<p>Of the little colony, Arthur Fearing was the man of whom Hemingway had
seen the least. That was so because Fearing wished it. Like himself,
Fearing was an American, young, and a bachelor, but, very much unlike
Hemingway, a hermit and a recluse.</p>
<p>Two years before he had come to Zanzibar looking for an investment for
his money. In Zanzibar there were gentlemen adventurers of every
country, who were welcome to live in any country save their own.</p>
<p>To them Mr. Fearing seemed a heaven-sent victim. But to him their
alluring tales of the fortunes that were to rise from buried treasures,
lost mines, and pearl beds did not appeal. Instead he conferred with
the consuls, the responsible merchants, the partners in the prosperous
trading houses. After a month of "looking around" he had purchased
outright the goodwill and stock of one of the oldest of the commission
houses, and soon showed himself to be a most capable man of business.
But, except as a man of business, no one knew him. From the dim
recesses of his warehouse he passed each day to the seclusion of his
bungalow in the country. And, although every one was friendly to him,
he made no friends.</p>
<p>It was only after the arrival of Mrs. Adair that he consented to show
himself, and it was soon noted that it was only when she was invited
that he would appear, and that on these occasions he devoted himself
entirely to her. In the presence of others, he still was shy, gravely
polite, and speaking but little, and never of himself; but with Mrs.
Adair his shyness seemed to leave him, and when with her he was seen to
talk easily and eagerly. And, on her part, to what he said, Polly
Adair listened with serious interest.</p>
<p>Lady Firth, who, at home, was a trained and successful match-maker, and
who, in Zanzibar, had found but a limited field for her activities,
decided that if her companion and protegee must marry, she should marry
Fearing.</p>
<p>Fearing was no gentleman adventurer, remittance-man, or humble clerk
serving his apprenticeship to a steamship line or an ivory house. He
was one of the pillars of Zanzibar society. The trading house he had
purchased had had its beginnings in the slave-trade, and now under his
alert direction was making a turnover equal to that of any of its
ancient rivals. Personally, Fearing was a most desirable catch. He
was well-mannered, well-read, of good appearance, steady, and, in a
latitude only six degrees removed from the equator, of impeccable
morals.</p>
<p>It is said that it is the person who is in love who always is the first
to discover his successful rival. It is either an instinct or because
his concern is deeper than that of others.</p>
<p>And so, when Hemingway sought for the influence that separated him from
Polly Adair, the trail led to Fearing. To find that the obstacle in
the path of his true love was a man greatly relieved him. He had
feared that what was in the thoughts of Mrs. Adair was the memory of
her dead husband. He had no desire to cross swords with a ghost. But
to a living rival he could afford to be generous.</p>
<p>For he was sure no one could care for Polly Adair as he cared, and,
like every other man in love, he believed that he alone had discovered
in her beauties of soul and character that to the rest of mankind were
hidden. This knowledge, he assured himself, had aroused in him a depth
of devotion no one else could hope to imitate, and this depth of
devotion would in time so impress her, would become so necessary to her
existence, that it would force her at last into the arms of the only
man who could offer it.</p>
<p>Having satisfied himself in this fashion, he continued cheerfully on
his way, and the presence of a rival in no way discouraged him. It
only was Polly Adair who discouraged him. And this, in spite of the
fact that every hour of the day he tried to bring himself pleasantly to
her notice. All that an idle young man in love, aided and abetted by
imagination and an unlimited letter of credit, could do, Hemingway did.
But to no end.</p>
<p>The treasures he dug out of the bazaars and presented to her, under
false pretenses as trinkets he happened at that moment to find in his
pockets, were admired by her at their own great value, and returned
also under false pretenses, as having been offered her only to examine.</p>
<p>"It is for your sister at home, I suppose," she prompted. "It's quite
lovely. Thank you for letting me see it."</p>
<p>After having been several times severely snubbed in this fashion,
Hemingway remarked grimly as he put a black pearl back into his pocket:</p>
<p>"At this rate sister will be mighty glad to see me when I get home. It
seems almost a pity I haven't got a sister."</p>
<p>The girl answered this only with a grave smile.</p>
<p>On another occasion she admired a polo pony that had been imported for
the stable of the boy Sultan. But next morning Hemingway, after much
diplomacy, became the owner of it and proudly rode it to the agency.
Lady Firth and Polly Adair walked out to meet him arm in arm, but at
sight of the pony there came into the eyes of the secretary a look that
caused Hemingway to wish himself and his mount many miles in the
jungle. He saw that before it had been proffered, his gift-horse had
been rejected. He acted promptly.</p>
<p>"Lady Firth," he said, "you've been so awfully kind to me, made this
place so like a home to me, that I want you to put this mare in your
stable. The Sultan wanted her, but when he learned I meant to turn her
over to you, he let her go. We both hope you'll accept."</p>
<p>Lady Firth had no scruples. In five minutes she had accepted, had
clapped a side-saddle on her rich gift, and was cantering joyously down
the Pearl Road.</p>
<p>Polly Adair looked after her with an expression that was distinctly
wistful. Thus encouraged, Hemingway said:</p>
<p>"I'm glad you are sorry. I hope every time you see that pony you'll be
sorry."</p>
<p>"Why should I be sorry?" asked the girl.</p>
<p>"Because you have been unkind," said Hemingway, "and it is not your
character to be unkind. And that you have shown lack of character
ought to make you sorry."</p>
<p>"But you know perfectly well," said Mrs. Adair, "that if I were to take
any one of these wonderful things you bring me, I wouldn't have any
character left."</p>
<p>She smiled at him reassuringly. "And you know," she added, "that that
is not why I do not take them. It isn't because I can't afford to, or
because I don't want them, because I do; but it's because I don't
deserve them, because I can give you nothing in return."</p>
<p>"As the copy-book says," returned Hemingway, "'the pleasure is in the
giving.' If the copy-book don't say that, I do. And to pretend that
you give me nothing, that is ridiculous!"</p>
<p>It was so ridiculous that he rushed on vehemently. "Why, every minute
you give me something," he exclaimed. "Just to see you, just to know
you are alive, just to be certain when I turn in at night that when the
world wakes up again you will still be a part of it; that is what you
give me. And its name is—Happiness!"</p>
<p>He had begun quite innocently; he had had no idea that it would come.
But he had said it. As clearly as though he had dropped upon one knee,
laid his hand over his heart and exclaimed: "Most beautiful of your
sex, I love you! Will you marry me?" His eyes and the tone of his
voice had said it. And he knew that he had said it, and that she knew.</p>
<p>Her eyes were filled with sudden tears, and so wonderful was the light
in them that for one mad moment Hemingway thought they were tears of
happiness. But the light died, and what had been tears became only wet
drops of water, and he saw to his dismay that she was most miserable.</p>
<p>The girl moved ahead of him to the cliff on which the agency stood, and
which overhung the harbor and the Indian Ocean. Her eyes were filled
with trouble. As she raised them to his they begged of him to be kind.</p>
<p>"I am glad you told me," she said. "I have been afraid it was coming.
But until you told me I could not say anything. I tried to stop you.
I was rude and unkind—"</p>
<p>"You certainly were," Hemingway agreed cheerfully. "And the more you
would have nothing to do with me, the more I admired you. And then I
learned to admire you more, and then to love you. It seems now as
though I had always known and always loved you. And now this is what
we are going to do."</p>
<p>He wouldn't let her speak; he rushed on precipitately.</p>
<p>"We are first going up to the house to get your typewriting-machine,
and we will bring it back here and hurl it as far as we can off this
cliff. I want to see the splash! I want to hear it smash when it hits
that rock. It has been my worst enemy, because it helped you to be
independent of me, because it kept you from me. Time after time, on
the veranda, when I was pretending to listen to Lady Firth, I was
listening to that damned machine banging and complaining and tiring
your pretty fingers and your dear eyes. So first it has got to go.
You have been its slave, now I am going to be your slave. You have
only to rub the lamp and things will happen. And because I've told you
nothing about myself, you mustn't think that the money that helps to
make them happen is 'tainted.' It isn't. Nor am I, nor my father, nor
my father's father. I am asking you to marry a perfectly respectable
young man. And, when you do—"</p>
<p>Again he gave her no opportunity to interrupt, but rushed on
impetuously: "We will sail away across that ocean to wherever you will
take me. To Ceylon and Tokio and San Francisco, to Naples and New
York, to Greece and Athens. They are all near. They are all yours.
Will you accept them and me?" He smiled appealingly, but most
miserably. For though he had spoken lightly and with confidence, it
was to conceal the fact that he was not at all confident. As he had
read in her eyes her refusal of his pony, he had read, even as he
spoke, her refusal of himself. When he ceased speaking the girl
answered:</p>
<p>"If I say that what you tell me makes me proud, I am saying too
little." She shook her head firmly, with an air of finality that
frightened Hemingway. "But what you ask—what you suggest is
impossible."</p>
<p>"You don't like me?" said Hemingway.</p>
<p>"I like you very much," returned the girl, "and, if I don't seem
unhappy that it can't be, it is because I always have known it can't
be—"</p>
<p>"Why can't it be?" rebelled Hemingway. "I don't mean that I can't
understand your not wanting to marry me, but if I knew your objection,
maybe, I could beat it down."</p>
<p>Again, with the same air of finality, the girl moved her head slowly,
as though considering each word; she began cautiously.</p>
<p>"I cannot tell you the reason," she said, "because it does not concern
only myself."</p>
<p>"If you mean you care for some one else," pleaded Hemingway, "that does
not frighten me at all." It did frighten him extremely, but, believing
that a faint heart never won anything, he pretended to be brave.</p>
<p>"For you," he boasted, "I would go down into the grave as deep as any
man. He that hath more let him give. I know what I offer. I know I
love you as no other man—"</p>
<p>The girl backed away from him as though he had struck her. "You must
not say that," she commanded.</p>
<p>For the first time he saw that she was moved, that the fingers she
laced and unlaced were trembling. "It is final!" exclaimed the girl.
"I cannot marry—you, or any one. I—I have promised. I am not free."</p>
<p>"Nothing in the world is final," returned Hemingway sharply, "except
death." He raised his hat and, as though to leave her, moved away.
Not because he admitted defeat, but because he felt that for the
present to continue might lose him the chance to fight again. But, to
deliver an ultimatum, he turned back.</p>
<p>"As long as you are alive, and I am alive," he told her, "all things
are possible. I don't give up hope. I don't give up you."</p>
<p>The girl exclaimed with a gesture of despair. "He won't understand!"
she cried.</p>
<p>Hemingway advanced eagerly.</p>
<p>"Help me to understand," he begged.</p>
<p>"You won't understand," explained the girl, "that I am speaking the
truth. You are right that things can change in the future, but nothing
can change the past. Can't you understand that?"</p>
<p>"What do I care for the past?" cried the young man scornfully. "I know
you as well as though I had known you for a thousand years and I love
you."</p>
<p>The girl flushed crimson.</p>
<p>"Not my past," she gasped. "I meant—"</p>
<p>"I don't care what you meant," said Hemingway. "I'm not prying into
your little secrets. I know only one thing—two things, that I love
you and that, until you love me, I am going to make your life hell!"</p>
<p>He caught at her hands, and for an instant she let him clasp them in
both of his, while she looked at him.</p>
<p>Something in her face, other than distress and pity, caused his heart
to leap. But he was too wise to speak, and, that she might not read
the hope in his eyes, turned quickly and left her. He had not crossed
the grounds of the agency before he had made up his mind as to the
reason for her repelling him.</p>
<p>"She is engaged to Fearing!" he told himself. "She has promised to
marry Fearing! She thinks that it is too late to consider another man!"
The prospect of a fight for the woman he loved thrilled him greatly.
His lower jaw set pugnaciously.</p>
<p>"I'll show her it's not too late," he promised himself. "I'll show her
which of us is the man to make her happy. And, if I am not the man,
I'll take the first outbound steamer and trouble them no more. But
before that happens," he also promised himself, "Fearing must show he
is the better man."</p>
<p>In spite of his brave words, in spite of his determination, within the
day Hemingway had withdrawn in favor of his rival, and, on the Crown
Prince Eitel, bound for Genoa and New York, had booked his passage home.</p>
<p>On the afternoon of the same day he had spoken to Polly Adair,
Hemingway at the sunset hour betook himself to the consulate. At that
hour it had become his custom to visit his fellow countryman and with
him share the gossip of the day and such a cocktail as only a fellow
countryman could compose. Later he was to dine at the house of the
Ivory Company and, as his heart never ceased telling him, Mrs. Adair
also was to be present.</p>
<p>"It will be a very pleasant party," said Harris. "They gave me a bid,
too, but it's steamer day to-morrow, and I've got to get my mail ready
for the Crown Prince Eitel. Mrs. Adair is to be there."</p>
<p>Hemingway nodded, and with pleasant anticipation waited. Of Mrs.
Adair, Harris always spoke with reverent enthusiasm, and the man who
loved her delighted to listen. But this time Harris disappointed him.</p>
<p>"And Fearing, too," he added.</p>
<p>Again Hemingway nodded. The conjunction of the two names surprised
him, but he made no sign. Loquacious as he knew Harris to be, he never
before had heard his friend even suggest the subject that to Zanzibar
had become of acute interest.</p>
<p>Harris filled the two glasses, and began to pace the room. When he
spoke it was in the aggrieved tone of one who feels himself placed in a
false position.</p>
<p>"There's no one," he complained suddenly, "so popularly unpopular as
the man who butts in. I know that, but still I've always taken his
side. I've always been for him." He halted, straddling with legs
apart and hands deep in his trousers pockets, and frowned down upon his
guest.</p>
<p>"Suppose," he began aggressively, "I see a man driving his car over a
cliff. If I tell him that road will take him over a cliff, the worst
that can happen to me is to be told to mind my own business, and I can
always answer back: 'I was only trying to help you.' If I don't speak,
the man breaks his neck. Between the two, it seems to me, sooner than
have any one's life on my hands, I'd rather be told to mind my own
business."</p>
<p>Hemingway stared into his glass. His expression was distinctly
disapproving, but, undismayed, the consul continued.</p>
<p>"Now, we all know that this morning you gave that polo pony to Lady
Firth, and one of us guesses that you first offered it to some one
else, who refused it. One of us thinks that very soon, to-morrow, or
even to-night, at this party you may offer that same person something
else, something worth more than a polo pony, and that if she refuses
that, it is going to break you all up, is going to hurt you for the
rest of your life."</p>
<p>Lifting his eyes from his glass, Hemingway shot at his friend a glance
of warning. In haste, Harris continued:</p>
<p>"I know," he protested, answering the look, "I know that this is where
Mr. Buttinsky is told to mind his business. But I'm going right on.
I'm going to state a hypothetical case with no names mentioned and no
questions asked, or answered. I'm going to state a theory, and let you
draw your own deductions."</p>
<p>He slid into a chair, and across the table fastened his eyes on those
of his friend. Confidently and undisturbed, but with a wry smile of
dislike, Hemingway stared fixedly back at him.</p>
<p>"What," demanded Harris, "is the first rule in detective work?"</p>
<p>Hemingway started. He was prepared for something unpleasant, but not
for that particular form of unpleasantness. But his faith was
unshaken, and he smiled confidently. He let the consul answer his own
question.</p>
<p>"It is to follow the woman," declared Harris. "And, accordingly, what
should be the first precaution of a man making his get-away? To see
that the woman does not follow. But suppose we are dealing with a
fugitive of especial intelligence, with a criminal who has imagination
and brains? He might fix it so that the woman could follow him without
giving him away, he might plan it so that no one would suspect. She
might arrive at his hiding-place only after many months, only after
each had made separately a long circuit of the globe, only after a
journey with a plausible and legitimate object. She would arrive
disguised in every way, and they would meet as total strangers. And,
as strangers under the eyes of others, they would become acquainted,
would gradually grow more friendly, would be seen more frequently
together, until at last people would say: 'Those two mean to make a
match of it.' And then, one day, openly, in the sight of all men, with
the aid of the law and the church, they would resume those relations
that existed before the man ran away and the woman followed."</p>
<p>There was a short silence.</p>
<p>Hemingway broke it in a tone that would accept no denial.</p>
<p>"You can't talk like that to me," he cried. "What do you mean?"</p>
<p>Without resentment, the consul regarded him with grave solicitude. His
look was one of real affection, and, although his tone held the
absolute finality of the family physician who delivers a sentence of
death, he spoke with gentleness and regret.</p>
<p>"I mean," he said, "that Mrs. Adair is not a widow, that the man she
speaks of as her late husband is not dead; that that man is Fearing!"</p>
<p>Hemingway felt afraid. A month before a rhinoceros had charged him and
had dropped at his feet. At another time a wounded lioness had leaped
into his path and crouched to spring. Then he had not been afraid.
Then he had aimed as confidently as though he were firing at a straw
target. But now he felt real fear: fear of something he did not
comprehend, of a situation he could not master, of an adversary as
strong as Fate. By a word something had been snatched from him that he
now knew was as dear to him as life, that was life, that was what made
it worth continuing. And he could do nothing to prevent it; he could
not help himself. He was as impotent as the prisoner who hears the
judge banish him into exile. He tried to adjust his mind to the
calamity. But his mind refused. As easily as with his finger a man
can block the swing of a pendulum and halt the progress of the clock,
Harris with a word had brought the entire world to a full stop.</p>
<p>And then, above his head, Hemingway heard the lazy whisper of the
punka, and from the harbor the raucous whistle of the Crown Prince
Eitel, signalling her entrance. The world had not stopped; for the
punka-boy, for the captain of the German steamer, for Harris seated
with face averted, the world was still going gayly and busily forward.
Only for him had it stopped.</p>
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