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How to Analyze People on Sight Through the Science of Human Analysis: The Five Human Types

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<h1>HOW TO<br /> ANALYZE PEOPLE<br /> ON SIGHT</h1> <div class="figcenter" style="width: 50px;"> <ANTIMG src="images/deco-001.png" width="50" height="50" alt="" title="" /> </div> <p><br /><br /></p> <div class="figcenter" style="width: 600px;"> <ANTIMG src="images/illus-002.png" width="600" height="386" alt="" title="" /> </div> <p><br /><br /></p> <div class="figcenter" style="width: 417px;"> <ANTIMG src="images/titlepage.png" width="417" height="600" alt="Title page" title="Title page" /> </div> <p><br /><br /></p> <h5>Copyright, 1921<br /> By<br /> Elsie Lincoln Benedict<br /> and<br /> Ralph Paine Benedict<br /> <br /> <i>All rights reserved</i><br /></h5> <p><br /><br /></p> <div class="figcenter" style="width: 400px;"> <ANTIMG src="images/deco-005.png" width="400" height="43" alt="" title="" /> </div> <h3>WE THANK YOU</h3> <p>� To the following men and women we wish to express our appreciation for their share in the production of this book:<br /><br /></p> <p><i>To</i> <span class="smcap">Duren J. H. Ward, Ph. D.</span>,<br /> <span style="margin-left: 2.5em;">formerly of the Anthropology Department of Harvard University, who,</span><br /> <span style="margin-left: 2.5em;">as the discoverer of the fourth human type, has added immeasurably</span><br /> <span style="margin-left: 2.5em;">to the world's knowledge of human science.</span><br /><br /></p> <p><i>To</i> <span class="smcap">Raymond H. Lufkin</span>,<br /> <span style="margin-left: 2.5em;">of Boston, who made the illustrations for this volume</span><br /> <span style="margin-left: 2.5em;">scientifically accurate.</span><br /><br /></p> <p><i>To</i> <span class="smcap">The Roycrofters</span>,<br /> <span style="margin-left: 2.5em;">of East Aurora, whose artistic workmanship made it into a thing of</span><br /> <span style="margin-left: 2.5em;">beauty.</span><br /><br /></p> <p><span style="margin-left: 2.5em;"><i>And last but not least,</i></span><br /><br /></p> <p><i>To</i> <span class="smcap">Sarah H. Young</span>,<br /> <span style="margin-left: 2.5em;">of San Francisco, our Business Manager, whose efficiency correlated</span><br /> <span style="margin-left: 2.5em;">all these and placed the finished product in the hands of our</span><br /> <span style="margin-left: 2.5em;">students.</span><br /><br /></p> <p class="citation"> THE AUTHORS<br /></p> <p><i>New York City,<br /> June, 1921</i></p> <hr style="width: 65%;" /> <p><br /><br /><br /><br /><br /><br /></p> <h3>DEDICATED<br /> TO<br /> OUR STUDENTS</h3> <div class="figcenter" style="width: 50px;"> <ANTIMG src="images/deco-006.png" width="50" height="50" alt="" title="" /> </div> <p><br /><br /><br /><br /><br /></p> <div class="figcenter" style="width: 400px;"> <ANTIMG src="images/deco-007.png" width="400" height="70" alt="" title="" /> </div> <h2>CONTENTS</h2> <div class="center"> <table border="0" cellpadding="4" cellspacing="0" summary="Contents"> <tr><td align="left"></td> <td align="left"></td> <td align="right"><span style="margin-left: 3em;">Page</span></td></tr> <tr><td></td></tr> <tr><td align="left">HUMAN ANALYSIS</td> <td align="left"></td> <td align="right"><SPAN href="#Page_11">11</SPAN></td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="left">CHAPTER I</td></tr> <tr><td align="left"><span class="smcap">The Alimentive Type</span></td> <td align="left"></td> <td align="right"><SPAN href="#Page_37">37</SPAN></td></tr> <tr><td align="left">"<i>The Enjoyer</i>"</td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="left">CHAPTER II</td></tr> <tr><td align="left"><span class="smcap">The Thoracic Type</span></td> <td align="left"></td> <td align="right"><SPAN href="#Page_83">83</SPAN></td></tr> <tr><td align="left">"<i>The Thriller</i>"</td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="left">CHAPTER III</td></tr> <tr><td align="left"><span class="smcap">The Muscular Type</span></td> <td align="left"></td> <td align="right"><SPAN href="#Page_133">133</SPAN></td></tr> <tr><td align="left">"<i>The Worker</i>"</td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="left">CHAPTER IV</td></tr> <tr><td align="left"><span class="smcap">The Osseous Type</span></td> <td align="left"></td> <td align="right"><SPAN href="#Page_177">177</SPAN></td></tr> <tr><td align="left">"<i>The Stayer</i>"</td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="left">CHAPTER V</td></tr> <tr><td align="left"><span class="smcap">The Cerebral Type</span></td> <td align="left"></td> <td align="right"><SPAN href="#Page_217">217</SPAN></td></tr> <tr><td align="left">"<i>The Thinker</i>"</td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="left">CHAPTER VI</td></tr> <tr><td align="left"><span class="smcap">Types That Should and <br />Should Not Marry Each Other</span></td> <td></td><td align="right"><SPAN href="#Page_263">263</SPAN></td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="left">CHAPTER VII</td></tr> <tr><td align="left"><span class="smcap">Vocations for Each Type</span></td> <td align="left"></td><td align="right"><SPAN href="#Page_311">311</SPAN></td></tr> </table></div> <hr style="width: 65%;" /> <p><br /><br /></p> <div class="figcenter" style="width: 400px;"> <ANTIMG src="images/deco-008a.png" width="400" height="70" alt="" title="" /> </div> <h2>What Leading Newspapers Say About Elsie Lincoln Benedict and Her Work<br /></h2> <div class="figcenter" style="width: 50px;"> <ANTIMG src="images/deco-008b.png" width="50" height="50" alt="" title="" /> </div> <p><br /><br /></p> <p>"Over fifty thousand people heard Elsie Lincoln Benedict at the City Auditorium during her six weeks lecture engagement in Milwaukee."&mdash;<i>Milwaukee Leader, April 2, 1921.</i><br /><br /></p> <p>"Elsie Lincoln Benedict has a brilliant record. She is like a fresh breath of Colorado ozone. Her ideas are as stimulating as the health-giving breezes of the Rockies."&mdash;<i>New York Evening Mail, April 16, 1914.</i><br /><br /></p> <p>"Several hundred people were turned away from the Masonic Temple last night where Elsie Lincoln Benedict, famous human analyst, spoke on 'How to Analyze People on Sight.' Asked how she could draw and hold a crowd of 3,000 for a lecture, she said: 'Because I talk on the one subject on earth in which every individual is most interested&mdash;himself.'"&mdash;<i>Seattle Times, June 2, 1920.</i><br /><br /></p> <p>"Elsie Lincoln Benedict is a woman who has studied deeply under genuine scientists and is demonstrating to thousands at the Auditorium each evening that she knows the connection between an individual's external characteristics and his inner traits."&mdash;<i>Minneapolis News, November 7, 1920.</i><br /><br /></p> <p>"Elsie Lincoln Benedict is known nationally, having conducted lecture courses in many of the large Eastern cities. Her work is based upon the practical methods of modern science as worked out in the world's leading laboratories where exhaustive tests are applied to determine individual types, talents, vocational bents and possibilities."&mdash;<i>San Francisco Bulletin, January 25, 1919.</i></p> <div class="figcenter" style="width: 400px;"> <ANTIMG src="images/deco-009.png" width="400" height="124" alt="" title="" /> <br /><br /></div> <h2> It's not<br /> how much you<br /> know but what<br /> you can<br /> DO<br /> that counts<br /><br /></h2> <p><span class="pagenum">
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