<SPAN name="startofbook"></SPAN>
<div style="height: 8em;">
<br/><br/><br/><br/><br/><br/><br/><br/></div>
<h1> CLARISSA HARLOWE </h1>
<h3> or the </h3>
<h2> HISTORY OF A YOUNG LADY </h2>
<p><br/></p>
<h2> By Samuel Richardson </h2>
<p><br/></p>
<h3> Volume IX. (of Nine Volumes) </h3>
<p><br/></p>
<hr />
<p><br/></p>
<p><big><b>CONTENTS</b></big></p>
<p><br/></p>
<p><SPAN href="#link2H_4_0001"> DETAILED CONTENTS </SPAN></p>
<p><SPAN href="#link2H_4_0004"> LETTER I </SPAN></p>
<p><SPAN href="#link2H_4_0005"> LETTER II </SPAN></p>
<p><SPAN href="#link2H_4_0006"> LETTER III </SPAN></p>
<p><SPAN href="#link2H_4_0007"> LETTER IV </SPAN></p>
<p><SPAN href="#link2H_4_0008"> LETTER V </SPAN></p>
<p><SPAN href="#link2H_4_0009"> LETTER VI </SPAN></p>
<p><SPAN href="#link2H_4_0010"> LETTER VII </SPAN></p>
<p><SPAN href="#link2H_4_0011"> LETTER VIII </SPAN></p>
<p><SPAN href="#link2H_4_0012"> LETTER IX </SPAN></p>
<p><SPAN href="#link2H_4_0013"> LETTER X </SPAN></p>
<p><SPAN href="#link2H_4_0014"> LETTER XI </SPAN></p>
<p><SPAN href="#link2H_4_0015"> LETTER XII </SPAN></p>
<p><SPAN href="#link2H_4_0016"> LETTER XIII </SPAN></p>
<p><SPAN href="#link2H_4_0017"> LETTER XIV </SPAN></p>
<p><SPAN href="#link2H_4_0018"> LETTER XV </SPAN></p>
<p><SPAN href="#link2H_4_0019"> LETTER XVI </SPAN></p>
<p><SPAN href="#link2H_4_0020"> LETTER XVII </SPAN></p>
<p><SPAN href="#link2H_4_0021"> LETTER XVIII </SPAN></p>
<p><SPAN href="#link2H_4_0022"> LETTER XIX </SPAN></p>
<p><SPAN href="#link2H_4_0023"> LETTER XX </SPAN></p>
<p><SPAN href="#link2H_4_0024"> LETTER XXI </SPAN></p>
<p><SPAN href="#link2H_4_0025"> LETTER XXII </SPAN></p>
<p><SPAN href="#link2H_4_0026"> LETTER XXIII </SPAN></p>
<p><SPAN href="#link2H_4_0027"> LETTER XXIV </SPAN></p>
<p><SPAN href="#link2H_4_0028"> LETTER XXV </SPAN></p>
<p><SPAN href="#link2H_4_0029"> LETTER XXVI </SPAN></p>
<p><SPAN href="#link2H_4_0030"> LETTER XXVII </SPAN></p>
<p><SPAN href="#link2H_4_0031"> LETTER XXVIII </SPAN></p>
<p><SPAN href="#link2H_4_0032"> LETTER XXIX </SPAN></p>
<p><SPAN href="#link2H_4_0033"> LETTER XXX </SPAN></p>
<p><SPAN href="#link2H_4_0034"> LETTER XXXI </SPAN></p>
<p><SPAN href="#link2H_4_0035"> LETTER XXXII </SPAN></p>
<p><SPAN href="#link2H_4_0036"> LETTER XXXIII </SPAN></p>
<p><SPAN href="#link2H_4_0037"> LETTER XXXIV </SPAN></p>
<p><SPAN href="#link2H_4_0038"> LETTER XXXV </SPAN></p>
<p><SPAN href="#link2H_4_0039"> LETTER XXXVI </SPAN></p>
<p><SPAN href="#link2H_4_0040"> LETTER XXXVII </SPAN></p>
<p><SPAN href="#link2H_4_0041"> LETTER XXXVIII </SPAN></p>
<p><SPAN href="#link2H_4_0042"> LETTER XXXIX </SPAN></p>
<p><SPAN href="#link2H_4_0043"> LETTER XL </SPAN></p>
<p><SPAN href="#link2H_4_0044"> LETTER XLI </SPAN></p>
<p><SPAN href="#link2H_4_0045"> LETTER XLII </SPAN></p>
<p><SPAN href="#link2H_4_0046"> LETTER XLIII </SPAN></p>
<p><SPAN href="#link2H_4_0047"> LETTER XLIV </SPAN></p>
<p><SPAN href="#link2H_4_0048"> LETTER XLV </SPAN></p>
<p><SPAN href="#link2H_4_0049"> LETTER XLVI </SPAN></p>
<p><SPAN href="#link2H_4_0050"> LETTER XLVII </SPAN></p>
<p><SPAN href="#link2H_4_0051"> LETTER XLVIII </SPAN></p>
<p><SPAN href="#link2H_4_0052"> LETTER XLIX </SPAN></p>
<p><SPAN href="#link2H_4_0053"> LETTER L </SPAN></p>
<p><SPAN href="#link2H_4_0054"> LETTER LI </SPAN></p>
<p><SPAN href="#link2H_4_0055"> LETTER LII </SPAN></p>
<p><SPAN href="#link2H_4_0056"> LETTER LIII </SPAN></p>
<p><SPAN href="#link2H_4_0057"> LETTER LIV </SPAN></p>
<p><SPAN href="#link2H_4_0058"> LETTER LV </SPAN></p>
<p><SPAN href="#link2H_4_0059"> LETTER LVI </SPAN></p>
<p><SPAN href="#link2H_4_0060"> LETTER LVII </SPAN></p>
<p><SPAN href="#link2H_4_0061"> LETTER LVIII </SPAN></p>
<p><SPAN href="#link2H_4_0062"> LETTER LIX </SPAN></p>
<p><SPAN href="#link2H_4_0063"> LETTER LX. </SPAN></p>
<p><SPAN href="#link2H_4_0064"> LETTER LXI </SPAN></p>
<p><SPAN href="#link2H_4_0065"> LETTER LXII </SPAN></p>
<p><SPAN href="#link2H_4_0066"> LETTER LXIII </SPAN></p>
<p><SPAN href="#link2H_CONC"> CONCLUSION </SPAN></p>
<p><br/></p>
<hr />
<p><br/></p>
<blockquote>
<p><SPAN name="link2H_4_0001" id="link2H_4_0001"></SPAN></p>
<p><big><b>DETAILED CONTENTS</b></big></p>
<p><br/></p>
<p>LETTER I. Belford to Lovelace.— Her silent devotion. Strong
symptoms of her approaching dissolution. Comforts her cousin and him.
Wishes she had her parents' last blessing: but God, she says, would not
let her depend for comfort on any but Himself. Repeats her request to
the Colonel, that he will not seek to avenge her wrongs; and to Belford,
that he will endeavour to heal all breaches.</p>
<p>LETTER II. From the same.— The Colonel writes to Mr. John Harlowe
that they may now spare themselves the trouble of debating about a
reconciliation. The lady takes from her bosom a miniature picture of
Miss Howe, to be given to Mr. Hickman after her decease. Her affecting
address to it, on parting with it.</p>
<p>LETTER III. Belford to Mowbray.— Desires him and Tourville to
throw themselves in the way of Lovelace, in order to prevent him doing
either mischief to himself or others, on the receipt of the fatal news
which he shall probably send him in an hour or two.</p>
<p>LETTER IV. Lovelace to Belford.— A letter filled with rage,
curses, and alternate despair and hope.</p>
<p>LETTER V. Belford to Lovelace.— With the fatal hint, that he may
take a tour to Paris, or wherever else his destiny shall lead him.</p>
<p>LETTER VI. Mowbray to Belford.— With the particulars, in his
libertine manner, of Lovelace's behaviour on his receiving the fatal
breviate, and of the distracted way he is in.</p>
<p>LETTER VII. Belford to Lovelace.— Particulars of Clarissa's truly
christian behaviour in her last hours. A short sketch of her character.</p>
<p>LETTER VIII. From the same.— The three next following letters
brought by a servant in livery, directed to the departed lady, viz.</p>
<p>LETTER IX. From Mrs. Norton.— With the news of a general
reconciliation upon her own conditions.</p>
<p>LETTER X. From Miss Arabella.— In which she assures her of all
their returning love and favour.</p>
<p>LETTER XI. From Mr. John Harlowe.— Regretting that things have
been carried so far; and desiring her to excuse his part in what had
passed.</p>
<p>LETTER XII. Belford to Lovelace.— His executorial proceedings.
Eleven posthumous letters of the lady. Copy of one of them written to
himself. Tells Lovelace of one written to him, in pursuance of her
promise in her allegorical letter. (See Letter XVIII. of Vol. VIII.)
Other executorial proceedings. The Colonel's letter to James Harlowe,
signifying Clarissa's request to be buried at the feet of her
grandfather.</p>
<p>LETTER XIII. From the same.— Mrs. Norton arrives. Her surprise and
grief to find her beloved young lady departed. The posthumous letters
calculated to give comfort, and not to reproach.</p>
<p>LETTER XIV. XV. XVI. XVII. XVIII. Copies of Clarissa's posthumous
letters to her father, mother, brother, sister, and uncle.</p>
<p>Substance of her letter to her aunt Hervey, concluding with advice to
her cousin Dolly.</p>
<p>Substance of her letter to Miss Howe, with advice in favour of Mr.
Hickman.</p>
<p>LETTER XIX. Belford to Lovelace.— The wretched Sinclair breaks her
leg, and dispatches Sally Martin to beg a visit from him, and that he
will procure for her the forgiveness. Sally's remorse for the treatment
she gave her at Rowland's. Acknowledges the lady's ruin to be in a great
measure owing to their instigations.</p>
<p>LETTER XX. From the same.— Miss Howe's distress on receiving the
fatal news, and the posthumous letters directed to her. Copy of James
Harlowe's answer to Colonel Morden's letter, in which he relates the
unspeakable distress of the family; endeavours to exculpate himself;
desires the body may be sent down to Harlowe-place; and that the Colonel
will favour them with his company.</p>
<p>LETTER XXI. Belford to Lovelace.— The corpse sent down, attended
by the Colonel and Mrs. Norton.</p>
<p>LETTER XXII. Mowbray to Belford.— An account of Lovelace's
delirious unmanageableness, and extravagant design, had they not all
interposed. They have got Lord M. to him. He endeavours to justify
Lovelace by rakish principles, and by a true story of a villany which he
thinks greater than that of Lovelace by Clarissa.</p>
<p>LETTER XXIII. Lovelace to Belford.— Written in the height of his
delirium. The whole world, he says, is but one great Bedlam. Every one
in it mad but himself.</p>
<p>LETTER XXIV. Belford to Mowbray.— Desires that Lovelace, on his
recovery, may be prevailed upon to go abroad; and why. Exhorts him and
Tourville to reform, as he is resolved to do.</p>
<p>LETTER XXV. Belford to Lovelace.— Describing the terrible
impatience, despondency, and death of the wretched Sinclair.</p>
<p>[As the bad house is often mentioned in this work, without any other
stigma than what arises from the wicked principles and actions
occasionally given of the wretches who inhabit it; Mr. Belford here
enters into the secret retirements of those creatures, and exposes them
in the appearances they are supposed to make, before they are tricked
out to ensnare weak and inconsiderate minds.]</p>
<p>LETTER XXVI. Colonel Morden to Mr. Belford.— With an account of
his arrival at Harlowe-place before the body. The dreadful distress of
the whole family in expectation of its coming. The deep remorse of James
and Arabella Harlowe. Mutual recriminations on recollecting the numerous
instances of their inexorable cruelty. Mrs. Norton so ill he was forced
to leave her at St. Alban's. He dates again to give a farther account of
their distress on the arrival of the hearse. Solemn respect paid to her
memory by crowds of people.</p>
<p>LETTER XXVII. From the same.— Farther interesting accounts of what
passed among the Harlowes. Miss Howe expected to see, for the last time,
her beloved friend.</p>
<p>LETTER XXVIII. From the same.— Miss Howe arrives. The Colonel
receives her. Her tender woe; and characteristic behaviour.</p>
<p>LETTER XXIX. Colonel Morden to Mr. Belford.— Mrs. Norton arrives.
Amended in spirits. To what owing. Farther recriminations of the unhappy
parents. They attempt to see the corpse; but cannot. Could ever wilful
hard-heartedness, the Colonel asks, be more severely punished? Substance
of the lady's posthumous letter to Mrs. Norton.</p>
<p>LETTER XXX. From the same.— Account of the funeral solemnity.
Heads of the eulogium. The universal justice done to the lady's great
and good qualities. Other affecting particulars.</p>
<p>LETTER XXXI. Belford to Colonel Morden.— Compliments him on his
pathetic narratives. Farther account of his executorial proceedings.</p>
<p>LETTER XXXII. James Harlowe to Belford.</p>
<p>LETTER XXXIII. Mr. Belford. In answer.</p>
<p>The lady's LAST WILL. In the preamble to which, as well as in the body
of it, she gives several instructive hints; and displays, in an
exemplary manner, her forgiving spirit, her piety, her charity, her
gratitude, and other christian and heroic virtues.</p>
<p>LETTER XXXIV. Colonel Morden to Mr. Belford.— The will read. What
passed on the occasion.</p>
<p>LETTER XXXV. Belford to Lord M.— Apprehends a vindictive
resentment from the Colonel.—Desires that Mr. Lovelace may be
prevailed upon to take a tour.</p>
<p>LETTER XXXVI. Miss Montague. In answer.</p>
<p>Summary account of proceedings relating to the execution of the lady's
will, and other matters. Substance of a letter from Mr. Belford to Mr.
Hickman; of Mr. Hickman's answer; and of a letter from Miss Howe to Mr.
Belford.</p>
<p>LETTER XXXVII. Lovelace to Belford.— Describing his delirium as
dawning into sense and recollection. All is conscience and horror with
him, he says. A description of his misery at its height.</p>
<p>LETTER XXXVIII. From the same.— Revokes his last letter, as
ashamed of it. Yet breaks into fits and starts, and is ready to go back
again. Why, he asks, did his mother bring him up to know no controul?
His heart sickens at the recollection of what he was. Dreads the return
of his malady. Makes an effort to forget all.</p>
<p>LETTER XXXIX. Lovelace to Belford.— Is preparing to leave the
kingdom. His route. Seasonable warnings, though delivered in a ludicrous
manner, on Belford's resolution to reform. Complains that he has been
strangely kept in the dark of late. Demands a copy of the lady's will.</p>
<p>LETTER XL. Belford to Lovelace.— Justice likely to overtake his
instrument Tomlinson. On what occasion. The wretched man's remorse on
the lady's account. Belford urges Lovelace to go abroad for his health.
Answers very seriously to the warnings he gives him. Amiable scheme for
the conduct of his future life.</p>
<p>LETTER XLI. Lovelace to Belford.— Pities Tomlinson. Finds that he
is dead in prison. Happy that he lived not to be hanged. Why. No
discomfort so great but some comfort may be drawn from it. Endeavours to
defend himself by a whimsical case which he puts between A. a miser, and
B. a thief.</p>
<p>LETTER XLII. From the same.— Ridicules him on the scheme of life
he has drawn out for himself. In his manner gives Belford some farther
cautions and warnings. Reproaches him for not saving the lady. A breach
of confidence in some cases is more excusable than to keep a secret.
Rallies him on his person and air, on his cousin Charlotte, and the
widow Lovick.</p>
<p>LETTER XLIII. Mr. Belford to Colonel Morden.— On a declaration he
had made, of taking vengeance of Mr. Lovelace. His arguments with him on
that subject, from various topics.</p>
<p>LETTER XLIV. The Lady's posthumous letter to her cousin Morden.—
Containing arguments against DUELLING, as well as with regard to her
particular case, as in general. See also Letter XVI. to her brother, on
the same subject.</p>
<p>LETTER XLV. Colonel Morden to Mr. Belford.— In answer to his pleas
against avenging his cousin. He paints in very strong colours the grief
and distress of the whole family, on the loss of a child, whose
character and excellencies rise upon them to their torment.</p>
<p>LETTER XLVI. Colonel Morden to Mr. Belford.— Farther particulars
relating to the execution of the lady's will. Gives his thoughts of
women's friendships in general; of that of Miss Howe and his cousin, in
particular. An early habit of familiar letter-writing, how improving.
Censures Miss Howe for her behaviour to Mr. Hickman. Mr. Hickman's good
character. Caution to parents who desire to preserve their children's
veneration for them. Mr. Hickman, unknown to Miss Howe, puts himself and
equipage in mourning for Clarissa. Her lively turn upon him on that
occasion. What he, the Colonel, expects from the generosity of Miss
Howe, in relation to Mr. Hickman. Weakness of such as are afraid of
making their last wills.</p>
<p>LETTER XLVII. Belford to Miss Howe.— With copies of Clarissa's
posthumous letters; and respectfully, as from Colonel Morden and
himself, reminding her of her performing her part of her dear friend's
last desires, in making one of the most deserving men in England happy.
Informs her of the delirium of Lovelace, in order to move her compassion
for him, and of the dreadful death of Sinclair and Tomlinson.</p>
<p>LETTER XLVIII. Miss Howe to Mr. Belford.— Observations on the
letters and subjects he communicates to her. She promises another
letter, in answer to his and Colonel Morden's call upon her in Mr.
Hickman's favour. Applauds the Colonel for purchasing her beloved
friend's jewels, in order to present them to Miss Dolly Hervey.</p>
<p>LETTER XLIX. From the same.— She accounts for, though not defends,
her treatment of Mr. Hickman. She owns that he is a man worthy of a
better choice; that she values no man more than him: and assures Mr.
Belford and the Colonel that her endeavours shall not be wanting to make
him happy.</p>
<p>LETTER L. Mr. Belford to Miss Howe.— A letter full of grateful
acknowledgements for the favour of her's.</p>
<p>LETTER LI. Lord M. to Mr. Belford.— Acquainting him with his
kinsman's setting out for London, in order to embark. Wishes him to
prevent a meeting between him and Mr. Morden.</p>
<p>LETTER LII. Mr. Belford to Lord M.— Has had a visit from Mr.
Lovelace. What passed between them on the occasion. Has an interview
with Colonel Morden.</p>
<p>LETTER LIII. Mr. Belford to Lord M.— Just returned from attending
Mr. Lovelace part of his way towards Dover. Their solemn parting.</p>
<p>LETTER LIV. From the same.— An account of what passed between
himself and Colonel Morden at their next meeting. Their affectionate
parting.</p>
<p>LETTER LV. Miss Howe to Mr. Belford.— Gives, at his request, the
character of her beloved friend at large; and an account of the
particular distribution of her time in the twenty-four hours of the
natural day.</p>
<p>LETTER LVI. Lovelace to Belford, from Paris.— Conscience the
conqueror of souls. He cannot run away from his reflections. He desires
a particular account of all that has passed since he left England.</p>
<p>LETTER LVII. Belford to Lovelace.— Answers him as to all the
particulars he writes about.</p>
<p>LETTER LVIII. Lovelace to Belford.— Has received a letter from
Joseph Leman (who, he says, is conscience-ridden) to inform him that
Colonel Morden resolves to have his will of him. He cannot bear to be
threatened. He will write to the Colonel to know his purpose. He cannot
get off his regrets on account of the dear lady for the blood of him.</p>
<p>LETTER LIX. Belford to Lovelace.— It would be matter of serious
reflection to him, he says, if that very Leman, who had been his
machine, should be the instrument of his fall.</p>
<p>LETTER LX. Lovelace to Belford.— Has written to the Colonel to
know his intention: but yet in such a manner that he may handsomely
avoid taking it as a challenge; though, in the like case, he owns that
he himself should not. Copy of his letter to the Colonel.</p>
<p>LETTER LXI. From the same.— He is now in his way to Trent, in
order to meet Colonel Morden. He is sure of victory: but will not, if he
can help it, out of regard to Clarissa, kill the Colonel.</p>
<p>LETTER LXII. From the same.— Interview with Colonel Morden.
To-morrow, says he, is the day that will, in all probability, send
either one or two ghosts to attend the manes of my Clarissa. He doubts
not to give the Colonel his life, or his death; and to be able, by next
morning eleven, to write all the particulars.</p>
<p>LETTER LXIII. THE ISSUE OF THE DUEL.</p>
<p>CONCLUSION</p>
</blockquote>
<p><br/></p>
<hr />
<p><br/></p>
<h1> THE HISTORY OF CLARISSA HARLOWE </h1>
<h3> VOLUME NINE </h3>
<div style="break-after:column;"></div><br />