<SPAN name="chap20"></SPAN>
<h3> CHAPTER 20 </h3>
<h3> Counterplotting </h3>
<p>Curdie was already sufficiently enlightened as to how things were
going, to see that he must have the princess of one mind with him, and
they must work together. It was clear that among those about the king
there was a plot against him: for one thing, they had agreed in a lie
concerning himself; and it was plain also that the doctor was working
out a design against the health and reason of His Majesty, rendering
the question of his life a matter of little moment. It was in itself
sufficient to justify the worst fears, that the people outside the
palace were ignorant of His Majesty's condition: he believed those
inside it also—the butler excepted—were ignorant of it as well.
Doubtless His Majesty's councillors desired to alienate the hearts of
his subjects from their sovereign. Curdie's idea was that they
intended to kill the king, marry the princess to one of themselves, and
found a new dynasty; but whatever their purpose, there was treason in
the palace of the worst sort: they were making and keeping the king
incapable, in order to effect that purpose. The first thing to be seen
to, therefore, was that His Majesty should neither eat morsel nor drink
drop of anything prepared for him in the palace. Could this have been
managed without the princess, Curdie would have preferred leaving her
in ignorance of the horrors from which he sought to deliver her. He
feared also the danger of her knowledge betraying itself to the evil
eyes about her; but it must be risked and she had always been a wise
child.</p>
<p>Another thing was clear to him—that with such traitors no terms of
honour were either binding or possible, and that, short of lying, he
might use any means to foil them. And he could not doubt that the old
princess had sent him expressly to frustrate their plans.</p>
<p>While he stood thinking thus with himself, the princess was earnestly
watching the king, with looks of childish love and womanly tenderness
that went to Curdie's heart. Now and then with a great fan of peacock
feathers she would fan him very softly; now and then, seeing a cloud
begin to gather upon the sky of his sleeping face, she would climb upon
the bed, and bending to his ear whisper into it, then draw back and
watch again—generally to see the cloud disperse. In his deepest
slumber, the soul of the king lay open to the voice of his child, and
that voice had power either to change the aspect of his visions, or,
which was better still, to breathe hope into his heart, and courage to
endure them.</p>
<p>Curdie came near, and softly called her.</p>
<p>'I can't leave Papa just yet,' she returned, in a low voice.</p>
<p>'I will wait,' said Curdie; 'but I want very much to say something.'</p>
<p>In a few minutes she came to him where he stood under the lamp.</p>
<p>'Well, Curdie, what is it?' she said.</p>
<p>'Princess,' he replied, 'I want to tell you that I have found why your
grandmother sent me.'</p>
<p>'Come this way, then, she answered, 'where I can see the face of my
king.'</p>
<p>Curdie placed a chair for her in the spot she chose, where she would be
near enough to mark any slightest change on her father's countenance,
yet where their low-voiced talk would not disturb him. There he sat
down beside her and told her all the story—how her grandmother had
sent her good pigeon for him, and how she had instructed him, and sent
him there without telling him what he had to do. Then he told her what
he had discovered of the state of things generally in Gwyntystorm, and
especially what he had heard and seen in the palace that night.</p>
<p>'Things are in a bad state enough,' he said in conclusion—'lying and
selfishness and inhospitality and dishonesty everywhere; and to crown
all, they speak with disrespect of the good king, and not a man knows
he is ill.'</p>
<p>'You frighten me dreadfully,' said Irene, trembling.</p>
<p>'You must be brave for your king's sake,' said Curdie.</p>
<p>'Indeed I will,' she replied, and turned a long loving look upon the
beautiful face of her father. 'But what is to be done? And how am I
to believe such horrible things of Dr Kelman?'</p>
<p>'My dear Princess,' replied Curdie, 'you know nothing of him but his
face and his tongue, and they are both false. Either you must beware
of him, or you must doubt your grandmother and me; for I tell you, by
the gift she gave me of testing hands, that this man is a snake. That
round body he shows is but the case of a serpent. Perhaps the creature
lies there, as in its nest, coiled round and round inside.'</p>
<p>'Horrible!' said Irene.</p>
<p>'Horrible indeed; but we must not try to get rid of horrible things by
refusing to look at them, and saying they are not there. Is not your
beautiful father sleeping better since he had the wine?'</p>
<p>'Yes.'</p>
<p>'Does he always sleep better after having it?'</p>
<p>She reflected an instant.</p>
<p>'No; always worse—till tonight,' she answered.</p>
<p>'Then remember that was the wine I got him—not what the butler drew.
Nothing that passes through any hand in the house except yours or mine
must henceforth, till he is well, reach His Majesty's lips.'</p>
<p>'But how, dear Curdie?' said the princess, almost crying.</p>
<p>'That we must contrive,' answered Curdie. 'I know how to take care of
the wine; but for his food—now we must think.'</p>
<p>'He takes hardly any,' said the princess, with a pathetic shake of her
little head which Curdie had almost learned to look for.</p>
<p>'The more need,' he replied, 'there should be no poison in it.' Irene
shuddered. 'As soon as he has honest food he will begin to grow
better. And you must be just as careful with yourself, Princess,'
Curdie went on, 'for you don't know when they may begin to poison you,
too.'</p>
<p>'There's no fear of me; don't talk about me,' said Irene. 'The good
food! How are we to get it, Curdie? That is the whole question.'</p>
<p>'I am thinking hard,' answered Curdie. 'The good food? Let me
see—let me see! Such servants as I saw below are sure to have the
best of everything for themselves: I will go an see what I can find on
their table.'</p>
<p>'The chancellor sleeps in the house, and he and the master of the
king's horse always have their supper together in a room off the great
hall, to the right as you go down the stairs,' said Irene. 'I would go
with you, but I dare not leave my father. Alas! He scarcely ever
takes more than a mouthful. I can't think how he lives! And the very
thing he would like, and often asks for—a bit of bread—I can hardly
ever get for him: Dr Kelman has forbidden it, and says it is nothing
less than poison to him.'</p>
<p>'Bread at least he shall have,' said Curdie; 'and that, with the honest
wine, will do as well as anything, I do believe. I will go at once and
look for some. But I want you to see Lina first, and know her, lest,
coming upon her by accident at any time, you should be frightened.'</p>
<p>'I should like much to see her,' said the princess.</p>
<p>Warning her not to be startled by her ugliness, he went to the door and
called her.</p>
<p>She entered, creeping with downcast head, and dragging her tail over
the floor behind her. Curdie watched the princess as the frightful
creature came nearer and nearer. One shudder went from head to foot,
and next instant she stepped to meet her. Lina dropped flat on the
floor, and covered her face with her two big paws. It went to the
heart of the princess: in a moment she was on her knees beside her,
stroking her ugly head, and patting her all over.</p>
<p>'Good dog! Dear ugly dog!' she said.</p>
<p>Lina whimpered.</p>
<p>'I believe,' said Curdie, 'from what your grandmother told me, that
Lina is a woman, and that she was naughty, but is now growing good.'</p>
<p>Lina had lifted her head while Irene was caressing her; now she dropped
it again between her paws; but the princess took it in her hands, and
kissed the forehead betwixt the gold-green eyes.</p>
<p>'Shall I take her with me or leave her?' asked Curdie.</p>
<p>'Leave her, poor dear,' said Irene, and Curdie, knowing the way now,
went without her.</p>
<p>He took his way first to the room the princess had spoken of, and there
also were the remains of supper; but neither there nor in the kitchen
could he find a scrap of plain wholesome-looking bread. So he returned
and told her that as soon as it was light he would go into the city for
some, and asked her for a handkerchief to tie it in. If he could not
bring it himself, he would send it by Lina, who could keep out of sight
better than he, and as soon as all was quiet at night he would come to
her again. He also asked her to tell the king that he was in the
house. His hope lay in the fact that bakers everywhere go to work
early. But it was yet much too early. So he persuaded the princess to
lie down, promising to call her if the king should stir.</p>
<br/><br/><br/>
<SPAN name="chap21"></SPAN>
<h3> CHAPTER 21 </h3>
<h3> The Loaf </h3>
<p>His Majesty slept very quietly. The dawn had grown almost day, and
still Curdie lingered, unwilling to disturb the princess.</p>
<p>At last, however, he called her, and she was in the room in a moment.
She had slept, she said, and felt quite fresh. Delighted to find her
father still asleep, and so peacefully, she pushed her chair close to
the bed, and sat down with her hands in her lap.</p>
<p>Curdie got his mattock from where he had hidden it behind a great
mirror, and went to the cellar, followed by Lina. They took some
breakfast with them as they passed through the hall, and as soon as
they had eaten it went out the back way.</p>
<p>At the mouth of the passage Curdie seized the rope, drew himself up,
pushed away the shutter, and entered the dungeon. Then he swung the
end of the rope to Lina, and she caught it in her teeth. When her
master said, 'Now, Lina!' she gave a great spring, and he ran away with
the end of the rope as fast as ever he could. And such a spring had
she made, that by the time he had to bear her weight she was within a
few feet of the hole. The instant she got a paw through, she was all
through.</p>
<p>Apparently their enemies were waiting till hunger should have cowed
them, for there was no sign of any attempt having been made to open the
door. A blow or two of Curdie's mattock drove the shattered lock clean
from it, and telling Lina to wait there till he came back, and let no
one in, he walked out into the silent street, and drew the door to
behind them. He could hardly believe it was not yet a whole day since
he had been thrown in there with his hands tied at his back.</p>
<p>Down the town he went, walking in the middle of the street, that, if
any one saw him, he might see he was not afraid, and hesitate to rouse
an attack on him. As to the dogs, ever since the death of their two
companions, a shadow that looked like a mattock was enough to make them
scamper. As soon as he reached the archway of the city gate he turned
to reconnoitre the baker's shop, and perceiving no sign of movement,
waited there watching for the first.</p>
<p>After about an hour, the door opened, and the baker's man appeared with
a pail in his hand. He went to a pump that stood in the street, and
having filled his pail returned with it into the shop. Curdie stole
after him, found the door on the latch, opened it very gently, peeped
in, saw nobody, and entered. Remembering perfectly from what shelf the
baker's wife had taken the loaf she said was the best, and seeing just
one upon it, he seized it, laid the price of it on the counter, and
sped softly out, and up the street. Once more in the dungeon beside
Lina, his first thought was to fasten up the door again, which would
have been easy, so many iron fragments of all sorts and sizes lay
about; but he bethought himself that if he left it as it was, and they
came to find him, they would conclude at once that they had made their
escape by it, and would look no farther so as to discover the hole. He
therefore merely pushed the door close and left it. Then once more
carefully arranging the earth behind the shutter, so that it should
again fall with it, he returned to the cellar.</p>
<p>And now he had to convey the loaf to the princess. If he could venture
to take it himself, well; if not, he would send Lina. He crept to the
door of the servants' hall, and found the sleepers beginning to stir.
One said it was time to go to bed; another, that he would go to the
cellar instead, and have a mug of wine to waken him up; while a third
challenged a fourth to give him his revenge at some game or other.</p>
<p>'Oh, hang your losses!' answered his companion; 'you'll soon pick up
twice as much about the house, if you but keep your eyes open.'</p>
<p>Perceiving there would be risk in attempting to pass through, and
reflecting that the porters in the great hall would probably be awake
also, Curdie went back to the cellar, took Irene's handkerchief with
the loaf in it, tied it round Lina's neck, and told her to take it to
the princess.</p>
<p>Using every shadow and every shelter, Lina slid through the servants
like a shapeless terror through a guilty mind, and so, by corridor and
great hall, up the stair to the king's chamber.</p>
<p>Irene trembled a little when she saw her glide soundless in across the
silent dusk of the morning, that filtered through the heavy drapery of
the windows, but she recovered herself at once when she saw the bundle
about her neck, for it both assured her of Curdie's safety, and gave
her hope of her father's. She untied it with joy, and Lina stole away,
silent as she had come. Her joy was the greater that the king had
waked up a little before, and expressed a desire for food—not that he
felt exactly hungry, he said, and yet he wanted something. If only he
might have a piece of nice fresh bread! Irene had no knife, but with
eager hands she broke a great piece from the loaf, and poured out a
full glass of wine. The king ate and drank, enjoyed the bread and the
wine much, and instantly fell asleep again.</p>
<p>It was hours before the lazy people brought their breakfast. When it
came, Irene crumbled a little about, threw some into the fireplace, and
managed to make the tray look just as usual.</p>
<p>In the meantime, down below in the cellar, Curdie was lying in the
hollow between the upper sides of two of the great casks, the warmest
place he could find. Lina was watching. She lay at his feet, across
the two casks, and did her best so to arrange her huge tail that it
should be a warm coverlid for her master.</p>
<p>By and by Dr Kelman called to see his patient; and now that Irene's
eyes were opened, she saw clearly enough that he was both annoyed and
puzzled at finding His Majesty rather better. He pretended however to
congratulate him, saying he believed he was quite fit to see the lord
chamberlain: he wanted his signature to something important; only he
must not strain his mind to understand it, whatever it might be: if His
Majesty did, he would not be answerable for the consequences. The king
said he would see the lord chamberlain, and the doctor went.</p>
<p>Then Irene gave him more bread and wine, and the king ate and drank,
and smiled a feeble smile, the first real one she had seen for many a
day. He said he felt much better, and would soon be able to take
matters into his own hands again. He had a strange miserable feeling,
he said, that things were going terribly wrong, although he could not
tell how. Then the princess told him that Curdie had come, and that at
night, when all was quiet for nobody in the palace must know, he would
pay His Majesty a visit. Her great-great-grandmother had sent him, she
said. The king looked strangely upon her, but the strange look passed
into a smile clearer than the first, and irene's heart throbbed with
delight.</p>
<br/><br/><br/>
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