<h2><SPAN name="CHAPTER_XLI" id="CHAPTER_XLI"></SPAN>CHAPTER XLI</h2>
<p>It seemed to Karen, after hours had passed, that she had ceased to be
tired and that her body, wafted by an involuntary rhythm, was as light
as thistle-down on the wind.</p>
<p>She had crossed the Goonhilly Downs where the moonlight, spreading far
and wide with vast unearthly brightness, filled all the vision with
immensities of space and brought memories of strains from Schubert's
symphonies, silver monotonies of never-ending sound.</p>
<p>She had plunged down winding roads, blackly shadowed by their hedgerow
trees, passing sometimes a cottage that slept between its clumps of
fuchsia and veronica. She had climbed bare hill-sides where abandoned
mines or quarries had left desolate mementoes that looked in the
moonlight like ancient tombs and catacombs.</p>
<p>Horror lay behind her at Les Solitudes, a long, low cloud on the horizon
to which she had turned her back. The misery that had overpowered and
made her one with its dread realities lay beneath her feet. She was
lifted above it in a strange, disembodied enfranchisement all the night,
and the steady blowing of the wind, the leagues of silver, the mighty
sky with its far, high priestess, were part of an ecstasy of sadness,
impersonal, serene, hallucinated, like that of the music that
accompanied the rhythm of her feet.</p>
<p>The night was almost over and dawn was coming, when, on a long uphill
road, she felt her heart flag and her footsteps stagger.</p>
<p>The moon still rode sharp and high, but its light seemed concentrated in
its own glittering disk and the world was visible in an uncanny darkness
that was not dark. The magic of the night had vanished and the beat of
vast, winding melodies melted from Karen's mind leaving her dry and
brittle and empty, like a shell from which the tides have drawn away.</p>
<p>She knew what she had still to do. At the top of the road she was to
turn and cut across fields to a headland above Falmouth—from which a
path she knew led to the town. She had not gone to Helston, but had
taken this cross-country way to Falmouth because she knew that at any
hour of the night she might be missed and followed and captured. They
would not think of Falmouth; they would not dream that she could walk so
far. In the town she would pawn Onkel Ernst's watch and take the early
train to London and by evening she would be with Frau Lippheim. So she
had seen it all, in flashes, last night.</p>
<p>But now, toiling up the interminable road, clots of darkness floating
before her eyes, cold sweats standing on her forehead, the sense of her
exhaustion crushed down upon her. She tried to fix her thoughts on the
trivial memories and forecasts that danced in her mind. The odd blinking
of Mrs. Talcott's eyelid as she had told her story; the pattern of the
breakfast set that she and Gregory had used—ah, no!—not that! she must
not fix that memory!—the roofs and chimneys of some little German town
where she was to find a refuge; for though it was to join the Lippheims
that she fled, she did not see her life as led with theirs. Leaning upon
these pictures as if upon a staff she held, she reached the hill-top.
Her head now seemed to dance like a balloon, buffeted by the great
throbs of her blood. She trailed with leaden feet across the fields. In
the last high meadow she paused and looked down at the bend of the great
bay under the pallid sky and at the town lying like a scattering of
shells along its edge. How distant it was. How like a mirage.</p>
<p>A little tree was beside her and its leaves in the uncanny light looked
like crisp black metal. The sea was grey. The sunrise was still far off.
Karen sank beneath the tree and leaned her head against it. What should
she do if she were unable to walk on? There was still time—hours and
hours of time—till the train left Falmouth; but how was she to reach
Falmouth? Fears rolled in upon her like dark breakers, heaping
themselves one upon the other, stealthy, swift, not to be escaped. She
saw the horrible kindness in Mrs. Talcott's eyes, relegated, not
relinquished. She saw herself pursued, entrapped, confronted by Gregory,
equally entrapped, forced by her need, her helplessness, to come to her
and coldly determined—as she had seen him on that dreadful evening of
their parting—to do his duty by her, to make her and to keep her safe,
and his own dignity secure. To see him again, to strive against him
again, weaponless, now, without refuge, and revealed to herself and to
him as a creature whose whole life had been founded on illusion, to
strive not only against his ironic authority but, worst of all, against
a longing, unavowed, unlooked at, a longing that crippled and unstrung
her, and that ran under everything like a hidden river under granite
hills—she would die, she felt, rather than endure it.</p>
<p>She had closed her eyes as she leaned her head against the tree and when
she opened them she saw that the leaves of the tree had turned from
black to green and that the grass was green and the sea and sky faintly
blue. Above her head the long, carved ripples of the morning cirri
flushed with a heavenly pink and there came from a thicket of a little
wood the first soft whistle of a wakened bird. Another came and then
another, and suddenly the air was full of an almost jangling sweetness.
Karen felt herself trembling. Shudders ran over her. She was ravished to
life, yet without the answering power of life. Her longing, her
loneliness, her fear, were part of the intolerable loveliness and they
pierced her through and through.</p>
<p>She struggled to her feet, holding the tree in her clasp, and, after the
galvanised effort, she closed her eyes again, and again leaned her head
upon the bark.</p>
<p>Then it was that she heard footsteps, sudden footsteps, near. For a
moment a paralysis of fear held down her eyelids. "<i>Ach Gott!</i>" she
heard. And opening her eyes, she saw Franz Lippheim before her.</p>
<p>Franz Lippheim was dressed, very strangely dressed, in tweeds and
knicker-bockers and wore a soft round hat with a quill in it—the oddest
of hats—and had a knapsack on his back. The colours of the coming day
were caricatured in his ruddy face and red-gold hair, his bright green
stockings and bright red tie. He was Germanic, flagrant, incredible, and
a Perseus, an undreamed of, God-sent Perseus.</p>
<p>"<i>Ach Gott!</i> Can it be so!" he was saying, as he approached her, walking
softly as though in fear of dispersing a vision.</p>
<p>And as, not speaking, still clasping her tree, she held out her hand to
him, he saw the extremity of her exhaustion and put his arm around her.</p>
<p>She did not faint; she kept her consciousness of the blue sky and the
cirri—golden now—and even of Franz's tie and eyeglasses, glistening
golden in the rising sunlight; but he had lowered her gently to the
ground, kneeling beside her, and was supporting her shoulders and
putting brandy to her lips. After a little while he made her drink some
milk and then she could speak to him.</p>
<p>She must speak and she must tell him that she had left her guardian. She
must speak of Tante. But what to say of her? The shame and pity that had
gone with her for days laid their fingers on her lips as she thought of
Tante and of why she had left her. Her mind groped for some availing
substitute.</p>
<p>"Franz," she said, "you must help me. I have left Tante. You will not
question me. There is a breach between us; she has been unkind to me. I
can never see her again." And now with clearer thought she found a
sufficient truth. "She has not understood about me and my husband. She
has tried to make me go back to him; and I have fled from her because I
was afraid that she would send for him. She is not as fond of me as I
thought she was, Franz, and I was a burden to her when I came. Franz,
will you take me to London, to your mother? I am going with you all to
Germany. I am going to earn my living there."</p>
<p>"<i>Du lieber Gott!</i>" Herr Lippheim ejaculated. He stared at Karen in
consternation. "Our great lady—our great Tante—has been unkind to you?
Is it then possible, Karen?"</p>
<p>"Yes, Franz; you must believe me. You must not question me."</p>
<p>"Trust me, my Karen," said Herr Lippheim now; "do not fear. It shall be
as you say. But I cannot take you to the Mütterchen in London, for she
is not there. They have gone back to Germany, Karen, and it is to
Germany that we must go."</p>
<p>"Can you take me there, Franz, at once? I have no money; but I am going
to pawn this watch that Onkel Ernst gave me."</p>
<p>"That is all simple, my Karen. I have money. I took with me the money
for my tour; I was on a walking-tour, do you see, and reached Falmouth
last night and had but started now to pay my respects at Les Solitudes.
I wished to see you, Karen, and to see if you were well. But it is very
far to your village. How have you come so far, at night?"</p>
<p>"I walked. I have walked all night. I am so tired, Franz. So tired. I do
not know how I shall go any further." She closed her eyes; her head
rested against his shoulder.</p>
<p>Franz Lippheim looked down at her with an infinite compassion and
gentleness. "It will all be well, my Karen; do not fear," he said. "The
train does not go from Falmouth for three hours still. We will take it
then and go to Southampton and sail for Germany to-night. And for now,
you will drink this milk—so, yes; that is well;—and eat this
chocolate;—you cannot; it will be for later then. And you will lie
still with my cloak around you, so; and you will sleep. And I will sit
beside you and you will have no troubled thoughts. You are with your
friends, my Karen." While he spoke he had wrapped her round and laid her
head softly on a folded garment that he drew from his knapsack; and in a
few moments he saw that she slept, the profound sleep of complete
exhaustion.</p>
<p>Franz Lippheim sat above her, not daring to light his pipe for fear of
waking her. He, watched the glory of the sunrise. It was perhaps the
most wonderful hour in Franz's life.</p>
<p>Phrases of splendid music passed through his mind, mingling with the
sound of the sea. No personal pain and no personal hope was in his
heart. He was uplifted, translated, with the beauty of the hour and its
significance.</p>
<p>Karen needed him. Karen was to come to them. He was to see her
henceforward in his life. He was to guard and help her. He was her
friend. The splendour and the peace of the golden sky and golden sea
were the angels of a great initiation. Nothing could henceforth be as it
had been. His brain stirred with exquisite intuitions, finding form for
them in the loved music that, henceforth, he would play as he had never
before played it. And when he looked from the sea and sky down at the
sleeping face beside him, wasted and drawn and piteous in its repose,
large tears rose in his eyes and flowed down his cheeks, and the sadness
was more beautiful than any joy that he had known.</p>
<p>What she had suffered!—the dear one. What they must help her to forget!
To her, also, the hour would send it angels: she would wake to a new
life.</p>
<p>He turned his eyes again to the rising sun, and his heart silently
chanted its love and pride and sadness in the phrases of Beethoven, of
Schubert and of Brahms, and from time to time, softly, he muttered to
himself, this stout young German Jew with the red neck-tie and the
strange round hat: "<i>Süsses Kind! Unglückliches Kind! Oh—der schöne
Tag!</i>"</p>
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