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<h2> CHAPTER XXXVII </h2>
<h3> THE FLOWERING OF THE ALOE </h3>
<p>This same day, returning through Kensington Gardens, from his preparations
for departure, Hilary came suddenly on Bianca standing by the shores of
the Round Pond.</p>
<p>To the eyes of the frequenters of these Elysian fields, where so many men
and shadows daily steal recreation, to the eyes of all drinking in those
green gardens their honeyed draught of peace, this husband and wife
appeared merely a distinguished-looking couple, animated by a leisured
harmony. For the time was not yet when men were one, and could tell by
instinct what was passing in each other's hearts.</p>
<p>In truth, there were not too many people in London who, in their
situation, would have behaved with such seemliness—not too many so
civilised as they!</p>
<p>Estranged, and soon to part, they retained the manner of accord up to the
last. Not for them the matrimonial brawl, the solemn accusation and
recrimination, the pathetic protestations of proprietary rights. For them
no sacred view that at all costs they must make each other miserable—not
even the belief that they had the right to do so. No, there was no relief
for their sore hearts. They walked side by side, treating each other's
feelings with respect, as if there had been no terrible heart-turnings
throughout the eighteen years in which they had first loved, then, through
mysterious disharmony, drifted apart; as if there were now between them no
question of this girl.</p>
<p>Presently Hilary said:</p>
<p>“I've been into town and made my preparations; I'm starting tomorrow for
the mountains. There will be no necessity for you to leave your father.”</p>
<p>“Are you taking her?”</p>
<p>It was beautifully uttered, without a trace of bias or curiosity, with an
unforced accent, neither indifferent nor too interested—no one could
have told whether it was meant for generosity or malice. Hilary took it
for the former.</p>
<p>“Thank you,” he said; “but that comedy is finished.”</p>
<p>Close to the edge of the Round Pond a swanlike cutter was putting out to
sea; in the wake of this fair creature a tiny scooped-out bit of wood,
with three feathers for masts, bobbed and trembled; and the two small
ragged boys who owned that little galley were stretching bits of branch
out towards her over the bright waters.</p>
<p>Bianca looked, without seeing, at this proof of man's pride in his own
property. A thin gold chain hung round her neck; suddenly she thrust it
into the bosom of her dress. It had broken into two, between her fingers.</p>
<p>They reached home without another word.</p>
<p>At the door of Hilary's study sat Miranda. The little person answered his
caress by a shiver of her sleek skin, then curled herself down again on
the spot she had already warmed.</p>
<p>“Aren't you coming in with me?” he said.</p>
<p>Miranda did not move.</p>
<p>The reason for her refusal was apparent when Hilary had entered. Close to
the long bookcase, behind the bust of Socrates, stood the little model.
Very still, as if fearing to betray itself by sound or movement, was her
figure in its blue-green frock, and a brimless toque of brown straw, with
two purplish roses squashed together into a band of darker velvet. Beside
those roses a tiny peacock's feather had been slipped in—unholy
little visitor, slanting backward, trying, as it were, to draw all eyes,
yet to escape notice. And, wedged between the grim white bust and the dark
bookcase, the girl herself was like some unlawful spirit which had slid in
there, and stood trembling and vibrating, ready to be shuttered out.</p>
<p>Before this apparition Hilary recoiled towards the door, hesitated, and
returned.</p>
<p>“You should not have come here,” he muttered, “after what we said to you
yesterday.”</p>
<p>The little model answered quickly: “But I've seen Hughs, Mr. Dallison.
He's found out where I live. Oh, he does look dreadful; he frightens me. I
can't ever stay there now.”</p>
<p>She had come a little out of her hiding-place, and stood fidgeting her
hands and looking down.</p>
<p>'She's not speaking the truth,' thought Hilary.</p>
<p>The little model gave him a furtive glance. “I did see him,” she said. “I
must go right away now; it wouldn't be safe, would it?” Again she gave him
that swift look.</p>
<p>Hilary thought suddenly: 'She is using my own weapon against me. If she
has seen the man, he didn't frighten her. It serves me right!' With a dry
laugh, he turned his back.</p>
<p>There was a rustling round. The little model had moved out of her retreat,
and stood between him and the door. At this stealthy action, Hilary felt
once more the tremor which had come over him when he sat beside her in the
Broad Walk after the baby's funeral. Outside in the garden a pigeon was
pouring forth a continuous love song; Hilary heard nothing of it,
conscious only of the figure of the girl behind him—that young
figure which had twined itself about his senses.</p>
<p>“Well, what is it you want?” he said at last.</p>
<p>The little model answered by another question.</p>
<p>“Are you really going away, Mr. Dallison?”</p>
<p>“I am.”</p>
<p>She raised her hands to the level of her breast, as though she meant to
clasp them together; without doing so, however, she dropped them to her
sides. They were cased in very worn suede gloves, and in this dire moment
of embarrassment Hilary's eyes fastened themselves on those slim hands
moving against her skirt.</p>
<p>The little model tried at once to slip them away behind her. Suddenly she
said in her matter-of-fact voice: “I only wanted to ask—Can't I come
too?”</p>
<p>At this question, whose simplicity might have made an angel smile, Hilary
experienced a sensation as if his bones had been turned to water. It was
strange—delicious—as though he had been suddenly offered all
that he wanted of her, without all those things that he did not want. He
stood regarding her silently. Her cheeks and neck were red; there was a
red tinge, too, in her eyelids, deepening the “chicory-flower” colour of
her eyes. She began to speak, repeating a lesson evidently learned by
heart.</p>
<p>“I wouldn't be in your way. I wouldn't cost much. I could do everything
you wanted. I could learn typewriting. I needn't live too near, or that;
if you didn't want me, because of people talking; I'm used to being alone.
Oh, Mr. Dallison, I could do everything for you. I wouldn't mind anything,
and I'm not like some girls; I do know what I'm talking about.”</p>
<p>“Do you?”</p>
<p>The little model put her hands up, and, covering her face, said:</p>
<p>“If you'd try and see!”</p>
<p>Hilary's sensuous feeling almost vanished; a lump rose in his throat
instead.</p>
<p>“My child,” he said, “you are too generous!”</p>
<p>The little model seemed to know instinctively that by touching his spirit
she had lost ground. Uncovering her face, she spoke breathlessly, growing
very pale:</p>
<p>“Oh no, I'm not. I want to be let come; I don't want to stay here. I know
I'll get into mischief if you don't take me—oh, I know I will!”</p>
<p>“If I were to let you come with me,” said Hilary, “what then? What sort of
companion should I be to you, or you to me? You know very well. Only one
sort. It's no use pretending, child, that we've any interests in common.”</p>
<p>The little model came closer.</p>
<p>“I know what I am,” she said, “and I don't want to be anything else. I can
do what you tell me to, and I shan't ever complain. I'm not worth any
more!”</p>
<p>“You're worth more,” muttered Hilary, “than I can ever give you, and I'm
worth more than you can ever give me.”</p>
<p>The little model tried to answer, but her words would not pass her throat;
she threw her head back trying to free them, and stood, swaying. Seeing
her like this before him, white as a sheet, with her eyes closed and her
lips parted, as though about to faint, Hilary seized her by the shoulders.
At the touch of those soft shoulders, his face became suffused with blood,
his lips trembled. Suddenly her eyes opened ever so little between their
lids, and looked at him. And the perception that she was not really going
to faint, that it was a little desperate wile of this child Delilah, made
him wrench away his hands. The moment she felt that grasp relax she sank
down and clasped his knees, pressing them to her bosom so that he could
not stir. Closer and closer she pressed them to her, till it seemed as
though she must be bruising her flesh. Her breath came in sobs; her eyes
were closed; her lips quivered upwards. In the clutch of her clinging body
there seemed suddenly the whole of woman's power of self-abandonment. It
was just that, which, at this moment, so horribly painful to him,
prevented Hilary from seizing her in his arms just that queer seeming
self-effacement, as though she were lost to knowledge of what she did. It
seemed too brutal, too like taking advantage of a child.</p>
<p>From calm is born the wind, the ripple from the still pool, self out of
nothingness—so all passes imperceptibly, no man knows how. The
little model's moment of self-oblivion passed, and into her wet eyes her
plain, twisting spirit suddenly writhed up again, for all the world as if
she had said: 'I won't let you go; I'll keep you—I'll keep you.'</p>
<p>Hilary broke away from her, and she fell forward on her face.</p>
<p>“Get up, child,” he said—“get up; for God's sake, don't lie there!”</p>
<p>She rose obediently, choking down her sobs, mopping her face with a small,
dirty handkerchief. Suddenly, taking a step towards him, she clenched both
her hands and struck them downwards.</p>
<p>“I'll go to the bad,” she said—-"I will—if you don't take me!”
And, her breast heaving, her hair all loose, she stared straight into his
face with her red-rimmed eyes. Hilary turned suddenly, took a book up from
the writing-table, and opened it. His face was again suffused with blood;
his hands and lips trembled; his eyes had a queer fixed stare.</p>
<p>“Not now, not now,” he muttered; “go away now. I'll come to you
to-morrow.”</p>
<p>The little model gave him the look a dog gives you when it asks if you are
deceiving him. She made a sign on her breast, as a Catholic might make the
sign of his religion, drawing her fingers together, and clutching at
herself with them, then passed her little dirty handkerchief once more
over her eyes, and, turning round, went out.</p>
<p>Hilary remained standing where he was, reading the open book without
apprehending what it was.</p>
<p>There was a wistful sound, as of breath escaping hurriedly. Mr. Stone was
standing in the open doorway.</p>
<p>“She has been here,” he said. “I saw her go away.”</p>
<p>Hilary dropped the book; his nerves were utterly unstrung. Then, pointing
to a chair, he said: “Won't you sit down, sir?”</p>
<p>Mr. Stone came close up to his son-in-law.</p>
<p>“Is she in trouble?”</p>
<p>“Yes,” murmured Hilary.</p>
<p>“She is too young to be in trouble. Did you tell her that?”</p>
<p>Hilary shook his head.</p>
<p>“Has the man hurt her?”</p>
<p>Again Hilary shook his head.</p>
<p>“What is her trouble, then?” said Mr. Stone. The closeness of this
catechism, the intent stare of the old man's eyes, were more than Hilary
could bear. He turned away.</p>
<p>“You ask me something that I cannot answer.</p>
<p>“Why?”</p>
<p>“It is a private matter.”</p>
<p>With the blood still beating in his temples, his lips still quivering, and
the feeling of the girl's clasp round his knees, he almost hated this old
man who stood there putting such blind questions.</p>
<p>Then suddenly in Mr. Stone's eyes he saw a startling change, as in the
face of a man who regains consciousness after days of vacancy. His whole
countenance had become alive with a sort of jealous understanding. The
warmth which the little model brought to his old spirit had licked up the
fog of his Idea, and made him see what was going on before his eyes.</p>
<p>At that look Hilary braced himself against the wall.</p>
<p>A flush spread slowly over Mr. Stone's face. He spoke with rare
hesitation. In this sudden coming back to the world of men and things he
seemed astray.</p>
<p>“I am not going,” he stammered, “to ask you any more. I could not pry into
a private matter. That would not be—-” His voice failed; he looked
down.</p>
<p>Hilary bowed, touched to the quick by the return to life of this old man,
so long lost to facts, and by the delicacy in that old face.</p>
<p>“I will not intrude further on your trouble,” said Mr. Stone, “whatever it
may be. I am sorry that you are unhappy, too.”</p>
<p>Very slowly, and without again looking up at his son-in-law, he went out.</p>
<p>Hilary remained standing where he had been left against the wall.</p>
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