<h2>CHAPTER II<br/> <small>Rosa Marie</small></h2>
<p class='drop-cap'>NOT long after Mabel's ineffectual attempt
to borrow an orphan Mrs.
Bennett dispatched her small daughter to
Lake Street to find out, if possible, why Mrs.
Malony, the poultry woman, had failed to
send the week's supply of fresh eggs.</p>
<p>Now, the way to Mrs. Malony's was most
interesting, particularly to a young person
of observing habits. There were houses on
only one side of the street and most of those
were tumbling down under the weight of
the sand that each rain carried down the
hillside. But the opposite side of the road
was even more attractive, for there one had
a grassy, shrubby bank where one could pick
all sorts of things off bushes and get burrs
in one's stockings; a narrow stretch of
pebbled beach where one could sometimes
find an agate, and a wide basin of very shallow
water where one could almost—but not
quite—step from stone to stone without
wetting one's feet. It was certainly an enjoyable
spot. The distance from Mabel's
home to Mrs. Malony's was very short—a
matter of perhaps five blocks. But if a body
went the longest way round, stopped to scour
the green bank for belated blackberries,
prickly hazelnuts, dazzling golden-rod or
rare four-leaved clovers; or loitered to
gather a dress-skirtful of stony treasures
from the glittering beach, going to Mrs.
Malony's meant a great deal more than a
five blocks' journey.</p>
<p>Just a little beyond the poultry woman's
house, on the lake side of the straggling
street, a small, but decidedly attractive point
of land jutted waterward for perhaps two
hundred feet. On this projecting point
stood a small shanty or shack, built, as Mabel
described it later, mostly of knot-holes. She
meant, without knowing how to say it, that
the lumber in the hut was of the poorest
possible quality.</p>
<p>On this long-to-be-remembered day, a
small object moving in the clearing that surrounded
the shack attracted Mabel's attention.
Curiosity led her closer to investigate.</p>
<p>"It's just as I thought!" exclaimed
Mabel, peering rapturously through the
bushes. "It's a real baby!"</p>
<p>Sure enough! It <i>was</i> a baby.</p>
<p>Mabel edged closer, moving cautiously for
fear of frightening her unexpected find.
She saw a small toddler, aged somewhere
between two and three years, roving aimlessly
about the chip-strewn clearing. The
child's round cheeks, chubby wrists, bare feet
and sturdy legs were richly brown. A
straggling fringe of jet-black hair overhung
the stout baby's black, beadlike eyes.</p>
<p>Near the doorway of the rickety shack a
man, half French, half Indian, stood talking
earnestly and with many gesticulations to
a dark-skinned woman, framed by the doorway.
The woman had large black eyes,
shaded by very long black lashes. She wore
her rather coarse black hair in two long,
thick braids that hung in front of her straight
shoulders. In spite of her dark color, her
worn shoes, her ragged, untidy gown, she
seemed to Mabel an exceedingly pretty
woman. The man, too, was handsome, after
a bold, picturesque fashion; but the woman
was the more pleasing.</p>
<p>Mabel approached timidly. She felt that
she was intruding.</p>
<p>"Good-morning," said she, ingratiatingly.
"Is this your little boy?"</p>
<p>"Him girl," returned the woman, with a
sudden flash of white teeth between parted
crimson lips. "Name Rosa Marie. Yes,
him <i>ma petite</i> daughtaire. You like the
looks on him, hey?"</p>
<p>"Oh, so much," cried Mabel, impulsively.
"Oh, <i>would</i> you do me a favor?"</p>
<p>"A favaire," repeated the woman, with a
puzzled glance. "W'at ees a favaire?"</p>
<p></p>
<p>"Oh, <i>would</i> you lend your baby to me?
Would you let me have her to play with
for—— Oh, for all day?"</p>
<p>"Here?" queried the mother, doubtfully.</p>
<p>"No, not here. In my own home—up
there, on the hill. <i>Could</i> I keep her until
six o'clock? I just adore babies, and she's
so fat and cunning! Oh, please, <i>please</i>!
I'd be just awfully obliged."</p>
<p>A look of understanding flashed suddenly
between the man and the woman; but Mabel,
stooping to make friends with little Rosa
Marie, did not observe it.</p>
<p>"Your fodder 'ave nice house, plainty
food, plainty money?" queried the woman,
running a speculative eye over Mabel's plain
but substantial wardrobe.</p>
<p>"Oh yes," returned Mabel, thoughtlessly.
"And besides I have a playhouse. That is,
it isn't exactly mine, but I just about live in
it with three other girls, and that's where I
want to take Rosa Marie. I'll be awfully
careful of her if you'll only let me take her.
Oh, <i>do</i> you think she'll come with me?
Couldn't you <i>tell</i> her to?"</p>
<p>The woman, bending to look into Rosa
Marie's black eyes, talked loudly and rapidly
in some foreign tongue. The mother's voice
was harsh, but her eyes, Mabel noticed,
seemed soft and tender, and much more
beautiful than Rosa Marie's.</p>
<p>"Now," said the woman, turning to
Mabel and speaking in broken English, "eef
you want her, you must go at once. Go now,
I tell you. Go queek, queek! Pull hard eef
she ees drag behind. But go, I tell
you, <i>go</i>!"</p>
<p>The voice rose to an unpleasant, almost
too stirring pitch that jarred suddenly on
Mabel's nerves; but, obeying these hasty instructions,
the little girl drew Rosa Marie
out of the inclosure, led her across the street
and lifted her to the sidewalk. Looking
back from the slight elevation, Mabel
noticed that the man was again talking
earnestly and gesticulating excitedly; while
the woman, once more framed by the doorway,
followed, with her big black eyes, the
chubby figure of Rosa Marie.</p>
<p>"I'll bring her back all safe and sound,"
shouted Mabel, over her shoulder. "Don't
be afraid. Good-by, until six o'clock!"</p>
<p>Escorting Rosa Marie to Dandelion Cottage
proved no light task. Her legs were
very short, it soon became evident that she
was not accustomed to using them for walking
purposes, the way was mostly uphill
and the little brown feet were bare. At first
Mabel led, coaxed and encouraged with the
utmost patience; but presently Rosa Marie
sat heavily on the sidewalk and refused to
rise. That is, she didn't <i>say</i> that she
wouldn't rise. She remained sitting with
such firmness of purpose that it seemed
hopeless to attempt to break her of the habit.</p>
<p>Mabel walked round and round her firmly
seated charge in helpless despair. Rosa
Marie and the sidewalk were one.</p>
<p>"Want any help?" asked a friendly voice.
It belonged to a large, freckled boy who was
carrying two pails of water from the lake
to one of the tumble-down houses.</p>
<div class="figcenter"> <ANTIMG src="images/i034.jpg" width-obs="315" height-obs="500" alt="Toddler on sidewalk with girl trying to lift her" /> <div class="caption">ROSA MARIE AND THE SIDEWALK WERE ONE.</div>
</div>
<p>"Yes, I do," responded Mabel, promptly.
"If you could just lift this child high
enough for me to get hold of her I think I
could carry her."</p>
<p>So the boy, setting his pails down, obligingly
lifted Rosa Marie's solid little person,
Mabel clasped the barrel-shaped body closely,
and, after a word of thanks to the kind boy,
proceeded homeward. But even now her
troubles were not ended. By silently refusing
to cuddle, Rosa Marie converted herself
into a most uncomfortable burden. Her entire
body was a silent protest against leaving
her home.</p>
<p>"Do make yourself soft and bunchy,"
pleaded Mabel, giving Rosa Marie sundry
pokes, calculated to make her double up like
a jack-knife. "Here, bend this way. <i>Haven't</i>
you any joints anywhere? Do hold tight
with your arms and legs. <i>This</i> way.
Pshaw! You're just like a stuffed crocodile.
Well, <i>walk</i> then, if you can't hang on like a
real child. There's one thing certain, you
shan't sit down again. I s'pose we'll get
there <i>sometime</i>."</p>
<hr class="chap" />
<p></p>
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