gone<br/>
and behaved decently with the deliberate purpose of annoying me! Oh!"<br/>
cried the Colonel, and shook an immaculate, withered old hand toward<br/>
the spring sky, "may they be qualified with such and such adjectives!"<br/>
<br/>
And that, so far as we are concerned, was the end of Margaret's<br/>
satellites.<br/>
<br/>
My dear Mrs. Grundy, may one point the somewhat obvious moral? I thank<br/>
you, madam, for your long-suffering kindness. Permit me, then, to<br/>
vault toward my moral over the shoulders of a greater man.<br/>
<br/>
Among the papers left by one Charles Dickens--a novelist who is<br/>
obsolete now because he "wallows naked in the pathetic" and was<br/>
frequently guilty of a very vulgar sort of humour that actually made<br/>
people laugh, which, as we now know, is not the purpose of humour--a<br/>
novelist who incessantly "caricatured Nature" and by these inartistic<br/>
and underhand methods created characters that are more real to us than<br/>
the folk we jostle in the street and (God knows!) far more vital and<br/>
worthy of attention than the folk who "cannot read Dickens"--you will<br/>
find, I say, a note of an idea which he never afterward developed,<br/>
running to this effect: "Full length portrait of his lordship,<br/>
surrounded by worshippers. Sensible men enough, agreeable men enough,<br/>
independent men enough in a certain way; but the moment they begin<br/>
to circle round my lord, and to shine with a borrowed light from<br/>
his lordship, heaven and earth, how mean and subservient! What a<br/>
competition and outbidding of each other in servility!"<br/>
<br/>
And this, with "my lord" and "his lordship" erased to make way for the<br/>
word "money," is my moral. The folk who have just left Selwoode were<br/>
honest enough as honesty goes nowadays; kindly as any of us dare<br/>
be who have our own way to make among very stalwart and determined<br/>
rivals; generous as any man may venture to be in a world where<br/>
the first of every month finds the butcher and the baker and the<br/>
candlestick-maker rapping at the door with their little bills: but<br/>
they cringed to money. It was very wrong of them, my dear lady, and in<br/>
extenuation I can only plead that they could no more help cringing to<br/>
money than you or I can help it.<br/>
<br/>
This is very crude and very cynical, but unfortunately it is true.<br/>
<br/>
We always cringe to money; which is humiliating. And the sun always<br/>
rises at an hour when sensible people are abed and have not the least<br/>
need for its services; which is foolish. And what you and I, my dear<br/>
madam, are to do about rectifying either one of these vexatious<br/>
circumstances, I am sure I don't know.<br/>
<br/>
We can, at least, be honest. Let us, then, console ourselves at will<br/>
with moral observations concerning the number of pockets in a shroud<br/>
and the difficulty of a rich man's entering into the kingdom of<br/>
Heaven; but with an humble and reverent heart, let us admit that, in<br/>
the world we know, money rules. Its presence awes us. And if we are<br/>
quite candid we must concede that we very unfeignedly envy and admire<br/>
the rich; we must grant that money confers a certain distinction on a<br/>
man, be he the veriest ass that ever heehawed a platitude, and that we<br/>
cannot but treat him accordingly, you and I.<br/>
<br/>
You are friendly, of course, with your poor cousins; you are delighted<br/>
to have them drop in to dinner, and liberal enough with the claret<br/>
when they do; but when the magnate comes, there is a magnum of<br/>
champagne, and an extra lamp in the drawing-room, and--I blush to<br/>
write it--a far more agreeable hostess at the head of the table. Dives<br/>
is such good company, you see. And speaking for my own sex, I defy any<br/>
honest fellow to lay his hand upon his waistcoat and swear that it<br/>
doesn't give him a distinct thrill of pleasure to be seen in public<br/>
with a millionaire. Daily we truckle in the Eagle's shadow--the shadow<br/>
that lay so heavily across Selwoode. With the Eagle himself and with<br/>
the Eagle's work in the world--the grim, implacable, ruthless work<br/>
that hourly he goes about--our little comedy has naught to do;<br/>
Schlemihl-like, we deal but in shadows. Even the shadow of the Eagle<br/>
is a terrible thing--a shadow that, as Felix Kennaston has told you,<br/>
chills faith, and charity, and independence, and kindliness, and<br/>
truth, and--alas--even common honesty.<br/>
<br/>
But this is both cynical and digressive.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXXI">XXXI</SPAN><br/>
<br/>
Dr. Jeal, better than his word, had Billy Woods out of bed in five<br/>
days. To Billy they were very long and very dreary days, and to<br/>
Margaret very long and penitential ones. But Colonel Hugonin enjoyed<br/>
them thoroughly; for, as he feelingly and frequently observed, it is<br/>
an immense consolation to any man to reflect that his home no longer<br/>
contains "more damn' foolishness to the square inch than any other<br/>
house in the United States."<br/>
<br/>
On all sides they sought for Cock-eye Flinks. But they never found<br/>
him, and to this day they have never found him. The Fates having<br/>
played their pawn, swept it from the board, and Cock-eye Flinks<br/>
disappeared in Clotho's capacious pocket.<br/>
<br/>
All this time the young people saw nothing of one another. On this<br/>
point Jeal was adamantean.<br/>
<br/>
"In a sick-room," he vehemently declared, "a woman is well enough, but<br/>
<i>the</i> woman is the devil and all. I've told that young man plainly,<br/>
sir, that he doesn't see your daughter till he gets well--and, by<br/>
George, sir, he'll get well now just in order to see her. Nature is<br/>
the only doctor who ever cures anybody, Colonel; we humans, for<br/>
all our pill-boxes and lancets, can only prompt her--and devilish<br/>
demoralising advice we generally give her, too," he added, with a<br/>
chuckle.<br/>
<br/>
"Peggy!"<br/>
<br/>
This was the first observation of Mr. Woods when he came to his<br/>
senses. He swore feebly when Peggy was denied to him. He pleaded. He<br/>
scolded. He even threatened, as a last resort, to get out of bed and<br/>
go in immediate search of her; and in return, Jeal told him very<br/>
affably that it was far less difficult to manage a patient in a<br/>
straight-jacket than one out of it, and that personally nothing would<br/>
please him so much as a plausible pretext for clapping Mr. Woods into<br/>
one of 'em. Jeal had his own methods in dealing with the fractious.<br/>
<br/>
Then Billy clamoured for Colonel Hugonin, and subsequently the Colonel<br/>
came in some bewilderment to his daughter's rooms.<br/>
<br/>
"Billy says that will ain't to be probated," he informed her, testily.<br/>
"I'm to make sure it ain't probated till he gets well. You're to give<br/>
me your word you'll do nothing further in the matter till Billy gets<br/>
well. That's his message, and I'd like to know what the devil this<br/>
infernal nonsense means. I ain't a Fenian nor yet a Guy Fawkes,<br/>
daughter, and in consequence I'm free to confess I don't care for all<br/>
this damn mystery and shilly-shallying. But that's the message."<br/>
<br/>
Miss Hugonin debated with herself. "That I will do nothing further in<br/>
the matter till Billy gets well," she repeated, reflectively. "Yes, I<br/>
suppose I'll have to promise it, but you can tell him for me that I<br/>
consider he is <i>horrid</i>, and just as obstinate and selfish as he can<br/>
<i>possibly</i> be. Can you remember that, attractive?"<br/>
<br/>
"Yes, thank you," said the Colonel. "I can remember it, but I ain't<br/>
going to. Nice sort of message to send a sick man, ain't it? I don't<br/>
know what's gotten into you, Margaret--no, begad, I don't! I think<br/>
you're possessed of seventeen devils. And now," the old gentleman<br/>
demanded, after an awkward pause, "are you or are you not going to<br/>
tell me what all this mystery is about?"<br/>
<br/>
"I can't," Miss Hugonin protested. "It--it's a secret, attractive."<br/>
<br/>
"It ain't," said the Colonel, flatly--"it's some more damn<br/>
foolishness." And he went away in a fret and using language.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXXII">XXXII</SPAN><br/>
<br/>
Left to herself, Miss Hugonin meditated.<br/>
<br/>
Miss Hugonin was in her kimono.<br/>
<br/>
And oh, Madame Chrysastheme! oh, Madame Butterfly! Oh, Mimosa San, and<br/>
Pitti Sing, and Yum Yum, and all ye vaunted beauties of Japan! if you<br/>
could have seen her in that garb! Poor little ladies of the Orient,<br/>
how hopelessly you would have wrung your henna-stained fingers! Poor<br/>
little Ichabods of the East, whose glory departed irretrievably when<br/>
she adopted this garment, I tremble to think of the heart-burnings and<br/>
palpitations and hari-karis that would have ensued.<br/>
<br/>
It was pink--the pink of her cheeks to a shade. And scattered about it<br/>
were birds, and butterflies, and snaky, emaciated dragons, with backs<br/>
like saw-teeth, and prodigious fangs, and claws, and very curly tails,<br/>
such as they breed in Nankeen plates and used to breed on packages of<br/>
fire-crackers--all done in gold, the gold of her hair. Moreover, one<br/>
might catch a glimpse of her neck--which was a manifest favour of the<br/>
gods--and about it mysterious, lacy white things intermingling with<br/>
divers tiny blue ribbons. I saw her in it once--by accident.<br/>
<br/>
And now I fancy, as she stood rigid with indignation, her cheeks<br/>
flushed, it must have been a heady spectacle to note how their<br/>
shell-pink repeated the pink of her fantastic garment like a chromatic<br/>
echo; and how her sunny hair, a thought loosened, a shade dishevelled,<br/>
clung heavily about her face, a golden snare for eye and heart; and<br/>
how her own eyes, enormous, cerulean--twin sapphires such as in the<br/>
old days might have ransomed a brace of emperors--grew wistful like a<br/>
child's who has been punished and does not know exactly why; and how<br/>
her petulant mouth quivered and the long black lashes, golden at the<br/>
roots, quivered, too--ah, yes, it must have been a heady spectacle.<br/>
<br/>
"<i>Now</i>," she announced, "I see plainly what he intends doing. He is<br/>
going to destroy that will, and burden me once more with a large and<br/>
influential fortune. I don't want it, and I won't take it, and he<br/>
might just as well understand that in the very beginning. I don't care<br/>
if Uncle Fred did leave it to me--I didn't ask him to, did I? Besides,<br/>
he was a very foolish old man--if he had left the money to Billy<br/>
<i>everything</i> would have been all right. That's always the way--my<br/>
dolls are invariably stuffed with sawdust, and I <i>never</i> have a dear<br/>
gazelle to glad me with his dappled hide, but when he comes to know me<br/>
well he falls upon the buttered side--or something to that effect. I<br/>
hate poetry, anyhow--it's so mushy!"<br/>
<br/>
And this from the Miss Hugonin who a week ago was interested in the<br/>
French <i>decadents</i> and partial to folk-songs from the Romaic! I think<br/>
we may fairly deduce that the reign of Felix Kennaston is over. The<br/>
king is dead; and Margaret's thoughts and affections and her very<br/>
dreams have fallen loyally to crying, Long live the king--his Majesty<br/>
Billy the First.<br/>
<br/>
"Oh!" said Margaret, with an indignant gasp, what time her eyebrows<br/>
gesticulated, "I think Billy Woods is a meddlesome <i>piece</i>!--that's<br/>
what I think! Does he suppose that after waiting all this time for the<br/>
only man in the world who can keep me interested for four hours on<br/>
a stretch and send my pulse up to a hundred and make me feel those<br/>
thrilly thrills I've always longed for--does he suppose that now<br/>
I'm going to pay any attention to his silly notions about wills and<br/>
things? He's abominably selfish! I shan't!"<br/>
<br/>
Margaret moved across the room, shimmering, rustling, glittering like<br/>
a fairy in a pantomime. Then, to consider matters at greater ease, she<br/>
curled up on a divan in much the attitude of a tiny Cleopatra riding<br/>
at anchor on a carpeted Cydnus.<br/>
<br/>
"Billy thinks I want the money--bless his boots! He thinks I'm a<br/>
stuck-up, grasping, purse-proud little pig, and he has every right<br/>
to think so after the way I talked to him, though he ought to have<br/>
realised I was in a temper about Kathleen Saumarez and have paid no<br/>
attention to what I said. And he actually attempted to reason with<br/>
me! If he'd had <i>any</i> consideration for my feelings, he'd have simply<br/>
smacked me and made me behave--however, he's a man, and all men are<br/>
selfish, and <i>she's</i> a skinny old thing, and I <i>never</i> had any use for<br/>
her. Bother her lectures! I never understood a word of them, and I<br/>
don't believe she does, either. Women's clubs are <i>all</i> silly, and I<br/>
think the women who belong to them are <i>all</i> bold-faced jigs! If<br/>
they had any sense, they'd stay at home and take care of the babies,<br/>
instead of messing with philanthropy, and education, and theosophy,<br/>
and anything else that they can't make head or tail of. And they call<br/>
that being cultured! Culture!--I hate the word! I don't want to be<br/>
cultured--I want to be happy."<br/>
<br/>
This, you will observe, was, in effect, a sweeping recantation of<br/>
every ideal Margaret had ever boasted. But Love is a canny pedagogue,<br/>
and of late he had instructed Miss Hugonin in a variety of matters.<br/>
<br/>
"Before God, loving you as I do, I wouldn't marry you for all the<br/>
wealth in the world," she repeated, with a little shiver. "Even in his<br/>
delirium he said that. But I <i>know</i> now that he loves me. And I know<br/>
that I adore him. And if this were a sensible world, I'd walk right in<br/>
there and explain things and ask him to marry me, and then it wouldn't<br/>
matter in the least who had the money. But I can't, because it<br/>
wouldn't be proper. Bother propriety!--but bothering it doesn't do<br/>
any good. As long as I have the money, Billy will never come near me,<br/>
because of the idiotic way I talked to him. And he's bent on my taking<br/>
the money simply because it happens to belong to me. I consider that<br/>
a very silly reason. I'll <i>make</i> Billy Woods take the money, and<br/>
I'll make him see that I'm <i>not</i> a little pig, and that I trust him<br/>
implicitly. And I think I'm quite justified in using a little--we'll<br/>
call it diplomacy--because otherwise he'd go back to France or some<br/>
other objectionable place, and we'd both be <i>very</i> unhappy."<br/>
<br/>
Margaret began to laugh softly. "I've given him my word that I'll<br/>
do nothing further in the matter till he gets well. And I won't.<br/>
<i>But</i>----"<br/>
<br/>
Miss Hugonin rose from the divan with a gesture of sweeping back her<br/>
hair. And then--oh, treachery of tortoise-shell! oh, the villainy of<br/>
those little gold hair-pins!--the fat twisted coils tumbled loose<br/>
and slowly unravelled themselves, and her pink-and-white face,<br/>
half-eclipsed, showed a delectable wedge between big, odourful,<br/>
crinkly, ponderous masses of hair. It clung about her, a heavy cloak,<br/>
all shimmering gold like the path of sunset over the June sea. And<br/>
Margaret, looking at herself in the mirror, laughed, and appeared<br/>
perfectly content with what she saw there.<br/>
<br/>
"But," said she, "if the Fates are kind to me--and I sometimes think<br/>
I <i>have</i> a pull with the gods--I'll make you happy, Billy Woods, in<br/>
spite of yourself."<br/>
<br/>
The mirror flashed back a smile. Margaret was strangely interested in<br/>
the mirror.<br/>
<br/>
"She has ringlets in her hair," sang Margaret happily--a low,<br/>
half-hushed little song. She held up a strand of it to demonstrate<br/>
this fact.<br/>
<br/>
"There's a dimple in her chin"--and, indeed, there was. And a dimple<br/>
in either cheek, too.<br/>
<br/>
For a long time afterward she continued to smile at the mirror. I am<br/>
afraid Kathleen Saumarez was right. She was a vain little cat, was<br/>
Margaret.<br/>
<br/>
But, barring a rearrangement of the cosmic scheme, I dare say maids<br/>
will continue to delight in their own comeliness so long as mirrors<br/>
speak truth. Let us, then, leave Miss Hugonin to this innocent<br/>
diversion. The staidest of us are conscious of a brisk elation at<br/>
sight of a pretty face; and surely no considerate person will deny its<br/>
owner a portion of the pleasure that daily she accords the beggar at<br/>
the street-corner.<br/>
<br/>
<br/>
<br/>
<SPAN name="XXXIII">XXXIII</SPAN><br/>
<br/>
We are credibly informed that Time travels in divers paces with divers<br/>
persons--the statement being made by a lady who may be considered to<br/>
speak with some authority, having triumphantly withstood the ravages<br/>
of Chronos for a matter of three centuries. But I doubt if even the<br/>
insolent sweet wit of Rosalind could have devised a fitting simile for<br/>
Time's gait at Selwoode those five days that Billy lay abed. Margaret<br/>
could not but marvel at the flourishing proportion attained by the<br/>
hours in those sunlit spring days; and at dinner, say, her thoughts<br/>
harking back to luncheon, recalled it by a vigorous effort as an<br/>
affair of the dim yester-years--a mere blurred memory, faint and vague<br/>
as a Druidical tenet or a Merovingian squabble.<br/>
<br/>
But the time passed for all that; and eventually--it was just before<br/>
dusk--she came, with Martin Jeal's permission, into the room where<br/>
Billy was. And beside the big open fireplace, where a wood fire<br/>
chattered companionably, sat a very pallid Billy, a rather thin Billy,<br/>
with a great many bandages about his head.<br/>
<br/>
You may depend upon it, Margaret was not looking her worst that<br/>
afternoon. By actual count, Célestine had done her hair six times<br/>
before reaching an acceptable result.<br/>
<br/>
And, "Yes, Célestine, you may get out that pale yellow dress. No,<br/>
beautiful, the one with the black satin stripes on the bodice--because<br/>
I don't want my hair cast completely in the shade, do I? Now, let me<br/>
see--black feather, gloves, large pompadour, <i>and</i> a sweet smile. No,<br/>
I don't want a fan--that's a Lydia Languish trade-mark. And <i>two</i> silk<br/>
skirts rustling like the deadest leaves imaginable. Yes, I think that<br/>
will do. And if you can't hook up my dress without pecking and pecking<br/>
at me like that, I'll probably go stark, <i>staring</i> crazy, Célestine,<br/>
and then you'll be sorry. No, it isn't a bit tight--are you perfectly<br/>
certain there's no powder behind my ears, Célestine? Now, <i>please</i> try<br/>
to fasten the collar without pulling all my hair down. Ye-es, I think<br/>
that will do, Célestine. Well, it's very nice of you to say so, but I<br/>
don't believe I much fancy myself in yellow, after all."<br/>
<br/>
Equipped and armed for conquest, then, she came into the room with a<br/>
very tolerable affectation of unconcern. Altogether, it was a quite<br/>
effective entrance.<br/>
<br/>
"I've been for a little drive, Billy," she mendaciously informed him.<br/>
"That's how you happen to have the opportunity of seeing me in all my<br/>
nice new store-clothes. Aren't you pleased, Billy? No, don't you dare<br/>
get up!" Margaret stood across the room, peeling off her gloves and<br/>
regarding him on the whole with disapproval. "They've been starving<br/>
you," she pensively reflected. "As soon as that Jeal person goes away,<br/>
I shall have six little beefsteaks cooked and see to it personally<br/>
that you eat every one of them. And I'll cook a cherry pie--quick as<br/>
a cat can wink her eye--won't I, Billy? That Jeal person is a decided<br/>
nuisance," said Miss Hugonin, as she stabbed her hat rather viciously<br/>
with two hat-pins and then laid it aside on a table.<br/>
<br/>
Billy Woods was looking up at her forlornly. It hurt her to see the<br/>
love and sorrow in his face. But oh, how avidly his soul drank in the<br/>
modulations of that longed-for voice--a voice that was honey and gold<br/>
and velvet and all that is most sweet and rich and soft in the world.<br/>
<br/>
"Peggy," said he, plunging at the heart of things, "where's that<br/>
will?"<br/>
<br/>
Miss Hugonin kicked forward a little foot-stool to the other side of<br/>
the fire, and sat down and complacently smoothed out her skirts.<br/>
<br/>
"I knew it!" said she. "I never saw such a one-idea'd person in my<br/>
life. I knew that would be the very first thing you would ask for,<br/>
Billy Woods, because you're such an obstinate, stiffnecked <i>donkey</i>.<br/>
Very well!"--and Margaret tossed her head--"here's Uncle Fred's will,<br/>
then, and you can do <i>exactly</i> as you like with it, and <i>now</i> I hope<br/>
you're satisfied!" And Margaret handed him the long envelope which lay<br/>
in her lap.<br/>
<br/>
Mr. Woods promptly opened it.<br/>
<br/>
"That," Miss Hugonin commented, "is what I term very unladylike<br/>
behaviour on your part."<br/>
<br/>
"You evidently don't trust me, Billy Woods. Very well! I don't care!<br/>
Read it carefully--very carefully, and make quite sure I haven't been<br/>
dabbling in forgery of late--besides, it's so good for your eyes, you<br/>
know, after being hit over the head," Margaret suggested, cheerfully.<br/>
<br/>
Billy chuckled. "That's true," said he, "but I know Uncle Fred's fist<br/>
well enough without having to read it all. Candidly, Peggy, I <i>had</i> to<br/>
look at it, because I--well, I didn't quite trust you, Peggy. And<br/>
now we're going to burn this interesting paper, you and I." "Wait!"<br/>
Margaret cried. "Ah, wait, just a moment, Billy!"<br/>
<br/>
He glanced up at her in surprise, the paper still poised in his hand.<br/>
<br/>
She sat with head drooped forward, her masculine little chin thrust<br/>
out eagerly, her candid eyes transparently appraising him.<br/>
<br/>
"Why are you going to burn it, Billy?"<br/>
<br/>
"Why?" Mr. Woods, repeated, thoughtfully. "Well, for a variety of<br/>
reasons. First is, that Uncle Fred really did leave his money to you,<br/>
and burning this is the only way of making sure you get it. Why, I<br/>
thought you wanted me to burn it! Last time I saw you--"<br/>
<br/>
"I was in a temper," said Margaret, haughtily. "You ought to have seen<br/>
that."<br/>
<br/>
"Yes, I--er--noticed it," Mr. Woods admitted, with some dryness; "but<br/>
it wasn't only temper. You've grown accustomed to the money. You'd<br/>
miss it now--miss the pleasure it gives you, miss the power it gives<br/>
you. You'd never be content to go back to the old life now. Why,<br/>
Peggy, you yourself told me you thought money the greatest thing in<br/>
the world! It has changed you, Peggy, this--ah, well!" said Billy, "we<br/>
won't talk about that. I'm going to burn it because that's the only<br/>
honourable thing to do. Ready, Peggy?"<br/>
<br/>
"It may be honourable, but it's <i>extremely</i> silly," Margaret<br/>
temporised, "and for my part, I'm very, very glad God had run out of a<br/>
sense of honour when He created the woman."<br/>
<br/>
"Phrases don't alter matters. Ready, Peggy?"<br/>
<br/>
"Ah, no, phrases don't alter matters!" she assented, with a quick lift<br/>
of speech. "You're going to destroy that will, Billy Woods, simply<br/>
because you think I'm a horrid, mercenary, selfish <i>pig</i>. You think I<br/>
couldn't give up the money--you think I couldn't be happy without it.<br/>
Well, you have every right to think so, after the way I've behaved.<br/>
But why not tell me that is the real reason?"<br/>
<br/>
Billy raised his hand in protest. "I--I think you might miss it," he<br/>
conceded. "Yes, I think you would miss it."<br/>
<br/>
"Listen!" said Margaret, quickly. "The money is yours now--by my act.<br/>
You say you--care for me. If I am the sort of woman you think me--I<br/>
don't say I am, and I don't say I'm not--but thinking me that sort of<br/>
woman, don't you think I'd--I'd marry you for the asking if you kept<br/>
the money? Don't you think you're losing every chance of me by burning<br/>
that will? Oh, I'm not standing on conventionalities now! Don't you<br/>
think that, Billy?"<br/>
<br/>
She was tempting him to the uttermost; and her heart was sick with<br/>
fear lest he might yield. This was the Eagle's last battle; and<br/>
recreant Love fought with the Eagle against poor Billy, who had only<br/>
his honour to help him.<br/>
<br/>
Margaret's face was pale as she bent toward him, her lips parted a<br/>
little, her eyes glinting eerily in the firelight. The room was dark<br/>
now save in the small radius of its amber glow; beyond that was<br/>
darkness where panels and brasses blinked.<br/>
<br/>
"Yes," said Billy, gravely--"forgive me if I'm wrong, dear, but--I<br/>
do think that. But you see you don't care for me, Peggy. In the<br/>
summer-house I thought for a moment--ah, well, you've shown in a<br/>
hundred ways that you don't care--and I wouldn't have you come to me,<br/>
not caring. So I'm going to burn the paper, dear."<br/>
<br/>
Margaret bowed her head. Had she ever known happiness before?<br/>
<br/>
"It is not very flattering to me," she said, "but it shows that<br/>
you--care--a great deal. You care enough to--let me go. Ah--yes. You<br/>
may burn it now, Billy."<br/>
<br/>
And promptly he tossed it into the flames. For a moment it lay<br/>
unharmed; then the edges caught and crackled and blazed, and their<br/>
heads drew near together as they watched it burn.<br/>
<br/>
There (thought Billy) is the end! Ah, ropes, daggers, and poisons!<br/>
there is the end! Oh, Peggy. Peggy, if you could only have loved me!<br/>
if only this accursed money hadn't spoiled you so utterly! Billy was<br/>
quite properly miserable over it.<br/>
<br/>
But he raised his head with a smile. "And now," said he--and not<br/>
without a little, little bitterness; "if I have any right to advise<br/>
you, Peggy, I--I think I'd be more careful in the future as to how I<br/>
used the money. You've tried to do good with it, I know. But every<br/>
good cause has its parasites. Don't trust entirely to the Haggages and<br/>
Jukesburys, Peggy, and--and don't desert the good ship Philanthropy<br/>
because there are a few barnacles on it, dear."<br/>
<br/>
"You make me awfully tired," Miss Hugonin observed, as she rose to her<br/>
feet. "How do you suppose I'm going to do anything for Philanthropy or<br/>
any other cause when I haven't a penny in the world? You see, you've<br/>
just burned the last will Uncle Fred ever made--the one that left<br/>
everything to me. The one in your favour was probated or proved or<br/>
whatever they call it a week ago." I think Billy was surprised.<br/>
<br/>
She stood over him, sharply outlined against the darkness, clasping<br/>
her hands tightly just under her chin, ludicrously suggestive of a<br/>
pre-Raphaelitish saint. In the firelight her hair was an aureole; and<br/>
her gown, yellow with multitudinous tiny arabesques of black velvet,<br/>
echoed the glow of her hair to a shade. The dancing flames made of her<br/>
a flickering little yellow wraith. And oh, the quaint tenderness of<br/>
her eyes!--oh, the hint of faint, nameless perfume she diffused! thus<br/>
ran the meditations of Billy's dizzied brain.<br/>
<br/>
"Listen! I told you I burned the other will. I started to burn it. But<br/>
I was afraid to, because I didn't know what they could do to me if I<br/>
did. So I put it away in my little handkerchief-box--and if you'd had<br/>
a <i>grain</i> of sense you'd have noticed the orris on it. And you made me<br/>
promise not to take any steps in the matter till you got well. I knew<br/>
you would. So I had already sent that second will--sent it before I<br/>
promised you--to Hunston Wyke--he's my lawyer now, you know--and I've<br/>
heard from him, and he has probated it."<br/>
<br/>
Billy was making various irrelevant sounds.<br/>
<br/>
"And I brought that other will to you, and if you didn't choose to<br/>
examine it more carefully I'm sure it wasn't my fault. I kept my word<br/>
like a perfect gentleman and took no step <i>whatever</i> in the matter.<br/>
I didn't say a word when before my eyes you stripped me of my entire<br/>
worldly possessions--you know I didn't. You burned it up yourself,<br/>
Billy Woods--of your own free will and accord--and now Selwoode and<br/>
all that detestable money belongs to <i>you</i>, and I'm sure I'd like to<br/>
know what you are going to do about it. So <i>there</i>!"<br/>
<br/>
Margaret faced him defiantly. Billy was in a state of considerable<br/>
perturbation.<br/>
<br/>
"Why have you done this?" he asked, slowly. But a lucent<br/>
something--half fear, half gladness--was wakening in Billy's eyes.<br/>
<br/>
And her eyes answered him. But her tongue was far less veracious.<br/>
<br/>
"Because you thought I was a <i>pig</i>! Because you couldn't make<br/>
allowances for a girl who for four years has seen nothing but money<br/>
and money-worshippers and the power of money! Because I wanted<br/>
your--your respect, Billy. And you thought I couldn't give it up! Very<br/>
well!" Miss Hugonin waved her hand airily toward the hearth. "Now I<br/>
hope you know better. <i>Don't you dare get up, Billy Woods</i>!"<br/>
<br/>
But I think nothing short of brute force could have kept Mr. Woods<br/>
from her.<br/>
<br/>
"Peggy," he babbled--"ah, forgive me if I'm a presumptuous ass--but<br/>
was it because you knew I couldn't ask you to marry me so long as you<br/>
had the money?"<br/>
<br/>
She dallied with her bliss. Margaret was on the other side of the<br/>
table.<br/>
<br/>
"Why--why, of course it wasn't!" she panted. "What nonsense!"<br/>
<br/>
"Look at me, Peggy!"<br/>
<br/>
"I don't want to! You look like a fright with your head all tied up."<br/>
<br/>
"Peggy ... this exercise is bad for an invalid."<br/>
<br/>
"I--oh, please sit down! <i>Please</i>, Billy! It is bad for you."<br/>
<br/>
"Not until you tell me----"<br/>
<br/>
"But I <i>don't</i>!... Oh, you make me <i>awfully</i> tired."<br/>
<br/>
"Peggy, don't you dare stamp your foot at me!... Peggy!"<br/>
<br/>
"<i>Please</i> sit down! Now ... well, there's my hand, stupid, if you<br/>
<i>will</i> be silly. Now sit down here--so, with your head leaned back on<br/>
this nice little cushion because it's good for your poor head--and<br/>
I'll sit on this nice little footstool and be quite, quite honest. No,<br/>
you must lean back--I don't care if you can't see me, I'd much rather<br/>
you couldn't. Well, the truth is--no, you <i>must</i> lean back--the truth<br/>
is--I've loved you all my life, Billy Woods, and--no, not <i>yet</i>,<br/>
Billy--and if you hadn't been the stupidest beautiful in the universe<br/>
you'd have seen it long ago. You--you needn't--lean back--any longer,<br/>
Billy ... Oh, Billy, why <i>didn't</i> you shave?"<br/>
<br/>
"She <i>is</i> skinny, isn't she, Billy?"<br/>
<br/>
"Now, Peggy, you mustn't abuse Kathleen. She's a friend of mine."<br/>
<br/>
"Well, I know she's a friend of yours, but that doesn't prevent her<br/>
being skinny, does it?"<br/>
<br/>
"Now, Peggy--"<br/>
<br/>
"Please, Billy! <i>Please</i> say she's skinny!"<br/>
<br/>
"Er--well, she's a bit thin, perhaps."<br/>
<br/>
"You angel!"<br/>
<br/>
"And you're quite sure you've forgiven me for doubting you?"<br/>
<br/>
"And you've forgiven <i>me</i>?"<br/>
<br/>
"Bless you, Peggy, I never doubted you! I've been too busy loving<br/>
you."<br/>
<br/>
"It seems to me as if it had been--<i>always</i>."<br/>
<br/>
"Why, didn't we love one another in Carthage, Peggy?"<br/>
<br/>
"I think it was in Babylon, Billy."<br/>
<br/>
"And will love one another----?"<br/>
<br/>
"Forever and ever, dear. You've been to seek a wife, Billy boy."<br/>
<br/>
"And oh, the dimple in her chin..."<br/>
<br/>
* * * * *<br/>
<br/>
Ah, well! There was a deal of foolish prattle there in the<br/>
firelight--delectable prattle, irresponsible as the chattering of<br/>
birds after a storm. And I fancy that the Eagle's shadow is lifted<br/>
from Selwoode, now that Love has taken up his abode there.<br/>
<br/>
<big>THE END</big><br/>
<br/>
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