<p><SPAN name="c19" id="c19"></SPAN> </p>
<p> </p>
<h4>CHAPTER XIX.</h4>
<h3>CYNTHIA'S ARRIVAL.<br/> </h3>
<p>Molly's father was not at home when she returned; and there was no
one to give her a welcome. Mrs. Gibson was out paying calls, the
servants told Molly. She went upstairs to her own room, meaning to
unpack and arrange her borrowed books. Rather to her surprise she saw
the chamber, corresponding to her own, being dusted; water and towels
too were being carried in.</p>
<p>"Is any one coming?" she asked of the housemaid.</p>
<p>"Missus's daughter from France. Miss Kirkpatrick is coming
to-morrow."</p>
<p>Was Cynthia coming at last? Oh, what a pleasure it would be to have a
companion, a girl, a sister of her own age! Molly's depressed spirits
sprang up again with bright elasticity. She longed for Mrs. Gibson's
return, to ask her all about it: it must be very sudden, for Mr.
Gibson had said nothing of it at the Hall the day before. No quiet
reading now; the books were hardly put away with Molly's usual
neatness. She went down into the drawing-room, and could not settle
to anything. At last Mrs. Gibson came home, tired out with her walk
and her heavy velvet cloak. Until that was taken off, and she had
rested herself for a few minutes, she seemed quite unable to attend
to Molly's questions.</p>
<p>"Oh, yes! Cynthia is coming home to-morrow, by the 'Umpire,' which
passes through at ten o'clock. What an oppressive day it is for the
time of the year! I really am almost ready to faint. Cynthia heard of
some opportunity, I believe, and was only too glad to leave school a
fortnight earlier than we planned. She never gave me the chance of
writing to say I did, or did not, like her coming so much before the
time; and I shall have to pay for her just the same as if she had
stopped. And I meant to have asked her to bring me a French bonnet;
and then you could have had one made after mine. But I'm very glad
she's coming, poor dear."</p>
<p>"Is anything the matter with her?" asked Molly.</p>
<p>"Oh, no! Why should there be?"</p>
<p>"You called her 'poor dear,' and it made me afraid lest she might be
ill."</p>
<p>"Oh, no! It's only a way I got into, when Mr. Kirkpatrick died. A
fatherless girl—you know one always does call them 'poor dears.' Oh,
no! Cynthia never is ill. She's as strong as a horse. She never would
have felt to-day as I have done. Could you get me a glass of wine and
a biscuit, my dear? I'm really quite faint."</p>
<p>Mr. Gibson was much more excited about Cynthia's arrival than her own
mother was. He anticipated her coming as a great pleasure to Molly,
on whom, in spite of his recent marriage and his new wife, his
interests principally centred. He even found time to run upstairs and
see the bedrooms of the two girls; for the furniture of which he had
paid a pretty round sum.</p>
<p>"Well, I suppose young ladies like their bedrooms decked out in this
way! It's very pretty certainly,
<span class="nowrap">but—"</span></p>
<p>"I liked my own old room better, papa; but perhaps Cynthia is
accustomed to such decking up."</p>
<p>"Perhaps; at any rate, she'll see we've tried to make it pretty.
Yours is like hers. That's right. It might have hurt her, if hers had
been smarter than yours. Now, good-night in your fine flimsy bed."</p>
<p>Molly was up betimes—almost before it was light—arranging her
pretty Hamley flowers in Cynthia's room. She could hardly eat her
breakfast that morning. She ran upstairs and put on her things,
thinking that Mrs. Gibson was quite sure to go down to the "George
Inn," where the "Umpire" stopped, to meet her daughter after a two
years' absence. But, to her surprise, Mrs. Gibson had arranged
herself at her great worsted-work frame, just as usual; and she, in
her turn, was astonished at Molly's bonnet and cloak.</p>
<p>"Where are you going so early, child? The fog hasn't cleared away
yet."</p>
<p>"I thought you would go and meet Cynthia; and I wanted to go with
you."</p>
<p>"She will be here in half an hour; and dear papa has told the
gardener to take the wheelbarrow down for her luggage. I'm not sure
if he is not gone himself."</p>
<p>"Then are not you going?" asked Molly, with a good deal of
disappointment.</p>
<p>"No, certainly not. She will be here almost directly. And, besides, I
don't like to expose my feelings to every passer-by in High Street.
You forget I have not seen her for two years, and I hate scenes in
the market-place."</p>
<p>She settled herself to her work again; and Molly, after some
consideration, gave up her own going, and employed herself in looking
out of the downstairs window which commanded the approach from the
town.</p>
<p>"Here she is—here she is!" she cried out at last. Her father was
walking by the side of a tall young lady; William the gardener was
wheeling along a great cargo of baggage. Molly flew to the
front-door, and had it wide open to admit the new-comer some time
before she arrived.</p>
<p>"Well! here she is. Molly, this is Cynthia. Cynthia, Molly. You're to
be sisters, you know."</p>
<p>Molly saw the beautiful, tall, swaying figure, against the light of
the open door, but could not see any of the features that were, for
the moment, in shadow. A sudden gush of shyness had come over her
just at the instant, and quenched the embrace she would have given a
moment before. But Cynthia took her in her arms, and kissed her on
both cheeks.</p>
<p>"Here's mamma," she said, looking beyond Molly on to the stairs where
Mrs. Gibson stood, wrapped up in a shawl, and shivering in the cold.
She ran past Molly and Mr. Gibson, who rather averted their eyes from
this first greeting between mother and child.</p>
<p>Mrs. Gibson said—</p>
<p>"Why, how you are grown, darling! You look quite a woman."</p>
<p>"And so I am," said Cynthia. "I was before I went away; I've hardly
grown since,—except, it is always to be hoped, in wisdom."</p>
<p>"Yes! That we will hope," said Mrs. Gibson, in rather a meaning way.
Indeed there were evidently hidden allusions in their seeming
commonplace speeches. When they all came into the full light and
repose of the drawing-room, Molly was absorbed in the contemplation
of Cynthia's beauty. Perhaps her features were not regular; but the
changes in her expressive countenance gave one no time to think of
that. Her smile was perfect; her pouting charming; the play of the
face was in the mouth. Her eyes were beautifully shaped, but their
expression hardly seemed to vary. In colouring she was not unlike her
mother; only she had not so much of the red-haired tints in her
complexion; and her long-shaped, serious grey eyes were fringed with
dark lashes, instead of her mother's insipid flaxen ones. Molly fell
in love with her, so to speak, on the instant. She sate there warming
her feet and hands, as much at her ease as if she had been there all
her life; not particularly attending to her mother—who, all the
time, was studying either her or her dress—measuring Molly and Mr.
Gibson with grave observant looks, as if guessing how she should like
them.</p>
<p>"There's hot breakfast ready for you in the dining-room, when you are
ready for it," said Mr. Gibson. "I'm sure you must want it after your
night journey." He looked round at his wife, at Cynthia's mother, but
she did not seem inclined to leave the warm room again.</p>
<p>"Molly will take you to your room, darling," said she; "it is near
hers, and she has got her things to take off. I'll come down and sit
in the dining-room while you are having your breakfast, but I really
am afraid of the cold now."</p>
<p>Cynthia rose and followed Molly upstairs.</p>
<p>"I'm so sorry there isn't a fire for you," said Molly, "but—I
suppose it wasn't ordered; and, of course, I don't give any orders.
Here is some hot water, though."</p>
<p>"Stop a minute," said Cynthia, getting hold of both Molly's hands,
and looking steadily into her face, but in such a manner that she did
not dislike the inspection.</p>
<p>"I think I shall like you. I am so glad! I was afraid I should not.
We're all in a very awkward position together, aren't we? I like your
father's looks, though."</p>
<div class="center"><SPAN name="ill19" id="ill19"></SPAN>
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<SPAN href="images/ill19.jpg">
<ANTIMG src="images/ill19-t.jpg" height-obs="500" alt="First Impressions." /></SPAN>
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<td align="center">
<span class="caption"><span class="smallcaps">First Impressions.</span><br/>
Click to <SPAN href="images/ill19.jpg">ENLARGE</SPAN></span>
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<p>Molly could not help smiling at the way this was said. Cynthia
replied to her smile.</p>
<p>"Ah, you may laugh. But I don't know that I am easy to get on with;
mamma and I didn't suit when we were last together. But perhaps we
are each of us wiser now. Now, please leave me for a quarter of an
hour. I don't want anything more."</p>
<p>Molly went into her own room, waiting to show Cynthia down to the
dining-room. Not that, in the moderate-sized house, there was any
difficulty in finding the way. A very little trouble in conjecturing
would enable a stranger to discover any room. But Cynthia had so
captivated Molly, that she wanted to devote herself to the
new-comer's service. Ever since she had heard of the probability of
her having a sister—(she called her a sister, but whether it was a
Scotch sister, or a sister <i>à la mode de Brétagne</i>, would have
puzzled most people)—Molly had allowed her fancy to dwell much on
the idea of Cynthia's coming; and in the short time since they had
met, Cynthia's unconscious power of fascination had been exercised
upon her. Some people have this power. Of course, its effects are
only manifested in the susceptible. A school-girl may be found in
every school who attracts and influences all the others, not by her
virtues, nor her beauty, nor her sweetness, nor her cleverness, but
by something that can neither be described nor reasoned upon. It is
the something alluded to in the old
<span class="nowrap">lines:—</span></p>
<div class="center">
<table style="margin: 0 auto" cellpadding="0"><tr><td>
Love me not for comely grace,<br/>
For my pleasing eye and face;<br/>
No, nor for my constant heart,—<br/>
For these may change, and turn to ill,<br/>
And thus true love may sever.<br/>
But love me on, and know not why,<br/>
So hast thou the same reason still<br/>
To dote upon me ever.
</td></tr>
</table></div>
<p class="noindent">A woman will
have this charm, not only over men but over her own sex;
it cannot be defined, or rather it is so delicate a mixture of many
gifts and qualities that it is impossible to decide on the
proportions of each. Perhaps it is incompatible with very high
principle; as its essence seems to consist in the most exquisite
power of adaptation to varying people and still more various moods;
"being all things to all men." At any rate, Molly might soon have
been aware that Cynthia was not remarkable for unflinching morality;
but the glamour thrown over her would have prevented Molly from any
attempt at penetrating into and judging her companion's character,
even had such processes been the least in accordance with her own
disposition.</p>
<p>Cynthia was very beautiful, and was so well aware of this fact that
she had forgotten to care about it; no one with such loveliness ever
appeared so little conscious of it. Molly would watch her perpetually
as she moved about the room, with the free stately step of some wild
animal of the forest—moving almost, as it were, to the continual
sound of music. Her dress, too, though now to our ideas it would be
considered ugly and disfiguring, was suited to her complexion and
figure, and the fashion of it subdued within due bounds by her
exquisite taste. It was inexpensive enough, and the changes in it
were but few. Mrs. Gibson professed herself shocked to find that
Cynthia had but four gowns, when she might have stocked herself so
well, and brought over so many useful French patterns, if she had but
patiently waited for her mother's answer to the letter which she had
sent, announcing her return by the opportunity madame had found for
her. Molly was hurt for Cynthia at all these speeches; she thought
they implied that the pleasure which her mother felt in seeing her a
fortnight sooner after her two years' absence was inferior to that
which she would have received from a bundle of silver-paper patterns.
But Cynthia took no apparent notice of the frequent recurrence of
these small complaints. Indeed, she received much of what her mother
said with a kind of complete indifference, that made Mrs. Gibson hold
her rather in awe; and she was much more communicative to Molly than
to her own child. With regard to dress, however, Cynthia soon showed
that she was her mother's own daughter in the manner in which she
could use her deft and nimble fingers. She was a capital workwoman;
and, unlike Molly, who excelled in plain sewing, but had no notion of
dressmaking or millinery, she could repeat the fashions she had only
seen in passing along the streets of Boulogne, with one or two pretty
rapid movements of her hands, as she turned and twisted the ribbons
and gauze her mother furnished her with. So she refurbished Mrs.
Gibson's wardrobe; doing it all in a sort of contemptuous manner, the
source of which Molly could not quite make out.</p>
<p>Day after day the course of these small frivolities was broken in
upon by the news Mr. Gibson brought of Mrs. Hamley's nearer approach
to death. Molly—very often sitting by Cynthia, and surrounded by
ribbon, and wire, and net—heard the bulletins like the toll of a
funeral bell at a marriage feast. Her father sympathized with her. It
was the loss of a dear friend to him too; but he was so accustomed to
death, that it seemed to him but as it was, the natural end of all
things human. To Molly, the death of some one she had known so well
and loved so much, was a sad and gloomy phenomenon. She loathed the
small vanities with which she was surrounded, and would wander out
into the frosty garden, and pace the walk, which was both sheltered
and concealed by evergreens.</p>
<p>At length—and yet it was not so long, not a fortnight since Molly
had left the Hall—the end came. Mrs. Hamley had sunk out of life as
gradually as she had sunk out of consciousness and her place in this
world. The quiet waves closed over her, and her place knew her no
more.</p>
<p>"They all sent their love to you, Molly," said her father. "Roger
said he knew how you would feel it."</p>
<p>Mr. Gibson had come in very late, and was having a solitary dinner in
the dining-room. Molly was sitting near him to keep him company.
Cynthia and her mother were upstairs. The latter was trying on a
head-dress which Cynthia had made for her.</p>
<p>Molly remained downstairs after her father had gone out afresh on his
final round among his town patients. The fire was growing very low,
and the lights were waning. Cynthia came softly in, and taking
Molly's listless hand, that hung down by her side, sat at her feet on
the rug, chafing her chilly fingers without speaking. The tender
action thawed the tears that had been gathering heavily at Molly's
heart, and they came dropping down her cheeks.</p>
<p>"You loved her dearly, did you not, Molly?"</p>
<p>"Yes," sobbed Molly; and then there was a silence.</p>
<p>"Had you known her long?"</p>
<p>"No, not a year. But I had seen a great deal of her. I was almost
like a daughter to her; she said so. Yet I never bid her good-by, or
anything. Her mind became weak and confused."</p>
<p>"She had only sons, I think?"</p>
<p>"No; only Mr. Osborne and Mr. Roger Hamley. She had a daughter
once—'Fanny.' Sometimes, in her illness, she used to call me
'Fanny.'"</p>
<p>The two girls were silent for some time, both gazing into the fire.
Cynthia spoke <span class="nowrap">first:—</span></p>
<p>"I wish I could love people as you do, Molly!"</p>
<p>"Don't you?" said the other, in surprise.</p>
<p>"No. A good number of people love me, I believe, or at least they
think they do; but I never seem to care much for any one. I do
believe I love you, little Molly, whom I have only known for ten
days, better than any one."</p>
<p>"Not than your mother?" said Molly, in grave astonishment.</p>
<p>"Yes, than my mother!" replied Cynthia, half-smiling. "It's very
shocking, I daresay; but it is so. Now, don't go and condemn me. I
don't think love for one's mother quite comes by nature; and remember
how much I have been separated from mine! I loved my father, if you
will," she continued, with the force of truth in her tone, and then
she stopped; "but he died when I was quite a little thing, and no one
believes that I remember him. I heard mamma say to a caller, not a
fortnight after his funeral, 'Oh, no, Cynthia is too young; she has
quite forgotten him'—and I bit my lips, to keep from crying out,
'Papa! papa! have I?' But it's of no use. Well, then mamma had to go
out as a governess; she couldn't help it, poor thing! but she didn't
much care for parting with me. I was a trouble, I daresay. So I was
sent to school at four years old; first one school, and then another;
and in the holidays, mamma went to stay at grand houses, and I was
generally left with the schoolmistresses. Once I went to the Towers;
and mamma lectured me continually, and yet I was very naughty, I
believe. And so I never went again; and I was very glad of it, for it
was a horrid place."</p>
<p>"That it was!" said Molly, who remembered her own day of tribulation
there.</p>
<p>"And once I went to London, to stay with my uncle Kirkpatrick. He is
a lawyer, and getting on now; but then he was poor enough, and had
six or seven children. It was winter-time, and we were all shut up in
a small house in Doughty Street. But, after all, that wasn't so bad."</p>
<p>"But then you lived with your mother when she began school at
Ashcombe. Mr. Preston told me that, when I stayed that day at the
Manor-house."</p>
<p>"What did he tell you?" asked Cynthia, almost fiercely.</p>
<p>"Nothing but that. Oh, yes! He praised your beauty, and wanted me to
tell you what he had said."</p>
<p>"I should have hated you if you had," said Cynthia.</p>
<p>"Of course I never thought of doing such a thing," replied Molly. "I
didn't like him; and Lady Harriet spoke of him the next day, as if he
wasn't a person to be liked."</p>
<p>Cynthia was quite silent. At length she said,—</p>
<p>"I wish I was good!"</p>
<p>"So do I," said Molly, simply. She was thinking again of Mrs.
<span class="nowrap">Hamley,—</span></p>
<div class="center">
<table style="margin: 0 auto" cellpadding="0"><tr><td>
Only the actions of the just<br/>
Smell sweet and blossom in the dust,
</td></tr>
</table></div>
<p class="noindent">and "goodness" just then
seemed to her to be the only enduring thing
in the world.</p>
<p>"Nonsense, Molly! You are good. At least, if you're not good, what am
I? There's a rule-of-three sum for you to do! But it's no use
talking; I am not good, and I never shall be now. Perhaps I might be
a heroine still, but I shall never be a good woman, I know."</p>
<p>"Do you think it easier to be a heroine?"</p>
<p>"Yes, as far as one knows of heroines from history. I'm capable of a
great jerk, an effort, and then a relaxation—but steady, every-day
goodness is beyond me. I must be a moral kangaroo!"</p>
<p>Molly could not follow Cynthia's ideas; she could not distract
herself from the thoughts of the sorrowing group at the Hall.</p>
<p>"How I should like to see them all! and yet one can do nothing at
such a time! Papa says the funeral is to be on Tuesday, and that,
after that, Roger Hamley is to go back to Cambridge. It will seem as
if nothing had happened! I wonder how the squire and Mr. Osborne
Hamley will get on together."</p>
<p>"He's the eldest son, is he not? Why shouldn't he and his father get
on well together?"</p>
<p>"Oh! I don't know. That is to say, I do know, but I think I ought not
to tell."</p>
<p>"Don't be so pedantically truthful, Molly. Besides, your manner shows
when you speak truth and when you speak falsehood, without troubling
yourself to use words. I knew exactly what your 'I don't know' meant.
I never consider myself bound to be truthful, so I beg we may be on
equal terms."</p>
<p>Cynthia might well say she did not consider herself bound to be
truthful; she literally said what came uppermost, without caring very
much whether it was accurate or not. But there was no ill-nature,
and, in a general way, no attempt at procuring any advantage for
herself in all her deviations; and there was often such a latent
sense of fun in them that Molly could not help being amused with them
in fact, though she condemned them in theory. Cynthia's playfulness
of manner glossed such failings over with a kind of charm; and yet,
at times, she was so soft and sympathetic that Molly could not resist
her, even when she affirmed the most startling things. The little
account she made of her own beauty pleased Mr. Gibson extremely; and
her pretty deference to him won his heart. She was restless too, till
she had attacked Molly's dress, after she had remodelled her
mother's.</p>
<p>"Now for you, sweet one," said she as she began upon one of Molly's
gowns. "I've been working as connoisseur until now; now I begin as
amateur."</p>
<p>She brought down her pretty artificial flowers, plucked out of her
own best bonnet to put into Molly's, saying they would suit her
complexion, and that a knot of ribbons would do well enough for her.
All the time she worked, she sang; she had a sweet voice in singing,
as well as in speaking, and used to run up and down her gay French
<i>chansons</i> without any difficulty; so flexible in the art was she.
Yet she did not seem to care for music. She rarely touched the piano,
on which Molly practised with daily conscientiousness. Cynthia was
always willing to answer questions about her previous life, though,
after the first, she rarely alluded to it of herself; but she was a
most sympathetic listener to all Molly's innocent confidences of joys
and sorrows: sympathizing even to the extent of wondering how she
could endure Mr. Gibson's second marriage, and why she did not take
some active steps of rebellion.</p>
<p>In spite of all this agreeable and pungent variety of companionship
at home, Molly yearned after the Hamleys. If there had been a woman
in that family she would probably have received many little notes,
and heard numerous details which were now lost to her, or summed up
in condensed accounts of her father's visits at the Hall, which,
since his dear patient was dead, were only occasional.</p>
<p>"Yes! The Squire is a good deal changed; but he's better than he was.
There's an unspoken estrangement between him and Osborne; one can see
it in the silence and constraint of their manners; but outwardly they
are friendly—civil at any rate. The squire will always respect
Osborne as his heir, and the future representative of the family.
Osborne doesn't look well; he says he wants change. I think he's
weary of the domestic dullness, or domestic dissension. But he feels
his mother's death acutely. It's a wonder that he and his father are
not drawn together by their common loss. Roger's away at Cambridge
too—examination for the mathematical tripos. Altogether the aspect
of both people and place is changed; it is but natural!"</p>
<p>Such is perhaps the summing-up of the news of the Hamleys, as
contained in many bulletins. They always ended in some kind message
to Molly.</p>
<p>Mrs. Gibson generally said, as a comment upon her husband's account
of Osborne's <span class="nowrap">melancholy,—</span></p>
<p>"My dear! why don't you ask him to dinner here? A little quiet
dinner, you know. Cook is quite up to it; and we would all of us wear
blacks and lilacs; he couldn't consider that as gaiety."</p>
<p>Mr. Gibson took no more notice of these suggestions than by shaking
his head. He had grown accustomed to his wife by this time, and
regarded silence on his own part as a great preservative against long
inconsequential arguments. But every time that Mrs. Gibson was struck
by Cynthia's beauty, she thought it more and more advisable that Mr.
Osborne Hamley should be cheered up by a quiet little dinner-party.
As yet no one but the ladies of Hollingford and Mr. Ashton, the
vicar—that hopeless and impracticable old bachelor—had seen
Cynthia; and what was the good of having a lovely daughter, if there
were none but old women to admire her?</p>
<p>Cynthia herself appeared extremely indifferent upon the subject, and
took very little notice of her mother's constant talk about the
gaieties that were possible, and the gaieties that were impossible,
in Hollingford. She exerted herself just as much to charm the two
Miss Brownings as she would have done to delight Osborne Hamley, or
any other young heir. That is to say, she used no exertion, but
simply followed her own nature, which was to attract every one of
those she was thrown amongst. The exertion seemed rather to be to
refrain from doing so, and to protest, as she often did, by slight
words and expressive looks against her mother's words and
humours—alike against her folly and her caresses. Molly was almost
sorry for Mrs. Gibson, who seemed so unable to gain influence over
her child. One day Cynthia read Molly's thought.</p>
<p>"I'm not good, and I told you so. Somehow, I cannot forgive her for
her neglect of me as a child, when I would have clung to her.
Besides, I hardly ever heard from her when I was at school. And I
know she put a stop to my coming over to her wedding. I saw the
letter she wrote to Madame Lefevre. A child should be brought up with
its parents, if it is to think them infallible when it grows up."</p>
<p>"But though it may know that there must be faults," replied Molly,
"it ought to cover them over and try to forget their existence."</p>
<p>"It ought. But don't you see I have grown up outside the pale of duty
and 'oughts.' Love me as I am, sweet one, for I shall never be
better."</p>
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