<p><SPAN name="c51" id="c51"></SPAN> </p>
<p> </p>
<h4>CHAPTER LI.</h4>
<h3>"TROUBLES NEVER COME ALONE."<br/> </h3>
<p class="noindent"><ANTIMG class="left" src="images/ch51.jpg" width-obs="310" alt="Illustration" />olly had her
out-of-door things on, and she crept away as she was
bidden. She lifted her heavy weight of heart and body along till she
came to a field, not so very far off,—where she had sought the
comfort of loneliness ever since she was a child; and there, under
the hedge-bank, she sate down, burying her face in her hands, and
quivering all over as she thought of Cynthia's misery, which she
might not try to touch or assuage. She never knew how long she sate
there, but it was long past lunch-time when once again she stole up
to her room. The door opposite was open wide,—Cynthia had quitted
the chamber. Molly arranged her dress and went down into the
drawing-room. Cynthia and her mother sate there in the stern repose
of an armed neutrality. Cynthia's face looked made of stone, for
colour and rigidity; but she was netting away as if nothing unusual
had occurred. Not so Mrs. Gibson; her face bore evident marks of
tears, and she looked up and greeted Molly's entrance with a faint
smiling notice. Cynthia went on as though she had never heard the
opening of the door, or felt the approaching sweep of Molly's dress.
Molly took up a book,—not to read, but to have the semblance of some
employment which should not necessitate conversation.</p>
<p>There was no measuring the duration of the silence that ensued. Molly
grew to fancy it was some old enchantment that weighed upon their
tongues and kept them still. At length Cynthia spoke, but she had to
begin again before her words came clear.</p>
<p>"I wish you both to know that henceforward all is at an end between
me and Roger Hamley."</p>
<p>Molly's book went down upon her knees; with open eyes and lips she
strove to draw in Cynthia's meaning. Mrs. Gibson spoke querulously,
as if <span class="nowrap">injured,—</span></p>
<p>"I could have understood this if it had happened three months
ago,—when you were in London; but now it's just nonsense, Cynthia,
and you know you don't mean it!"</p>
<p>Cynthia did not reply; nor did the resolute look on her face change
when Molly spoke at
<span class="nowrap">last,—</span></p>
<p>"Cynthia—think of him! It will break his heart!"</p>
<p>"No!" said Cynthia, "it will not. But even if it did I cannot help
it."</p>
<p>"All this talk will soon pass away!" said Molly; "and when he knows
the truth from your own
<span class="nowrap">self—"</span></p>
<p>"From my own self he shall never hear it. I do not love him well
enough to go through the shame of having to excuse myself,—to plead
that he will reinstate me in his good opinion. Confession may
be—well! I can never believe it pleasant—but it may be an ease of
mind if one makes it to some people,—to some person,—and it may not
be a mortification to sue for forgiveness. I cannot tell. All I know
is,—and I know it clearly, and will act upon it inflexibly—that—"
And here she stopped short.</p>
<p>"I think you might finish your sentence," said her mother, after a
silence of five seconds.</p>
<p>"I cannot bear to exculpate myself to Roger Hamley. I will not submit
to his thinking less well of me than he has done,—however foolish
his judgment may have been. I would rather never see him again, for
these two reasons. And the truth is, I do not love him. I like him, I
respect him; but I will not marry him. I have written to tell him so.
That was merely as a relief to myself, for when or where the letter
will reach <span class="nowrap">him—</span>
And I have written to old Mr. Hamley. The relief is
the one good thing come out of it all. It is such a comfort to feel
free again. It wearied me so to think of straining up to his
goodness. 'Extenuate my conduct!'" she concluded, quoting Mr.
Gibson's words. Yet when Mr. Gibson came home, after a silent dinner,
she asked to speak with him, alone, in his consulting-room; and there
laid bare the exculpation of herself which she had given to Molly
many weeks before. When she had ended, she said:</p>
<p>"And now, Mr. Gibson,—I still treat you like a friend,—help me to
find some home far away, where all the evil talking and gossip mamma
tells me of cannot find me and follow me. It may be wrong to care for
people's good opinion,—but it is me, and I cannot alter myself. You,
Molly,—all the people in the town,—I haven't the patience to live
through the nine days' wonder.—I want to go away and be a
governess."</p>
<p>"But, my dear Cynthia,—how soon Roger will be back,—a tower of
strength!"</p>
<p>"Has not mamma told you I have broken it all off with Roger? I wrote
this morning. I wrote to his father. That letter will reach
to-morrow. I wrote to Roger. If he ever receives that letter, I hope
to be far away by that time; in Russia may be."</p>
<p>"Nonsense. An engagement like yours cannot be broken off, except by
mutual consent. You've only given others a great deal of pain without
freeing yourself. Nor will you wish it in a month's time. When you
come to think calmly, you'll be glad to think of the stay and support
of such a husband as Roger. You have been in fault, and have acted
foolishly at first,—perhaps wrongly afterwards; but you don't want
your husband to think you faultless?"</p>
<p>"Yes, I do," said Cynthia. "At any rate, my lover must think me so.
And it is just because I do not love him even as so light a thing as
I could love, that I feel that I couldn't bear to have to tell him
I'm sorry, and stand before him like a chidden child to be admonished
and forgiven."</p>
<p>"But here you are, just in such a position before me, Cynthia!"</p>
<p>"Yes! but I love you better than Roger; I've often told Molly so. And
I would have told you, if I hadn't expected and hoped to leave you
all before long. I could see if the recollection of it all came up
before your mind; I could see it in your eyes; I should know it by
instinct. I have a fine instinct for reading the thoughts of others
when they refer to me. I almost hate the idea of Roger judging me by
his own standard, which wasn't made for me, and graciously forgiving
me at last."</p>
<p>"Then I do believe it's right for you to break it off," said Mr.
Gibson, almost as if he were thinking to himself. "That poor poor
lad! But it will be best for him too. And he'll get over it. He has a
good strong heart. Poor old Roger!"</p>
<p>For a moment Cynthia's wilful fancy stretched after the object
passing out of her grasp,—Roger's love became for the instant a
treasure; but, again, she knew that in its entirety of high
undoubting esteem, as well as of passionate regard, it would no
longer be hers; and for the flaw which she herself had made she cast
it away, and would none of it. Yet often in after years, when it was
too late, she wondered and strove to penetrate the inscrutable
mystery of "what would have been."</p>
<p>"Still, take till to-morrow before you act upon your decision," said
Mr. Gibson, slowly. "What faults you have fallen into have been mere
girlish faults at first,—leading you into much deceit, I grant."</p>
<p>"Don't give yourself the trouble to define the shades of blackness,"
said Cynthia, bitterly. "I'm not so obtuse but what I know them all
better than any one can tell me. And as for my decision I acted upon
it at once. It may be long before Roger gets my letter,—but I hope
he is sure to get it at last,—and, as I said, I have let his father
know; it won't hurt him! Oh, sir, I think if I had been differently
brought up I shouldn't have had the sore angry heart I have. Now! No,
don't! I don't want reasoning comfort. I can't stand it. I should
always have wanted admiration and worship, and men's good opinion.
Those unkind gossips! To visit Molly with their hard words! Oh, dear!
I think life is very dreary."</p>
<p>She put her head down on her hands; tired out mentally as well as
bodily. So Mr. Gibson thought. He felt as if much speech from him
would only add to her excitement, and make her worse. He left the
room, and called Molly, from where she was sitting, dolefully. "Go to
Cynthia!" he whispered, and Molly went. She took Cynthia into her
arms with gentle power, and laid her head against her own breast, as
if the one had been a mother, and the other a child.</p>
<p>"Oh, my darling!" she murmured. "I do so love you, dear, dear
Cynthia!" and she stroked her hair, and kissed her eyelids; Cynthia
passive all the while, till suddenly she started up stung with a new
idea, and looking Molly straight in the face, she
<span class="nowrap">said,—</span></p>
<p>"Molly, Roger will marry you! See if it isn't so! You two
<span class="nowrap">good—"</span></p>
<p>But Molly pushed her away with a sudden violence of repulsion.
"Don't!" she said. She was crimson with shame and indignation. "Your
husband this morning! Mine to-night! What do you take him for?"</p>
<p>"A man!" smiled Cynthia. "And therefore, if you won't let me call him
changeable, I'll coin a word and call him consolable!" But Molly gave
her back no answering smile. At this moment, the servant Maria
entered the consulting-room, where the two girls were. She had a
scared look.</p>
<p>"Isn't master here?" asked she, as if she distrusted her eyes.</p>
<p>"No!" said Cynthia. "I heard him go out. I heard him shut the front
door not five minutes ago."</p>
<p>"Oh, dear!" said Maria. "And there's a man come on horseback from
Hamley Hall, and he says as Mr. Osborne is dead, and that master must
go off to the Squire straight away."</p>
<p>"Osborne Hamley dead!" said Cynthia, in awed surprise. Molly was out
at the front door, seeking the messenger through the dusk, round into
the stable-yard, where the groom sate motionless on his dark horse,
flecked with foam, made visible by the lantern placed on the steps
near, where it had been left by the servants, who were dismayed at
this news of the handsome young man who had frequented their master's
house, so full of sportive elegance and winsomeness. Molly went up to
the man, whose thoughts were lost in recollection of the scene he had
left at the place he had come from.</p>
<p>She laid her hand on the hot damp skin of the horse's shoulder; the
man started.</p>
<p>"Is the doctor coming, Miss?" For he saw who it was by the dim light.</p>
<p>"He is dead, is he not?" asked Molly, in a low voice.</p>
<p>"I'm afeard he is,—leastways, there's no doubt according to what
they said. But I've ridden hard! there may be a chance. Is the doctor
coming, Miss?"</p>
<p>"He is gone out. They are seeking him, I believe. I will go myself.
Oh! the poor old Squire!" She went into the kitchen—went over the
house with swift rapidity to gain news of her father's whereabouts.
The servants knew no more than she did. Neither she nor they had
heard what Cynthia, ever quick of perception, had done. The shutting
of the front door had fallen on deaf ears, as far as others were
concerned. Upstairs sped Molly to the drawing-room, where Mrs. Gibson
stood at the door, listening to the unusual stir in the house.</p>
<p>"What is it, Molly? Why, how white you look, child!"</p>
<p>"Where's papa?"</p>
<p>"Gone out. What's the matter?"</p>
<p>"Where?"</p>
<p>"How should I know? I was asleep; Jenny came upstairs on her way to
the bedrooms; she's a girl who never keeps to her work and Maria
takes advantage of her."</p>
<p>"Jenny, Jenny!" cried Molly, frantic at the delay.</p>
<p>"Don't shout, dear,—ring the bell. What can be the matter?"</p>
<p>"Oh, Jenny!" said Molly, half-way up the stairs to meet her, "who
wanted papa?"</p>
<p>Cynthia came to join the group; she too had been looking for traces
or tidings of Mr. Gibson.</p>
<p>"What is the matter?" said Mrs. Gibson. "Can nobody speak and answer
a question?"</p>
<p>"Osborne Hamley is dead!" said Cynthia, gravely.</p>
<p>"Dead! Osborne! Poor fellow! I knew it would be so, though,—I was
sure of it. But Mr. Gibson can do nothing if he's dead. Poor young
man! I wonder where Roger is now? He ought to come home."</p>
<p>Jenny had been blamed for coming into the drawing-room instead of
Maria, whose place it was, and so had lost the few wits she had. To
Molly's hurried questions her replies had been entirely
unsatisfactory. A man had come to the back door—she could not see
who it was—she had not asked his name: he wanted to speak to
master,—master had seemed in a hurry, and only stopped to get his
hat.</p>
<p>"He will not be long away," thought Molly, "or he would have left
word where he was going. But oh! the poor father all alone!" And then
a thought came into her head, which she acted upon straight. "Go to
James, tell him to put the side-saddle I had in November on Nora
Creina. Don't cry, Jenny. There's no time for that. No one is angry
with you. Run!"</p>
<p>So down into the cluster of collected women Molly came, equipped in
her jacket and skirt; quick determination in her eyes; controlled
quivering about the corners of her mouth.</p>
<p>"Why, what in the world," said Mrs. Gibson—"Molly, what are you
thinking about?" But Cynthia had understood it at a glance, and was
arranging Molly's hastily assumed dress, as she passed along.</p>
<p>"I am going. I must go. I cannot bear to think of him alone. When
papa comes back he is sure to go to Hamley, and if I am not wanted, I
can come back with him." She heard Mrs. Gibson's voice following her
in remonstrance, but she did not stay for words. She had to wait in
the stable-yard, and she wondered how the messenger could bear to eat
and drink the food and beer brought out to him by the servants. Her
coming out had evidently interrupted the eager talk,—the questions
and answers passing sharp to and fro; but she caught the words, "all
amongst the tangled grass," and "the Squire would let none on us
touch him: he took him up as if he was a baby; he had to rest many a
time, and once he sate him down on the ground; but still he kept him
in his arms; but we thought we should ne'er have gotten him up
again—him and the body."</p>
<p>"The body!"</p>
<p>Molly had never felt that Osborne was really dead till she heard
those words. They rode quick under the shadows of the hedgerow trees,
but when they slackened speed, to go up a brow, or to give their
horses breath, Molly heard those two little words again in her ears;
and said them over again to herself, in hopes of forcing the sharp
truth into her unwilling sense. But when they came in sight of the
square stillness of the house, shining in the moonlight—the moon had
risen by this time—Molly caught at her breath, and for an instant
she thought she never could go in, and face the presence in that
dwelling. One yellow light burnt steadily, spotting the silver
shining with its earthly coarseness. The man pointed it out: it was
almost the first word he had spoken since they had left Hollingford.</p>
<p>"It's the old nursery. They carried him there. The Squire broke down
at the stair-foot, and they took him to the readiest place. I'll be
bound for it the Squire is there hisself, and old Robin too. They
fetched him, as a knowledgable man among dumb beasts, till th'
regular doctor came."</p>
<p>Molly dropped down from her seat before the man could dismount to
help her. She gathered up her skirts and did not stay again to think
of what was before her. She ran along the once familiar turns, and
swiftly up the stairs, and through the doors, till she came to the
last; then she stopped and listened. It was a deathly silence. She
opened the door:—the Squire was sitting alone at the side of the
bed, holding the dead man's hand, and looking straight before him at
vacancy. He did not stir or move, even so much as an eyelid, at
Molly's entrance. The truth had entered his soul before this, and he
knew that no doctor, be he ever so cunning, could, with all his
striving, put the breath into that body again. Molly came up to him
with the softest steps, the most hushed breath that ever she could.
She did not speak, for she did not know what to say. She felt that he
had no more hope from earthly skill, so what was the use of speaking
of her father and the delay in his coming? After a moment's pause,
standing by the old man's side, she slipped down to the floor, and
sat at his feet. Possibly her presence might have some balm in it;
but uttering of words was as a vain thing. He must have been aware of
her being there, but he took no apparent notice. There they sate,
silent and still, he in his chair, she on the floor; the dead man,
beneath the sheet, for a third. She fancied that she must have
disturbed the father in his contemplation of the quiet face, now more
than half, but not fully, covered up out of sight. Time had never
seemed so without measure, silence had never seemed so noiseless as
it did to Molly, sitting there. In the acuteness of her senses she
heard a step mounting a distant staircase, coming slowly, coming
nearer. She knew it not to be her father's, and that was all she
cared about. Nearer and nearer—close to the outside of the door—a
pause, and a soft hesitating tap. The great gaunt figure sitting by
her side quivered at the sound. Molly rose and went to the door: it
was Robinson, the old butler, holding in his hand a covered basin of
soup.</p>
<p>"God bless you, Miss," said he; "make him touch a drop o' this: he's
gone since breakfast without food, and it's past one in the morning
now."</p>
<p>He softly removed the cover, and Molly took the basin back with her
to her place at the Squire's side. She did not speak, for she did not
well know what to say, or how to present this homely want of nature
before one so rapt in grief. But she put a spoonful to his lips, and
touched them with the savoury food, as if he had been a sick child,
and she the nurse; and instinctively he took down the first spoonful
of the soup. But in a minute he said, with a sort of cry, and almost
overturning the basin Molly held, by his passionate gesture as he
pointed to the <span class="nowrap">bed,—</span></p>
<p>"He will never eat again—never."</p>
<p>Then he threw himself across the corpse, and wept in such a terrible
manner that Molly trembled lest he also should die—should break his
heart there and then. He took no more notice of her words, of her
tears, of her presence, than he did of that of the moon, looking
through the unclosed window, with passionless stare. Her father stood
by them both before either of them was aware.</p>
<p>"Go downstairs, Molly," said he gravely; but he stroked her head
tenderly as she rose. "Go into the dining-room." Now she felt the
reaction from all her self-control. She trembled with fear as she
went along the moonlit passages. It seemed to her as if she should
meet Osborne, and hear it all explained; how he came to die,—what he
now felt and thought and wished her to do. She did get down to the
dining-room,—the last few steps with a rush of terror,—senseless
terror of what might be behind her; and there she found supper laid
out, and candles lit, and Robinson bustling about decanting some
wine. She wanted to cry; to get into some quiet place, and weep away
her over-excitement; but she could hardly do so there. She only felt
very much tired, and to care for nothing in this world any more. But
vividness of life came back when she found Robinson holding a glass
to her lips as she sat in the great leather easy-chair, to which she
had gone instinctively as to a place of rest.</p>
<p>"Drink, Miss. It's good old Madeira. Your papa said as how you was to
eat a bit. Says he, 'My daughter may have to stay here, Mr. Robinson,
and she's young for the work. Persuade her to eat something, or
she'll break down utterly.' Those was his very words."</p>
<p>Molly did not say anything. She had not energy enough for resistance.
She drank and she ate at the old servant's bidding; and then she
asked him to leave her alone, and went back to her easy-chair and let
herself cry, and so ease her heart.</p>
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